WONDROUS PRESENTATION

Similar documents
Five Days for Redemption. Jeffrey Dean Langham

THE NEIGHBOR. Zack Akers

THE QUIET LIFE. Written by. Simon K. Parker

House Eighteen. Stephen Brown. Blyth, Northumberland ENGLAND

Final Draft 8 Demo. Final Draft 8 Demo. Final Draft 8 Demo

"Til Death Us Do... " Gary Stocker

WHAT WE SEE. Written by. Julia Savage

THE SLEEPING. Written by. Brennan Scott. Story by: Charley Coleman & Brennan Scott

My Propeller (First Draft) Zaim Oneeb zaimoneeb.com

A Face to Die For. Jean-Pierre Chapoteau. San Diego, CA

Unfathomable. All rights reserved

THE PARTY HOUSE. Written by. Ronald Fordham

Sidewalks. By Curtis Rainey.

1 INT. APARTMENT LOBBY - NIGHT 1

SCHRÖDINGER S BABY. written by. Chris Hicks

THE KISS. written by. Kosta K

Balance. Christopher West

THE REPAIR MAN. Rammuel R. Lavarro

ALMOST GONE. Reserved. This screenplaymay not be used or reproduced without the express written permission of the author.

MY YOUTH OPENING CREDITS WITH ALTERNATIVE/INDIE MUSIC WITH HANGING OUT WALKING DOWN A HILL. 1 EXT. COVE ON A CLIFF. NOT SAFE.

Walks in the Rain. Sarah James

A fancy normal looking house with furniture, family pictures hanging on the wall.

The Rose Bud. by Elisabeth Dubois. Elisabeth Dubois AWG Registered. Australia.

All rights reserved Copyright 2018 MY MONSTER

A STAIN OF BLOOD. Written by. Victor Daniel-Kalio

Copyright 2015 CAPTAIN HOOK

WIN-LOSE. Matías Caruso.

Final Draft 7 Demo. Final Draft 7 Demo. Final Draft 7 Demo

CHUBBY WUBBY IS IN CHARGE. Edith Woi

BRER. Written by. Spooky Mcspooks. Based on the tales of Brer Rabbit.

LIVING WITHOUT TREBLE. Written by Paula Trapuzzano

SHELLSHOCK. by Lee Cordner.

THE TRIAL. Anonymous. A modern day Salem Witch Trial

VANITY FAIR. Christoffer de Lange. Christoffer de Lange FAV 2102 Murray Oliver Monday 1pm-5pm

DEAD LINE. by Jesus Diez Perez. (C) 2016 Pictures Plus Productions Registered LOC:

THE NO-NO DOOR FADE IN:

A paint job, bright colours over a dull white, unfinished. Many pictures of a man, some with his family, arranged like a shrine.

After a few beats, Nicko STOPS at the sight of:

Snuff. Zaim Oneeb. Sterling Channel 2014

FRIENDS. Written by. D.A. Silva

I SPY. Written by. Simon K. Parker

PENNY FOR YOUR THOUGHTS. by Matthew Dressel WGA REGISTERED

HUMPHRY UNDER THE BED ZACK AKERS

Paul: Can you tell me why you called tonight? Gwen: I I m not really sure, actually. (The girl sits up, eyeing Gwen warily.) Paul: Have you been

Head to Toe. by Brian Howell

Ways and Means. Lyndon McGill. Lyndon L. McGill P.O. Box Salem, OR (503)

ROCK BOTTOM. Max Banerjee

A long tunnel leads to an elevator. A sign at the entrance reads "Shea Brothers Funeral Home."

Copyright 2008 Matt Smith Dead And Gone

PLEASE, HARRY. Written by. Nathan Harper-Wendt

Copyright 2018 This screenplay may not be used or reproduced without the express written permission of the author.

TEEN GIRL and TEEN BOY are making out on the carpet. They begin to roll around when a doorbell rings. They pull apart.

Once Bitten, Twice Shy. Natasha Harmer

Suddenly, an old woman, about 70, wearing black, flies into the store in panic. Her hair is in disarray. OLD WOMAN Oh, God! I hate this city!

The City of Dead. P.D. Hewitt

A PERFECT DAY By Curtis Rainey

EXT. DIRT ROAD - DAY We OPEN on a dusty dirt road in the middle of nowhere. A truck drives passed heading down the dirt road. We watch it for a few

RED SNOW ZACK AKERS UPDATED DRAFT 2008

Scurry. Kirsten James

WOLVES. Written by. Victor Alonso Berbel. Draft 5

OUR TIME. Written by. Ishan Parikh

KOWABUNGA. Written by. Helio J Cordeiro

IMAGINATION, SMAGINATION. Written by. Nolan Bryand

A SIMPLE QUESTION. Written by. Jack reacher

loopy aussie 11/11/2008

What If? An interactive exploration of violence against women. By Lydia Longman

CONTINUED: 2. BUTTONS It s Buttons, actually. MARK...It s not looking good for Mom.

SHANNON (24), Jeremiah s girlfriend and Madeline s Mother. She is patiently waiting for her turn to say goodbye.

