(HRMONY INDEPENDENCE) SNDY UDITION PCKET
GRESE DNNY SNDY DNNY / SNDY DRIVE IN SCENE SCENE FIVE: Exterior Starlight Drive-In Movie Theatre (Movie track is playing) (Silence Danny stretches, puts arm across Sandy s shoulder. Danny tries to get his arm around her. She moves away.) Why don t cha move a little closer This is all right. Well, can t ya at least smile or somethin Look, Sandy I practically had to ust Kenickie s arm to get his car for tonight. The guys are really PO ed at me. I mean, I thought we were gonna forget all aout that stuff with Sonny and Rizzo and everything. I told ya on the phone I was sorry. I know you did. Well, you elieve me, don t ya I guess so, it s ust that everything was so much easier when it was ust the two of us. Hey, you ain t goin with another guy, are ya No. Why (Taking off school ring) Err oh no reason (Has troule removing ring runs thru his hair and it comes off ) I was gonna ask ya to take my ring. (He holds out the ring) Oh, Danny I don t know what to say. (Danny puts ring on her finger) Well, you want it, don t cha Uh, huh. I shoulda given it to ya a long time ago. (They kiss. Danny does actions to restrain himself). I really like you Sandy. 1 P a g e
Danny, take it easy! What are you trying to do What s the matter Well, I mean I thought we were ust gonna you know e steadies. Well, whattaya think goin steady is, anyway C mon, Sandy! Stop it! I ve never seen you like this. Relax, will ya, noody s watchin us! Danny, please, you re hurting me. (Sandy reaks away) Whattaya gettin so shook up aout I thought I meant something to ya. You do. But I m still the same girl I was last summer. ust ecause you give me your ring doesn t mean we re gonna go all the way. (Sandy opens the car door, and gets out) Hey, Sandy, wait a minute. I m sorry, Danny maye we etter ust forget aout it. (Sandy slams car door on Danny s hand) (Yelling) Hey, Sandy, where you goin You can t ust walk out of a drive-in! HERO: SHEIL: Look, Sheila! The full moon is sinking over Dead Man s Curve. Yes, Lance and with it all our dreams. SONG (16): SNDY DNNY STRNDED T THE DRIVE-IN BRNDED FOOL WHT WILL THEY SY MONDY T SCHOOL SNDY, CN T YOU SEE I M IN MISERY WE MDE STRT, NOW WE RE PRT THERE S NOTHIN LEFT FOR ME. 2 P a g e
GRESE DNNY / SNDY / PTTY PRE RYDELL FIGHT SONG DNNY SNDY PTTY SCENE SIX: Rydell High School exterior; Sandy runs on with Pom Poms Do a split, give a yell Throw a fit for old Rydell Way to go, red and white Win the game Fight, fight, fight (Sandy does an awkward split, falls. Danny enters) PTTY: Hiya, Sandy. Oh, Hi. Hey, what happened to your ear Oh, nothing. Hey, uh, look, I hope you re not still mad aout that first day at school. I mean, couldn t ya tell I was glad to see ya I m not sure. It looked to me like maye you had a new girlfriend or something. re you kiddin If it was up to me I wouldn t even look at another chick, ut you. Really Uh-hu Hey, tell ya what. We re throwin a party tomorrow night for Frenchy. She s gonna quit school efore she flunks again and go to Beauty School. How da like to make it on down there with me ll right, Danny, as long as you re with me, ut let s not let anyone come etween us again, okay (Rushing onstage with two atons and wearing cheerleader outfit) Hiiiiiiii, Danny! Oh don t let me interrupt. (Gives Sandy aton) Here, why don t you twirl that for a while. (Taking Danny aside) I ve een dying to tell you something. You know what I found out after you left my house the other night My mother thinks you re cute. (To Sandy) He s such a lady-killer. Isn t he though! What were you doing at her house h, I was ust copying down some homework. 1 P a g e
