: Proceed with Caution October 6, 2012 January 13, 2013 Painting the Comic Muse, 1758 Etching and engraving, Paulson 204, fifth state of seven Jack S. Blanton Curatorial Endowment Fund, 2002.2846 Beer Street, 1751 Etching and engraving, Paulson 185, third state of four Jack S. Blanton Curatorial Endowment Fund, 2005.166 Gin Lane, 1751 Etching and engraving, Paulson 186, third state of four Jack S. Blanton Curatorial Endowment Fund, 2005.167 The First Stage of Cruelty, from The Four Stages of Cruelty, 1751 Etching with engraving, Paulson 187, first state of two Archer M. Huntington Museum Fund, 1991.156 The Second Stage of Cruelty, from The Four Stages of Cruelty, 1751 Etching with engraving, Paulson 188, first state of two Archer M. Huntington Museum Fund, 1991.157 Cruelty in Perfection, from The Four Stages of Cruelty, 1751 Etching with engraving, Paulson 189, only state Archer M. Huntington Museum Fund, 1991.155 The Reward of Cruelty, from The Four Stages of Cruelty, 1751 Etching with engraving, Paulson 190, third state of four Archer M. Huntington Museum Fund, 1991.158
The Fellow 'Prentices at their Looms, plate I from Industry and Idleness, 1747 Etching and engraving, Paulson 168, second state of two Jack S. Blanton Curatorial Endowment Fund, 2002.2847.1/12 The Industrious 'Prentice Performing the Duty of a Christian, plate II from Industry and Idleness, 1747 Etching and engraving, Paulson 169, second state of two Jack S. Blanton Curatorial Endowment Fund, 2002.2847.2/12 The Idle 'Prentice at Play in the Church Yard, plate III from Industry and Idleness, 1747 Etching and engraving, Paulson 170, second state of two Jack S. Blanton Curatorial Endowment Fund, 2002.2847.3/12 The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV from Industry and Idleness, 1747 Etching and engraving, Paulson 171, second state of two Jack S. Blanton Curatorial Endowment Fund, 2002.2847.4/12 The Idle 'Prentice Turned Away and Sent to Sea, plate V from Industry and Idleness, 1747 Etching and engraving, Paulson 172, third state of three Jack S. Blanton Curatorial Endowment Fund, 2002.2847.5/12 The Industrious 'Prentice Out of His Time and Married to His Master's Daughter, plate VI from Industry and Idleness, 1747 Etching and engraving, Paulson 173, fourth state of five Jack S. Blanton Curatorial Endowment Fund, 2002.2847.6/12 The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute, plate VII from Industry and Idleness, 1747 Etching and engraving, Paulson 174, second state of two Jack S. Blanton Curatorial Endowment Fund, 2002.2847.7/12
The Industrious 'Prentice Grown Rich and Sheriff of London, plate VIII from Industry and Idleness, 1747 Etching and engraving, Paulson 175, second state of two Jack S. Blanton Curatorial Endowment Fund, 2002.2847.8/12 The Idle 'Prentice Betrayed by His Whore and Taken in a Night Cellar with His Accomplice, plate IX from Industry and Idleness, 1747 Etching and engraving, Paulson 176, third state of four Jack S. Blanton Curatorial Endowment Fund, 2002.2847.9/12 The Industrious 'Prentice Alderman of London, the Idle One Brought Before Him & Impeached by His Accomplice, plate X from Industry and Idleness, 1747 Etching and engraving, Paulson 177, second state of two Jack S. Blanton Curatorial Endowment Fund, 2002.2847.10/12 The Idle 'Prentice Executed at Tyburn, plate XI from Industry and Idleness, 1747 Etching and engraving, Paulson 178, third state of three Jack S. Blanton Curatorial Endowment Fund, 2002.2847.11/12 The Industrious 'Prentice Lord Mayor of London, plate XII from Industry and Idleness, 1747 Etching and engraving, Paulson 179, third state of three Jack S. Blanton Curatorial Endowment Fund, 2002.2847.12/12 Gérard Jean-Baptiste Scotin II Paris, 1698 after 1755 The Marriage Settlement, plate I from Marriage à la Mode, 1745, after Etching and engraving, Paulson 158, sixth state of eight The Teaching Collection of Marvin Vexler, '48, 1997.45.1/6 Bernard Baron Paris, 1696 London, circa 1766 The Tête à Tête, plate II from Marriage à la Mode, 1745, after Etching and engraving, Paulson 159, fourth state of five The Teaching Collection of Marvin Vexler, '48, 1997.45.2/6
Bernard Baron Paris, 1696 London, circa 1766 The Inspection, plate III from Marriage à la Mode, 1745, after Etching and engraving, Paulson 160, second state of three The Teaching Collection of Marvin Vexler, '48, 1997.45.3/6 Simon Francis Ravenet, the elder Paris, 1706 London, 1774 The Toilette, plate IV from Marriage à la Mode, 1745, after Etching and engraving, Paulson 161, fourth state of four The Teaching Collection of Marvin Vexler, '48, 1997.45.4/6 Simon Francis Ravenet, the elder Paris, 1706 London, 1774 The Bagnio, plate V from Marriage à la Mode, 1745, after Etching and engraving, Paulson 162, fourth state of five The Teaching Collection of Marvin Vexler, '48, 1997.45.5/6 Gérard Jean-Baptiste Scotin II Paris, 1698 after 1755 The Lady s Death, plate VI from Marriage à la Mode, 1745, after Etching and engraving, Paulson 163, third state of three The Teaching Collection of Marvin Vexler, '48, 1997.45.6/6 The Heir, plate I from A Rake s Progress, 1735 Etching and engraving, Paulson 132, third state of three The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004.147.1/8 The Levée, plate II from A Rake s Progress, 1735 Etching and engraving, Paulson 133, fourth state of four The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004.147.2/8 The Orgy, plate III from A Rake s Progress, 1735 Etching and engraving, Paulson 134, third state of three The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004.147.3/8 The Arrest, plate IV from A Rake s Progress, 1735 Etching and engraving, Paulson 135, first state of three
Jack S. Blanton Curatorial Endowment Fund, 2004.148 The Marriage, plate V from A Rake s Progress, 1735 Etching and engraving, Paulson 136, third state of three The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004.147.5/8 The Gaming House, plate VI from A Rake s Progress, 1735 Etching and engraving, Paulson 137, second state of three The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004.147.6/8 The Prison, plate VII from A Rake s Progress, 1735 Etching and engraving, Paulson 138, fourth state of four The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004.147.7/8 The Madhouse, plate VIII from A Rake s Progress, 1735 Etching and engraving, Paulson 139, second state of three The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2004.147.8/8