Allemandes. Sources. Allemandes 1
|
|
- Sarah Beasley
- 6 years ago
- Views:
Transcription
1 Allemandes 1 Allemandes Allemandes (Almans, Almayns, Almaynes, Almands) bear much in common with Pavanes, from which they are possibly derived. They are all line dances, done by as many couples as will, with the lady standing to the right of the man. Of all the period dances, allemandes show the widest variations in their description in period sources, and also the widest variations in the modern interpretations of their descriptions. The differences mostly occur in the interpretation of their basic steps, while their tabulation remains reasonably (although not always) constant. Sources Primary Sources There are two main primary sources for the Almans, these are: Orchesography, by Thoinot Arbeau, which lists the music and tabulature for one Alman. The Inns of Court manuscripts. These are transcribed in an article Dancing in the Inns of Court, in Historical Dance, The Journal of the Dolmetsch Historical Dance Society, Vol 2 No 5 ( ). Reconstructions There is also a book by Patri Pugliese, titled Practice for Dauncynge which contains transcriptions and reconstructions of most of the almans in the latter source, however it is out of print. More recently, there is also a book and CD titled Dances from the Inns of Court containing many of these dances, by Peter and Janelle Durham, which contains concordances from the various manuscripts. It s worth getting hold of a copy of these sources, as they are not expensive and list a good number of dances that are not contained in this book. Allemandes are fairly easy to re-construct from the primary sources as Arbeau is available in translation, and the Inns of Court MSS are in English.
2 2 Allemandes Step Descriptions DL/DR --Double forwards In the English style of allemande, these are done in the same way as for a pavane. In the French style, these conclude with a pied en l'air, where the last step ends by bringing the trailing foot forwards and into the air, instead of just closing the step. This should be done by bending the raised leg at the knee, with the foot relaxed, while the rear leg is straight, and without a jump. DLh/DRh -- Double Left/Right Hop Perform a DL or a DR. On the last step, instead of closing feet, take a small hop with the foot that is currently grounded, and finish with a small kick forwards, in the style of a "pied en l'air". This is the commonly danced "Allemande double", and there is some evidence that all of the doubles in allemandes not otherwise marked can be done with these hops. Where an allemande has doubles that are marked with hops, however, the rest of the doubles should be done without them. DLb/DRb -- Double backwards These steps are similar to the above steps, except going backwards. SL/SR -- Single forwards These are done in the same way as for a pavane. SLs/SRs -- Single sideways. These are done in the same way as a SL and a SR for a Bransle. Alternatively, a "pied en l'air" may be performed in the French style, where the SLs ends with a small kick to the left with the right foot, and the SRs ends with a small kick to the right with the left foot. TL/TR -- Turn Left/Right These steps are the same as a TL and a TR in a country dance. Alternatively, if partners are facing each other, the steps can be done by doing a DL or a DR, holding either one of or both of your partner's hands, and turning around your partner into their place. Starting Positions It appears that all of the allemandes were done as line dances, for as many couples as will, as shown in the diagram. The primary sources don't actually name or specify any starting positions, but this appears to be the most likely arrangement.
3 Allemandes 3 Black Allemande This is by far the most complex of the Allemandes, which isn't really accusing it of much when you look at the complexity of the others. It's a fun dance. Part A 1-8 DL DR DL DR Four doubles forwards. Finish by turning to face your partner, and drop hands. Part B 1-4 DLb DR Walk away from your partner, then back towards your partner. Turn 90, to face your own left. 5-6 DL Double left, men moving up the line, ladies moving down the line. Then turn 180 to the right. 7-8 DR Double right, re-joining your partner. Turn to face your partner. Part C 1-4 Men SLs SRs TL Men set and turn 5-8 Ladies SLs SRs TL Ladies set and turn Part D To start this section, take both of your partner's hands. 1-2 TL Walk around into your partner's place. 3-4 Men SRs SRs SRs SRs These steps are done up the line, while Ladies SLs SLs SLs SLs holding hands. The singles here are actually slides, which are done in the same way as a quick single, sliding the trailing foot into place rather than stepping. 5-6 TL Walk around back into your original 7-8 Men SRs SRs SRs SRs Ladies SLs SLs SLs SLs place. Slide back down the line again. Drop hands. Part E 1-4 DLb DR Walk away from your partner, then back towards your partner. Join hands and face forwards, to restart the dance with part A. Repeat the dance until the music runs out. On the second and fourth times through, part C is done with the ladies doing the first set and turn, and the men doing the second set and turn.
