BASKETBALL COACH POP BE LIKE WEEKLY TIGHT SPACES DRILL THE BEST COACHING TIPS EVERY WEEK! UTILIZE HIGH SCREENS RUN 2 SUCCESSFUL SPURS SETS

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GET BACK TO BASICS START HAVING FUN & SUCCESS WILL COME Learn Train Develop Enjoy BE LIKE POP RUN SUCCESSFUL SPURS SETS WEEKLY BASKETBALL COACH June 6, 014 Issue 40 $5.99 GREGG < POPOVICH STRESSES TEAM BASKETBALL SURVIVE THE TIGHT SPACES DRILL WITH FAKES & QUICK PIVOTS UTILIZE HIGH SCREENS TO CREATE POST-UP POSITION THE BEST COACHING TIPS EVERY WEEK! SLIP AN OFF-BALL, WEAK-SIDE SCREEN FOR EASY SCORING OPPORTUNITY

Learn Train Develop Enjoy June 6, 014 Issue 40 $5.99 GREGG < POPOVICH STRESSES TEAM BASKETBALL CONTENTS Focus, Finish & Fun BASKETBALL COACH BE LIKE POP RUN SUCCESSFUL GET BACK TO BASICS START HAVING FUN & SUCCESS WILL COME SPURS SETS SURVIVE THE TIGHT SPACES DRILL WITH FAKES & QUICK PIVOTS UTILIZE HIGH SCREENS TO CREATE POST-UP POSITION Basketball Coach Weekly Issue 40 Basketball Coach Weekly 95 SW Iowa Drive Tualatin, OR 9706 WEEKLY THE BEST COACHING TIPS EVERY WEEK! SLIP AN OFF-BALL, WEAK-SIDE SCREEN FOR EASY SCORING OPPORTUNITY Editor-in-chief Michael Austin michael.austin@ basketballcoachweekly.com Contributors Mike Dunlap Illustrations Mike Renwick Pictures Action Images Production Matt Boulton, Julie Lifton Publisher Kevin Barrow kevin.barrow@greenstarmedia.net Customer Services Duncan Heard duncanh@ basketballcoachweekly.com Managing Director Andrew Griffiths (c) Green Star Media Ltd. All rights reserved. Click here to read the full disclaimer. To subscribe to Basketball Coach Weekly please contact Duncan Heard at Green Star Media Ltd, Meadow View, Tannery Lane, Bramley, Guildford GU5 0AB, UK. You can contact Duncan via Skype at basketballcoachweekly or via email at duncanh@ basketballcoachweekly.com Six weeks ago in this space I shared a disappointment of mine after training for four months, I crashed and burned in my attempt to complete my fifth marathon. Now, I come to you with a story of hope and redemption. After my failed marathon attempt, I was a mental mess. I had blasted social media with my excitement about the marathon. I anxiously ran through how I anticipated the race going. I feverishly checked the race-day weather report for two weeks leading up to the event. I thought about my post-race celebration. All of these distractions led to increased nervousness on race day. I used to run for exercise and fun. By race morning, nothing about running was fun. So, I went in a different direction this time. Knowing I had the training under my legs, I picked a race five weeks down the road and told no one but my wife. I kept a low profile. Most importantly, I set two goals: finish and have fun. I didn t care how long it was going to take I was crossing that finish line hopefully with a smile on my face. The morning of the race I woke up, drove to the start, parked and started running. I didn t pour through good luck texts. I didn t update my Facebook status. I didn t tweet to the world my doings. I ran. That s it. I struck up a couple conversations with fellow runners on the course. I thanked the volunteers as I ran by them. I waved my arms frantically and unleashed a huge smile at my daughters as they cheered me on around the 18-mile mark. While most people wouldn t consider running 6. miles fun, that was exactly what I was having. And, you know what? Four hours and one minute later, I crossed the finish line in my best time ever. As I came down the home stretch, I could hear my daughters screaming for me. I saw their home-made signs. If I had any fluids left in my body, they would have been exiting through my eyes. I accomplished my goal...five weeks late, but accomplished nonetheless. What worked for me may work for a lot of coaches too I got back to basics. With so many distractions and so many ways to broadcast our every moment, we sometimes lose track of the immediate goal and why we re in this in the first place to educate kids and have fun. Don t let your players lose focus on their goals and make sure you sprinkle in some fun to remind everyone our great game is just that a game. We sometimes lose track of the immediate goal and why we re in this in the first place to educate kids and have fun. QUICK HITTER Curtail Trash Talking Despite being down two games to one in the Eastern Conference Finals, Indiana s Lane Stephenson decided to poke the game s best player, LeBron James, prior to Game 4. Stephenson said he thought he was getting under James skin because Michael Austin Editor-in-chief James was engaging in Game trash talking with him. James responded in Game 4 with points, 10 rebounds and five assists in a 10-90 win. Stephenson is a young player who feeds off trash talking and getting a rise from his opponents. I m sure you ve coached the same type of player. While the energy, excitement and exuberance is a good thing it s best to keep public trash talking to a In this issue... STOMP OUT STAGNANT SIDELINE PLAYS The Spurs style of team basketball works... even when inbounding the ball from the sideline 4 ELBOW PASS, SLIP SCREEN & SCORE Perimeter ball movement sets up a weak-side, off-ball screen culminating in a perfect layup opportunity 5 BACKSCREEN SETS UP LOW- POST SCORE Use multiple screens to inbound the ball from one side of the floor and create a low-post scoring opportunity from the opposite block 6 Get back to basics and start having fun again FIND OPENING IN TIGHT SPACES This drill works on pass fakes, quick pivots and bounce passes to escape a clustering of players minimum. It can provoke and inspire the opposition, while making your program look bad in the process. Think about how you police public trash talking in your program and have set standards all players understand for next season. Make it a part of your rule book (if you have one). Keep the talking in-house and don t give your opponent any kind of edge. - Michael Austin www.basketballcoachweekly.com Issue 40 BASKETBALL COACH WEEKLY

