Introduction. Part A

Similar documents
Beautiful Things. Introduction. Part A

2 MEAS;; THRU, CHASSE SEMI; PICKUP

RETURN A MI' INTRODUCTION. 1-4 WAIT; ARMS; W SYNC ROLL OUT M FC RLOD; CK FWD REC BK/w ARMS;

IN THESE SHOES? INTRO

Anniversary Waltz. Beautiful Ohio

SUGGESTED LESSON PLANS & HELPS. using "Standard Method" (i.e. 2-step/waltz) for BEGINNERS' (PHASES I & II) CLASSES

Beat Of Your Heart Slow Two Step Randy & Marie Preskitt. Measure Cue Timing Man Woman Position after cue, rel. man. Intro

Introduction to International Tango

Broadmoor Waltz Club TABLE OF CONTENTS

The Skaters' Waltz. Music: "The Skaters' Waltz" by Emil Waldteufel. Record: LS

Introduction to Quickstep

Jive, The Tunnel. by Harold & Meredith Sears

American Smooth Waltz Sequence Dance. Waterfall Waltz

Introduction to International Waltz

Finding Solutions For Common Problem Figures In Smooth Dancing. By Sandi & Dan Finch URDC Convention 2006

Shall We Take A Walk? by Harold & Meredith Sears

KURZ-CUESHEETS ZUR FIGURENBESCHREIBUNG SLOW FOXTROT

CUE SHEET WRITING GUIDELINES

Contra 32 bars reel Longwise many as will Duple improper. Actives face nearest end line of four Reel of four starting right shoulder (8 bars)

Linedancer Dance GlossaryDance Glossary

CUE SHEET WRITING GUIDELINES

Smooth Your Dancing. by Harold & Meredith Sears

Any number of couples scattered about the room, individually progressing counterclockwise.

No-Partner Dances / Line Dances, Mixers / Easy Round Dances Gert-Jan & Susie Rotscheid

BULGÁRJÁSZKA. Pronunciation: BULL - gahr - yahs - kaw ( Bulgarian?)

by Harold & Meredith Sears

FIGURE INDEX. Legend: Figure Name - followed by - Rhythm Abbreviation + a hyphen + the Figure number Example: 5th Position Break

PROFESSIONAL LATIN THEORY Associate Level

Page 1 INTERNATIONAL BALLROOM SYLLABUS LIST

1 ROTATIONS. 0 basic patterns. 11, the W. 01, box (for waltz, rumba, foxtrot) 02, "basic" (for cha cha) 12, double-rotations

Phase I. Actions Bow Bump Curtsy Heel Point Shake Stamp Tap Toe Touch Wiggle

Brazilian Zouk. Brief History. Characteristics and Technique

Invigilation Guidance/

(Club Two-Step, NC2S) Richard Powers

SHAPING AND CONTRA POSITION

Table of Contents Certification Waltz Foxtrot Studying the Charts Syllabus Figures Syllabus Figures Musical Information Glossary

Pre-requisite. The Promenade

Pre-requisite. The Lead. In the first two quick steps the gentleman is in backward line of dance in the CLOSED position.

Straight to the Castle

Jump Rope Skills

Hip Twist Figures. Open Hip Twist. Closed Hip Twist. by Harold & Meredith Sears

Dans Ţigănesc Rar (6/8):

Guide to Line Dance Level Defi nitions

There are all kinds of places from which you can do a Walk & Dodge. Here s a list (you ll probably think of others), and we ll look at some of these:

Ländler from The Sound of Music (Austria/U.S.A.)

The Long and the Short Of It

British Theatre Dance Association. Grade 3 Modern Jazz

Pre-requisite. Rock Step Entry. The rock step end for the Basic Closed pattern sets up the beginning of the Sweetheart Wrap

OGLEBAY INSTITUTE FOLK DANCE CAMP FALL 1t6~ DANCES TAUGHT BY: NELDA DRURY ' LA CAPSULA PASO DOBLE ~LA VARSOVIANA - ~~~

ISTD Modern Theatre Dance Faculty Syllabus notes for Jazz Awards alternative Amalgamations April 2010

Invigilation Guidance/

NOTE NEW RULE TO BECOME Effective July 1 st, 2018

There are 6 main styles including LA style on 1, New York style on 2, Colombian, Puerto Rican, Cuban Casino style and Rueda de Miami.

Tidbinbilla Notes: Speed: Tune: Level: Dance structure: Notes for the caller:

TWIRL MANIA INTERNATIONAL CHAMPIONSHIPS Best Appearing BEST APPEARING. All patterns accepted with or without baton. COMMENTS

As a base for all Latin American Figures the technique and principles explained in Technique of Latin Dancing by Walter Laird are recommended.

