Upper body as upright as possible with knees slightly bent, much like the position used in fencing.

Similar documents
Excerpted from French Gymnastics or method to be used for physical education By Hugues Coudol, Translated by P.T.

Requirements for Red Belt

KRAV MAGA LEVEL 1 CURRICULUM

KRAV MAGA LEVEL 1 CURRICULUM

S t r e t c h i n g E x e r c i s e s

Sun Salutation Pose #1 Mountain Pose 1

1 & 3 Step Sparring Techniques

CHAPTER 4 ADVANCED GROUND-FIGHTING TECHNIQUES

AAC CADET INSTRUCTOR S HANDBOOK. CEREMONIAL DRILL, SMLE.303 and 7.62 mm SLR

OFFENSIVE SKILLS FOOTBALL SKILLS-SUCCESSFUL OFFENSE TAKING A SNAP GRIPPING THE BALL QUARTERBACKS STANCE

Synchronised Swimming Skill Level 5

A Jiujitsu Reminder. A. Bavut. Printed in Paris by Paul Taillardant 86, Flanders Street 1906

Professor of cane, baton, finesse & boxing

GROUND COMBATIVES TRAINING STEP-BY-STEP INSTRUCTION MANUAL PICTORAL ANNEX FOR EXISTING TSP S

Synchronised Swimming Skill Level 4

TACTICAL COMBATIVES COURSE STUDY GUIDE

Nicolaes Petter Klare Onderrichtinge der Voortreffelijke Worstel-Konst [Clear Education in the Magnificent Art of Wrestling] Written 1674

Soft-Over-Ball. Exercise Chart.

Shot Put Glide Technique

SHOT PUT - GLIDE TECHNIQUE

Shot Put - Glide Technique by Rob Lasorsa, M-F Athletic

Shot Technical Model

Synchronised Swimming. Skill Level 5

2990 Lorne Scots Royal Canadian Army Cadet Corps Rifle Drill

BODY BALANCE. Focusing on improved lower body strength, core strength, and overall balance. Warm Up:

PARTNER With all partner stretches: communicate with partner and use caution!!

Chair exercises Sally Ann Belward, Falls Clinical Lead Physiotherapist

6 th Kup - 5 th Kup (Green belt - blue tab)

Thrower s Maintenance Program

Synchronised Swimming Skill Level 3

Empi. Preparation. The kata proper starts in yoi (`ready' or `attention') stance.

A Yoga Break at Work Routine created and published by Dr. Rick Morris (more information at:

RIFLE DRILL. 1. General. Before commencing instruction in rifle drill, it is important that the cadets receive instruction in the parts of the rifle.

Yellow Belt Requirements

2018 SUMMER FLAG SESSION

Movement Chart for Sepai (8 th Kata) Page 1 of 6

5.1. Running on sand CHAPTER 5: TECHNIQUE TRAINING OUTFIELD PLAYERS MAIN COMPONENT. Beach Soccer

Page 1 Introduction. Fast and slow twitch muscle fibres are. Page 2 The Sprint Start. Page 4 - Sprints. Page 5 - Middle Distance

THE INITIAL STAGE THE FINAL STAGE

Grandmaster Dr. Ted Gambordella

Hyung Standards: Sam-Il through Moon-Moo

Coaches Handbook. Coaches Handout Page 1

Synchronised Swimming Skill Level 2

OVERVIEW OF THE COMPLETE SCHEME OF WORK 4-11 YEARS (RECEPTION, KEY STAGES 1 & 2)... (i) - (ix) SECTION 1 - TEACHING GUIDE 1

Handout 4: Yoga Movement for Chronic Pain

MSD RYU INTERNATIONAL CLOSE COMBAT KRAV MAGA CURRICULUM

Wrestling Terminology

2672 Hastings & Prince Edward Regiment Royal Canadian Army Cadet Corps. Lee Enfield No.4. Rifle Drill

M/J Team Sports Basic Sports Information

TAI CHI SHORT HAND FORM CLASSICAL YANG STYLE Updated 10/03/ updates available from

