Mona s C1 List of 89 Calls. EF Flip Back (to a Wave) (60) p24>> Flip the Line <fraction> (23) p9>> Follow Thru (62) p26>>

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1 C1 Call Index Top >>> C1 Call Descriptions p2>> Challenging Calls p35>> Document Conventions p35>> Revision History p36>> C1 Jack Borgström s Teaching Order p37>> C1 Lars Asplund s Teaching Order p38>> C1 0 A B C D 2/3 Recycle (55) p23>> 3 by 2 Acey Deucey (56) p23>> Ah So (7) p4>> All 8 Recycle (19) p8>> Alter the Wave (14) p6>> <any tagging call> Back (to a Wave) (86) p33>> <anything> & Weave (72) p29>> <anything> Chain Thru (51) p21>> <anything> the Axle (73) p30>> <anything> the Windmill <direction> (68) p28>> <anything> to a Wave (80) p32>> Blocks concept (5) p3>> Butterfly concept (29) p12>> Cast Back Cross (82) p32>> Chain Reaction variations (46) p19>> Chase Your Neighbor (27) p11>> Checkover (65) p27>> Circle By <fraction1> By <fraction2> <anything> (20) p8>> Concentric concept (61) p24>> Counter Rotate <fraction> (21) p8>> Cross & Turn Reverse (40) p16>> Cross By (64) p27>> Cross Chain & Roll (17) p7>> Cross Chain Thru (16) p7>> Cross Extend (31) p13>> Cross Roll to a Line Wave (24) p10>> Cross Your Neighbor (70) p29>> Dixie Diamond (26) p11>> Dixie Sashay (15) p7>> Links to other levels. Call descriptions, definitions and variations with figures. Examples of interesting calls on lower levels picked up at dances. Explanations of special symbols used in this document. A list of progress and corrections of calls. A linked index sorted by course order 2000, which is the same order as the Call Desciptions. A linked index sorted by course order Below is an alphabetical index. EF Flip Back (to a Wave) (60) p24>> Flip the Line <fraction> (23) p9>> Follow Thru (62) p26>> G HI J L M Galaxy concept (1) p2>> Swap Reverse (84) p32>> Interlocked Diamonds concept (6) p4>> Jaywalk (83) p32>> Linear Action (34) p14>> Little Scoot & (25) p11>> Magic Column concept (53) p22>> Make Magic (54) p23>> NO O concept (30) p12>> P Pass the Axle (8) p4>> Percolate (18) p8>> Phantoms concept (12) p5>> Plenty Scoot & (50) p21>> Press <direction> (10) p5>> QR Ramble Scoot & (3) p2>> Regroup (52) p22>> Relay the Shadow (42) p17>> Relay the Top (58) p24>> Reverse Explode from Waves (69) p29>> Rotary Spin (32) p13>> Rotate <fraction> from Static Square (67) p27>> S Scatter Scoot (36) p15>> Scatter Scoot Chain Thru (66) p27>> Shakedown (11) p5>> Siamese concept (75) p30>> Home T Split Dixie Diamond (79) p31>> Split Dixie Style to a Wave (78) p31>> Split Square Chain the Top (77) p31>> Split Square Thru (76) p30>> Split Box Recycle (35) p14>> Square Chain the Top (28) p11>> Square the Bases (2) p2>> Squeeze (9) p4>> Step & Flip (22) p9>> Step & Fold (13) p6>> Stretch concept (44) p17>> Substitute (89) p34>> Swing & Circle <fraction> (41) p16>> Swing the Fractions (43) p17>> Switch the Line (59) p24>> Switch to concept (87) p33>> T-Bone concept (33) p13>> Tag Back (to a Wave) (4) p3>> Tally Ho (45) p18>> Tandem concept (37) p15>> Triangle concept (38) p15>> Triple Box concept (71) p29>> Triple Cross (81) p32>> Twist & <anything> (85) p33>> Twist the Line (57) p23>> UV Vertical (47) p20>> Vertical Tag Back (to a Wave) (49) p21>> Vertical Tag <fraction> (48) p20>> W Weave (88) p34>> Wheel Fan Thru (74) p30>> Wheel Reverse & <anything> (63) p26>> XYZ Zing (39) p16>> Mona Törnqvist (38)