PTTY: PTTY: PTTY: PTTY: PTTY: PTTY: Come on Sandy, let s practice. Yeah, let s! I m ust dying to make a good impression on all those cute lettermen. So, that s why you re wearing that thing getting ready to show off your skivvies to a unch of horny ocks Don t tell me you re ealous, Danny. What Of that unch of meatheads! Don t make me laugh. Har-dee-harhar. But you d rather spend your time copying other people s homework. Patty, will you stop twirling that thing. Listen, the next time they have tryouts for any of those teams, I ll show you what I can do. Oh, what a lucky coincidence! The track team s having tryouts tomorrow. (Panic) Huh.. Okay, I ll e there. Big Talk. You think so, huh. Hey, Patty! (He hits Patty with Pom Pom) Sorry, Patty! (He touches her chest she screams) When da say those tryouts were Tomorrow, tenth period on the footall field. Cool, I ll e there. You re gonna come watch me, aren t you Oh, I can t wait. Solid. I ll see ya there, sexy. Do a split, give a yell. Throw a fit for old Rydell. (Danny exits) Toodles. Oooooohh, I m so excited, aren t you Come on, let s practice. Yes, let s! Come on girls. Girls! SONG (7): RYDELL FIGHT SONG HIT EM GIN RYDELL RINGTILS TER EM PRT, RED ND WHITE BSH THEIR BRINS OUT STOMP EM ON THE FLOOR FOR THE GLORY OF RYDELL EVER MORE 2 P a g e
RIZZO / SNDY PRE THERE RE WORSE THINGS I COULD DO RIZZO: KENICKIE: RIZZO: KENICKIE: SONNY: RIZZO: DOODY: ROGER: RIZZO: FRENCHY: N: RIZZO: N: ROGER: MRTY: SONNY: N: RIZZO: RIZZO: RIZZO: Oh, you do, huh Boy, good news really travels fast! Hey, listen, why didn t you tell me Don t worry aout it Kenickie. You don t even know who the guy is. What Thanks a lot, kid. (Kenickie exits) Hey, Rizz, how s tricks Look, if you ever need someody to talk to ll of a sudden you think you can get a little. Get lost, Sonny. Tough luck, Rizzo. Listen, Rizz, I could help you out with some money if you need it. Forget it, I don t want handouts. Hey, it ain t so ad, Rizz at least you get to stay home from school. Hey, you want to stay over tonight, Rizz Why don t you guys ust flake off and leave me alone It s getting kinda late, anyway I guess it might e a good idea if everyody ust went home. C mon, you guys let s go. See ya, Rizz (Roger and Doody exit) Hey, French wait up! (Marty and Frenchy exit) Tell her I didn t mean anything, will ya. (Sonny exits) Yeah, sure. (an exits) I m sorry to hear you re in troule, Rizzo. Bull! What are you gonna do give me a whole sermon aout it No. But doesn t it other you that you re pregnant Look, that s my usiness. It s noody else s prolem. Do you really elieve that Didn t you see Kenickie s face when he left here It is Kenickie s, isn t it Well, I guess I ve said too much already. Good luck, Rizzo. Now wait ust a minute, Miss Goody-Goody! Who do you think you are Handing me all this sympathy crap! Since you know all the answers, how come I didn t see Zuko here tonight You ust listen to me, Miss Sandra Dee.
