TOMORROW. Eric Cook. 2/10/2018

Similar documents
A PERFECT DAY By Curtis Rainey

THE NEIGHBOR. Zack Akers

False Hope. James Redd

THE PARTY HOUSE. Written by. Ronald Fordham

WONDROUS PRESENTATION

Five Days for Redemption. Jeffrey Dean Langham

All rights reserved Copyright 2018 MY MONSTER

FRIENDS. Written by. D.A. Silva

Ways and Means. Lyndon McGill. Lyndon L. McGill P.O. Box Salem, OR (503)

Copyright 2008 Matt Smith Dead And Gone

A STAIN OF BLOOD. Written by. Victor Daniel-Kalio

Fallen Warrior. by Simon K. Parker. Copyright 2017

Final Draft 8 Demo. Final Draft 8 Demo. Final Draft 8 Demo

Incident At The Super Save Mart

Copyright 2015 CAPTAIN HOOK

Taken for a Ride. James Redd

ALMOST GONE. Reserved. This screenplaymay not be used or reproduced without the express written permission of the author.

THE SLEEPING. Written by. Brennan Scott. Story by: Charley Coleman & Brennan Scott

WOLVES. Written by. Victor Alonso Berbel. Draft 5

THE BARGAIN STORE. Brandi Self. Los Angeles, CA

Kelly (Part 1) Joseph Riedel

A pair of RUSTLING RED POMPOMS is held up by 2 cheerleaders who stand off screen.

THE PIZZA GUY (FIRST DRAFT) PHANTOM SCREENWRITER

The First Date. Christopher Lawrence

SLUMBER PARTY. Written by. Warrenton Maxwell

TRUST ME. P.H. Cook.

THE NO-NO DOOR FADE IN:

THE QUIET LIFE. Written by. Simon K. Parker

Extreme Improv Extreme Ideas (Table Draft - 1/2/2013) Written by Steve Trautmann. Created by Steve Trautmann and Mike Bach

Snuff. Zaim Oneeb. Sterling Channel 2014

BETTER THAN NEVER. written by BRANDON SCHINZEL

Going Out. Bambang Yudianto. (c) Bambang Yudianto 2010

LIVING WITHOUT TREBLE. Written by Paula Trapuzzano

SHADOWMAN BENJAMIN PEARCE

SWEET SARAH. Written by. Night Train

A SIMPLE QUESTION. Written by. Jack reacher

COACH ALLISON BENGAL. Written by. Barbara "Nesa" Johnson

Copyright 2018 This screenplay may not be used or reproduced without the express written permission of the author.

Unfathomable. All rights reserved

VISIT. Written by James S. Ryan & Simon Calligan. All Right reserved.

Sidewalks. By Curtis Rainey.

Replacement Parts Too Small. A Horror Story Writer. (c) Copywright 2015

At the Office W.M. Akers

Flirting with Violence. Maxwell Modell

SHELLSHOCK. by Lee Cordner.

loopy aussie 11/11/2008

Carlotta s Revenge 17-DE05-W30. A very successful woman comes face to face with a childhood bully. However, this time the power has shifted.

CHUBBY WUBBY IS IN CHARGE. Edith Woi

CONTINUED: 2. BUTTONS It s Buttons, actually. MARK...It s not looking good for Mom.

THE OFFER SIMON K. PARKER

Bad Best Friend. Zachary R. Jansen th St. E Saint Paul, MN (952)

Victim By Bryson G Escapists 2015

WHAT WE SEE. Written by. Julia Savage

Frank Sinatra s "America the Beautiful" plays from an aging radio. MOTHER s, 40 s, aging hands pull at DAUGHTER s, 11, blond knots with a brush.

"JOHNNY SMILES" Zapryan Tolev

bomb edited Black screen: the only thing to see is red numbers on what looks like a digital clock.

Peck. David Krajewski. screenplay must not be reproduced without the express written permission of the author.