2 C1 Call Descriptions Top >>> In this chapter the intention is to describe the C1 calls in a concise and consistent way and to make the calls easy to understand with many figures. For exact definitions, see Callerlab Basic Challenge Program. The facts are based on lots of dancing to good teachers and callers, such as Leif Håkansson, Karin Amcoff, Robert Milestad, Leif Carlsson, Tommy Dahl, Jack Borgström, Lars Asplund, Anders Blom, Dave Wilson Robert Björk, Kenny Reese, Jerry Jestin and Ron Libby. I have also been studying books, papers and web publications by Lars-Erik Morell, Holger Kraft and Vic Ceder (see and CALLERLAB 2006 ( Dusan Valas has contributed with comments and ideas. If you find any faults or if you have other comments, please let me know ( mona.t@telia.com, home page Galaxy concept (1) From a Galaxy formation > 1: follow the circulation path performing <anything> to a Galaxy == to a Galaxy formation. Galaxy Circulate from Galaxy formation >follow the path and Circulate. Square the Bases (2) From Facing Lines > 2: Centers Square Thru 3 as Ends Pass Thru and Bend; next Ends start a Split Square Thru 2; next all Trade By == to an Eight Chain Thru. {3} Ramble Scoot & (3) From a ¾ Tag > 3: Centers Single Wheel as Outsides Cast Back; next all Slide Thru == to a Completed Double Pass Thru. {2} Scoot & Ramble from ¼ Tag >Scoot Back >Ramble. Mona Törnqvist (38)

3 Tag Back (to a Wave) (4) From a Wave Line > 4: ½ Tag; next Scoot Back == to a Wave. {2} Blocks concept (5) From Blocks formation > 5: in each Block perform <anything> independently == to new Blocks formation. Blocks diagonal rule Blocks Walk & Dodge the diagonal line of four dancers. After the call the orientation of the Blocks diagonal in the room must remain. from Blocks formation >each Block Walk & Dodge==to new Blocks. Blocks Vertical Tag ½ from Blocks formation >each Couple Single Wheel, prepare for Right Shoulder Tag >each Block ½ Tag==to new Blocks. Blocks Square Chain Thru from Blocks formation >each Block Right Pull By and ¼ In=>Step to L-H Waves and separate the Blocks >Left Swing Thru >all Left Turn Thru and adjust to Blocks. Blocks Square Chain the Top To perform a complicated call it is necessary to separate the Blocks, perform the call and adjust to Blocks that have the same Blocks diagonal orientation. The bold dancers at each end of the diagonal own the corners. from Blocks formation >each Block Right Pull By and ¼ In=>Step to L-H Waves and separate the Blocks >Swing >Centers Cast Off ¾ as Ends Move Up >all Left Turn Thru=>adjust to Blocks. Mona Törnqvist (38)

4 Interlocked Diamonds concept (6) Interlocked Diamond Circulate From Interlocked Diamonds formation > 6: in each Interlocked Diamond perform <anything> independently == to Interlocked Diamonds. from Interlocked Diamonds formation >follow the circulation path Circulate 1==to new Interlocked Diamonds. Interlocked Diamond Chain Thru from Interlocked Diamonds formation >all Interlocked Diamond Circulate >Very Centers Trade >Centers Push Cast Off ¾==to 1+3 Lines. Ah So (7) From a Wave > 7: Ends Cross Fold as Centers follow still holding hands == to a Mini-Wave Box. Alternative: As Couples Mini-Waves Wheel & Deal. Pass the Axle (8) From an Eight Chain Thru > 8: all Pass Thru; next Centers Pass Thru as Ends Cross Cast Back; next all Trade; next Centers Trade == to In-Facing Lines. {4} Pass the Axle but instead of all Trade, all Cast Off ¾ Belles pass in front of Beaus when executing Cross Cast Back from Eight Chain Thru formation >all Pass Thru >Centers Pass Thru as Ends Cross Cast Back > all Cast Off ¾ >Centers Trade==to Out-Facing Lines. Squeeze (9) From two dancers side-by-side, adjacent apart > 9: those who can: Trade and Slide apart Slide together and Trade == to two dancers side-by-side apart adjacent. from adjacent dancers from dancers apart Trade and Slide apart Slide together and Trade Others are inactive. Mona Törnqvist (38)

