Strive- Level 1-3 Ballet Audition Study Guide

Similar documents
Ballet Content and Mastery

BRITISH THEATRE DANCE ASSOCIATION CLASSICAL BALLET INTERMEDIATE PERFORMANCE MASTERY

For females, only red ribbons or small red flowers may be used for hair. rond de jambe to 4th opposite 5th and repeat all in 4th crossed

ISTD Ballet Exam Vocabulary

Each candidate will be asked to demonstrate/answer two questions during the examination.

The Ultimate Ballet Vocabulary

Classical Ballet 4. Classwork & Teaching Suggestions for the Ballet Teacher of Advanced Students LE SA. Ruth H. Brinkerhoff, B.A.

BRITISH THEATRE DANCE ASSOCIATION GRADE 8 BALLET

Cecchetti Ballet Australia Inc Overview of the revision of Pre Primary Grade 6 Syllabi to be used in conjunction with the new syllabi release

Professional Ballet Program Entry Procedures

Ballet V Curriculum. Port De Bras:

BRITISH THEATRE DANCE ASSOCIATION

For females, only red ribbons or small red flowers may be used for hair.

CLASSICAL BALLET THEORY

Seven traditional ballet. movements: Chapter 4

Primary. Name the positions of the feet and draw the missing position: First / Second / Third

BALLET 1 SYLLABUS. Terms and movements to be learned and performed satisfactorily before going into Ballet 2. BALLET 1 VOCABULARY WORDS

DVD Submission. Please note that your DVD will be kept by the ISTD for audit purposes.

British Theatre Dance Association GRADE 2 CLASSICAL BALLET

Dance Genre & Level Syllabus

Pre Amanda s Academy of Dance

The Student Honors Program provides a method that members of the Chicago National Association of Dance

Classical Ballet 3. Classwork & Teaching Suggestions LE SA. for the Ballet Teacher of Intermediate to Advanced Students. Ruth H. Brinkerhoff, B.A.

High School Ballet III Curriculum Map School Year

The Commonwealth Society of Teachers of Dancing

JAZZ DANCE CLASS (1-7)

First Position: Feet together, in line, heel to heel. Second Position: Feet apart, in line, heels opposed.

Foot Positioning. Arm Positioning

tier 3 set exercises grades 7-9

Specification. RAD Level 2 Certificate in Vocational Graded Examination in Dance: Intermediate Foundation (Ballet)

Australian Government

BRITISH THEATRE DANCE ASSOCIATION GRADE 7 MODERN JAZZ

Worksheets Based on.

There are three basic arabesque lines - 1st, 2nd, and 3rd arabesque.

Class Placement & Progression. What Class Expects of You & Proper Class Etiquette:

High School Ballet IV Curriculum Map School Year

Routledge. Discovering the threedimensional. Shape Qualities. Chapter 8

Ballet Glossary A la séconde Act Adagio Allegro Allongé Aplomb Arabesque Arrière Assemblé Attitude Audition season Balancé Balanchine bun Balançoire

2018 UDA Routine Notebook VARSITY ALL AMERICAN

British Theatre Dance Association. Grade 3 Modern Jazz

Specification. RAD Level 3 Certificate in Vocational Graded Examination in Dance: Advanced Foundation (Ballet)

SKILLS PROGRAMME GRADE THREE. (Arm and leg movements, including the use of apparatus, may be requested in any section)

High School Ballet III Curriculum Map School Year

DUKE ELLINGTON SCHOOL OF THE ARTS DANCE DEPARTMENT Course Syllabus BALLET II Arts Block Instructor Charles Augins

Cardio Ballet Dance: CHIX CAN TUTU TOO!

