Yanson-Manizer, Elena Alexandrovna 1890-1971 Galina Ulanova as 'Odette' White Glazed porcelain 16 1/2ins, 42cm high 1950's Printed Red Factory mark from Lomonosov Porcelain factory in St Petersburg
PROVENANCE: Dr Robert Bunting's Dance Collection, Boston, Mass Skinner Auction Room, 63 Park Plaza, Boston, 'The Robert Bunting Dance Collection' Auction, September 20, 2013, Lot 422 LITERATURE: Soviet Ballet in the work of E. Yanson-Manizer, Khulozhiik, Leningrad, 1965, illus. pl 37. Lomonosov Porcelain Manufacture St Petersburg, 1744-1944, Galina Agarkova and Nataliya Petrova, Jointly published by Lomonosov Porcelain manufacture and Desertina, Switzerland, 1994, p. 173 illustrated. Elena Yanson-Manizer or Janson-Maniser was the 20th century's leading sculptor of the Soviet ballet. Her beautiful statues of sportsman and ballet dancers can be seen today in the public gardens of Moscow and St Petersburg and in the stations of the Moscow Metro. Yanson-Manizer was the wife of the sculptor Matvei Manizer and they worked together in different parts of the same Moscow Studio. Her husband, also one of the Soviet Period's most important sculptors, had to follow the party line more than his wife in his choice of subject matter and did many public commissions. Yansen-Manizer loved the ballet and sculpted most of the leading dancers of the mid 20th century. Being a fervent admirer and subtle connoisseur of ballet Yansen-Manizer suceeded in portraying the individuality of each dancer as well as their grace and athleticism. Galina Sergeyevna Ulanova(1910-1998) was one of the most famous ballerina's of the Soviet period. Galina Ulanova She was born in Saint Petersburg and became an iconic figure in Soviet ballet. Russian composer Sergey Prokofiev called her, the genius of Russian ballet, its elusive soul and its inspired poetry while another legendary dancer of the 20th century, Rudoif Nureev, was convinced she was, the world's Number One ballerina. Yansen-Manizer first modelled her in clay just larger than life size in the 1940's.
Yansen-Manizer in her studio with Matvei Manizer and her son Hugo in front of the original clay version of circa 1940.
Ulanova, circa 1940, circa 2m high, bronze, Manizer Museum, Moscow. in the 1965 book, Soviet Ballet in the work of E. Yansen-Maniser, Victoria Krigher, State Prize Laureate, writes about this sculpture, "Here is the great dancer, Galina Ulanova. She is shown in the role of Odette from the ballet "Swan Lake". With the toe cap slightly touching the pedestal and the arms upraised like the wings of a big white bird, she seems to be hovering in the air." Ulanova is gracefully piroueting on her toes, perfectly balanced with her back arched. She combines elegance with strength and her beautiful face looks passively down at the ground. Yansen-Manizer originally made the clay in the 1940's and then cast a single version in bronze which is the one in the Manizer Museum garden. In the 1950's she made a few bronzes at 50cm high. Later in the 1980's, at the request of the Director of the National Museum in Stockholm, after he saw the version at the Manizer Museum, two more large bronze versions were cast by the artist's family(tretyakov and Stockholm). Our version in porcelain was cast at the well-known Lomonosov Porcelain Factory in St Pertersburg which executed a series of white glazed porcelain sculptures of Yanson Manizer's most famous sculptures in the 1950's under the supervision of the artist. The porcelain was in the well known collection of dance related artworks belonging to the Boston physician, Dr Robert Bunting. Bunting first fell in love with the ballet while a medical student in New York when he
attended George Balanchine's staging of the Nutcracker at the New York City Ballet. His collection of over 200 pieces incorporated set and costume designs by Serge Diaghilev, Isadora Duncan, Leon Bakst, Natalia Goncharova and George Balanchine. Above - the porcelain collection in the Matvei and Elena Manizer Museum in Moscow. They have a version of this porcelain seen here in the top right hand side of the cabinet.
Above - This version is kept in the Lomonosov Porcelain Factory Museum. This beautiful sculpture, of one of Russia's greatest ballerina's, remains a poignant reminder of the elegance of Ulanova in her prime, a historical reminder of the importance of ballet to the Soviet elite and a demonstration of the skill of Elena Yansen-Manizer. For a video on her work http://www.youtube.com/watch?v=2s2xenofv7o
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