5 Galaxy Squeeze from a Galaxy >Very Centers Slide together and Trade as Mini-Waves Trade and Slide apart==to an Hourglass. Butterfly Squeeze from a Butterfly >Centers Trade and Slide apart as Outsides Slide together and Trade==to an O. Press <direction> (10) From applicable formation > 10: <designated> dancers move 1 position to <direction> and forward as others are inactive == to various formations. This call was moved from [C2] to [C1] Press ½ Ahead Do not change your facing direction during this call. From Two-Faced Lines >all move ½ position Ahead==to an offset formation. Press Right From Two-Faced Lines >all move 1 position Ahead and 1 position Right==to Columns. Beaus Press Ahead From Facing Lines >Beaus move 1 position Ahead and Others adjust to make enough space==to Blocks. Shakedown (11) From Couples Back-to-Back > 11: ¼ R and Box Counter Rotate ¼ and Roll == to Facing Couples. {1} old definition Beaus Run and Roll as Belles ¼ Out and Run Phantoms concept (12) From various formations > 12: if needed perform <anything> with imaginary dancers, who are occupying the spots in the square that lacks real dancers == to various formations. Matrix The dancing spots used for different formations can be illustrated by a Matrix. Dancers in two parallel Lines occupy 2x4 spots in an 8-Matrix. When two Lines are occupied by Phantoms 4x4 spots in a 16-Matrix will be used. One spot can be occupied both by a real dancer and a Phantom. Mona Törnqvist (38)

6 Phantoms Acey Deucey From T-Bone Mini-Waves >each Mini-Wave imagine a Phantom Mini-Wave on the same line=>acey Deucey with these Phantoms==to new Waves on top of each other making right angles==to new real T-Bone Mini-Waves. Swap, Phantoms Walk & Dodge, Phantoms Zing From L-H Waves >Belles (all) Step >imagine Phantoms on the empty spots=>walk & Dodge with these Phantoms >Leaders (the real dancers) ¾ Zoom==to real Columns, the Phantoms are outside the formation and can be ignored. T-Bone Circulate Triple Box Walk & Dodge Before each call the word Phantom must be called otherwise they do not exist and these Phantoms are turned any suitable way. The Phantoms do not depend on the previous call just the empty spots. see T-Bone concept (33) p13>>. see Triple Box concept (71) p29>>. Step & Fold (13) From a Wave Inverted Line > 13: Centers Step ½ as Ends Fold == adjust to a Box. Square Breathing from Inverted Lines the Square must breath to allow space for the steppers. >Centers Step ½ as Ends Fold==to Tandem Boxes. from Waves >Centers Step ½ as Ends Fold==to Mini-Wave Boxes. from Diamonds >Centers Step ½ as Ends Fold==to T-Bone Boxes. Concentric Step & Fold see Concentric concept (61) p24>>. Alter the Wave (14) From a Wave Line > 14: all Trade; next Centers Cast Off ¾ as Ends U-Turn Back; next all Diamond Counter Rotate ½; next Flip the Diamond == to a Wave Line.{4} from waves == to a Wave. Mona Törnqvist (38)