OUT-OF-BOUNDS PLAYS SAN ANTONIO SPURS Teach team basketball for Spurs-like success Stomp Out Stagnant Sideline Plays The Spurs team-basketball concept extends into all aspects of Gregg Popovich s offense, including his sideline out-of-bounds plays I f you want to encourage your individuals to play better team basketball, I suggest you click on this clip highlighting the Top Teamwork Plays of the San Antonio Spurs 01-14 regular season. It s well worth the :5 of your life and, more importantly, it s something of great benefit for your players, especially as the Spurs style of basketball is the talk of the town after yet another championship. Look at the first series of actions in the video. The initial pass goes from freeagent find Patty Mills to Tim Duncan at the elbow. He waits for a couple players to clear low through the lane, then passes to Manu Ginobili coming off a weak-side screen. Ginobili takes a couple dribbles with his off-hand, penetrates the defense, then fires a cross-court pass alone the baseline to Mills, who has relocated to the weak-side corner. www.basketballcoachweekly.com Mills looks open for a -pointer but he sees a defender closing out and Danny Green with a bit more shooting space to his right. Mills tips the pass to Green, who cans the open -pointer. It s perfect Spurs teamwork. Duncan could have turned around at the elbow and fired a decent 15-footer. Ginobili could have attempted a difficult layup. Mills could have hoisted a contested -pointer. But, they all passed the ball to create a better shot. This one sequence (and so many others like them) embodies what makes the Spurs and head coach Gregg Popovich, the best team and coach in the NBA. Team basketball gives you the best chance of winning night-in, night-out. Now, it s time to take this idea of team basketball and show your squad it s the way to win games. I don t claim the plays on the following two pages magically will turn your team into the Spurs. But, these out-of-bounds sets, which are often used by Popovich s Spurs, showcase team basketball, get everyone involved and result in points for your team. Add these sets to your playbook immediately. When athletes see you calling plays focusing more on ball movement, off-the-ball screens and teamwork over 1-on-1 play, they become more adept at finding the open player in other aspects of the offense rather than always wanting to break down an individual defender. Create high-percentage, team-oriented plays from sideline situations and maybe your team will be the one hoisting a trophy at season s end just like Popovich s Spurs. Issue 40 Words by: Michael Austin BASKETBALL COACH WEEKLY