4 4 Allemandes Queen's Allemande Part A 1-8 DLh DRh DLh DRh Four doubles forwards with hops. Part B 1-4 DL DRb A doubles forwards and a double back, finish by turning to face your partner 5-8 SLs SRs TL Set and turn, turn to face forwards again Repeat Repeat bars 1 8 as above. The entire dance then repeats until the music runs out. There are at least three other different tabulations for this dance in the original sources. Lorayne Allemande Part A 1-8 DLh DRh DLh DRh 4 doubles forwards with hops. Part B 1-8 DL DRb DL T(L/R) The last turn is a double turning away from your partner -- men turn to the left, ladies to the right DL DRb DL T(L/R) Repeat the above. Repeat The dance then repeats from the beginning, one or several times. The Earl of Essex Measure Part A 1 12 DL SRb x 4 Double forwards, single back, 4 times Part B 1 2 SLs SRs Set (sideways singles left and right) 3 4 DL Double forwards 5 6 DRb Double backwards Repeat Repeat as often as will.
5 Allemandes 5 Madam Sosilla Allemande (Lady Cecilia's Allemande) There are a few different variations in wording of this dance in the Inns of Court manuscript, especially the latter section of Part B. This is the reconstruction that fits the music that I have, based on MS Harl 367. Part A 1-5 SL SR DL SRb Moving forwards SL SR DL SRb Moving forwards again, end facing your partner. Part B 1-2 SLs SRs Two sideways singles left and right. 3-4 Reverance Reverance on the left foot. 5-8 SL SR DL Two singles and a double around into your partner's place, passing right shoulders Reverance Reverance on the right foot Embrace Step towards your partner and embrace. Repeat part B, finishing back in your starting positions and facing forwards. Tinternell Part A 1-4 DL DRb Two doubles, then turn to face your partner. Part B 1-4 SL SR TL Set and turn 5-8 SR SL TR Set and turn The turns are done around your partner into your partner's place. The dance sequence is as follows: Part A Part B Part A x 3 Part B When part A is done 3 times, partners face each other only at the end of the third time.
6 6 Allemandes Turkelone This dance is best known in the SCA for providing part of the music for the Mannschaft Pavan. Part A 1-16 DL DRb x 4 Double forwards and backwards 4 times. Part B 1-6 SLs SRs DL DRb Single left then right, then doubles forwards and back SLs SRs DL DRb Repeat the above. Part C Repeat part A.
Teaching Notes: France and Burgundy
Teaching Notes: France and Burgundy 1 Teaching Notes: France and Burgundy The 15 th and 16 th Century dances of France and Burgundy are amongst the simplest of renaissance dances. I usually introduce dancers
More informationOther French Dances 1
Other French Dances 1 Other French Dances Although most of the dances in Orchesography are bransles, Arbeau describes a number of dances that are not bransles. These include the following types of dance:
More informationBy Hlaford Wulfric Ferreter and Mihrimah Mahidevran Hatun
By Hlaford Wulfric Ferreter and Mihrimah Mahidevran Hatun Introduction...1 The Basics of Medieval Dancing...2 The Left Foot (Size may vary)...3 The Right Foot (Size may vary)...4 The Named Steps...5 The
More informationTeaching Notes: 16th C Italian Dance
Teaching Notes: 16th C Italian Dance 1 Teaching Notes: 16th C Italian Dance The dances of 16 th Century Italy were very different from the dances of 15 th Century Italy. Between the two repertoires they
More informationMommy, where do dances come from?
Mommy, where do dances come from? Peter Durham (Trahaearn ap Ieuan) Arbeau s Orchesography (1589) - Branle Double Facsimile of original Visit http://www.peterdur.com/kwds2007/proceedings/survey-of-european-dance-sources.htm
More informationStudent Handouts: English Country Dance
Student Handouts: English Country Dance 1 Student Handouts: English Country Dance Week 1: Hearts Ease and Rufty, Tufty Heart s Ease A square dance for 2 couples. Start holding hands with partner and facing
More informationBasic Movement Patterns Locomotor Skills 1.3
Basic Movement Patterns Locomotor Skills 1.3 Jumping Forward & Sideways & Landing Extending Arms upward upon takeoff Arms Reach Full Extension about head height at lift off Extending the Hips, Knees, and
More informationSCA Inventions. The Sans Serif. SCA Inventions 1
SCA Inventions 1 SCA Inventions The Sans Serif The sans serif is another dance that I have seen very few groups do the same way. Here is the Anealan version. The dance is a circle dance for couples. The
More information16th C Italian Dance Steps
16th C Italian Dance Steps 1 16th C Italian Dance Steps Differences between Negri and Caroso Negri and Caroso use the same steps for many of their dances, and in many cases their descriptions of the steps
More informationReference Primary School Curriculum (1999) Physical Education, page 42. Physical Education Teacher Guidelines, page 80.