MODERN GLOSSARY OF TERMS AND TECHNICAL INFORMATION PREPARATORY

WDC Examination Board

ILLINOIS MUSIC EDUCATORS CONFERENCE Irish Dance in the Classroom. Basic Steps:

Coaching Points. SAFE LANDING When landing on one leg it is important to teach the players which foot they should be landing on.

Marching Fundamentals

AMATEUR HOCKEY ASSOCIATION ILLINOIS, INC. MITE 8 & UNDER AMERICAN DEVELOPMENT MODEL

MINI Line-Dance træf BRIF LINEDANCE STEPSHEET

SASKATCHEWAN PATTERN DANCE ASSOCIATION

CESKA BESEDA. Couples in home position. Girl on right side of boy. Hands on hips.

Level 1 Stroke Performance Criteria

All-time Favorite Line Dance Classics Volume 2

LEVEL 1 SKILL DEVELOPMENT MANUAL

Opening Pose: Introduction:

Dances will be selected from the following :

ORANGE BALL. CAMP 1 The Expert Rallyer

3668 VIENNESE WALTZ (GOLD DANCE TEST)

When these weight transfers are well-controlled, the hips take care of themselves.

Dancer s Guide To Advanced

Advanced Figures in NY/LA & Cuban Style

by Harold & Meredith Sears

BRITISH THEATRE DANCE ASSOCIATION GRADE 7 MODERN JAZZ

Olympian Kevin Young World Record Holder 400 meter Hurdles. Olympian Sharrieffa Barksdale Former American Record Holder 400 meter Hurdles

Welcome Line Dancers!

ABC S of Basketball. Sean Juteau Physical & Health Education Helping Teacher P: E: Page 1

Sweet but Psycho (Ava Max)

STANDARDS FOR ROUND DANCING

Coon Rapids Youth Basketball Developmental Handbook

The Classical Circle Dance from Pa Kua Chang. Introduction and Transition 1 Single Palm Change

Promenade; Take a walk back to the home position or as far as directed by the caller. The home position refers to the men s starting position.

ACTIVITY TYPE. Coaching Points COACHING RESOURCE

ROUNDALAB STANDARD Abbreviations I. INTRODUCTION & CHANGES

Circle Left / Circle Right. Forward & Back. Right-Arm Turn Left-Arm Turn Allemande Left. Promenade. Right & Left Grand.

VLASINKA. South east part of Serbia. Open circle, arms in belt hold. Meter: 4/4 FIGURE I

Pretty Fly Advanced. Go Speed Racer Advanced

Basic Offensive Fundamentals

1000 Touch Workout. This is the world's best daily soccer routine or pre-game warm-up.

Forearm Pass (Bump) with Partner Start with toss. Use the forearm pass to rally back and forth with your partner.

Juniors BB Curriculum. Baserunning Curriculum (Juniors Level)

STANDARDS FOR ROUND DANCING

2 Step 2 Dance Studio Polka Under Arm Turn

2 Step 2 Dance Studio Beginning 2-Step

Dance Instructions for Binary Tunes update 15 Aug 2017

PLAY ONE-ON-ONE ONLY IF THERE IS A ONE SECOND ADVANTAGE. 1vs0 curl or crossover step 1vs1 read the defence One-on-one live.

Sunshine And Whiskey Choreographed by Wendy Mager

Transcription:

The Way You Look Tonight (Two Step) RELEASED: September 30, 2017 CHOREO: Richard E. Lamberty LAST EDITED: August 31, 2017 ADDRESS: 4702 Fairview Avenue Orlando, FL 32804 PHONE: 407-849 - 0669 FAX: E-MAIL: richardlamberty@gmail.com WEBSITE: www.rexl.org MUSIC: The Way You Look Tonight (Maroon 5 Single) RHYTHM: Two Step PHASE (+): Phase III including some unphased material FOOTWORK: Opposite unless indicated [W's footwork in square brackets] SEQUENCE: INTRODUCTION A A B C INTERLUDE B (9-16) C ENDING Introduction 1 8 Wait; ; Apart, -, Point, -; Together, -, Touch, -; Twirl Vine to a Strolling Vine with Man s Roll; ; ; ; 1-2 Wait for 2 measures in Open Position with trail hands joined and lead feet free; ; 3-4 [Slow Apart, Point; Together, Touch (SS SS)] Apart L, -, point R toward partner, -; Together R to BFLY WALL, -, touch L, -; 5-8 [Twirl Vine to a Strolling Vine with Man s Roll (SS QQS x 2)] Side L turning to Sidecar releasing R hand and raising L hand, -, back R, -; Side L turning to face partner and WALL, close R, blending to CP forward L toward LOD then pivot LF 1/4, -; Side and back R roll LF placing left hand on right shoulder and allowing Woman s hand to remain in contact with your body, -, forward L toward LOD continue LF turn, -; Side R blending to CP facing partner and COH, close L, forward R toward LOD then pivot RF 1/4, -; [W: Forward R turning RF under joined lead hands, -, side L continue RF turn to face partner, -; Side R blending to CP facing COH, close L, side R turning LF to back LOD then pivot LF 1/4, -; Side L turning to Banjo, -, forward R in Banjo, -; Side L commencing RF turn, close R, blending to CP side and back L across the LOD and pivot RF to face COH, -;] OPTION: A normal Strolling Vine may be used. Part A 1 8 Scissors Thru Twice; ; Vine 4; Lunge Turn In to Back to Back; Vine 4; Lunge Turn Out to Face; Vine 4 to a Maneuver; Pivot Two to Face WALL; ; 1-2 [Scissors Thru Twice (QQS QQS)] Side L drifting apart to BFLY WALL, close R, turning to LOP facing RLOD thru L, -; Side R turning to BFLY WALL, close L, turning to OP LOD thru R, -, ; 3 [Vine 4 (QQQQ)] Turning to face partner and WALL in BFLY side L, XRib, side L, thru R; 4 [Lunge Turn in (SS)] Lunge side L down LOD and releasing all hands, -, turning RF recover R nearly back to back no hands, -; 5 [Vine 4 (QQQQ)] Side L, XRib, side L, thru R moving toward RLOD still back to back; 6 [Lunge Turn Out (SS)] Lunge side L down RLOD, -, turning RF recover R to face LOD in OP, -; 7 [Vine 4 to a Maneuver (QQQQ)] Turning to face WALL side L, XRib, side L, maneuver thru R blending to CP; 8 [Pivot Two (SS)] Continue RF turn side L across LOD to back LOD then pivot RF 1/4, -, continue RF turn forward R down LOD wide step then pivot RF 1/4 to end in CP facing WALL, -; 9-16 Two Turning Two Steps to SCP; ; Run 4 to Face; Side Lunge Hold; Sway Right and Left; Side Two Step; Sway Left and Right; Side, -, Close, -; (2 nd time to Pickup) 9-10 [Two Turning Two Steps to SCP LOD (QQS QQS)] Continue RF turn side L, close R, turning RF side L across LOD to back LOD then pivot RF 1/4, -; Side R toward DLW, close L, turning RF forward R down LOD wide step then pivot RF 1/4, -; 11 [Run 4 (QQQQ)] Turning to SCP facing LOD run L, R, L, R remaining in SCP progressing LOD;

