CHEERIO, Y ALL. -OR- Ivory Keyes Goes Overseas. A melodrama-mystery. By Whitney Ryan Garrity

Similar documents
MERRY CHRISTMAS MAYHEM

Blame It on the Pony Express - Or - The Bride Came C.O.D.

THE COMMEDIA PIED PIPER OF HAMLIN

The Rehearsal. by Earl Reimer. Performance Rights

DARLA S DREAM. by J. Robert Wilkins. Performance Rights

Run the Race, Win the Prize

The Swiss Family Robinson

God s Top Ten List. By Don and Donna Lott

STOPLIGHT. by Raleigh Marcell. Performance Rights

BACKSTAGE. By Shirley McNichols. Performance Rights

Carl. By E. Jack Williams. Performance Rights

The Taming of the Shrew

TRYOUTS. by Jack L. Nuzum. Performance Rights

GOTTA GET PUMPED! By Jeffrey Smart. Performance Rights

HELP WANTED A Revue with Music and Dances

the little boy 1 a good boy 1 then you give 1 is about me 1 was to come 1 old and new 1 that old man 1 what we know 1 not up here 1 in and out 1

The Diamond as Big as the Ritz

EDELWEISS. Craig Sodaro. Performance Rights

BETHLEHEM ALLEY. By ALBERTA HAWSE. Performance Rights

Zombie Quest. An Audience-Participation Comedy. By Kamron Klitgaard

Spinning Girl. By Tim Mogford. Performance Rights

SKULDUGGERY SAILS the ATLANTIC

GOING BARE. A Comedy by Mary Jane Taegel

Who Shot Fred? COPYRIGHTED MATERIAL: DO NOT COPY. Douglas Campbell. Who Shot Fred? 0

BEAUTY AND THE CREEP

SODA SHOP ANGEL. By Shirley McNichols. Performance Rights

ONCE UPON A CONCERT. By Judy Jehn. Performance Rights

Read the following passage about a young person with ambition. Then answer questions Joe s Reward. by Horatio Alger Jr.

a script from by Cierra Winkler

FABRINI. By Henry Christner

A FAMILY OUTING. A One-Act Play By Dolores Klinsky Walker. Performance Rights

First Grade Spelling Lists

BROOKLYN PUBLISHERS, LLC

The Gingerbread Man Gets Schooled

FLASHBACK TO MURDER. (A 1955 Class Reunion) Book by Kelli Leigh-Ann Connors Music and Lyrics by Cathy Sanborn. Performance Rights

Five Days for Redemption. Jeffrey Dean Langham

A Face to Die For. Jean-Pierre Chapoteau. San Diego, CA

Copyright 2018 This screenplay may not be used or reproduced without the express written permission of the author.

Not My Son. A One-Act Play. By Dolores Klinsky Walker

Steve Lord Big Dog Publishing

CALIFORNIA, HERE WE COME!

THE NEIGHBOR. Zack Akers

WHAT WE SEE. Written by. Julia Savage

THE TRIAL. Anonymous. A modern day Salem Witch Trial

I SPY. Written by. Simon K. Parker

Sketch. Bitter November. Patrick J. O Connell. Volume 22, Number Article 3. Iowa State College

A paint job, bright colours over a dull white, unfinished. Many pictures of a man, some with his family, arranged like a shrine.

KISSING DEATH Written by Fausto Lucignani

Starting Line: That s MY steer you re brandin

"DEADICATION" (Episode 3) Written by: Jimmy T. Martin

The Fisherman And His Wife. (by Grimm brothers)