STRAND: Gymnastics CLASS LEVEL: Third & Fourth Class LESSON: 1 PAGE: 1 Curriculum Objectives Strand Unit: Movement Create a sequence of movements to develop body awareness and control with appropriate
More informationPenta-Pentamere Dances Volume 2 (2018) Page 1 of 20
Penta-Pentamere Dances Volume (018) Page 1 of 0 Peascod Gatherers Penta Pentamere Dances Volume Bizzaria d'amore (:4) - Italian 16th Century - Negri, 160 Petit Vriens (:46) - Italian 15th Century - Ambrosio
More informationPoints that Arbeau did not mention but which we found made the dance flow better are indicated in italic.
Dancing the bouffons Paul of Kraé Glas and Teffania de Tuckerton With the input of: Clemes Gascoigne, Estienne Delemontagne, Gilligan of St Bartholomew, Madelina of Duneheve, Swannoc of Eldormere, Tomasia
More informationCHOREOGRAPHY NOTES VOLUME 42
CHOREOGRAPHY NOTES VOLUME 42 A NOTE FROM THE HOME OFFICE Music is one of the most important, exciting, and fun parts of the Zumba experience. Zumba Fitness respects all cultures, languages, religions and
More information3900 Moves in the Field
ing skills to develop a theme and interpret music, and effectiveness of the costumes will be reflected in the marking. 3900 Moves in the Field 3901 Moves in the field are basic skating moves skated without
More informationPenta-Pentamere Dances Volume 1 (2014) Version: 1/2015 Page 1 of 20
Penta-Pentamere Dances Volume 1 (014) Version: 1/015 Page 1 of 0 Musica Subterranea Penta Pentamere Dances Volume 1 Petite Rose (1:40) - Italian 15th Century - Domenico, c. 1450 Original melody by Dafydd
More informationPromenade; Take a walk back to the home position or as far as directed by the caller. The home position refers to the men s starting position.
Dancer Naming: Heads, Sides, Couple Numbers: The couple with their back to the caller is the number one couple. Each couple to the right (counter-clockwise) has each succeeding number. Couples One & Three
More informationABOUT THE TEACHING OF THROWING EVENTS
ABOUT THE TEACHING OF THROWING EVENTS By Friedheld Endemann The following address provides a general outline of principles applied to learning practices in throwing events with recommended sequences for
More informationThe Many 19th Century Valse à Deux Temps
The Many 19th Century Valse à Deux Temps Richard Powers Reconstructing the mid-19th century valse à deux temps has remained a mystery among dance historians for decades. Indeed, the mystery is a part of
More informationClarifications for Singles and Pair Skating
October 4, 2005 Clarifications for Singles and Pair Skating The following are clarifications to many asked questions. Though they do not represent all the questions asked, they do represent a majority
More informationGroup Games. Glob Tag. Group Soccer. Toss and Tag
Group Games Glob Tag Have students spread out in the general space within the boundaries and then choose 2 students to be the globs. On the signal the remaining students try to avoid being tagged by either
More information26. FLUTTER KICKS 50 FITNESS ACTIVITIES HEART RAISERS ON THE SPOT MARCH MONTH
MARCH 26. FLUTTER KICKS For small spaces, alternate left and right leg kicks in front of your body. Knees are slightly bent as you kick low and quick. Bend elbows at 90 degree angles and pump slightly
More informationTour de Fitness Sponsored by LAHPERD and The Governor s Council on Physical Fitness & Sport
ELEMENTARY II. HEALTH RELATED FITNESS MUSCULAR STRENGTH MEET THE FLINSTONES (with Dyna bands provided by Fitness Wholesale) Standard(s): 2, 3, & 7 Suggested Grade Level: 3 rd and up Music: Meet the Flintstones
More informationPre-requisite. The Lead. In the first two quick steps the gentleman is in backward line of dance in the CLOSED position.
Pre-requisite Overview The Lead 2 Step Second Level Walk Through Square Off Single Turn To complete this segment, you must have completed the first level of 2 step instruction. The Walk Through Square
More informationCONSTITUTION Cotillion from A TREATISE ON DANCING...LESSONS, STEPS, FIGURES, &c. by Saltator, Boston, 1802, the earliest American dance manual
Saltator's 1802 CONSTITUTION Cotillion from A TREATISE ON DANCING...LESSONS, STEPS, FIGURES, &c. by Saltator, Boston, 1802, the earliest American dance manual Reconstructed by Richard Powers from the collection
More informationChanhassen Boys Soccer Offseason Training
Activity 1 CONDITIONING ACTIVITIES Manchester United Fitness Test Length of run is 100 yds. RUN SPRINT TIME/ RECOVERY TIME: 1-10: 25 sec / 35 sec 11: 24 sec / 36 sec 12: 23 sec / 37 sec 13: 22 sec / 38
More information20. SILVER SAMBA. The time required to skate 2 sequences is 59 sec.