SIDELINE OUT-OF-BOUNDS PLAYS Elbow Pass, Slip Screen & Score Work the ball around the perimeter, preach unselfishness and watch this play culminate in a perfect slip screen and score at the basket WHY USE IT Teams tend to overplay the perimeter when the initial action is in that area take advantage by slipping a weak-side screen and create an easy scoring opportunity. SET UP The ball is on the left sideline with players positioned at each elbow, one on the strong-side post and another in the far corner. HOW TO PLAY The player in the post runs high off a screen from the elbow player. The inbound pass is made [1]. The ball handler dribbles right. The player in the corner comes to the top of the set off a screen from the right-elbow player. The ball handler stops, reverses and passes to the top, then continues through to the wing []. The right elbow then flashes high and catches a pass. The passer cuts to the opposite side off a screen from the left elbow. When the defense overplays high, the screener slips the screen, sprints toward the hoop, catches the pass and scores uncontested []. TECHNIQUE The Spurs run this play beautifully. Sometimes, the left elbow doesn t even have to set the final screen before slipping it if you notice the defense always cheating toward the perimeter. Position a solid ball handler and passer in this spot as this person is called up to move the defense with the dribble upon the catch 1 This backside screen typically signals a cross-court pass to the weak-side wing, which is why slipping the screen is so effective Run the defender hard off this screen to create separation After making this pass, the ball handler relocates to the wing, which opens the middle of the floor a bit more If the defense cheats high, this player must be ready to fire the pass quickly to the cutter www.basketballcoachweekly.com Issue 40 BASKETBALL COACH WEEKLY 4

SIDELINE OUT-OF-BOUNDS PLAYS Backscreen Sets Up Low-Post Score Run your best post player off a couple screens to free the interior for an easy scoring opportunity WHY USE IT This play places your best post-scoring threat deep on the block where the defense doesn t have much of a chance to stop him or her. SET UP The ball is inbounded on the right side. Position your best post player near the inbounder and set to receive the inbound pass. Two players are on the weak side with the final person set along the strong-side lane line. HOW TO PLAY The inbound pass is made to the post, who then hands off to the inbounder [1]. The inbounder dribbles left off a high screen. The post moves low off a screen and starts to gain separation from the defender []. A final screen is set by the weak-side block player moving into the lane and picking off any closing defenders. The pass is made to the post for an easy layup opportunity []. The two initial screeners space into open windows on the weak side, which creates more strong-side room and offers an alternative if the post pass isn t available []. TECHNIQUE The key is the backside pick for the post to come hard toward the left block. This screen is the difference between a contested and uncontested layup. 1 This high ball screen opens the leftside passing lane for the ball handler looking into the post Catch the ball, turn to the basket and score immediately After receiving the inbound pass, the receiver immediately executes a handoff with the inbounder The weak-side screen is the key to the play if executed properly the post easily comes from on the left side Having this player move to the middle of the lane is twofold as it creates space for the approaching post player and picks off any defenders attempting to defend the shot www.basketballcoachweekly.com Issue 40 BASKETBALL COACH WEEKLY 5

PASSING DRILL Tight Spaces Drill Gets Players Out Of Trouble Even teams with the best spacing principles get caught in a tight area, practice using pass fakes, quick pivots and an occasional bounce pass to escape WHY USE IT Talk spacing with your team all you want but there is going to come a time when players are bunched together near the sideline or baseline and they need to know the best movements to get the ball free. SET UP The offensive players must stay below the free-throw-line area on just one side of the court (as shown by the brown dotted lines). The sideline and baseline remain as out-ofbounds areas, which creates a small box in which to operate. The offensive players are not allowed to dribble [1]. HOW TO PLAY Quick decisions and ball movement are the keys for the ball handlers. The offense passes the ball around utilizing shot fakes, pass fakes and quick pivots to gain a slight advantage on the defenders, and create enough space to move the ball []. When a player does break free and moves toward the hoop, he or she must remain on the designated side of the court and hoop, which cuts down on scoring angles []. TECHNIQUE Players will find bounce passes are effective in this tight setting. Award the offense a point for each completed pass and two points for a basket. Activities by: Mike Dunlap, head men s coach, Loyola Marymount University, Los Angeles, Calif. 1 The corner is an area to avoid while there isn t a lot of room to operate, players quickly learn the corner (and its multiple boundaries) is not their friend This is a good spot for a pass fake to draw defensive attention Defenders front offensive players a bit more in this drill as there isn t a lot of space behind them to guard Offensive players need to sell their hard cuts to different areas, which allows them to lure defenders in one direction before executing a backcut The player finishing at the basket has to ward off a closing defender and score just on the designated side of the basket this forces the player to concentrate on the layup www.basketballcoachweekly.com Issue 40 BASKETBALL COACH WEEKLY 6

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