THE APARTMENT. Brandi Self. Los Angeles, Ca

JESSICA S WINDOW. written by. Marnie Mitchell-Lister

The Eye of the Hurricane

LONG HAIR IN THE ATTIC

TEEN GIRL and TEEN BOY are making out on the carpet. They begin to roll around when a doorbell rings. They pull apart.

Pumpkin Pie. A. Ghost. Submission for the One Week Challenge

IMAGINATION, SMAGINATION. Written by. Nolan Bryand

Inbox (1) written by. Matthew Taylor

I SPY. Written by. Simon K. Parker

A Face to Die For. Jean-Pierre Chapoteau. San Diego, CA

The City of Dead. P.D. Hewitt

ROCK BOTTOM. Max Banerjee

AND THE DARKNESS FADES. Written by. Simon Mapp

mother has a few quirks of her own, too. (OLIVIA clears a large space on the kitchen counter and begins unpacking the groceries.)

PLEASE, HARRY. Written by. Nathan Harper-Wendt

The Struggle... By: Nathan, Shelby, Sue, and Dylan

My Propeller (First Draft) Zaim Oneeb zaimoneeb.com

Written by. Quintana Tarantula

Chainsaw Apple. Adapted by. Jamie Burke & Sean Halket. Based upon the short story by Arthur Bradford

ELLA, 22, tall, slim and pretty stands over the sink and rinses off a plate, she inspects satisfied that it s clean and puts it on the side to dry.

VANITY FAIR. Christoffer de Lange. Christoffer de Lange FAV 2102 Murray Oliver Monday 1pm-5pm

A Fight for Hurling By ReadWorks

Paul: Can you tell me why you called tonight? Gwen: I I m not really sure, actually. (The girl sits up, eyeing Gwen warily.) Paul: Have you been

THE REPAIR MAN. Rammuel R. Lavarro

A fancy normal looking house with furniture, family pictures hanging on the wall.

A pair of hands shuffles a deck of blue-backed playing cards. First down into a pile, then a reverse bridge.

Final Draft 7 Demo. Final Draft 7 Demo. Final Draft 7 Demo

TREE. Written by. Simon K. Parker

WHAT IS HELL? Written by. Richard F. Russell

(c) Copyright 2007 EVERYWHERE YOU LOOK!

INT. CHRISTINE S HOUSE - BASEMENT - DAY

HERO. Richard F. Russell Copyright 2014

MASS du GELATINOUS. by Steven Clark.

EXT. LONDON - BUCKINGHAM PALACE - SERVICE ENTRANCE DAY. A ROYAL GUARDSMAN stands at attention. Proud. Stoic. Immovable.

VINCE Why not? We re just goofing. JESSICA People are going to think we re dating again. VINCE Would that be so terrible?

NEW GIRL. "Clock Block" Written by. Nicholas S. Jozaites

AUTOMATIC DRIVE. Mark Renshaw

Memoirs of a Father Figure. written by. Andrew Mangum

EXT. DIRT ROAD - DAY We OPEN on a dusty dirt road in the middle of nowhere. A truck drives passed heading down the dirt road. We watch it for a few

Fade in: (C) copyright ERIC DAVIS, 22, almost as disheveled looking as his bedroom, stares into a small camcorder. ERIC

Head to Toe. by Brian Howell

SCHRÖDINGER S BABY. written by. Chris Hicks

Walks in the Rain. Sarah James

Transcription:

TOMORROW By Eric Cook ecookwr@gmail.com 2/10/2018

1. FADE IN: INT. THE COBB FAMILY S HOUSE - KITCHEN - NIGHT JOHN and SARAH COBB (40s) eat chicken, rice, and mashed potatoes at the dinner table with their children, BLAINE (16) and KATIE (9). Blaine has a subtle bruise under his left eye. Katie prods at her mashed potatoes with the prongs of her fork. John bats an eye at Katie. JOHN Katie, don t play with your food. KATIE We always have chicken every week. Katie. SARAH KATIE What? It s true. JOHN Well your brother doesn t seem to have a problem with it, so why should you? Well-- KATIE The ring of a doorbell. John steps out his chair and heads toward the front door. JOHN (walking to the door) I ll get it.