0. Music Samba /4 Tempo 54 measures of beats per minute Pattern Optional Duration The time required to skate sequences is 59 sec. The dance begins with the partners in Kilian hold as they skate two run
More informationLinedancer Dance GlossaryDance Glossary
Linedancer Dance GlossaryDance Glossary Step name Comments Linedancer step Across Advanced Ankle rock Apple jack Apple jacks left Apple jacks right Back Back rock Balance 1/2 turn left Balance 1/2 turn
More information#5. SWING DANCE (updated )
#5. SWING DANCE (updated 6.05.18) Music -Foxtrot 4/4 Tempo -25 measures of 4 beats -100 beats per minute Pattern -Set Suggested Introductory Steps: The dance should be started at the point marked START
More informationHip Hop II-III Amanda s Academy of Dance
Goals 1. To teach the children fun and funky jazz moves ( hip-pop ), as well as introduce specific body isolations to them that are the basis for hip-hop. The children are not quite developmentally ready
More information20. SILVER SAMBA. The time required to skate 2 sequences is 59 sec.
0. SILVER SAMBA Music Samba /4 Tempo 54 measures of beats per minute Pattern Optional Duration The time required to skate sequences is 59 sec. The dance begins with the partners in Kilian hold as they
More information3-4 Keeping the bottom edge of the hoop on the floor, spin the hoop on the vertical axis to change to the right hand.
Level 3 Hoop The video is the official version of the routine. This written text is merely an additional teaching tool. Some skills, such as complex dance steps or movements of the free arm, are not described
More information10U/12U PHASE II - AGILITY & BALANCE LADDER: TAPIOCA 10U/12U PHASE II - AGILITY & BALANCE LADDER: TAPIOCA
0U/U PHASE II - AGILITY & BALANCE LADDER: TAPIOCA 0U/U PHASE II - AGILITY & BALANCE LADDER: TAPIOCA Begin by standing sideways at one end of the ladder with the lead foot directly next to the ladder. Move
More informationBreathe phrase 1 Notes
Breathe phrase 1 Notes Beat/ Bar Support Leg gesture and/or direction Starting position Weight placement is centred; feet in Standing CSL facing SR 6, 7, 8 X3 walks to enter LRL Arm/ Head gesture Torso
More informationAmeriDance and Eastern Dance
2016-2017 AmeriDance and Eastern Dance School/Rec Dance Team Divisions & Safety Rules 1 AMERIDANCE AND EASTERN DANCE SCHOOL/REC DANCE CATEGORY DIVISIONS The following list is a Menu of division and categories
More informationShift phrase 3 Notes. Arm/ Head gesture Torso Guidance. Beat/ Bar Support Leg gesture and/or direction. Standing feet together facing DSR
Shift phrase 3 Notes Beat/ Bar Support Leg gesture and/or direction Starting position Weight centred evenly between both legs; DSR Standing feet together facing DSR Arm/ Head gesture Torso Guidance Arms
More informationICE DANCE Instructional material on the new Pattern Dance Tea-Time Foxtrot
Communication No. 0 ICE DANCE Instructional material on the new Pattern Dance Tea-Time Foxtrot The Ice Dance Technical Committee (IDTC) is pleased to announce that all instructional materials for the new
More informationMoving Around Skills: Activity Sheets for Developmental Milestones
1. Holding head up M1A Turning head to the side When my child is lying on his back, he can move his head to the left and to the right. M1B Holding head up while on tummy When my child is lying on his tummy
More information2 Step 2 Dance Studio Polka Under Arm Turn
Under Arm Turn Polka Pre-requisite Introduction The First Triple Step Set Completed Basic Polka instruction (This is a beginning pattern) The Under Arm Turn in Polka is made up of distinct parts: Lead
More informationMoving Around Skills: Activity Sheets for Developmental Milestones
1. Holding head up M1a Turning head to the side When my child is lying on his back, he can move his head to the left and to the right. M1b Holding head up while on tummy When my child is lying on his tummy
More information^ or more missing lesser Value Part Additional Trunk Movements to Maintain Balance / Control upon Landing of Acro elements
Floor Exercise Deductions 2018-2022 5/31/18 Absence of Music CJ 1.00 Arm Swings on Landing to Maintain Balance ^ Acrobatics: Incomplete Twist - Acro Elements 1-44 missing 0.05 - Additional Trunk Movements
More informationPre-requisite. The Promenade
2 Step Third Level Pre-requisite Overview The Promenade 2 Step Third Level Promenade - Walk Through Square Off Single Turn To complete this segment, you must have completed the second level of 2 step instruction.