THE WAY YOU LOOK TONIGHT (TWO STEP) Page 2 of 5 12 [Side Lunge (S-)] Turning to face Partner and WALL lunge side L and hold; 13 [Sway Right and Left (SS)] Transfer weight to R and sway right, -, transfer weight to L and sway left, -; 14 [Side Two Step (QQS)] Side R, close L, side R checking, -; 15 [Sway Left and Right (SS)] Transfer weight to L and sway left, -, transfer weight to R and sway right; 16 [Side, Close (SS)] Side L, -, close R in CP WALL, -; Repeat Part A with Measure 16 to Pickup 16 [Side, Close to Pickup (SS)] Side L, -, turning LF to face LOD close R to end in CP LOD, -; (Mod) [W: Side R, -, turning RF on ball of R close L to end in CP, -;] Part B 1-8 Progressive Scissors Twice; ; Forward Hitch; Turn Back, Side, Check to Banjo RLOD, -; Fishtail; Walk, -, Maneuver, -; Two Turning Two Steps; ; 1-2 [Progressive Scissors (QQS QQS)] Side L, close R turning to Sidecar facing DLW, forward L in Sidecar, -; Side R blending to CP, close R turning to Banjo facing DLC, forward R in Banjo, -; 3 [Forward Hitch (QQS)] Forward L, close R, back L still in Banjo, -; 4 [Turn Back, Side, Check to Banjo RLOD (QQS)] Back R commence LF turn, side L pointing RLOD, forward R in Banjo facing RLOD checking, -; 5 [Fishtail (QQQQ)] Rising XLib and turning to face DRW, side R small step turning to face RLOD, forward L left side leading, lock R turning to face DRC; 6 [Walk, Maneuver (SS)] Forward L in Banjo, -, forward R maneuver to CP LOD, -; 7 8 [Two Turning Two Steps (QQS QQS)] Blending to CP side L, close R, turning RF side L across LOD to back RLOD then pivot RF 1/4, -; Side R toward DRC, close L, turning RF forward R down RLOD wide step then pivot RF 1/4 to CP RLOD, -; 9-16 Progressive Scissors Twice; ; Forward Hitch; Turn Back, Side, Forward Checking, -; Fishtail; Walk, -, Maneuver, -; Two Turning Two Steps to Escort LOD WOMAN TRANSITION; ; 9 14 Repeat the action from Part B Measures 1 6 starting and ending facing RLOD. 15 16 [Two Turning Two Steps to Escort LOD (QQS QQS)] Blending to CP side L, close R, turning RF side L across LOD to back LOD then pivot RF 1/4, -; Releasing hold so Woman can turn freely side R toward DLW, close L, turning RF forward R to end in Escort LOD; [W: (QQS SS*) Blending to CP side R, close L, turning RF side R between Man s feet then pivot RF 1/4, -; Releasing hold side L continue RF turn, -, continue RF turn side R small step to end in Escort LOD, -;] *Note: Woman may dance either SS as written, or QQ and touch as she feels the music. Part C 1 8 Diagonal Two Step Left and Right; ; Strut 4; ; Solo Turning Turn Steps w/ Underarm Turns; ; Shadow Vine 4; Lunge and Recover (Woman turn to face); 1-2 [Diagonal Two Step Left and Right (QQS QQS)] Left Foot Free for both: Diagonally toward DLC L, close R, diagonally toward DLC L, -; Diagonally toward DLW R, close L, diagonally toward DLW R, -; 3 4 [Strut 4 (SS SS)] Diagonally forward L [W: Crossing her step slightly in front of Man s R foot], -, diagonally forward L Man crossing slightly in front of Woman s L foot, -; Repeat; 5 6 [Solo Turning Two Steps w/ Underarm Turns (QQS QQS)] Turning to face WALL in Shadow and joining left hands side L, close R, raising joined left hands side L then turn 1/4 RF allowing Woman to turn under joined hands, -; Continue RF turn to face COH side R toward LOD releasing left hands, close L extending R hand up and to the side so Woman can find it, side R turn 1/4 RF allowing Woman to turn under joined right hands, -; 7 [Shadow Vine 4 (QQQQ)] Continue RF turn to face WALL in Shadow and release hands side L, XRib, side L, XRif;

THE WAY YOU LOOK TONIGHT (TWO STEP) Page 3 of 5 8 [Lunge, Recover Woman Turn to face (SS)] Lunge side L toward LOD in Shadow WALL, -, recover R to end in BFLY WALL, -; [W: Lunge side L toward LOD in Shadow WALL, -, recover R turning 1/2 RF to end in BFLY, -;] 9 14 Slow Lunge Left; Transfer Right; Transfer Left (Woman LF underarm Turn); Recover to Shadow; Hold; Sway Left and Right; 9 [Slow Lunge Left (S-)] Opposition lunge L retaining low Butterfly handhold; 10 [Transfer Right (S-)] With a circular motion slowly transfer weight to R foot maintaining counterbalance; 11 [Transfer Left (Woman Turns Under) (S-)] Raising joined lead hands and keeping joined trail hands low transfer weight to L foot creating a window for the Woman to turn LF under preparing to Wrap; [W: Recover forward L toward RLOD preparing to Wrap;] 12 [Recover to Shadow (S-)] Recover R turning to face WALL in Wrap Position releasing all hands at the very end of the Measure; [W: Spin 1/4 LF on ball of L to face WALL then close R to end in Wrap Position WALL releasing all hands at the very end of the measure;] 13 [Hold] With a quick but soft movement sweep both arms outward at waist height on the syllable To of the word Tonight and quickly but gently embrace the Woman on syllable night of the word Tonight ; 14 [Sway Left and Right (SS)] Both sway L, -, R, -; Interlude 1 8 (Shadow) Basketball Turn (to WALL); ; (Shadow) Hitch 4; Forward, Swivel, Forward to LOD, -; Cut 5 Flick Thru; ; Basketball Turn to Pickup (Woman Transition) to CP RLOD; 1 2 [(Shadow) Basketball Turn (SS SS)] Releasing hold lunge side L toward WALL, -, turning RF recover R to face COH Man now in front of Woman, -; Lunge side L toward COH, -, turning RF recover R to face WALL in Shadow, -; 3 [(Shadow) Hitch 4 (QQQQ)] Forward L, close R, back L, close R; 4 [Forward, Swivel, Forward (QQS)] Forward L, swivel LF on L to face LOD, forward R in OP (no hands), -; 5 6 [Cut 5 Flick Thru 4 (QQQQ QQS)] Cut XLif, back R, cut XLif, back R; Cut XLif, flick R, forward R toward LOD, -; 7 8 [Basketball Turn to Pickup (SS SS)] Lunge side L down LOD, -, turning RF recover R to face RLOD, -; Forward L small step allowing Woman to move ahead of you, -, close R preparing to blend to CP RLOD on the next figure, -; [W: Lunge side L down LOD, -, turning RF recover R to face RLOD, -; Lunge side L down RLOD, -, turning RF on L touch R preparing for CP, -;] Repeat Part B Measures 9 16 Repeat Part C Ending 1-6 Lunge and Recover (Woman turn to face); Slow Lunge Left; Transfer Right; Transfer Left (Woman LF underarm Turn); Recover to Shadow; Hold; 1 On the second Mmmm repeat the action from Part C Measure 8; 2 [Slow Lunge Left (S-)] On the word Just repeat the action from Part C Measure 9; 3 [Transfer Right (S-)] On the word Way repeat the action from Part C Measure 10; 4 [Transfer Left (Woman Turns) (S-)] On the word Look repeat the action from Part C Measure 11; 5 [Recover to Shadow (S-)] On the syllable To of the word Tonight repeat the action from Part C Measure 12; 6 [Hold] On the syllable night of the word Tonight embrace and hold.