THE BARGAIN STORE. Brandi Self. Los Angeles, CA

The Prom-ise of Love. Sappy love This may not be used without express written consent of the author.

LAST CIGARETTE. by A SimplyScripter (to be named later) For the February 2008 One Week Challenge

STRAY. Written by. Rachel Hensley

ONE WIFE TOO MANY By Tony Howell (Excerpts may be used royalty free for auditions.) AUDITION #1- for 3 m, 1 w. 1 flexible.

Writing Sample "Blister" by Linda Barsi. Blister. Linda Barsi

SEARCH PARTY. Written by. Kurt Conety Montezuma Rd Apt 34W Registered WGAw San Diego, CA #

WHAT IS HELL? Written by. Richard F. Russell

VALKYRIE "PILOT" Written by. Jamel Northern. Based on characters from the short film. "Blind Date", by Jamel Northern

SLUMBER PARTY. Written by. Warrenton Maxwell

ELLA, 22, tall, slim and pretty stands over the sink and rinses off a plate, she inspects satisfied that it s clean and puts it on the side to dry.

We establish the shot of the eighty story motel.

MUD. Written by. Simon K. Parker

12 Seconds. by Sean Chipman

THE OFFER SIMON K. PARKER

17-DE01-W03. A Blessing From Min

Flirting with Violence. Maxwell Modell

A Taste of Honey. Gary Murphy.

"He was The Enemy" Daniel Botha. Copyright (c) 2012

Aubrey. Michel J. DUTHIN

VISIT. Written by James S. Ryan & Simon Calligan. All Right reserved.

Memoirs of a Father Figure. written by. Andrew Mangum

Taken for a Ride. James Redd

(C) COPYWRITE 2015 FRANKIE

TOMORROW. Eric Cook. 2/10/2018

COULROPHOBIA. Pia Cook.

The Pair. Written by. Joe Jeffreys

TRUST ME. P.H. Cook.

Chainsaw Apple. Adapted by. Jamie Burke & Sean Halket. Based upon the short story by Arthur Bradford

EVERYTHING HAS A BEGINNING. Written by. Julien Blaecke. Based on the novel by Julien Blaecke

Victim By Bryson G Escapists 2015

False Hope. James Redd

Transcription:

WONDROUS PRESENTATION Written by Alex Cooper Ape_069@hotmail.com

FADE IN: EXT. HOUSE, 16 BALBOR ST DAY A black sedan parks into the driveway., a young beautiful woman wearing business apparel gets out of the car. She s in such a rush she leaves her car door open. She runs towards the front door, checking her watch as she does. I m going to be late. I m going to be late. June reaches into to here bag and blindly moves her hand around searching for something. She looks into her bag to investigate. Where are my fuckin keys! She gives up searching and pounds on the door. She checks her watch again. Brett! Brett, can you open the door! Brett! O.S. FOOTSTEPS get louder as someone approaches the door., all teary eyed and wearing pajamas answer s the door. June? June brushes past him without even a first glance. Yeah, hi hun. Just got to get something.

INT. HOUSE, 16 BALBOR ST HALLWAY June rushes down the corridor and makes a left into the kitchen Brett slowly closes the front door. KITCHEN June searches the breakfast table. She pushes a dozen of used tissues aside. Brett enters and stands at the doorway. This place is filthy... Put your tissues in the bin after you use them, Brett. June, my mum- Brett, I got no time to talk. My meeting is in, like, 10 minutes! She searches a pile of papers. Brett begins to cry. She s dead. Who s dead? My mum. She died! June stops looking through the papers and looks at Brett with a surprised face. She hugs him.

Oh my god, hun. I m so sorry. How d it happen? She pulls away and looks into his eyes. She hugs him again. She had a heart attack. The ambulance couldn t resuscitate her. Oh. That s terrible. I still can t believe she s gone... June checks her watch over Brett s shoulder. Hun. She breaks the hug. I gotta go. My meeting. What? We ll talk when I get home. I just really need to go to this meeting. But I need you. I could get fired. She looks at the breakfast table and finds the paper she was looking for. She goes to leave, but Brett blocks her path.

Brett, I need to get to work. Yeah, and my mum just fucking died! Brett, I know. I ll take tomorrow off and we ll just talk and talk, but right now, I need to be at work. You make it sound like a chore. I just want a little sympathy. June pushes past Brett and squeezes out of the kitchen. HALLWAY June walks towards the front door. I m sorry! But my boss needs me. Brett is stunned. He runs after June and firmly grabs her arm. She faces him. She takes a deep breath. Your boss is more important than me? At the moment, he is. He. June rolls her eyes and pulls her arm away from Brett.