More informationFLOOR EXERCISE ~ Chapter 1 ~ Requirements
FLOOR EXERCISE ~ Chapter 1 ~ Requirements EXAMPLES FOR GOLD FLOOR FULFILLS SR #1 and #2 1. Minimum two (2) directly connected Acro Flight elements. 2. 2nd Acro Pass Minimum Two (2) directly connected Flight
More informationAmeriDance and Eastern Dance. School/Rec Dance Team Divisions, Categories & Safety Rules
2018-2019 AmeriDance and Eastern Dance School/Rec Dance Team Divisions, Categories & Safety Rules AMERIDANCE AND EASTERN DANCE SCHOOL/REC DANCE CATEGORY DIVISIONS The following list is a Menu of division
More informationGUIDELINES FOR INTERNATIONAL PAIR COMPETITIONS
GUIDELINES FOR INTERNATIONAL PAIR COMPETITIONS In the following, Ice must be understood as Floor and blade as Plates Competitors will present only a long program for any of the categories. Requirements
More informationFour Italian Bassedanze
Four Italian Bassedanze 1 Four Italian Bassedanze Corona Part 1 1 SL SR CbL 2 singles, left then right, ending with the weight on the Left 2-3.5 Contrapasso R, Contrapasso R 2 (contrapassi) doubles on
More informationFab 5 Dances for Elementary Physical Education. Presented By: SPARK Trainer Kathleen Wynn
Fab 5 Dances for Elementary Physical Education Presented By: SPARK Trainer Kathleen Wynn ACTIVITY the conga GRADES K-2 Ready 4 cones (for boundaries) Music: The Conga (SPARK K-2 Music CD) Music player
More informationUnited Kingdom Alliance Scottish Step-Dance Exam Syllabus
Contents United Kingdom Alliance Scottish Step-Dance Exam Syllabus Preamble... 3 Scottish Step Dancing a brief history...4 Glossary of positions and basic movements...5 Hands...5 Head...5 Feet...5 Footwear...5
More informationSKATE CANADA - LEVELS OF DIFFICULTY, SINGLE SKATING, SEASON EFFECTIVE JULY 1, 2008 JUNE 30, 2009
SKATE CANADA - LEVELS OF DIFFICULTY, SINGLE SKATING, SEASON 2008-2009 Number of for Levels: 2 for Level 2, 3 for Level 3, 4 for Level 4 Step Sequences Spiral Sequences All Spins 1) Simple variety (Level
More informationAcademic Language Project. Based on the Virginia Physical Education Standards of Learning. Academic Language Card Set KINDERGARTEN
The Academic Language Project Based on the Virginia Physical Education Standards of Learning Academic Language Card Set KINDERGARTEN Motor Skill Development The AMP Lab More Physical Education Curriculum
More informationPhysical Education Year 1 to Year 6 Skills & Learning Outcomes. Curriculum Strands Games Dance Gymnastics Athletics - Year 3, 4, 5, and 6 Swimming
Physical Education Year 1 to Year 6 Skills & Learning Outcomes Curriculum Strands Games Dance Gymnastics Athletics - Year 3, 4, 5, and 6 Swimming PHYSICAL EDUCATION Year 1 Games Dance Gymnastics Travel
More informationA NOTE FROM THE HOME OFFICE
CHOREOGRAPHY NOTES - VOLUME 43 A NOTE FROM THE HOME OFFICE Music is one of the most important, exciting, and fun parts of the Zumba experience. Zumba Fitness respects all cultures, languages, religions
More informationYear 7 Dance- SPORTS THEMES. Learning outcomes
Year 7 Dance- SPORTS THEMES Learning outcomes Development of rhythm and timing to music Enhanced co-ordination and body management. Knowledge of the 6 types of action/movement Be able to link movements
More informationSunday Soccer Curriculum
Sunday Soccer Curriculum Copyright Birmingham United Soccer Association. All Rights Reserved BUSA Sunday Soccer Session #1 Topic: Dribbling BUSA Sunday Soccer Curriculum Warm-Up and then move to new cone.
More informationKari Hunt. Course KH Sport Skill Notebook. Speedball + +
Kari Hunt Course KH 3030 Sport Skill Notebook Speedball + + Table of Contents I. Teaching Progression Page 3 II. Soccer passing/trapping Page 4,5 III. Soccer - dribbling Page 6 IV. Conversions 2 feet Page
More informationT-BALL PRACTICE PLAN WEEK 4: EDUCATION
T-BALL PRACTICE PLAN WEEK 4: EDUCATION INTRODUCTION, STRETCHES & WARM UP 7 MINUTES 1. Have players share what their favorite part about last week was and what they learned about bullying prevention. 2.