7 from Two-Faced Lines ==to Two-Faced Lines. Alter the Wave but Diamond Counter Rotate ¾ & Cut the Diamond from Waves >all Trade >Centers Cast Off ¾ as Ends U-Turn Back >all Diamond Counter Rotate ¾ >Cut the Diamond==to Two-Faced Tidal Line. Dixie Sashay (15) From Facing Couples Tandems > 15: Dixie Style to an Ocean Wave; next Slither == to a Two-Faced Line. {2} from Facing Couples >½ Half Sashay to Facing Tandems >Right Pull By >Left Touch ¼ >Slither==to a Two-Faced Line. from Facing Tandems >Right Pull By >Left Touch ¼ >Slither==to a Two-Faced Line. Cross Chain Thru (16) From an Eight Chain Thru > 16: all Right Pull By; next Centers make a L-H Star and Turn the Star ½ to an Out- Facing Box as Outsides Courtesy Turn == to Eight Chain Thru.{2} Cross Chain & Roll (17) From an Eight Chain Thru > 17: all Right Pull By; next Centers make a L-H Star and Turn the Star ½ to an Out- Facing Box as Outsides Courtesy Turn; next all Left Roll == to Parallel Waves.{3} Mona Törnqvist (38)

8 Percolate (18) From Parallel Waves > 18: all Circulate 1½; next Center Wave Hinge and Cross as Outsides Turn Thru == to Out-Facing Lines. from Parallel Waves >all Circulate 1½ >Center Wave Hinge as Outsides Turn Thru=>Centers Cross==to Out-Facing Lines. from 8 Chain Thru formation >all Circulate 1½ >Center Wave Hinge as Outsides Turn Thru=>Centers Cross==to Out-Facing Lines. New Centers are the dancers on the narrowest parts of the Circulation paths. All 8 Recycle (19) From a ¼ Tag > 19: Centers Recycle around Outsides as Outsides Step and Box Recycle == to a ¼ Tag. from ¼ Tag >Centers Recycle around Outsides as Outsides Step=>Box Recycle==to ¼ Tag. from ¼ Tag with Mini-Waves >Centers Recycle around Outsides as Outsides Step=>Box Recycle==to ¼ Tag. Circle By <fraction1> By <fraction2> <anything> (20) From Facing Couples > 20: Circle Left <fraction1> and Step to R-H Waves; next Cast Off <fraction2> <anything> == to various formations. {2} Circle By ½ By ¼ from Facing Lines >Each Box Circle ½ Left=>Step to R-H Waves >Cast Off ¼. Circle By ¼ By Ah So from Facing Lines >Each Box Circle ¼ Left=>Step to R-H Waves >Ah So. Counter Rotate <fraction> (21) From various formations > 21: each dancer moves independently <fraction> forwards along a circular path around the center of the square == to various formations. rule Forwards along a circular path means to move around the center of the square as close as possible to the way you are facing. But when moving on a circular path the face direction continuously changes. After Counter Rotate ¼ you will be facing the next wall. Mona Törnqvist (38)

9 general rule If two dancers stop on the same spot they make a R-H Mini-Wave on that spot. from a Tidal Wave Counter From a Tidal Wave >each dancer moves independently forwards on one of the four Rotate ½ circular paths ¼ >½==to a Tidal Wave. from Waves Counter Rotate ¾ From Parallel Waves >Centers move forwards on the inner circular path ¾, in this case clockwise, still holding hands=>ends move forwards on the outer circular path ¾, in this case anti-clockwise==to Waves. from Facing Lines Counter Rotate ¼ From Facing Lines >each dancer move independently forwards on the inner or outer circular path ¼=>Left Couples move in this case clockwise on the inner and outer paths=>right Couples move anti-clockwise on the inner and outer paths==to Waves. For Facing Lines Counter Rotate ¼ is the same as Concentric Pass Thru and ¼ In. Centers cannot hold hands. Step & Flip (22) From a Wave Line > 22: Centers Step as Ends Flip == to a Box or Z formation. from Out-Facing Lines A Wave and a Two-Faced Lines ends in a Z formation, compare Step & Fold (13) p6>>. >Centers Step as Ends Flip==to Columns. from Two-Faced Lines (left figure) >Centers Step as Ends Flip==to a Z formation. from Waves (right figure) Flip the Line <fraction> (23) From a Wave Line > 23: Centers Run; next any-shoulder Tag the Line <fraction> == to any Tag. {2} Any-shoulder means that after Centers Run the Very Centers hand-hold determines which shoulders should pass. Mona Törnqvist (38)

