Brownie Points. From You Can Get There From Here By Lawrence G. & Andrea J. Enscoe

Similar documents
The Trouble with Evelyn

A.C.M.E. From Gimme Five By Torry Martin. Setting: Pete s office represented by a desk and two chairs

Over the Palms. from Son of Pew Prompter By Larry & Annie Enscoe

from The Worship Drama Library Volume 2 By Mike and Colleen Gray

Heard on High by Curt Cloninger

Greetings. From The Worship Drama Library, Volume 5 By Jerry Cohagan

HERO WORSHIP II Written by Joe Rieger

ONE WIFE TOO MANY By Tony Howell (Excerpts may be used royalty free for auditions.) AUDITION #1- for 3 m, 1 w. 1 flexible.

What If? An interactive exploration of violence against women. By Lydia Longman

RAINIE. Rainie stood on the edge of her bed. The small

SCHRÖDINGER S BABY. written by. Chris Hicks

Drama Presents. DIAMONDS IN THE ROUGH From All Star Sports Collection. by John Cashion. Put Me In, Coach

Three Months By Jordan Oakley

Going Out. Bambang Yudianto. (c) Bambang Yudianto 2010

ANNIE - ACT ONE, SCENE ONE

Desert Trek. Alex Tamayo. High Noon Books Novato, California

Battle of the Bands. K.L. Denman

The First Date. Christopher Lawrence

Sunday, March 27, 2005 Approx. 3:00 p.m. Partial transcript of interview

When someone tells you a story, they usually start at the beginning. And that s where I m going to start. You have to know a couple of things before

mother has a few quirks of her own, too. (OLIVIA clears a large space on the kitchen counter and begins unpacking the groceries.)

Copyright 2008 Matt Smith Dead And Gone

The City of Dead. P.D. Hewitt

THE REPAIR MAN. Rammuel R. Lavarro

Replacement Parts Too Small. A Horror Story Writer. (c) Copywright 2015

TEEN GIRL and TEEN BOY are making out on the carpet. They begin to roll around when a doorbell rings. They pull apart.

I SPY. Written by. Simon K. Parker

Steve Lord Big Dog Publishing

Unfathomable. All rights reserved

A New Chart for Pitchers and My Top 10 Pitching Thoughts Cindy Bristow - Softball Excellence

A PERFECT DAY By Curtis Rainey

A Raccoon in Santa Monica

Money Town. Kids. Hannah s Sacrifice

Hip Hop Jen s Kids Dance Party Choreography Notes

THE BARGAIN STORE. Brandi Self. Los Angeles, CA

WHAT WE SEE. Written by. Julia Savage

Sample Pages from Stand Alone: Monologues for Girls

Be Ivy + Bean in Your Own Play!

Memoirs of a Father Figure. written by. Andrew Mangum

Flying Feet. James McCann

The Four Musketeers in The Night Before Christmas By Mary Engquist

All rights reserved Copyright 2018 MY MONSTER

I Talk You Talk Press The Legacy sample NOT FOR SALE THE LEGACY. Level 4 - B1/B2 Intermediate (2) Graded Reader from I Talk You Talk Press.

AUTOMATIC DRIVE. Mark Renshaw

SCHOLASTIC PRESS NEW YORK

REBECCA S ROOMMATE by Amanda Petefish-Schrag

Bases Loaded... Nobody s Home

Another Sommer-Time Story. by Carl Sommer Illustrated by Dick Westbrook

Chapter 6 The Rime of the Ancient Mariner: Transcript. 1. Jenny: Okay, as you guys look at these words, what do you think of?

Most Valuable. by AMAR E STOUDEMIRE. illustrated by TIM JESSELL SCHOLASTIC INC.

Standup Falldown. A short play. Written by. Ken Crost. Ken Crost 2753 W. Riverwalk Circle #J Littleton, CO (720)

On how to prepare the team to play in a big environment like the Big House and Coach Sanchez s college football team he rooted for

Yo. Little Bro! Move it or lose it! Wallace McKnight yelled. He grabbed his backpack. Wallace went out the door. His mom said to wait for Miles.