More informationPART A - 2 MINUTES UNDER 15 - PHASE 2. ACTIVATEye DIAGONAL SIDE SHUFFLE SIDE SHUFFLE PLANNED PLANT AND CUT 2 X 15 METRES EFFORT
PART A - 2 MINUTES DIAGONAL SIDE SHUFFLE 2 X 15 METRES Facing diagonal, perform 2-3 side shuffles Pivot 90 on lead leg & change direction Hips and knees flexed Maintain same height EFFORT 50-70% Soft knees
More informationD SCORE + E SCORE = TOTAL SCORE SPECIAL OLYMPICS GAMES LEVEL 2 FLOOR EXERCISE - PANEL D ARTISTIC COMPULSORY ROUTINE JUDGING SHEET
D SCORE + E SCORE = TOTAL SCORE 2012-2019 SPECIAL OLYMPICS GAMES LEVEL 2 FLOOR EXERCISE - PANEL D Identified Skills Value Performed? (Check) Bonus 1. Start in corner, turn 90 and perform a side chasse
More informationCOACHING RESOURCE. Jump
NetSetGO COACHING RESOURCE Jump JUMP (INCLUDING HOP AND LEAP) Progressions Progressions for the fundamental skills of jump/hop/leap are as follows: Jump. Jump and land on one foot. Leap. Hop. Add a ball
More informationPresenting. I Want To Be A Tech Guru But I Can t Turn On My Computer. Presented By: SPARK Elite Trainer John Hichwa
Presenting I Want To Be A Tech Guru But I Can t Turn On My Computer Presented By: SPARK Elite Trainer John Hichwa The SPARK Programs 1-800-SPARK-PE www.sparkpe.org ACTIVITY MOVEMENT BAND CIRCUIT (GROUP
More informationWomen s Artistic Gymnastics 2017 STEPS 1 6 PROGRAMME (V10) VAULT
Women s Artistic Gymnastics 2017 STEPS 1 6 PROGRAMME (V10) VAULT Gymnasts are entitled to 2 or 3 warm up vaults. Gymnasts will perform 1 competition vault. If the gymnast performs a No Vault she may have
More informationTraining Centers Interactive Lesson Plan
Season: Winter 2017 Program: TDC Week: 1 Dribbling to beat an opponent Pattern Dribble (10 Touches:) Each player with a soccer. All patterns will be completed with both feet. 1. Touch the with the outside
More informationTable of Contents Addendum November 5, 2012 Abbreviations, Definitions, Judging Criteria and Other Useful Information has been inserted after the original Skate Dance Positions page. The following dances
More informationP.O. Box 87, Baldwin, NY
680 Educational Activities, Inc. P.O. Box 87, Baldwin, NY 11510 1-800-797-3223 www.edact.com Definitions Of Basic Movements And Calls There are many different ways of teaching and performing the basic
More informationFundamental Movement Skills
Fundamental Movement Skills Jumping What is... Jumping: The action of pushing off with both feet and landing with both feet. Does it look right? Prepare to jump by bending the knees and pushing the arms
More informationROCK N ROLL RULES. Duration of dancing and music. Duration of dancing and music in finals of Girl Formation Junior and Main Class. in all other rounds
Age Duration of dancing and music in finals of Girl Formation Junior and Main Class Duration of dancing and music in all other rounds Minimum duration of RR music for couples Speed of music (bars/min)
More information2 ND 3 RD. 4 th 5 TH RELAYS STANDARDS
2018-2019 RELAYS RELAYS STANDARDS GRADE LEVEL STANDARD DESCRIPTION 2.M.1.1 Perform locomotor skills with proficiency in a variety of activity settings to include rhythms/dance 2.C.2.1 Describe the critical
More informationPresented By: SPARK Trainer, Julie Frank The SPARK Programs SPARK-PE
Best Practices Presented By: SPARK Trainer, Julie Frank The SPARK Programs 1-800-SPARK-PE www.sparkpe.org UNIT: MANAGEMENT GAME OBJECTIVES Grouping students safely, quickly, equitably EQUIPMENT 4 cones
More informationArm lock or Arm hook Dancers are facing each other and the lady's arm(s) are hooked behind the man's shoulder(s).