10 Flip the Line From R-H Waves >Centers Run >R-shoulder Tag the Line ¼ >½ >¾ >full. Flip the Line ½ From L-H Waves >Centers Run >L-shoulder Tag the Line ¼ >½. Flip the Line ½ From L-H Two-Faced Lines >Centers Run >L-shoulder Tag the Line ¼ >½. Concentric Flip the Line see Concentric concept (61) p24>>. Cross Roll to a Line Wave (24) From a Wave Line > 24: Centers Cross Run as Ends Run == to a Line Wave. From Two-Faced Lines >half way=>centers Cross Run as Ends Run==to Waves. From Out-Facing Lines >half way meet Right-Shoulders=>Centers Cross Run as Ends Run==to In-Facing Lines. From Waves >half way=>centers Cross Run as Ends Run==to Two-Faced Lines. Mona Törnqvist (38)

11 Little Scoot & (25) From a ¾ Tag > 25: Centers Step and Fold as Outsides Turn Right ¼ and Counter Rotate ¼ == to Parallel Waves. Scoot & Little from L-H Wave From ¼ Tag >Left Scoot Back >Centers Step and Fold as Outsides Turn Left ¼ and Counter Rotate ¼. Outsides turn as the direction of Scoot. Dixie Diamond (26) From Facing Couples Tandems > 26: Dixie Style to an Ocean Wave; next Centers Hinge as Ends U-Turn Back == to a Diamond. {2} from Facing Tandems >Right Pull By >Left Touch ¼ >Centers Hinge as Ends U-Turn Back==to Parallel Diamonds. from Facing Couples >½ Half Sashay to Facing Tandems >Right Pull By >Left Touch ¼ >Centers Hinge as Ends U-Turn Back==to Parallel Diamonds. Chase Your Neighbor (27) From Out-Facing Couples > 27: Belles Chase Right and Roll as Beaus Box Circulate 1½ and Cast Off ¾ == to Parallel Waves. from Out-Facing Couples >Belles Chase Right as Beaus Box Circulate 1½ >Belles Roll as Beaus Cast Off ¾==to Parallel Waves. Square Chain the Top (28) From Facing Couples > 28: all Right Pull By and ¼ In; next Step to a L-H Wave and Left Spin the Top; next Left Turn Thru == to Couples Back-to-Back. {3} from Facing Couples >all Right Pull By and ¼ In >Step to a L-H Wave=>all Left Trade >Ends Move Up as Centers Right Cast Off ¾ >Left Turn Thru==to Couples Back-to-Back. Mona Törnqvist (38)

12 Left Square Chain the Top from Facing Couples >all Left Pull By and ¼ In >Step to a R-H Wave=>all Right Trade >Ends Move Up as Centers Left Cast Off ¾ >Right Turn Thru==to Couples Back-to-Back. Butterfly concept (29) From a Butterfly formation > 29: follow the circulation path performing <anything> == to a Butterfly formation. Butterfly Circulate A Butterfly is a distorted Column. The Butterfly Ends are the Column Ends, to be remembered when adjusting. From a Butterfly formation > follow the path and Circulate == to a new Butterfly. Butterfly Walk & Dodge From a Butterfly formation > in each Split Butterfly, Walk & Dodge along the path == to a new Butterfly. Butterfly Transfer the Column From a Butterfly formation => adjust to normal Columns > Transfer the Column => Wave Ends move out to as Butterfly Ends == to a new Butterfly. To perform a complicated call it is necessary to work from normal Columns, perform the call and adjust to a Butterfly. O concept (30) From an O formation > 30: follow the circulation path performing <anything> == to an O formation. An O is a distorted Column. The dancers with the hand-hold are the O Ends, since they are the Column Ends, to be remembered when adjusting. O Circulate From an O formation >follow the path and Circulate == to a new O. Mona Törnqvist (38)

