Set to Music a Wildfire

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CHAPTER 2. Native Americans and Their Land

Transcription:

Set to Music a Wildfire

Let me be a lamb in a world that wants my lion In the beginning, there was an angel with cloven feet who stood by me, and the angel said, My wings are an ocean, and its shoulders split until feathers fell around us. This is how you leave your country. On the back of an ocean. Choked with feathers. If someone gives you water, drink. And if they hand you a glass of blood, tell yourself it s water. If they hand you a lamb and say eat, they will see a lion. They will call you lion when you walk down the street. When the towers come down. When blood is the water they drink. When my belly sings with hunger, it s asking, Will you die for an idea? I dreamt I walked the shore of my country and each wave cracked like a bone. The sea of my childhood rattles with skulls, and their mouths agape with my name drown its vowels, call me S, say it s the name the sea spoke when I dragged my feet across an ocean and became somewhere new. I call my dead Beloved but they have too much time for me. If I close my eyes, I see my father on the beach, his hands cupped for water. He says, The dead are always thirsty, and I wake up in time to catch the L for work that hardly keeps me fed.

Heaven, leave your light on a little longer. I looked for you on earth and found my daughters. I looked for you and saw your stars strung electric as sorrow and they wound my current across their backs and carried me here, the middle of a grocery store parking lot, the whine of flood lights burrowing into my capped head and the black night ahead, and I think, My God, will I ever not be surprised by what I can survive? The long country of my loneliness stretched out before me, my hands heavy with the food I can eat I m so full of honey in a time of war, winter in a land I m learning to love, in a land that won t love me.

Legend of Mount Sannine Zahlé, Lebanon He is the names of the missing or dead. Smokeless fire, a bell with its tongue cut out, bloodseed in the foothills, the funnel of a thousand flies. Habibi, he ll say, you have a home here in the barracks here with me. My love, you ll meet jinn more times than you know, but to the mountains that whisper and shake, to the man who places bullets in your hand, you re only blood. Blood that spills. 3

Surah al-qiyamah: My Father Talks to God When Syria Occupies Tripoli, 1976 We are in the streets already, drawing lines in the dirt, pulling gunfire into our breath. Does man think You will not assemble his bones when clouds climb and split like timber and bombs swarm in smoke-stained light? Our bodies rungs and limbs are rail yard tracks immovable, tied to the land. When men hunt each other, they call You different names, sounds that sift into rock beds. Listen: it s calling You, this river. We drown in the streets beneath a joined moon and sun, and still the earth shakes us from its hide. Where can I escape? My arms covered in ash. The harbors moored with flame. I love this fleeting world even as I run through the streets, the heat slung on my back, shots mottling the window where I bought bread, and the voices follow scratch of gravel, barking alleys and smolder I m fluent in a new language when I m this close to the shopkeeper s body, his mouth full of red petals that drip on the counter like a prophecy. It ends like this: our time weighed like grain on a scale, Your hands too full of lives like mine. 22

My Father Dreams of a New Country Lebanon, 1978 America, I see through your glass I reach my hand and my fingerprints are everywhere. Like leaves the gust blows in. I don t have money to feed your fountains or enough water that it s never a wish, but America, I can t stop drinking you in. Your trains, their freight like hours, like the vowels cut from my name. When will you learn my name? I m running to you but I can t get there fast enough. I m strung up on gridirons and city lights. Aren t my arms tired of reaching? Isn t my back tired of carrying this night around? Be good to me like a summer rain, I swear I m burning. 27

My Father Is the Sea, the Field, the Stone I don t know what makes a country a country. If the sea softening an edge of land is enough to say, This is mine and that is yours. There were nights in Tripoli when there was room for us. When the sky pulled up the wings of gulls and we watched their bodies rise from the beach. Days when I chased my sisters through the market and we sailed through bright saffron scarves, past barrels of grain and earthy bins of pine nuts. And how I stood beside my siblings, all dressed in clothes my father made stitch by stitch, and held out my hands for the candy he d bring if work was good. I knew it was a lot to ask and still I asked. Some days I d swim out until I wasn t sure I could come back. The sun beat its indifference into my brow. The water, its mercy. Why choose a coast when my hands are stone? Why a rifle when my blood is a field? I carry these suitcases full of rain because I can t take my country. If it s a choice you want I ve never known a world that wasn t worth dying for. 39