Rehearsal Score ~14~ HOPELESSLY DEVOTED TO YOU GRESE ROYL CRIBBEN rranged y Chris Egan qk =78 CLICK 1,2 8 6 1 8 6 p 8 6. (add9)... C m7.. B m7... 7 E 9sus4. E. B m7. D E E 7. 13.. D.... B m7... sus4.... poco cresc. n P D m N. n n n n.. 10/13/16 - RC16 Page 1 of 8 www.chriseganmusic.com
14 HOPELESSLY DEVOTED TO YOU / Rehearsal Score Sandy ΠΠn n n n n g Guess D m 19. n n. D m.. n. n. Sandy may take lierties with ack-phrasing, etc. throughout... ΠΠmy.. 25 mine is not the legato. first C m7. heart ro - ken D.. eyes B m7 are not the. first to E 7. 31 cry. Ma7. ΠΠI'm 6. not the first to (add9).. know Πthere's F 7. ust no get - ting o - n E m6 G n.. F 7 ver. 10/13/16 - RC16 Page 2 of 8 www.chriseganmusic.com
14 HOPELESSLY DEVOTED TO YOU / Rehearsal Score you... n Œ Œ I... know I'm ust a. fool who's 37 B m7.. C m7 C m7 n B m7 E 7.. C m7.. Œ Œ to.. Œ Œ wil - lin' sit a - round and wait for you. But 43 D.. B m7. E 7. Ma7. 6. 49 a - y can't you see there's no - thin' else for (add9).. Œ F 7. n E m6 G n.. me to F 7. do. B m7.. Œ Œ. I'm. 10/13/16 - RC16 Page 3 of 8 www.chriseganmusic.com
14 HOPELESSLY DEVOTED TO YOU / Rehearsal Score 55 n hope - less - ly de - vo - ted to C m7 n C m7 n. a. B m7 E 7.. you. n D m... n n. n n n. n. Œ.... But ^ ^. now Œ Œ f. there's ~~~~ n n n n n n n n n.... no where to hide since you pushed my love a - side I'm out of my ~~~ 61 G m7 N... C 9 C9 5. F... Œ head hope - less - ly de - vo - ted to you 66 F Ma7. dim. D7 9. G m7.. 10/13/16 - RC16 Page 4 of 8 www.chriseganmusic.com
14 HOPELESSLY DEVOTED TO YOU / Rehearsal Score.. hope - less - ly de - vo - ted to you N 71. C7 9. D m. C +. D m7 C N. 76 n G 9 B n. Hope - less - ly de - vo - ted to G m7. C7 9. you. F D m.... ΠΠMy n... ΠΠmy 81. g.. P. n ~~~~~~ n head is say - ing. fool C m7. for - get him D... apple. C m7 apple 10/13/16 - RC16 Page 5 of 8 www.chriseganmusic.com
14 HOPELESSLY DEVOTED TO YOU / Rehearsal Score... Œ 87 heart is say- ing B m7. don't let E 7. go. Ma7. 6. Hold on to the (add9). end and F 7. 93 that's what I in - tend to do. I'm hope - less - ly de - vo - ted to n E m6 G n.. F 7.. B m7.. Œ Œ. n n C m7 C m7. n.. B m7 E 7. 99 you. n D m... n n. n n n. n. Œ..... But ^ ^. now Œ Œ f. there's n n n n n n n n n ~~~~~~~~~~~. no G m7 where to N.. hide since you. 10/13/16 - RC16 Page 6 of 8 www.chriseganmusic.com
14 HOPELESSLY DEVOTED TO YOU / Rehearsal Score... pushed my love a - side I'm out of my head Hope - less - ly de - 105. C 9 C 9sus4 F. F Ma7. dim. > vo - ted to you Hope - less - ly de - vo - ted to > >.. Π110 > D7 9 > > G m7. >.. C7 9.. SLOWER. you N n D m. C +. D m7 C N. G 9 B n 115 10/13/16 - RC16 Page 7 of 8 www.chriseganmusic.com
14 HOPELESSLY DEVOTED TO YOU / Rehearsal Score CLICK 1,2,OFF U. 120 Hope - less - ly de - vo - ted to. -. F G m7 -. -. C7 9 -. you B m...... E Ooo.. P F U. U 10/13/16 - RC16 Page 8 of 8 www.chriseganmusic.com
(HRMONY ONLY) THE NOVELLS UDITION PCKET (SNDY, RIZZO, MRTY FRENCHY)
Love On Top for Casting Columus 4 q = 94 shuffle Ó You put my love on top, a - y you're the one that I { 4 4 Œ Š7 G11 CŒ Š7 n 2 R R { love, a - y you're all I need, you're the on - ly one I /F 3 4 FŒ Š7 r R see, come on a - y it's you you're the one who gives your { G11 5 6 CŒ Š7 V.S.