DICTIONARY SALSA A salsa dictionary of terms Arm lock or Arm hook Dancers are facing each other and the lady's arm(s) are hooked behind the man's shoulder(s). Arm loop Dancers are facing each other and
More informationKWDMS VII : July 2, 2009 July 5, In the Canton of Eoforwic, the Kingdom of Ealdormere Held at McMaster University, Hamilton, Ontario, Canada
KWDMS VII : July 2, 2009 July 5, 2009 In the Canton of Eoforwic, the Kingdom of Ealdormere Held at McMaster University, Hamilton, Ontario, Canada Cover image taken from p.199 of Cesare Negri's Le Gratie
More informationGrandmaster Dr. Ted Gambordella
The Complete Book of Wrist Locks By Grandmaster Dr. Ted Gambordella Everything you need to know about Wrist Locks. By Grandmaster Dr. Ted Gambordella 1 I have always loved to do wrist locks since I first
More information* DO NOT DO AN INCLINE MORE THAN 15 DEGREES - TOO
Week 12 July 29th * See website for list of exercises and video A March Balance 1 x 10 each leg A March, A Skip, A Run 1 x 15yds each way Seated Arm Action 3 x 10 sec. Wall Run - Single Replacement x 6
More informationROCK N ROLL RULES. Duration of dancing. Duration of dancing and. Girls and Ladies formations. music in semi-finals and finals of
RR/1/1.10 ROCK N ROLL RULES 1. INTRODUCTION 1.1 In all items, not regulated separately in the following, the appropriate conditions stipulated by the WRRC especially in the Tournament Rules shall be applicable.
More informationTumbling Unit. Walk, run, skip, chariochi, slide, gallop, chasse, leap, jump, hop, back peddle,
Tumbling Unit 6th grade: Individual assessments on skills. Maybe one/two passes with a couple rotations, balances, movements. I created a routine for them to use. This seem to give them options to just
More informationBritish Theatre Dance Association. Grade 3 Modern Jazz
British Theatre Dance Association Grade 3 Modern Jazz The Modern Jazz programme of study is written as detailed descriptions of the exercises in the grade with timing and spatial directions using the studio
More informationDance Instructions for Binary Tunes update 15 Aug 2017
Dance Instructions for Binary Tunes update 15 Aug 2017 Disc One Track 1 - Nonesuch Track 2 - Barham Down Track 3 - Elsie s Waltz West Reservoir Track 4 - Jack s Maggot listening set Track 5 - Levi Jackson
More informationISTD Ballet Exam Vocabulary
ISTD Ballet Exam Vocabulary 1 INDEX Page Pre-Primary & Primary 3 Port de bras 4 Grade One 6 Grade Two 8 Grade Three 11 Grade Four 14 2 PRE-PRIMARY & PRIMARY At this stage children are not tested on the
More informationAdvanced Figures in NY/LA & Cuban Style
Advanced Figures in NY/LA & Cuban Style This page contains the "Script" (that is the spoken part) of the DVD "Advanced Figures. This may help non English speaking students to follow the video, as well
More informationK IWIS PORT Fundamental Skills MANIPULATION ACTIVITIES BALL CONTROL
K IWIS PORT Fundamental Skills MANIPULATION ACTIVITIES BALL CONTROL BALL CONTROL The aim of is to develop basic sports skills through simple, enjoyable play activities. This section contains those which
More informationAnswers to Questions from Coaches Conference Call on ISU 1445 May 17, :30 p.m. ET
nswers to Questions from Coaches Conference Call on ISU 1445 May 17, 2007 8:30 p.m. ET The following notes are not rules and should not be used as a substitute for the ISU Communication 1445. They are
More informationSpecial Olympics Figure Skating Technical Package
1 2015-2016 Special Olympics Figure Skating Technical Package The SOC Figure Skating rules are based upon the Skate Canada Canskate and Starskate programs. ISU or the SC rules shall be employed except
More informationNo-Partner Dances / Line Dances, Mixers / Easy Round Dances Gert-Jan & Susie Rotscheid
This seminar is about using "no-partner (solo) dances, line dances & mixers / easy round dances" in your club. This can be useful for both square and round dance clubs, and certainly for a club that has
More informationS A T U R D A Y & S U N D A Y, J A N U A R Y 2 6 & 27, St. John Arena/French Field House, The Ohio State University, Columbus, Ohio
T H E O H I O S T A T E U N I V E R S I T Y 2013 C H E E R L E A D I N G & D A N C E T E A M C O M P E T I T I O N S A T U R D A Y & S U N D A Y, J A N U A R Y 2 6 & 27, 2 0 1 3 St. John Arena/French Field
More informationOswaldtwistle Moor End Primary School
Lancashire Year 2 Athletic Activities Core Task Key Stage 1 Colour Match Core Task The Colour match core task involves children throwing different pieces of equipment as accurately as possible in order