2. KATIE (O.S) Mom, why can t we have different food? SARAH (O.S) You better zip your lip. John opens the front door, peering at whoever is at his doorstep. His eyes magnify at-- BAM! A hooded, gorilla-masked figure BLASTS a shell in John s chest with a pump shotgun. The Cobb family SCREAMS. The hooded figure treads inside the house. In a panic, Sarah runs to the landline. BAM! The hooded figure lands a headshot on Sarah, blotting blood on the walls. The hooded figure swivels toward the kids, who sit still at the dinner table. Blaine and Katie stare at the figure. Petrified. The hooded figure stares back at them. Standing still. Then the hooded figure calmly leaves out the front door.

DAY 1 3.

4. CUT TO: A PHONE SCREEN The Google Play Store. An app called VIVADAMUS goes from Installing to the options Open and Uninstall. INT. S APARTMENT - LIVING ROOM - MORNING - CONTINUOUS SUMPTER (early 20s) lazily lies on her couch while on her phone. She taps Open. Her phone screen turns completely white. Then, the options appear: DECLINE and ACCEPT. What the hell. She reluctantly taps ACCEPT. Her phone abruptly goes back to the Google Play Store, showing VivaDamus. But the options uninstall and open are gone. There s only an empty bar of space. Suddenly, the phone shows: Incoming Call - ANDREW (20s) Gabby picks up. ANDREW (V.O) Gabby, I m here at the same time I usually am. Where are you? Gabby gets off the couch.

5. Oh my gosh. Sorry Drew, something weird happened. I ll tell you all about it when I get in the car. TIME CUT TO: EXT. RESIDENTIAL STREET Andrew s Ford Sedan drives with bearable traffic. INT. ANDREW S FORD SEDAN (TRAVELING) Andrew (now visible, and may I add, geeky but charming) drives, Gabby rides shotgun. Both in their Walmart uniforms. ANDREW Weird stuff, Gabby. Weird stuff. I know. And I can t uninstall it. ANDREW Try tech support. Those guys seem to work wonders. A Toyota Corolla dangerously cuts in front of Andrew. ANDREW (CONT D) Can you believe the nuts on this guy? Gabby s phone buzzes in her pocket. She takes it out. ANDREW (O.S) Imagine if I were that crazy. I d get stabbed.

6. ON PHONE A text from a contact named VivaDamus. Gabby unlocks her phone and looks at the text message. VivaDamus Text: Tomorrow s forecast: watch out for Andrew, your kindergarten teacher Mrs. Foster will be glad to see you, and your brother is going to get the flu. :( Gabby furrows her brow. Andrew looks over at Gabby. ANDREW (CONT D) What happened? Gabby presses power and stuffs her phone in her pocket. Nothing. Just the stupid app. INT. S APARTMENT - BATHROOM - DAY Gabby, fresh out the shower and toweled-up, sits on the edge of her bathtub on her phone. Is this Wiz Electronics? WIZ ELECTRONICS EMPLOYEE (V.O) Yes, ma am. Well, there s this problem with my ph-- The call cuts off. Gabby looks at her phone. A text from VivaDamus pops up.

7. It reads: Stop. I m trying to help. No tech support and no cops. Just remember tomorrow s forecast. Gabby throws her phone to the floor. Scared out of her life.