THE WAY YOU LOOK TONIGHT (TWO STEP) Page 4 of 5 THE WAY YOU LOOK TONIGHT LAMBERTY TS III THE WAY YOU LOOK TONIGHT 3:24 Intro (8 meas) OP-FCG WALL wait 2 meas ; ; Apart Point ; Together Touch (BFLY WALL) ; Twirl Vine into Strolling Vine with Man Roll ;;;; Part A (16 meas) Scissors Thru Twice ;; Vine 4 ; Lunge Turn In ; Vine 4; Lunge Turn Out to face ; Vine 4 with Maneuver ; Pivot 2 ; Two Turning Twos Steps to SCP ;; Run 4 to face ; Side Lunge ; Sway R and L ; Side Two Step ; Sway L and R ; Slow Side Close ; Part A (16 meas) Scissors Thru Twice ;; Vine 4 ; Lunge Turn In ; Vine 4; Lunge Turn Out to face ; Vine 4 with Maneuver ; Pivot 2 ; Two Turning Twos Steps to SCP ;; Run 4 to face ; Side Lunge ; Sway R and L ; Side Two Step ; Sway L and R ; Slow Side and Pickup ; Part B (16 meas) Progressive Scissors Twice ;; Forward Hitch ; Back Turn Side Check to Banjo Reverse; Fishtail ; Walk and Maneuver ; Two Turning Twos;; Progressive Scissors Twice ;; Forward Hitch ; Back Turn Side Check to Banjo Line; Fishtail ; Walk and Maneuver ; Two Turning Twos to Escort Lady Transitions ;; Part C (14 meas) Diagonal Two Step L and R ;; Cross Walk 4 ;; Shadow Turning Two Steps (Lady Under) ;; Shadow Vine 4 ; Lunge Recover Lady turn to Face ; Opposition Lunge L ; Recover R ; Lunge L Lady Under ; Recover to Wrap ; Embrace ; Sway L and R ; Interlude (8 meas) Shadow Basketball Turn ;; Hitch 4 ; Forward Swivel Forward to OP ; Cut Back Cut Back ; Cut Flick Forward ; Basketball Turn to Pickup Lady Transitions ;; Part B (9 16) (8 meas) To RLOD Progressive Scissors Twice ;; Forward Hitch ; Back Turn Side Check to Banjo Line; Fishtail ; Walk and Maneuver ; Two Turning Twos to Escort Lady Transitions ;;

THE WAY YOU LOOK TONIGHT (TWO STEP) Page 5 of 5 Part C (14 meas) Diagonal Two Step L and R ;; Cross Walk 4 ;; Shadow Turning Two Steps (Lady Under) ;; Shadow Vine 4 ; Lunge Recover Lady turn to Face ; Opposition Lunge L ; Recover R ; Lunge L Lady Under ; Recover to Wrap ; Embrace ; Sway L and R ; Ending (6 meas) Lunge Recover Lady turn to Face ; Opposition Lunge L ; Recover R ; Lunge L Lady Under ; Recover to Wrap ; Embrace ;