Specification. RAD Level 3 Certificate in Vocational Graded Examination in Dance: Advanced Foundation (Ballet)

Movement & Sound Dance LLC

2018 UDA Routine Notebook JAZZ

GSA Applicant Guide: Dance

Cecchetti Epaulement - impetus for movement

INTERMEDIATE BALLET. DAA 3208 / CREDITS (NM) Monday/Wednesday 8:45 10:15 McGuire G-10. INSTRUCTOR OF RECORD: Isa Garcia-Rose

BALLET TECHNIQUE - BASIC 2 CREDITS FALL 2015

Dance Class Curriculum

Irish Board of Dance Performance Syllabus

DAA 4210 ADV BALLET TECHNIQUE 2 CREDITS SPRING 2017

ADVANCED BALLET TECHNIQUE (MAJORS) 2 CREDITS FALL 2016

British Theatre Dance Association PREPARATORY CLASSICAL BALLET

The Dance Department at ASFA

BALLET TECHNIQUE (NON-MAJORS) 2 CREDITS FALL 2018 DAA 2204 Section 1928 Monday/Wednesday 8:45 10:15 McGuire Pavilion Room G-6

DAA 4210 ADV BALLET TECHNIQUE 2 CREDITS FALL 2018

2018 UDA Routine Notebook KICK

MUSICAL THEATRE GRADE 3 SYLLABUS

Article 1. ( ) «Dance on the floor» by system of Boris Prince. A little bit of history.

MODERN GLOSSARY OF TERMS AND TECHNICAL INFORMATION PREPARATORY

Dance Terminology. The relationship of the skeleton to the line of gravity and base of support. enchâinments with small quick steps

SKILLS PROGRAMME GRADE ONE. (Arm and leg movements, including the use of apparatus, may be requested in any section)

Reviewing the first year of the Compulsory Routines

Twinkle Twos Amanda s Academy of Dance

Table of Contents. Pre-Pointe A Year Long Training Guide Page 2

Jazz Curriculum for Opals (O) Classes- Average age 5-8

AAB. Teachers Intensive 2014 at Purchase College State University of New York Purchase, NY July 28 31

RHYTHMIC FUTURE STARS SKILLS TESTING FOR 2013

CONTEMPORARY SYLLABUS GRADE 2. Level 2 Award in Graded Examination in Dance

ISTD Modern Theatre Dance Faculty Syllabus notes for Jazz Awards alternative Amalgamations April 2010

2018 UDA Routine Notebook POM

"Terpsichore's Works" A company dedicated in supporting and promoting the art of dance

basics training beyondbarre.com

COMPULSORY GENERAL FAULTS AND PENALTIES DEDUCTIONS FOR WHOLE EXERCISE

TOTAL: Dance Dance America America S. S. Hill Hill Haven Lane Sandy, Utah (801) (801) danceamericausa.com

Girls Program AK-3 VAULT

Hip Hop II-III Amanda s Academy of Dance

Floor Barre Fitness with Joanna Nicholas BSc

To all of the returning families, a huge thank you for your loyalty & we are so glad to have you back!

Solutions for All Creative Arts Grade 9 Learner s Book

CONTEMPORARY SYLLABUS GRADE 3. Level 2 Award in Graded Examination in Dance

2017 UDA Routine Notebook MISCELLANEOUS

Educational Packet The RoaRing 20 s

Dance Dance America America S. S. Hill Hill Haven Lane Sandy, Utah (801) (801) danceamericausa.com

Stretching & Marching Sequence Chart - General

50 Ways Level 3 Jazz Choreographers: Clayton Cross, AnnaMaria Diamant, Monique Haley, Yoshio Pineda

Level 1 Vault STRETCH JUMP ONTO A RAISED MAT SURFACE (A MINIMUM OF 16 ) AND THEN HANDSTAND FALL TO STRAIGHT LYING POSITION ON THE BACK

Are you interested in dancing with an Impact Dance Center team?

Shift phrase 3 Notes. Arm/ Head gesture Torso Guidance. Beat/ Bar Support Leg gesture and/or direction. Standing feet together facing DSR

COMPULSORY GENERAL FAULTS AND PENALTIES DEDUCTIONS FOR WHOLE EXERCISE

American Academy of Ballet

Breathe phrase 1 Notes

Ballet Arts 2. Young Children

3-4 Keeping the bottom edge of the hoop on the floor, spin the hoop on the vertical axis to change to the right hand.