Steve Lord. Norman Maine Publishing

THAT S THE TICKET. A One-Act Comedy by Eddie McPherson. Adapted from his full-length play, Shoestring Theatre

~~~, Miss Gulch. No.3. You mean she bit you? No, her dog! Oh, she bit her dog, eh?

Fallen Warrior. by Simon K. Parker. Copyright 2017

The Donkey Seller by Carrie Richardson & Clare Jones

CC: Sorry I m late my finger got caught in the punch clock at

To Dream is to Live. Alan Wigley

I ve Just Seen Jesus

THE VELVETEEN RABBIT VISUAL STORY

MURDER MYSTERY WHO KILLED MISS GREENSPOON?

TRIBUNALE DI PERUGIA - CORTE D ASSISE WITNESS DEPOSITION - POPOVIC JOVANA

THE QUIET LIFE. Written by. Simon K. Parker

DEAR DIARY By Craig Sodaro

All rights reserved Copyright 2018 MY MONSTER

There s a Monster in My Closet. written by Alena Cadova. tel: WGA Registration # :

Chapter Four. Foul Play: Brazil By Tom Palmer

LETTING GO. Written by. Marnie Mitchell-Lister

VINCE Why not? We re just goofing. JESSICA People are going to think we re dating again. VINCE Would that be so terrible?

Carlotta s Revenge 17-DE05-W30. A very successful woman comes face to face with a childhood bully. However, this time the power has shifted.

Pacific Press Publishing Association Nampa, Idaho Oshawa, Ontario, Canada

House Eighteen. Stephen Brown. Blyth, Northumberland ENGLAND

CASEY AT THE BAT. based on the poem by Ernest L. Thayer. By Noah Smith. Performance Rights

ROCK BOTTOM. Max Banerjee

CONTINUED: 2. BUTTONS It s Buttons, actually. MARK...It s not looking good for Mom.

Shalloween. By Bryan Starchman. Performance Rights

Strange UFO. Strange UFO. Olga Sanderson. ArtAge Senior Theatre Resource Center, ,

THE PARTY HOUSE. Written by. Ronald Fordham

PAST IS PROLOGUE. Written by. Chris Condon

CRAFTED. Written by. Rhonnie Fordham

Easter Bunny Interrogation

False Hope. James Redd

Kim speaks in a normal speaking voice (unless otherwise noted). She is a Model 700 CyberFem sales representative robot.

Ellen Eagle swooped and soared high across the cloudless sky. She cocked her head and heard Carl Coyote s faint words, I m the Master!

DEAD LINE. by Jesus Diez Perez. (C) 2016 Pictures Plus Productions Registered LOC:

COPYRIGHTED MATERIAL: DO NOT COPY

The First Date. Christopher Lawrence

Heard on High by Curt Cloninger

Scripture Superheroes: Daniel Fearless Faith by Rebecca Wimmer

THE REPAIR MAN. Rammuel R. Lavarro

Typesetting and design Random House Australia

THE HUNCHBACK OF NOTRE DAME BY RICHARD HILLS A SMITH SCRIPT

W.L. This lobby has not changed other than the paint. Same floor, same steps, same everything according to my memory.

The Mystery of the Stolen FA Cup Medal

The Dun Horse. from Pawnee Hero Stories and Folk-Tales by George Bird Grinnell. him along, but he limped and could only go very slowly.

HardisonInk.com Stellar cast to perform in And Then There Were None

TAR BABY: WHAT S IN A NAME?

Sherise stared down at her textbook.

Going Out. Bambang Yudianto. (c) Bambang Yudianto 2010

THERE MUST BE A WAY Jim Low a play for primary school students

Transcription:

CHEERIO, Y ALL -OR- Ivory Keyes Goes Overseas A melodrama-mystery By Whitney Ryan Garrity Performance Rights To copy this text is an infringement of the federal copyright law as is to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for further scripts and licensing information. On all programs and advertising the author s name must appear as well as this notice: Produced by special arrangement with Eldridge Publishing Co. PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com 2002 by Whitney Ryan Garrity Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?pid=1627