13 O Walk & Dodge From an O formation > in each Split O, Walk & Dodge along the path == to a new O. O Transfer the Column From an O formation => adjust to normal Columns > Transfer the Column => Wave Centers move out as O Ends == to a new O. To perform a complicated call it is necessary to work from normal Columns, perform the call and adjust to an O. Cross Extend (31) From a Box or a Single ¼ Tag > 31: Extend to opposite hand-hold == to next Tag with opposite hand-hold. rules Cross Extend Cross Extend from a R-H Box results in a L-H Single ¾ Tag and vice versa. Cross Extend from a R-H Single ¼ Tag results in a L-H Mini-Wave Box and vice versa. From a R-H Single ¼ Tag > Extend to opposite hand-holds == to a L-H Mini-Wave Box. Cross Extend From a L-H Box > Extend to opposite hand-holds == to a R- H Single ¾ Tag. Cross Extend From a R-H ¼ Tag > all Extend to opposite hand-holds == to Parallel L-H Waves. The Center Wave being R handed determines that the resulting Tag will be L handed. Rotary Spin (32) From an Eight Chain Thru > 32: all Right Pull By and Centers Step to a L-H Wave; next Centers Cast L Off ¾ as Outsides Courtesy Turn and Roll == to Parallel Waves. T-Bone concept (33) From two dancers, of whom the shoulder of one dancer points at the face or the back of other dancer, in any formation > 33: perform your part of <anything> independently of the T-boned dancers == to various formations. rule Before moving, determine in what kind of formation you are participating: a Wave Line Diamond. The T-boned dancers are regarded as Phantoms, see Phantoms concept (12) p5>>. Mona Törnqvist (38)

14 T-Bone Circulate From a T-Bone formation where Boys stand in Lines and Girls in Columns >Boys Circulate on Lines circulation paths=>girls circulate on Columns circulation path=>to another T-Bone formation. Linear Action (34) From a Mini-Wave ¼ Tag > 34: all Hinge; next Centers Box Circulate 1½ as Ends Trade; next those who meet Cast Off ¾ as others move up == to Parallel Waves. {3} The call ends as Chain Reaction, others Hourglass Circulate. Split Box Recycle (35) From a Box > 35: Trailers Beaus Extend and U-Turn Back as the Partner performs a Cross Fold if Leader Facing Recycle if Trailer == to a Wave. Split Recycle Box Recycle Recycle Facing Recycle from Facing Couples The call is performed by all dancers in Split Boxes and results in Waves. The call is performed by dancers in designated Box or dancers in the Center Box and results in a Wave. This call [M] is defined for a Wave where each single Mini-Wave becomes a Couple in a Box. The definition is changed for [C1] as follows: Centers Fold & all adjust to a Box; next the Box rotates clockwise ¼; next Roll == to Facing Couples. {3}. This call [A2] is defined for Facing Couples in a Box, where Beaus becomes Centers and Belles Ends in a Wave. If it is clear that the call must be performed from a Box, only Recycle may be called instead of Split Recycle or Box Recycle. >Beau & Belle performs Facing Recycle. from R-H Mini-Waves from L-H Mini-Waves from R-H Mini-Wave and Couple from L-H Mini-Wave and Couple Recycle [M redefined in C1] >Trailer Extend and U-Turns Back as the Partner Cross Folds. >Trailer Extend and U-Turns Back as the Partner Cross Folds. >in the Mini-Wave Trailer Extends and U-Turns Back as the Partner Cross Folds; in the Couple Beau & Belle performs Facing Recycle. Not allowed! From Waves >Centers Fold and adjust to a Box >Box Counter Rotate >¼ In >to an Eight Chain Thru formation. Mona Törnqvist (38)