More informationU8 RECREATIONAL COACHING PACKET
U8 RECREATIONAL COACHING PACKET HOW TO USE THIS PACKET: Hopefully by now you have completed the Nebraska State Soccer Right Start and Online Coaching Modules. If you haven t, you can go through these free
More informationP.E Curriculum Framework for EYFS and KS1
P.E Curriculum Framework for EYFS and KS1 Daily Physical Activity [DPA] should run through the school curriculum. Learnt skills should be transferable and not taught in isolation. Autumn Term Spring Term
More informationRF-1. High Knee Marching, No Arms Run Form Drills. Improve running and movement technique
High Knee Marching, No Arms Run Form Drills RF- Stand on the doubles sideline with the body relaxed and little or no weight on your heels. Relax the upper body and do not use the arms. Lift the left knee
More information1. Forehand low crosscourt net from defensive (Square) stance: downward feed
Badminton Ireland 1. Forehand low crosscourt net from defensive (Square) stance: downward feed This task will introduce some of the playing basics and encourage the following Starting in a defensive square
More informationKRISTALCUP GHENT. Announcement. International Recreational Figure Skating Competition
KRISTALCUP GHENT Announcement International Recreational Figure Skating Competition for Free Skating Adults Men, Ladies and Ice Dance Adults Men, Ladies, Kids. - 22 April 2018 Second Edition 2 nd edition
More informationCREATIVE DANCE WORKSHOP. Monday 4 th July, 2011 Coláiste Mhuire, Marino
WARM UP TRAVEL CROSS THE FLOOR Development of the floor crossing sequence MUSIC Quixtomomosis Brass Souls Ta Douleur - Camille Golden Brown - Stranglers Why Can t We Live Together - Sade Cha Cha Balkan
More informationI N T E R N A T I O N A L S K A T I N G U N I O N
I N T E R N A T I O N A L S K A T I N G U N I O N Communication No. 2164 ICE DANCE I. Requirements for Technical Rules with ongoing validity, effective July 1 st, 2018 Technical Rules specify that some
More informationDans Ţigănesc Rar (6/8):
30 Name of dance: Dans Ţigănesc Rar, Dans Ţigănesc Repede Pronunciation: dahnss tsee-gah-nesk rrahrr, dahnss tsee-gah-nehsk rreh-peh-deh Place of origin: Muntenia, Romania Source of music: tape provided
More informationUnit 1 Question Bank. Revised July Based on Manual 3 rd Edition May All sections
Unit 1 Question Bank Revised July 2014 Based on Manual 3 rd Edition May 2013 Unit 1 Examinable areas of the Manual Third Edition Sections included in Unit 1 exam Chapter Ch 1~ The Scottish Country Dance
More informationINTERCOLLEGIATE TECHNICAL RULEBOOK
INTERCOLLEGIATE TECHNICAL RULEBOOK GENERAL COMPETITION ANNOUNCEMENT & TECHNICAL RULES 2015-16 SEASON August 2015 Table of Contents SECTION 1: GENERAL COMPETITION RULES... 3 A. EVENTS... 3 B. TEST LEVEL...
More informationINTERNATIONAL DANCE FEDERATION TECHNICAL RULES
INTERNATIONAL DANCE FEDERATION TECHNICAL RULES DISCIPLINE: DISCO DANCE TIPOLOGIES: DISCO DANCE SOLO: Male Female DISCO DANCE COUPLE: Two (2) dancers: one (1) Male and one (1) Female DISCO DANCE DUO: Two
More information3668 VIENNESE WALTZ (GOLD DANCE TEST)
3668 VIENNESE WALTZ (GOLD DANCE TEST) Music - Waltz 3/4 Tempo - 52 measures of 3 beats per minute - 156 beats per minute Pattern - Optional Duration - The time required to skate 3 sequences is 1:09 min.
More informationGoalkeeper Coaching Points. Compiled by: Hemant Sharma
Goalkeeper Coaching Points Compiled by: Hemant Sharma Ready Position Rule Number 1: If you are scared of the ball, play another position, or go play for the Slovenian national team. (Look at this keeper
More information16. PASO DOBLE i
6. PASO DOBLE Music - Paso Doble /4 Tempo - 56 measures of beats per minute - beats per minute Pattern - Optional Duration - The time required to skate 3 sequences is 5 sec. The Paso Doble is a dramatic
More informationCOURSE SLO REPORT - FINE ARTS DIVISION
COURSE SLO REPORT - FINE ARTS DIVISION COURSE SLO STATEMENTS - E 101 103 105 110 120A 120B Dance Appreciation History of Dance in the 20th Century Music for Dance Beginning Dance Ballet I Ballet Technique
More informationGross Motor Therapy Procedures
Gross Motor Therapy Procedures Perceptual Training Workbook Kenneth A. Lane, O.D. Royal Fireworks Press Unionville, New York General Directions The activities that appear in this workbook are not in any
More informationBATTING A BALL OVERHEAD
BATTING A BALL OVERHEAD Batting a Ball Overhead is used mostly by defenders and midfielders to prevent the sliotar from passing through and play it back in the direction that it came from. Position the
More information