FRANK LAMPARD SCHOLASTIC INC.

ESL Podcast 414 Common Traffic Signs

Si could barely contain his excitement as his mother parked and they

THE QUIET LIFE. Written by. Simon K. Parker

Scripture Superheroes: Daniel Fearless Faith by Rebecca Wimmer

Copyright 2018 This screenplay may not be used or reproduced without the express written permission of the author.

MONSTER SURVIVAL SKILLS DURING A GREMLIN OUTBREAK

GAME CHANGER. Week 5. Elementary Large Group Script. Need to Know: On God s Team, Players Encourage Others

SEE OTHER SHEET for DIRECTIONS on What to Mark Up on Here EVALUATE SAMPLE STORY

Rebel s Tag. K.L. Denman. Orca Book Publishers

Park (mis)adventures

Head to Toe. by Brian Howell

Peck. David Krajewski. screenplay must not be reproduced without the express written permission of the author.

THE OFFER SIMON K. PARKER

Adventu res. Contents. a. The Cave...3 b. Fishing...13 c. Lost Island...25 d. T-Rex is After Me...35

The Struggle... By: Nathan, Shelby, Sue, and Dylan

Taken for a Ride. James Redd

"JOHNNY SMILES" Zapryan Tolev

After a few beats, Nicko STOPS at the sight of:

MY BROTHER By Mike Willis

One Kid's Treasure Written by Len Schuler Illustrations by Kit Jaspering

Gin & Tonic, No Lime. working? I turn, slipping a hand in one of my coat s many. mouths. Yeah, I was on my way out I answer to my

Format for a Movie Script

Couples Sunday.txt 1

Except a huge silver candlestick, the table is empty. Flames rise high in the fireplace.

The Lost Dog. (A fictional story)

CREEPY GIRL ON THE PLAYGROUND

Louise rolled her eyes. There s no such thing as a magic soccer ball, she said. And even if there were, it wouldn t look like that.

Steve Lord. Norman Maine Publishing

About. The beach was a few hours drive away, so I decided to take a nap in the backseat until we got

Inspiring a Culture of Character

COULROPHOBIA. Pia Cook.

Clint Snyder Big Dog Publishing

Chapter 1. Looking for Lei

The Understudy. by Ryan Cukier

THE BROWN SHOES. by JULIE JENSEN CHARACTERS MARK STEPH DEENA. NOTE: Lines that are underscored are meant to be addressed to the audience.

Easter Bunny Interrogation

Pedestrian Safer Journey Ages 5 9 Video Script

THE NO-NO DOOR FADE IN:

Hey, guys! How is everyone doing this morning (evening)? It s SO great to see you! We are feeling the

CHEERING EACH OTHER ON

Addison. the April. Fool s Day Fairy

Pacific Press Publishing Association Nampa, Idaho Oshawa, Ontario, Canada

By Lawrence Martin 1

Animal Rescue Team. by Linda Jakubowski. Order the complete book from the publisher. Booklocker.com.

Little Pebble & Speedy Legs Dangerous Journey

False Hope. James Redd

Transcription:

Lillenas Drama Presents Brownie Points From You Can Get There From Here By Lawrence G. & Andrea J. Enscoe YOUTH GROUP TEENS (onstage actors or voices on tape) KEVIN TIFFANY all junior-high- and/or high-school-age PAIGE SCENE: Mimi Von Schnookums front room (In the darkness we hear party sounds people talking, laughing, and eating. A spot comes up on a buffet table, center stage. It is covered with incredible eats and a huge plate of brownies right in the middle. The spot widens and we see KEVIN, TIFFANY, and PAIGE. They are staring at the table, moving to different positions to look at it. After a moment, they slowly begin to circle the table, oblivious to anyone else, including each other. Occasionally they might walk into other party guests, but they take no notice. Even though all three are obsessed with the food, they are very normal-looking teenagers in body size. After a moment, they stop and look out at the audience.) KEVIN/TIFFANY/PAIGE: Mimi Von Schnookums triple-fudge, three-layered, chocolate-frosted brownies look outrageous, don t they? (Small pause) WHY DID I HAVE TO COME TO THIS STUPID PARTY?! (They go back to circling. KEVIN steps out to address the audience, while the others continue their march.) KEVIN: I d give anything to have one a those radical brownies. I d snag the whole plate, if I could. Two points! Takedown! But I gotta make weight tomorrow for the match. I gotta. Alls I been eatin the whole week is cottonballs, lemon water, and All Bran. It s way bizarre. If I m not in class, I m in the bathroom. I m starving. I asked my coach if I could just go ahead and wrestle 145s instead a 138s. It d be a lot easier on me. (Shouts) What s the matter, Benson, you can t make weight? Scarfin up too many Ding-Dongs at lunchtime? Show me a little self-control, willya! I felt like Lord Major General Wimposaurus of the Universe. What can I do? Have you ever not made weight? Standing there praying it doesn t tip. And if it does... look out. It s the worst. You feel like you just... let down the whole world. And then I d have to tell my dad. Dead meat. Coach is right, man. I m such a wimp. After this party, I ll turn up the heat in the basement, put on my sweats, and do laps all night. My mom ll lecture me on my health, but my dad ll think I m tough. I ll just do what it takes to make 138 tomorrow. Whatever it takes.

KEVIN/TIFFANY/PAIGE: And so I shouldn t eat anything. Not even a brownie. (KEVIN joins the circle. TIFFANY steps out.) TIFFANY: Everyone looks on a fat person s plate to see what they re eating. You know it s true. Look at em all. They re just watchin me to see if the hippo goes straight for the mud. Well, I m not gonna do it. (Laughs) Yeah, well my mom says I m just big-boned. If you lose too much weight you ll look stupid. C mon, honey, have some more tuna casserole. So what do I look like to people? Big-boned? Get out. The word is fat. Lose pudgy, overweight, heavy, plump. The word is F-A-T. Gi-huge-ic. You won t catch me near that table. I touch anything over there and it might as well have an arrow on it that points straight to my rear. And if I do blow it, it s back on aspirins and Diet Coke to lose it. And I can do that for almost a week without getting too wasted. Oh, you don t think I can? You don t think I have any willpower, is that it? Well, you can just stare all you want. KEVIN/TIFFANY/PAIGE: And so I can t eat anything. Not even a brownie. (She steps back into the circle. PAIGE steps out.) PAIGE: I am huge! I m an asteroid! Look at me. Every time I move I can feel it jiggling. And it s totally my fault. My whole family looks like they stepped right out of a commercial for Yoplait. It s my metabolism. I m the one that gets stuck with the metabolism of a slug. My mom eats all this lo-cal stuff. She s a vegetarian. She won the Boney Maroni Lifetime Achievement Award. I can t eat a thing. It shows up on me somewhere in minutes. I gained three pounds in one day. It s true. I tested it one time. I weighed myself first thing in the morning. Then I ate normally all day. And I weighed myself before I went to bed. I had to adust the scale back to zero. My mom is so paranoid she has it set at negative two pounds and we all pretend not to notice. Anyway, I gained three pounds! I even subtracted one pound because I figured the Jack-in-the-Box fajita wasn t digested yet. Still three pounds! In one day! I got so mad. I screamed! It s not my fault! It s my metabolism! Then I said, That s no excuse. It is my fault. It s all my fault. I m such a pig. I have to control it, that s all. I could feel that stupid fajita just sitting there in my stomach, reminding me of what an idiot I am. So I locked the bathroom door and turned on the shower so nobody could hear me. I took control. At first it was hard. But now I know just where to put my finger so it s all gone. (She snaps.) Just like that. (Small pause) But I read somewhere that it s supposed to be bad for you. So, I try not to do it too often. KEVIN/TIFFANY/PAIGE: And so I won t eat anything. Not even a brownie. (She steps back. All three are circling now. PAIGE sees KEVIN.) PAIGE: Hey, Kevin. How s the season going for you? KEVIN: I m doing all right. (Looks off) Hey, Mark.