SOUTH EAST GYMNASTICS Floor & Vault Boys Skills - 1

RJT. Pupil Task Cards: Throwing JUMP THROW RUN

Transcription:

Strive- Level 1-3 Ballet Audition Study Guide General Questions Level 1-3 1. Name and explain the basic 5 focuses, in the correct order. Posture, Placement, Positions, Preparations, and Transitions. 2. In what ways is ballet class progressive (i.e. building on itself)? (Level 2-3 Only) We begin working in small positions and gradually make them bigger. We balance on two legs before we balance on one. We start with the leg low and then as we warm up, we begin to lift higher. While transitioning, we move through the five levels in order. In the lower levels, we work slowly and increase speed as we get stronger in our technique. In the beginning of the barre, we work slowly and gradually increase our speed. In the lower levels, we work facing the barre and at the higher levels we work with one hand on the barre. As we progress we add the arms (Port de bra), and head and shoulders (Eppaulment) to the movement of the legs. 3. What are the basic ways of moving in ballet? Rise, Fall, Turn, Jump, and Turning while jumping 4. What are some other ways of moving in ballet? Gliding and floor work 5. What are the five progressive levels we travel through? Plie, Straight legs, Demi-pointe, Full pointe, and Release or jump 6. What are the five positions that make up every step in ballet? Hint: They make a circle Tendu, Degage, Attitude, Retire, and Coup de Pied 7. Name, in order, the seven points of isolation to think about when working on posture. Heels, Knees, Rear, Stomach, Back, Chin, and Arms 8. What five ways do we learn? (Hint: Use your five senses) Watching, Listening, Feeling, Smelling, and Tasting

9. How do these ways of learning constitute a 100% effort? Watching = 25%, Listening = 25%, Doing = 25%, and our energy = 25% 10. Show the body positions: Level 1 En Face a la Seconde, a la Quatrieme Devant, a la Quatrieme Derriere Level 2 and 3 En Face a la Seconde, Croise Devant, Croise Derriere, Efface Devant, Efface Derriere, Ecarte Devant, a la Quatrieme Derriere, a la Quatrieme Devant. 11. When dancing as a group, who is always the leader? The person that is in front. 12. What does line mean? Having a good line means that your legs, torso, arms, and head all complement one another. 13. What is the basic logic for using the arms? (Level 2-3 Only) They usually compliment the legs, or perform in the same way.

18. What makes up a step? Position, transition, position 19. What is our Ballet Code of Conduct? We will respect our teachers, and peers. We will maintain our studios and theatres, as they are the places we practice and honor our art form. We will commit to reaching our full potential, while helping those around us reach theirs. We will develop both our mind and body equally, as they are interconnected. We will seek inspiration, not only from dance and the arts, but also from all things in life. We will grow with pride and confidence, yet never forget the value of humility. We will embrace any challenge put before us, because we see it not as an obstacle but as an opportunity to progress. We will work toward becoming great dancers, while understanding that being a good person is the true goal. A good student understands the balance of self-evaluation and self confidence. If you are truly giving 100%, then be satisfied that you are doing your best and that improvement takes time.

Level 1 Terms Plie Battement Detourne Tendu Retire Pique Degage Passe' Coupe Ronds de Jambe Attitude Sote Fendu Cou de pied Pas de Bourree Frappe Sous-sus Pas de Cheval Develope Know parts of the stage (see image on right) - Center - Down Stage - Up Stage - Stage Right - Stage Left Know the 8 parts of the room (see image below)

Show all five positions of the legs and arms in order. Demonstrate 1 st, 2 nd, and 3 rd arabesques.

Level 2 Terms (includes terms for Level 1) Temps lie Ballone Echappe' Fouette Cambre Epaulement Allonge' Know locations: Devant, Derriere, a la Seconde LPAC 3 Terms (includes terms for Level 1 and Level 2) Know traveling directions: En Evant, En Arriere, Decote Know turning directions: En de hors, En de Dans Know leg locations: A terre, En lair, Dessus, Dessous Know positions of the head: raised, lowered, level, inclined, turned, turned-and-raised, turnedand-lowered, turned-and-inclined

Know how to break the stage into parts: 1/4 mark, Inside 1/8, Outside 1/8