Player Development. Pitching 1

BY Grandmaster Ted Gambordella

Little League Pitching Mechanics - Simple Instructions For Little League

Shoulder Exercises for Combined Labrum Repair Rehabilitation Protocol

KRIYA LOWER BACK AND HIPS

Warm Ups. Standing Stretches

Yun Fang Ri Yue Lun [Cloud House Sun and Moon Wheels]

Greco-Roman Rules Modifications 4/9/2015 Page 1 of 5

40 Allied Drive Dedham, MA (office)

to Successful & Effective Practices

Teaching Progression and the Fine Points For Contact In The Underhand Pass (Service Reception and Defense) Step 1: Catch & Throw

Human Strength Data Tables 10/24/06

EMPTY HAND ROUTINES THE EIGHT POSTURES ROUTINE INTRODUCTION TO THE EIGHT POSTURES ROUTINE

Senior White Belt Syllabus

L. Game 2. II. Eligibility 2. III. Equipment 2. IV. Field 3. V. Rosters 3. VI. Timing and Overtime 3. VII. Scoring 3-4. VIII.

Baseball Training Program

Techniques To Treat Your Pain At Home (512)

Discus Technical Model

NORTH READING GIRLS SOFTBALL Our Mission

PART 5: TEACHING SKIPPING SKILLS

Force Vectors SHOT PUT MECHANICS

Copyright 2001 Dr. Ted Gambordella

Marshfield Area Youth Flag Football Rules

How To Start And WIN Any Fight!

L. Game 2. II. Eligibility 2. III. Equipment 2. IV. Field 2. V. Rosters 3. VI. Timing and Overtime 3. VII. Scoring 3. VIII.

The Unique Role of an Umpire

THROWING SKILLS RUN JUMP THROW

SECTION 1 - TEACHING GUIDE

Aviation Rescue Swimmer School

JUNIOR TOUCH BASICS level 1 & 2

How to Make a Proper Fist

1 & 3 Step Sparring Techniques

OFFICIAL RULE BOOK Rev2 June 07, 2011

MHBYW Dynasty Program

The Mechanics of Modern BREASTSTROKE Swimming Dr Ralph Richards

FLAG FOOTBALL RULES. Line of Scrimmage: (LOS) an imaginary line running through the point of the football and across the width of the field.

EXERCISE GUIDE STRENGTHEN YOUR CORE

USA KARATE KUMITE STUDY GUIDE WEBINAR

RJT. Pupil Task Cards: Throwing JUMP THROW RUN

Adult Coed Volleyball League

NEW TRX SUSPENSION TRAINING PROGRAM

CHAPTER 7 DRILL WITH A SWORD

11 Kyu Preparatory Techniques prior to commencing study of the Fighting Techniques

FACSIMILE REPRODUCTION NOTES:

Kent Canoe Services

Click on the name of a throw to see a description and images of that throw.

Basic Movement Patterns Locomotor Skills 1.3

OVERVIEW FOR STUNTS FLYER BODY POSITIONS

Transcription:

Handbook of Free Wrestling A. Birmann, 1876 Translated and summarised by P.T. Crawley, 2014 Context: In 1870 M. Birmann put together a collection of the most current grips of free and Swiss wrestling, first published in German in 1870. This is a translation of an extract of the 1876 edition, published in French. --------------------------------------------------------- POSITION & GENERAL RULES Plate I Upper body as upright as possible with knees slightly bent, much like the position used in fencing. Upper body weight weighted over the lead leg but in such a way that one is not leaning too far forward. Upper arms pressed lightly and without hindrance against the body, forearms completely free. Never present the body fully toward the adversary, only one side; preferably the left side. This position is taken with the aim to make the attack, turn toward the adversary and seek to provoke him with skilled feints in order to make him expose a part.