15 Split Recycle From Waves >in each Box Trailers Extend and U-Turn Back as the Partners Cross Fold >to a Tidal Wave. Box Recycle From Waves > >in Center Box Trailer Extends and U-Turns Back as the Partner Cross Folds >to an I formation. Scatter Scoot (36) From Parallel Waves > 36: Leaders Circulate as Trailers Scoot Back independently == to Parallel Waves. From Parallel Waves >Leaders Circulate=>Trailers Scoot Back==to Parallel Waves. Tandem concept (37) From two dancers in Tandem in any formation > 37: Leaders and Trailers work together performing a single dancer s part of <anything> == to various formations with two dancers still in Tandem. Tandem is only valid for one call at a time, that is the word Tandem must precede every call in a sequence otherwise the dancers act as single dancers. Dancers in Tandem are always facing the same direction. Tandem Swing, Tandem Step & Fold From Parallel Waves >Leaders and a Trailers work together as Tandems and Swing >Center Tandems Step as End Tandems Fold. Tandem Swing, Step & Fold From Parallel Waves >Leaders and a Trailers work together as Tandems and Swing with the other Tandems >(no Tandem is called) Centers Step as Ends Fold. Triangle concept (38) From a Triangle formation > 38: follow the circulation path performing <anything> == to a Triangle formation. Inpoint Triangle Circulate From Diamonds >Inpoints and Diamond Centers Triangle Circulate as the Outpoints are inactive. Outpoint Triangle Circulate From Diamonds >Outpoints and Diamond Centers Triangle Circulate as the Inpoints are inactive. Inside Triangle Circulate From Diamonds >Points and Very Centers Triangle Circulate as the Ends of Center Wave are inactive. Mona Törnqvist (38)

16 Outside Triangle Circulate From Diamonds >Points and Ends of Center Wave Triangle Circulate as the Very Centers are inactive. Head Boys are Apexes, Wavebased Triangle Circulate Head Girls are Apexes, Tandem-based Triangle Circulate From Waves >Head Boys and the opposite Mini-Wave Triangle Circulate as the Head Girls are inactive. From Waves >Head Girls and the closest Tandem dancers Triangle Circulate as the Side Girls are inactive. Zing (39) From a Box > 39: Leaders ¾ Zoom as Trailers Step and ¼ In == to an Eight Chain Thru. Cross & Turn Reverse (40) From Facing Lines > 40: Beaus diagonally R-H Pull By as Belles U-Turn Back == to Out-Facing Lines. Reverse Cross & Turn Belles diagonally L-H Pull By as Beaus U-Turn Back. Swing & Circle <fraction> (41) From a ¼ Tag > 41: Centers Swing and Slip as Outside 6 circulate one position within the Outside 6 formation and Outsides Face In; next repeat once for ½; next twice for ¾; next three times for full == to a ¼ Tag. Circulate direction <fraction> Swing & Circle ¼ The direction to circulate will be clockwise if the Ends of the Center Wave are facing clockwise otherwise anti-clockwise. The <fraction> specifies fractions of circulations to return to starting positions that is the number of times to perform the entire procedure. Four times the Swing & Circle procedure is the same as <fraction>=full. From a ¼ Tag R-H Wave >Centers Swing and Slip=>Outside 6 circulate one position clockwise within the Outside 6 formation. Swing & Circle ½ From a ¾ Tag L-H Wave >Centers Swing and Slip=>Outside 6 circulate one position anti-clockwise within the Outside 6 formation and Outsides Face In >repeat once. Swing & Circle From Mini-Waves and a L-H Wave >Centers Swing and Slip as Outside 6 circulate one position anti-clockwise within the Outside 6 formation and Outsides Face In >repeat once for ½ >twice for ¾ >three times for full==to starting positions but Outsides are Facing In. Mona Törnqvist (38)

17 Relay the Shadow (42) From a Tidal Wave > 42: all Trade; next Center 6 Cast Off ¾ as very Ends Counter Rotate ¼; next new Center 4 Hinge and Spread as others do Centers part of Cast a Shadow == to Parallel Waves. {3} Starts as Relay the Deucey and ends as Cast a Shadow. Swing the Fractions (43) From Parallel Waves > 43: those who can perform a right shoulder Cast Off ¼; next left Cast Off ½; next right Cast Off ¾; next left Cast Off ½; next right Cast Off ¼ == to Parallel Waves. {5} Swing the Fractions From R-H Parallel Waves > all Cast Off ¼ > Centers L Cast Off ½ > all R Cast Off ¾ > Centers L Cast Off ½ > all R Cast Off ¼ {5}== to Parallel Waves. Swing the Fractions ½ From R-H Parallel Waves > all Cast Off ¼ > Centers L Cast Off ½ > all R Cast Off ¼ => all R Cast Off 1/8 {2.5}== to Parallel Waves. The last fraction is a half of a Cast Off ¾, which will be a ¼ + 1/8. Stretch concept (44) From various formations > 44: perform <anything> but Centers move to the closest Center s spot in the other Split half of the formation == to various formations. Stretch Shakedown Often, <anything> can be performed while Centers move to the other half as one movement. From Out-Facing Lines >Shakedown=>Centers Interlock. Stretch Shakedown as one movement From Out-Facing Lines >Halfway, Centers pass each other first=>shakedown is finished. Stretch Recycle as one movement From Parallel Lines >Recycle, Ends the normal way, Centers while streching as in Ferris Wheel. Mona Törnqvist (38)