8. DAY 2

9. INT. S APARTMENT - LIVING ROOM - MORNING Gabby, agitated with fear in her Walmart get-up, looks at a wall clock. Her phone face down on the table. Gabby looks at her phone. And it BUZZES to life. Gabby quickly accepts the call. (on edge) Hello? ANDREW (V.O) Hey Gabby are you okay? Well, I m outside-- -- Okay. I ll be right out. Gabby hangs up and puts her phone face down on her leg. Then stuffs it in her pocket. INT. ANDREW S FORD SEDAN - FEW MINUTES LATER The car s not on -- but Andrew blankly gazes at the steering wheel. The passenger seat s door opens and Gabby enters. Hey. She closes the car door and looks at Andrew. She notes he has not reacted or moved ever since she got in the car. Andrew? (CONT D)

10. Andrew revs up the car and puts the doors on child lock. Gabby nervously laughs and Andrew laughs back. Gabby-- ANDREW He sets a hand on her leg. ANDREW (CONT D) How long are we going to play this cat and mouse game? What? Andrew slides his hand toward Gabby s zipper but Gabby throws his hand off halfway and SLAPS him. (CONT D) What the fuck is wrong with you? Andrew devilishly smirks. He reaches in his back pocket and takes out a Sheffield knife. Andrew clenches Gabby s neck and points the blade to her chest. ANDREW Don t ever do that aga-- Gabby kicks Andrew in the chest. Andrew drops the Sheffield in the gap between the stick shift and Gabby s seat. Gabby snags the keys out the ignition. Then, Andrew s hand grips around her wrist. He thinks he has her. But Gabby stabs Andrew in the eye with the car key. Unlocks the car with the keys. And bolts out.

11. EXT. APARTMENT BUILDING - FRONT She throws the keys on the sidewalk. In the heat of the moment, Gabby checks her phone. A two-word text message from VivaDamus: You re welcome. ANDREW Gabby, I m sorry! Please come back! Gabby looks at Andrew. He looks like a mess. Bewildered. A faint resemblance to Jack Torrance. Fuck pity. She runs into her apartment building. ANDREW (CONT D) COME BACK! INT. APARTMENT BUILDING SERIES OF SHOTS --Gabby enters the apartment building. --Runs up a flight of stairs. --The slam of an apartment door. INT. S APARTMENT Gabby huffs and puffs after she closes her door. She takes out her phone. Two new texts from VivaDamus. She unlocks her phone and sees the texts.

12. ON PHONE I authorize you to call the authorities and your boss. I allow you to. :) Today s forecast: go to work now. Andrew will not harm you. CUT TO: EXT. WALMART - PARKING LOT - MORNING - LATER Gabby nervously walks in the parking lot, turning her head left and right with every step. She takes a couple more steps and now she s few feet from the entrance. Gabby walks a little more. Then Andrew (with a sabotaged eye) steps in front of Gabby. ANDREW I m sorry, Gab! Andrew, go away. I already called the police and Mr. Howell. Andrew grows livid, but attempts to mask it with a smile. He grabs Gabby by the shoulders. ANDREW Come on! That s uncalled for! MRS. FOSTER (O.S) Get off her, young man! Gabby looks over and sees Mrs. Foster (elderly). Gabby breaks away from Andrew s grasp and runs to Mrs. Foster.

13. Mrs. Foster! MRS. FOSTER (to Gabby) Hey, child. A barrel-chested SECURITY GUARD from inside Walmart steps out the entrance. SECURITY GUARD (to Andrew) Stay where you are! Andrew runs to the parking lot. The security guard chases after him. INT. S APARTMENT - LIVING ROOM - NIGHT Gabby watches television in a hoodie. She has an ear to the phone. S MOTHER (V.O) He s in jail now, right? I hope he is. S MOTHER (V.O) Sorry to hear that happened, Gabby. Truly am. It s worse enough that Connor has the flu. Gabby s eyes open wide. Another prediction right.

14. Connor s sick? Did he go to school yesterday? S MOTHER (V.O) No-no, it was worse the day before. Just awful. (then:) Well, I ll talk to you later. Bye Mom. Bye. S MOTHER (V.O) Gabby hangs up the call. She sees a notification. VivaDamus: Tomorrow s forecast, abusive parents plan to kill their children. They have a shotgun lying in the shed. Do you want the address? Gabby looks down at the floor. She spots a gorilla mask. FADE OUT.