Brett is silent. She moves in for a hug. He pushes her away. Aw, don t even think that. I m fucking thinking it, June! Just because your mum died doesn t mean you get to insult me! I didn t mean that. Just go to work. Hun- You re going to be late. She looks at her watch, and then slowly and reluctantly leaves the house. Brett stands in the hallway, alone. EXT. HOUSE, 16 BALBOR ST June walks to her car. She gets in and slams the door shut. INSIDE CAR June stares at the steering wheel for a long moment. She starts up the car. OUTSIDE

The car backs out of the driveway and makes it s way down the street. INT. CONFERENCE ROOM LATER June stands before a table of middle-aged men. She clicks a small remote in her hand and the last slide featuring a comical cartoon pops up. And that folks, is my proposal. A quiet laugh circulates the room, followed by applaud from the whole conference. June clicks the remote again and the slideshow finishes. Immediately all the men rise and slowly leave the room in a half arsed line. They congratulate June on the way out. At the end of the line is NIARMIE. He s grinning and shaking his head in appreciation. June! June! Fantastic! That was Absolutely, positively Fantastic! Leon extends his hand and June graciously shakes it. Thank you, Mr. Niarmie. Leon enthusiastically throws his arms around. That was a perfect display of professionalism! Without a doubt, the most wondrous presentation I have seen in my entire life! Well, I m glad to have helped. June, June, June. How is such a beauty so modest?

Leon looks as if he s awaiting an answer. Awkward silence. I don t know? Course you don t! It s a mystery! (Con t) So what are you doing after work? Oh no, I have to get home. Nonesense! This victory deserves a drink! No, I really do- You know about that promotion. Promotion? Yes, yes. More money, more control. A fuckin huge office! June can t help but show a huge smile. No, I wasn t aware of it. Leon leans in and taps his nose. June hesitates. You know, I can pull some strings. That is unless you have a quick drink with me.

Isn t that blackmail? What a crazy accusation! I should be insulted, but I m not! The drink is purely for celebration. EXT. HOUSE, 16 BALBOR ST NIGHT The front door is wide open. O.S. The faint sound of a phone RINGING. INT. HOUSE, 16 BALBOR ST HALLWAY The floor is covered in loose papers and tissues. O.S. The RINGING is louder. KITCHEN The phone on the wall RINGS loudly. INT. S PENTHOUSE ENTERTAINMENT ROOM June hold the phone to her ear. The DIAL TONE in her ear continuously rings until she finally hangs up. Leon enters with a bottle of champagne. He pops the cork. Champagne! He sits on the lounge, next to June and fills two glasses with champagne. Thank you.

She takes the glass and sips it. You know, this promotion will be a lot of hard work. A lot of late hours. Leon moves a little closer to June. She slightly angles herself away from him. I um, welcome the challenge. Leon tilts his head back and LAUGHS. O.S. A KNOCK at the door. That enthusiasm! It s so intoxicating! Leon and June look in the door direction. That must be opportunity! He slaps June on the knee and LAUGHS. She weakly LAUGHS back. I ll be right back, you just enjoy that Champagne. He gets up and walks out of the room. June takes a long swig of her champagne and swallows it bitterly. She looks at her watch. Leon comes back into the room. June gets up. Kids and their pranks! Oh, I see you ve finished all your champagne.

Yes, I really better get going. Of course, have to wake up early for another day of work. June stumbles. Leon catches her. I feel dizzy. You need to sit down. Leon throws her down on the lounge. He takes off his jacket and begins to unbutton his shirt. Wait, what s going on? Shut up! June, oblivious to the world, makes a feeble attempt to get up. Leon just pushes her back down. Get the fuck down! INT. S PENTHOUSE LATER BEDROOM June lies in Leon s bed. The silk sheet covers her naked body. Wind blows in through the balcony. O.S. The shower is on in the bathroom. June begins to come to. She GROANS and holds her forehead. Where (O.S.) He s in the shower. Brett sits across the room in the shadows.

She looks at him. Brett? Is that you? He gets up and walks over to the end of the bed. Brett LAUGHS. Yeah it s me. Where am I? You re pathetic. You re fucking really pathetic! What? Was I right to think it? Yes. Was I right to follow you? Fuck yes. How long has this been going on. My head. And she s not even listening. What do I have to do to get you to listen? Brett grabs a vase from the dresser and throws it at the wall. What are you doing? Brett YELLS at June. He YELLS again until veins poke out his neck. Line?

What? Brett begins to tear up. I want to know what I m supposed to say to this insanity! Your making fun of me? You insult my mum s spirit, cheat on me with your boss and now you re making fun of me? (Sarcastically) That s right. I never liked you mum, I m fucking my boss and you re a clown. A red nosed fucking clown! That s it you have to go. Brett walks around the bed and picks up June. What are you doing? Brett walks out to the balcony and tosses June over the edge. EXT. S PENTHOUSE June falls, SCREAMING her lungs out. INT. S PENTHOUSE BATHROOM Leon sits in the shower against the wall. His face is all bloody. Brett smashes through the door. Leon begins to whimper.

Brett picks up Leon. BEDROOM All right. Your turn. Brett walks across the bedroom BALCONY He walks across the balcony and throws Leon over the edge. EXT. S APARTMENT Leon screams as he falls. He lands directly on to June s limp body. BALCONY Brett watches over the edge. FADE TO BLACK THE END Bulls eye.