- 2 - DEDICATION - for Khrys STORY OF THE PLAY Ivory Keyes, the sharp-tongued, shoot-from-the-hip piano player from the Calamity Gulch trilogy, is back in her own brand-new adventure. When Ivory learns that her uncle, Lord Ebony Keyes, has died, she and Sheriff Prettyfoot travel to England to claim the inheritance. The family solicitor, Basil Q. Wainscoting, Esquire, plots to keep the estate to himself by proving Ivory to be unvirtuous. His plans are foiled when his handsome nephew, Heathcliff, a poet, falls instead for pretty secretary, Paisley Fairfax. Before too long, a storm is raging outside and a murder has been committed inside. Everyone has their own ideas as to who-dun-it. Was it the butler? Or the mysterious lady in black? Even Ivory herself is a suspect! Can Sheriff Prettyfoot solve the crime and clear Ivory s name? Will Paisley find true love - and her true identity? Will Heath ever find a rhyme for purple? These and other questions are answered in this fast-paced, single-set, comedy. Full evening.

- 3 - CAST OF CHARACTERS (4 m, 6 w) LORD EBONY KEYES: The dearly departed. PERCY: The most efficient butler. GUSSIE: The coquettish maid. DOTTIE: The grief-stricken cook. IVORY KEYES: Lord Ebony s American niece, from Calamity Gulch. PAISLEY FAIRFAX: Lord Ebony s pretty secretary. SHERIFF PRETTYFOOT: An Indian maiden who acts as the sheriff in Calamity Gulch. BASIL Q. WAINSCOTING, Esq.: The family solicitor. HEATHCLIFF WAINSCOTING: Basil s handsome nephew. LADY FLAVIA FORTNIGHT: A mysterious woman in black.

- 4 - THE SET The tastefully decorated drawing room of Lord Ebony Keyes English manse. A portrait of Lord Ebony hangs over the large fireplace USC. French doors lead out into a garden from either side of the fireplace. Arched doorways SL and SR lead into other areas of the mansion. A comfortable sitting area occupies CS. A rolltop secretary s desk and chair are set SR, a wastepaper basket is DS of the desk. Setting: Lord Ebony s estate, England. Time: One dark and stormy night, at the turn of the century. Props: Portrait of Lord Ebony Keyes, vase of flowers, wastepaper basket, handkerchief, papers on desk, hats, feather boa, several suitcases, meat cleaver, briefcase, small notebook, pencil, cravat, overcoats, reticule, veiled black hat, compact, tray with four glasses of lemonade, gloves, piece of paper with note on it, toy pistol.

- 5 - ACT I (AT RISE: The LIGHTS fade up to reveal LORD EBONY KEYES leaning against the mantel. He displays the very same melancholy pose and expression depicted in his portrait. He notices the audience and moves DS to address them.) KEYES: Oh, forgive me. Welcome, ladies and gentlemen, welcome. Please permit me to introduce myself. I am Lord Ebony Keyes and this is my home - Lord Ebony Keyes Stately Manor - rather catchy that, eh? Most regrettably, I fear I will be a somewhat negligent host this evening. For, you see, it appears that, at present, I am quite dead. Oh no, please do not distress yourselves. It was nothing so ghastly as murder. No, I simply retired for the evening, one night, about a month ago, and... (Pantomimes dying elaborately.) Or rather something like that! It also appears that my only living relative is one Miss Ivory Keyes, an American... (Reacts with distaste.)... from a place called Calamity Gulch. (Chuckles.) Rather amusing that, eh wot? Of course, my competent staff has sent for her and preparations for the arrival of Miss Ivory Keyes are underway. Rather rotten luck she should have to arrive here in England on such a dark and stormy night, but... (Shrugs.) that s the stuff these tales are made of. Eh, wot? (Looks around warily.) Ah, but I hear my good man, Percy, approaching. I best be off. After all, with my being dead and all, my appearance might give Percy something of a fright! Cheerio for now, eh then. (LORD EBONY KEYES exits SL. PERCY scurries on from SR. He is a young, handsome butler in an immaculate uniform. Percy moves about the room, fussing with various furnishings and bric-a-brac. He spots a vase of flowers DSL and goes to it. After examining it closely, he turns the vase very slightly to the right and steps back to check the result. Dissatisfied, he turns the vase to the left and steps back once more.)