2 R R { all you're the one I al - ways call, when I need you ev - ry - thing /F 7 8 FŒ Š7 stops, fin - al - ly you put my love on { 9 Œ Š7 G11 n top, a - y you're the one that I { D Œ Š7 10 ndrew Duncan Productions Love On Top
3 R R { { love, a - y you're the one that I need, you're the on - ly one I B /G 11 12 13 G Œ Š7 n see a - y a - y it's 11 R R you you're the one that gives your all, you're the one I al - ways { D Œ Š7 14 15 B /G n n V.S. Love On Top ndrew Duncan Productions
4 R { call, when I need you ev - ry - thing G Œ Š7 16 Œ Ó stops, fin - al - ly you put my love on top { Œ Š7 11 D Œ Š7 n n n 17 18 w ww w w ndrew Duncan Productions Love On Top
(INDEPENDENCE ONLY) FEMLE SINGER UDITION PCKET (SNDY, RIZZO, N, MRTY FRENCHY)
PINO/VOCL FEMLE UDITION LL BY MYSELF 4 Clicks to Bar 1 ll By Myself q = 112 4 VOCL RRNGEMENTS: TYLOR ROBERTS 4 When I was young I nev er need ed an y one, 4 G C 6/G G 1 2 3 4 5 6 rall. and mak ing love was ust for fun, those days are gone. G9/F E7( 4) E7 C 6 G/B 7(5) D/F 7 8 9 10 11 12 tempo ll y my self, don't wan na e all y my self G B 7 D /F E7( 4) E7 ll By Myself 13 14 15 16 17 18 2016 RCCL Productions V.S.
2 PINO/VOCL 3 an y more. 7(5) B D 7 19 20 21 22 23 24 Slower q = 98 Don't wan na e all y my self F / G 7( 4) G 7 C E/F F ( 4) 25 26 27 28 29 ll By Myself
PINO/VOCL FEMLE UDITION ONCE UPON TIME Once Upon Time VOCL RRNGEMENTS: TYLOR ROBERTS q = 138 Once up on a BGV's Once u pon a time, Once u pon a time, doo doo, doo, doo, doo, ooh. Once. G. G. 1 2 3 4 time Once u pon a BGV's u pon a time, once u pon a time, doo doo, doo, doo, doo, ooh.. G. G. 5 6 7 8 V.S. 2015 RCCL Productions Once Upon Time
2 FEMLE UDITION Once Upon Time dream a man will come and give her ev 'ry.6 F/. 9 10 11 12 thing she wants and loves, ut in the morn ing.6 F/. 13 14 15 16 she'll a wake to face the room a round her, it's ust a noth er G. 17 18 19 20 lone ly day, Bit ter ness sur rounds her. C/G E.7. 21 22 23 24 Once Upon Time
Once Upon Time FEMLE UDITION 3 3 3 (preferred elt or strong elt/mix) ah... Oh... Won't you come with BGV's ah... Oh... Ooh, ooh, ooh, ooh. F/ mi7 E(5) 25 26 27 28 me. (ms. 30-35 'fill' this up. HOWEVER, it is not to e usy riffy ut rather long phrases. Notes indicated are a guide or an option.) oin our fan ta sy top note optional BGV's Once u pon a time, Once u pon a time, doo doo, doo, doo, doo, ooh. Once. G. G. 29 30 31 32 (RETURN TO THE NOTES HERE) Once u pon a BGV's u pon a time, once u pon a time, doo doo, doo, doo, doo, ooh.. G. G. 33 34 35 36 Once Upon Time
4 FEMLE UDITION Once Upon Time 3 3 time. BGV's ah... F/ mi7 Dmi/ mi 37 38 39 40 opt. 3 3 ah... BGV's ah... Ooh, ooh, F/ mi7 E(5) E(5) 41 42 43 44 (preferred elt or strong elt/mix) Oh,... Once U pon Time. BGV's ooh, ooh, ooh, ooh, ooh... E(5) mi7 45 46 47 Once Upon Time