Female sitting dance with vocal accompaniment, Aceh CD572

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1 Female sitting dance with vocal accompaniment, Aceh CD572 Music transcribed by Helen Catanchin October 2011 CD572 Chapter 30, 22:02-25:27 (3:25 total) Notes: Musical accompaniment and dance motation for eight seated female dancers in Aceh, Indonesia, from scene recorded by Margaret Kartomi May The different melodic sections would be first sg by a solo vocalist who led the dancers in call-and-response. The dancers danced continuously during this excerpt, and sang in chorus after the leader's call. The tempo of the music and dance increased gradually between the tempo markings and was led by the vocal leader. The tempo would then sometimes suddenly increase in the first bars of the dancers' response in chorus (eg from 138bpm to 180bpm). This transcription includes the entire scene as recorded by MK. Body Percussion Saf SECTION I 22:04 q = 118 Bis-mill ah a wai lon peu phon tu eng tu - ron 8 a - sa - i bak mu - la Ber - seu mang at ra-tep meu seu - kat 16 Ta - loe peu - et ji - noe ka- moe ba 24 22:31 q = 138 a - sai bak mu - la Ber - seu - mang-at meu - seu - kat 32 22:34 q = 180 Bis - mill - ah wai - lon peu phon tu eng tu - ron

2 2 40 a - sai - bah mu-la Ber - seu mang-at ra tep meu - seu - kat 48 Ta - loe peu - et ji nue ka - moe ba 56 a - sai bah mu - la Ber - seu mang - at meu - seu- 62 SECTION II 22:51 q = 200 kat 69 22:56 q = 122 Nya Nya wong 77 geu-ta- nyoe di-da - lam ba - dan Ba - rang pi-nja- man Tu-han bri - te - roh bah wa - tee ka neu cok pu-lang pu - lang Nya wong ngon ba - dan Tu-han Tu han bri 23:10 q = 137

3 wong geu-ta- nyoe di-da - lam ba - dan Ba - rang pi-nja- man Tu-han bri - te - roh bah SECTION III wa - tee ka neu cok pu-lang pu lang 23:26 q = 134 Deg-o ton - Nya wong ngon ba - dan Tu-han Tu han bri 3 - ki - sah u - roe ki a - mat ma - lam Ju- meu - at phon teu - ka glcem pa Sa - lla - hu' a - lai Na - bi ya Na-bi Sa - lla-lla - hu' a a a la Ra-sul Sa - lla-lla hu' a la Na - bi Mu-hamm - ad Ab-da di Ra - sul wa - tee ka neu cok pu-lang pu - lang Nya wong ngon ba - dan Tu-han Tu han bri 3 Nya

4 :11 q = 215 SECTION IV :13 q = :26 q =

5 5 175 *Note: Until conclusion of piece upper portion of stave is performed with RH, lower portion of stave is performed with LH :41 q = Ja - na - tom sa - re ja - na - tom ja - na - tom sa re :59 q = 164 Ja - na-tom sa - re ja - na-tom sa - re na-tom Al-lah :06 q = 197

6 :17 q =

7 KEY Head and Torso * Nod head with full body boce Turn head to face right Turn head to face left Lean body to right Lean body to left Hands Clap hands vertically in front of stomach Hold hands vertically in front of stomach, palms together, RH twists upwards, LH twists downward Hold hands vertically in front of stomach, palms together, LH twists upwards, RH twists downward Hand strike using back of hand Move hand in continuous figure-of-eight movement Shoulder striking Strike left shoulder with RH Strike left shoulder with LH Strike right shoulder with RH Strike right shoulder with LH Thigh striking Strike left thigh with RH Strike left thigh with LH Strike right thigh with RH Strike right thigh with LH Strike both hands on corresponding thighs Floor beating Strike floor in front of right knee with RH Strike floor in front of right knee with LH Strike floor in front of left knee with RH Strike floor in front of left knee with LH Strike floor in front of right knee with both hands Strike floor in front centre of body with both hands Strike floor in front of left knee with both hands *Note: The rhythmic duration of movements is denoted on the score by the use of corresponding note heads, stems, and ties (for example minums, crotchets and quavers).

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