PAIGE: Pretty good party, huh? At least the food looks incredible. Did you see Schnookums brownies? KEVIN: How could you miss em? She s brutal with the chocolate. Maybe that s why her kids are all blimpozoids. PAIGE: Yeah... huge. (Changes subject) You guys sure are lucky, you know that? Especially you sportos. You get to eat anything you want. Always working out. KEVIN: We still have to watch it a little sometimes. Have to make weight. I m startin to pork out. PAIGE: Come on! It s a breeze, huh? Guys metabolisms are different. They burn calories up so fast. You don t have to work so hard. KEVIN: I s pose. (Off) Yo, Tiffany! Well, see ya round, Paige. PAIGE (a little hurt): Sure. (They start to circle. KEVIN spots TIFFANY. It s obvious he s attracted to her.) KEVIN: Tiffany. How ya doin? TIFFANY: Ah, Kevin, right? KEVIN: Dead on. From youth group... and school. I m... ah, on the wrestling team. TIFFANY:Yeah. KEVIN: This table s wild, isn t it? TIFFANY: Killer. KEVIN:You check out the brownies over there? TIFFANY: Oh? Where? KEVIN: In the middle. The ones that re the size a Lake Michigan. TIFFANY: You know, I didn t even notice em. I ve been eating those vegetables over there all night. KEVIN:You want me to get you one? A brownie, I mean. TIFFANY: Oh, no thanks. One a those d waste my diet. KEVIN: Really? (Looks at her) Yeah, you have lost some weight, haven t you. TIFFANY (shaken): A... yeah, a little, I guess. (She moves off.) KEVIN (after her): I mean, you look great. (Stops) What a jerk. I can t even control my mouth. (They continue on. TIFFANY runs into PAIGE.)

TIFFANY: Hi, Paige. PAIGE: Oh, hi, Tiffany. I like your sweater. TIFFANY: Thanks. The Gap. The hero of my wardrobe. (Small pause) Hey, how d you do it, Paige? You been goin to this church since forever and you manage to stay so thin in spite a all these porkoid festivals. PAIGE:Are you kidding? I m a pig. TIFFANY: You re what?! If you re a pig, I m the state of Texas. Come on, You re whole family looks great. You guys eat tofu day and night, or what? PAIGE: I don t know why you re complaining, Tiff. You could eat anything you wanted. You could... eat one of those brownies and it wouldn t show anywhere, except in your teeth. TIFFANY: What? How do you think I got these hips? PAIGE: You look great the way you are. Just the way you are. (She walks away. They are in the circle again.) TIFFANY: The way I am? Big-boned is what she means. It ll never change. I deserve all the stares. PAIGE: What does she know. Her mom doesn t look like Jane Fonda. Why am I even trying? KEVIN: Coach is prob ly right. I am a major wimp. No control. (They stop. They grab napkins and go straight for the brownies. They pick one up each and wrap it in the napkin, trying to hide it. They all see each other. There is a moment of tension, then they break and come downstage.) ALL: I ll just eat this one. (Small pause) I know how to get rid of it later. (Blackout.) A NOTE ABOUT SLANG: Nothing in life changes faster than slang. Please feel free to substitute the slang used in this sketch with whatever is running around your neighborhood at the time of production.

The purchase of this sketch entitles the purchaser to make photocopies of this material for use in their church or nonprofit organization. The sharing of this material with other churches or organizations not owned or controlled by the original purchaser is strictly prohibited. The contents of this sketch may not be reproduced in any other form without written permission from the publisher. Please include the copyright statement found below on each copy made. Questions? Please write, call, or E-mail: Lillenas Publishing Company Phone: 816-931-1900 E-mail: drama@lillenas.com Drama Resources Fax: 816-412-8390 Web Site: www.lillenasdrama.com P.O. Box 419527 Kansas City, MO 64141 The sketch collection You Can Get There From Here (MP-655) is available for purchase from Lillenas Drama or from your local Christian bookstore. For a full description of the rest of this collection, or to purchase other individual sketches, refer to www.lillenasdrama.com