Once successful in this one must benefit from it by being prompt and vigorous. The attacked must not be slow in making his efforts to resist energetically. If attacked then turn at the last moment of the fall as the rules state that the loser is the one whose back or seat lands first; so land on your stomach. It is forbidden for wrestlers to grab clothing and they must avoid dragging along, or rolling around on, the ground. The use of different attacks depends very much upon the opportunity or wrestler s preference for a certain grip and also their size and physical constitution. Once the adversary has exposed a side or body part the means of attack must match it. This it is necessary to not just have one special grip but to gain a complete and precise understanding of all grips without exception. To study these methods of attack it is best to apply them gently against an adversary who does not defend against them in order to gain a clear and correct method of execution for these grips. Only after practicing in this way can you try an earnest wrestling match and apply, turn by turn, the various grips. It is advised to especially practice attacks against the adversary s upper body, particularly grips of the arms and body, the latter being useful against those that prefer the lower grips, that s to say the legs. The attacker is A, the attacked is B.

LEG GRIPS I. Foot grip. Plate II B puts his left foot forward. A lowers himself rapidly using his right hand to seize low down on the ankle or calf. At the same time he puts his left hand on B s chest and shoves (not strikes) backwards while pulling sharply the adversary s left foot upward, throwing him on his back. If B s right foot is opposite then do the opposite. II. Back of the knee grip Plate III A lowers himself rapidly seizing his adversary s leg with both hands by the backs of the knees, or a little lower, and solidly applies his right or left shoulder against B, throwing him on his back by simultaneously pulling the legs upwards with both arms. (For a defence against this see VIII, plate XI)

III. Back of knee grip with leg-hook. Plate IV A seizes his adversary s left leg with both hands around the knee; the left hand downwards and the right hand upwards. Then raise this leg rapidly at the same wrapping his left leg around B s right leg from inside to outside (the leg-hook), pulling this leg as high as possible toward him and throwing B on his back). (For a defence against this see VIII, plate XI) IV. Hand grip with leg-hook Plate V Seek to seize both of B s hands, forearms or shoulders. Then, while making several steps backwards, he drags his adversary after him. If B appears to resist and has his left leg forward then apply, also with your left leg, a leg-hook from outside to inside, pull this leg as high as possible toward you and shove at the same time using the adversary s arm upwards and to the rear. If applied correctly B must fall. In some cases the leg-hook may be applied inside to outside, but this must be done with the right leg. If B has his other leg forward then do the opposite.

V. Throw over the head Plate VI Plate VII A passes under B by launching himself low, places his head between B s legs, seizes B s legs with both hands above or below the knee, lifts himself up with his adversary and throws him. He is thrown on his back. This grip requires great force and agility. It is easier of the adversary is much taller and presents himself front on too much. However it is not advised unless you are a very agile and vigorous gymnast. (For a defence against this see VIII, plate XI) VI. Upper thigh grip Plate VIII Plate IX With his right arm A wraps his adversary s left thigh from inside to outside, at the same time passing his left arm under B s left shoulder and, by placing from underneath his left arm on B s back, lifting him up with a vigorous lift off the ground (plate IX) and throwing B onto his back in front of him.

VII. Plate X A, as in the previous grip (Plate VIII), raises up B with a prompt and vigorous lift as high as possible and with a slight rotation to the left tosses him, throwing B onto his back. These two grips, well done, are assured and, especially the latter, have a lasting effect; the adversary, once raised up, will be powerless. (For a defence against this see VIII, plate XI)

TORSO GRIPS VIII. Shoulder grip In all of the following grips one must step underneath the adversary. To defend against this type of attack and, in general, any attack made while bent over, this grip is easily and assuredly applied. Plate XI B is in the process of going under A. At the point that B is about to seize A, A withdraws his lead leg, rapidly passing his right arm over B s left arm, placing his right hand on B s left scapula, ensuring that B s left arm is a little raised, putting at the same time his left arm on the B s right shoulder or forearm; then, lifting with the right and holding down with the left, A turns his adversary over along his long axis onto his back. IX. Flank grip Plate XII With his left hand A seeks to seize B s right forearm and turn him rapidly to the left in such a way that that he places himself outside the adversary s right leg at the same time wrapping B s left flank with his right arm, giving B a vigorous shove and with a slight turn to the left throwing him over the right leg he has placed to the fore onto his back.