- 6 - (Percy is still dissatisfied when inspiration strikes. He removes a single flower from the vase and returns it to its original position. He steps back and nods satisfactorily, then moves to the wastepaper basket and deposits the flower as GUSSIE, the young and attractive maid, enters saucily from SL.) PERCY: Has the master bedroom been prepared, Gussie? (GUSSIE sidles up to PERCY. She speaks with a heavy cockney accent.) GUSSIE: And jest wot would you be avin me prepare it for, eh then, lover? PERCY: (Indignant.) Please! You know perfectly well why it is to be prepared. And it has nothing to do with... with what you are thinking! GUSSIE: Ya know, Percy. Yer much too andsome a bloke to be such an ol fuddy-duddy. But, yes. Yes, the master bedroom is positively bloomin spotless - along with the rest of the upstairs. I saw to it me-self. So... wot ave you eard about the new mistress of the manor? PERCY: Not too terribly much, I m afraid. I do know that she s an American... (PERCY and GUSSIE react with distaste.)... from a place called Calamity Gulch. GUSSIE: Calamity Gulch?! Cor, it sounds like a bad reaction to Dottie s kidney pie, if you ask me! PERCY: Precisely why nobody asked you, Gussie. I am certain that it s a perfectly charming place and that Lord Ebony s niece is a perfectly charming young lady. And she should be arriving with Miss Fairfax at any moment. (Calling off.) Dottie! (DOTTIE the middle-aged cook, enters from SR. She wipes her eyes with a handkerchief, obviously distraught.) DOTTIE: Yes, Percy. You called?

- 7 - PERCY: Yes, Dottie. Is everything ready in the... (DOTTIE wails woefully.)... Good heavens, woman! What is the matter? DOTTIE: It s Lord Ebony! He s... (Sobs.)... he s... (Sobs again.)... dead!! GUSSIE: (Rolling HER eyes.) Cor, she s at it again! PERCY: (Joining DOTTIE and placing HIS arm around her shoulder comfortingly.) There, there, Dottie. It s been a month now. It s time to get on with things. Stiff upper lip and all that. DOTTIE: He took me in, he did. Give me a job when no one else would. Treated me like I was a lady. And now, he s... (Sobs.)... he s... (Sobs again.)... dead!! PERCY: (Becoming impatient.) Yes, I know. It s all too much to bear. Why don t you go back to the kitchen and check on that delicious dinner you re preparing for Miss Keyes and our other guests? DOTTIE: (Gamely.) Yes, sir. Right you are, Percy. Stiff upper lip and all that. (PERCY gives DOTTIE a shove and she exits SR, sniffling.) GUSSIE: Cor, that woman! When will the cryin end? Ev ry bloomin meal she s served for the past month as been positively soggy! PERCY: Perhaps once this Miss Keyes settles in as the new mistress, Dottie will be more at ease. GUSSIE: I s pose that Wainscoting ll be coming to make sure ev rything is all legal-like and such. PERCY: Yes, Mr. Wainscoting and his assistant will be arriving shortly, I expect. We ll get everyone settled in for the night and have the reading of the will tomorrow morning. GUSSIE: I don t mind tellin you, I m not sure I trust that Wainscoting bloke. Makes my skin break out all over in goose-flesh, e does! PERCY: Well, I m inclined to agree with you there, Gussie. I do not particularly like the man myself.

End of Freeview Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?pid=1627 Eldridge Publishing, a leading drama play publisher since 1906, offers more than a thousand full-length plays, one-act plays, melodramas, holiday plays, religious plays, children's theatre plays and musicals of all kinds. For more than a hundred years, our family-owned business has had the privilege of publishing some of the finest playwrights, allowing their work to come alive on stages worldwide. We look forward to being a part of your next theatrical production. Eldridge Publishing... for the start of your theatre experience!