Yes, I bought you a wedding dress big enough for the two of us And in the taxi home we kiss a coin from your mouth to mine.

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ilya kaminsky from Deaf Republic of weddings before the war Yes, I bought you a wedding dress big enough for the two of us And in the taxi home we kiss a coin from your mouth to mine. The landlady might ve noticed a drizzle of stains on the sheets angels could do it more neatly, but they don t. I can still climb your underwear, my ass is smaller than yours! But you are two fingers more beautiful than any other woman I am not a poet, Sonya, I want to live in your hair. You jumped on my back, I ran to the shower, and yes, I slipped on the wet floor I watch you stand in the shower holding your breasts in your hand two small explosions. 37

THE MASSACHUSETTS REVIEW before the war, we made a child I kissed a woman whose freckles arouse the neighbors. She owned two pink nipples which she displayed like medals for bravery. Her trembling lips meant come to bed. Her hair waterfalling in the middle of the conversation meant come to bed. I walked in my barbershop of thoughts Yes I thieved her off to bed on the chair of my hairy arms but parted lips meant bite my parted lips lying under the cool sheets. Sonya! The things we did. 38

Ilya Kaminsky as soldiers walk up the stairs As soldiers clump up the stairs my wife s painted fingernail scratches and scratches the skin off her leg, and I feel the hardness of bone underneath. It gives me faith. 39

THE MASSACHUSETTS REVIEW while the child sleeps, sonya undresses She scrubs me until I spit soapy water. Pig, she smiles A man should smell better than his country such is the silence of a woman who speaks against silence, knowing silence is what moves us to speak She throws my shoes and glasses in the air, I am of deaf people and I have no country but a bathtub & an infant & a marriage bed! Soaping together that is sacred to us. Washing each other s shoulders. You can fuck anyone but with whom can you sit in water? 40

Ilya Kaminsky the voice we cannot hear They shove Sonya into the police car one morning, one morning, one morning in March, one dime-bright morning they shove her and she zigzags and turns and trips in silence which is a soul s noise Sonya, who once said, On the day of my arrest I will be playing piano. We watch four men shove her and we think we see hundreds of old pianos form a bridge from Arlemovsk to Tedna Street and she waits at each piano what remains of her is a puppet that speaks with its fingers, what remains of a puppet is this woman, what remains of her (they took you, Sonya) is the voice we cannot hear 41

THE MASSACHUSETTS REVIEW pinching the wrist A young soldier presses his gun to Sonya s head. His hand trembles. He forces Sonya to walk. Around her neck a sign I RESISTED ARREST. The town watches. At each door and window, they stop. For an apple a peek, they display Sonya, naked, under the TROOPS ARE FIGHTING FOR YOUR FREEDOM poster. Snow swirls in her nostrils. Soldiers circle her eyes with a red pencil. The young soldier aims in the red circle, spits. Another aims. Spits. The town watches. The arrested are made to walk with their arms raised up. As if they are about to leave the earth and are trying out the wind. 42

Ilya Kaminsky i, this body I, this body into which the hand of God plunges, empty-chested, stand. At the funeral Momma Galya s girls rise up to shake my hand. I fold our child in a green handkerchief, brief gift. You left, my doorslamming wife; and I, a fool, live. But the voice I don t hear when I speak to myself is the clearest voice: when my wife washed my hair, when I kissed between her toes: in the empty streets of our district, a bit of wind called for life. Wife taken, child not three days out of the womb, in my arms, our apartment quiet. I say this slowly: our apartment quiet, on the floor dirty snow from her boots. 43

THE MASSACHUSETTS REVIEW above blue tin roofs, deafness Our boys want a public killing in the sunlit piazza. They drag a soldier, around his neck a sign: I arrested the women of Vasenka The boys have no idea how to kill a man. Alfonso spits, I will kill him for a box of oranges. The boys pay a box of oranges. He cracks a raw egg in a cup, smells a trickle of oranges in the snow. And he tosses the egg down his throat like a vodka shot. He is washing his hands, he is putting on red socks, he is putting his tongue where his tooth has been. The girls spit in the soldier s mouth, A pigeon settles on a stop sign, making it sway. An idiot boy whispers Long Live Deafness! and spits at the soldier. In the center of the piazza a soldier on his knees begs in snow as townspeople shake their heads, and point at their ears. Deafness is suspended above blue tin roofs and copper eaves; deafness feeds on birches, light posts, hospital roofs, bells; deafness rests in our men s chests. Our girls sign: Start. Our boys, wet and freckled, cross themselves. Tomorrow we will be exposed like thin ribs of dogs but tonight we don t care enough to lie: A man in red socks jumps on the soldier, embraces him, cuts him in the lung. The soldier flies about the sidewalk. The town watches the loud animal bones in their faces and smells the earth. It is the girls who steal the oranges and hide them in their shirts. 44