Observation In seizing the adversary s forearm with the left hand one seeks to render him less dangerous and at the same time to prevent him from turning during his fall, thus it is good idea to hold onto his arm firmly as he falls. This grip can also be affected without seizing the adversary s right arm but then he can use his free arm to quickly turn about his attacker. All things being equal the gymnast who uses more energy and initiative will come out victorious in wrestling as is fair. This grip can also be used fairly well against the adversary s right flank; generally it is advised to practise all methods of attack to the left and right. X. Thigh grip Plate XIII With his left hand A seizes his adversary s right forearm and makes a rapid movement to the left such that his right foot is placed outside of B s right leg. After having closed in fully on B with this action he wraps B around the kidneys with his right arm, raises him with a rapid lift onto his right thigh and throws him in front of him and a little to the left onto his back. Observation Depending upon the circumstances this grip can be affected without previously seizing he adversary s forearm but do your utmost to guard against this arm.

ARM & HEAD GRIPS XI. Upper arm grip Plate XIV With his left arm A seizes his adversary s right wrist, makes a rapid twist on his left foot towards the left and places his right leg right up to and outside of B s right leg. During the rotation he carries his extended right arm over B s head and seizes, with his right hand, B s forearm with a firmly held grip from above. Having done this as promptly as possible A makes a rapid and vigorous movement to the fore and a little to the left while always firmly holding onto the adversary s arm throwing B with an arc over his left thigh onto his back. XII. Plate XV The same grip can be made more effective by the following method which is simpler and more certain than the previous With his left hand A firmly seizes the adversary s right arm just behind the elbow joint with a grip from above, makes a rapid rotation to the left while carrying the extended right arm over B s head, such that his right foot comes outside B s right foot and turns him almost entirely toward his back. This done throw him to the ground, always with an extended arm and always with a firm hold using the left hand on the adversary s right arm, forward and a little to the left, using the extended right arm as a pressure point; thus B is forced to follow the rapid forward movement and find himself launched in an arc onto his back.

Observation This grip, done as described in a single action, is irresistible and, above all, dangerous; it is recommended for every wrestler. It can also be very well used if, for example, if one finds oneself seized by an adversary around the body and lifted off the ground. In this case the raised will hook beneath himself with his feet, right arm wrapping around the adversary s throat and his left hand seizing the elbow joint. In this position it is barley possible to be thrown and the adversary will seek to put down his burden as quickly as possible. Once your feet touch the ground again the last grip described can be made more easily than when one was seized and the adversary thrown on his back XIII. Inside arm grip Plate XVI Plate XVII With his left hand A seizes B s right wrist, makes a rapid movement to the left and places his arm under his adversary s right arm such that the arm comes over A s right shoulder (see plate XVI), seize this arm as high up as possible (but always on the upper arm), using the upper body to make a rapid and vigorous impulse to the front and a little to the left (a movement in which A s back will aid mightily) and throw B (pl. XVII) over his right shoulder in an arc in front of him onto his back. Observation This grip, well done, is one of the better ones. Relative to the effect it requires it barely requires any force; due to this this grip is highly recommended.

XIV. Head grip Plate XVIII Plate XIX A turns sharply to the left, wrapping his right arm around his adversary s neck, thus holding him firmly and putting him under his control; the left arm is extended. Having taken this position in one action (pl. XVIII) A lifts B off the ground (a movement in which the right arm and right thigh aid principally) and throw him over this thigh with a rapid movement to the front and a little to the left in an arc onto his back (pl. XIX). Making sure he doesn t fall himself onto his face, he puts his extended right arm on the ground.