18 Recycle from a Tidal Wave From a Tidal Wave >Each Wave Recycle=>Centers of the new Lines Stretch. Stretch Cast Off ¾ as one movement From Two-Faced Tidal Lines >after ¼, Centers of each Line Push Cast but the Very Center 4 dancers As Couples Trade while rotating=>finished. Tally Ho (45) From various formations > 45: all ½ Circulate; next Centers Hinge and ½ Box Circulate as Outsides Trade; next Centers Cast Off ¾ as Outsides move up == to Parallel Waves. general rule If two dancers meet on the same Circulation path to stop on the same spot, they make a R-H Mini-Wave on that spot. from Trade By formation >all ½ Circulate (Centers meet and make a R-H Wave as Outsides meet and make R- H Mini-Waves) >Centers Hinge as Outsides Trade=>Centers ½ Box Circulate >Centers Cast Off ¾ as Outsides move up==to Waves. from Out-Facing Lines >all ½ Circulate (Centers meet on the inner path and make a R-H Wave as Outsides meet on the outer path and make R-H Mini-Waves) >Centers Hinge as Outsides Trade=>Centers ½ Box Circulate > Centers Cast Off ¾ as Outsides move up==to Waves. from Waves >all ½ Circulate (on different circulation paths) >(New Centers are the dancers on the narrowest parts of the Circulation paths) Centers Hinge as Outsides Trade=>Centers ½ Box Circulate >Centers Cast Off ¾ as Outsides move up==to Waves. Mona Törnqvist (38)

19 from Two-Faced Lines >all ½ Circulate (on different circulation paths) >(New Centers are the dancers on the narrowest parts of the Circulation paths) Centers Hinge as Outsides Trade=>Centers ½ Box Circulate > Centers Cast Off ¾ as Outsides move up, meet in R-H Mini- Waves==to Triple Boxes. From non-symmetric T-Bone Mini-Waves See Triple Box concept (71) p29>>. >all ½ Circulate >Centers Hinge as Outsides Trade=>Centers ½ Box Circulate >Centers Cast Off ¾ as Outsides move up. From T-Bones >all ½ Circulate >Center 4 Hinge as Others Trade=>Centers ½ Box Circulate >Centers Cast Off ¾ as Outsides move up. Chain Reaction variations (46) From various Tag formations > 46: perform Chain Reaction with variations as called as the formation requires == to generalized Lines. Examples of Variations =>Cast Off can be replaced with Push Cast Off=>Hinge can be replaced with Partner Hinge=>Trade can be replaced with Partner Trade=>Center Star can be replaced with Facing Diamond Circulate. Chain Reaction from L-H Wave From ¼ Tag >Very Centers facing Outsides Pass Thru as Ends Counter Rotate ¼ >original Very Centers Hinge with new Partner >Center Left Star rotates ¼ as Outsides Trade >those who meet Cast Off ¾ as others Hourglass Circulate (move up)==to L-H Waves. Mona Törnqvist (38)

20 Chain Reaction from Two- From Mini-Waves and a Two-Faced Line >Very Centers facing Outsides Pass Thru as Faced Line Ends Counter Rotate ¼ >original Very Centers Partner Hinge with new Partner >Center Left Star rotates ¼ as Outsides Partner Trade >those who meet Push Cast Off ¾ as others Hourglass Circulate==to 3 by 1 Lines. Chain Reaction but Rotate ½ from L-H Waves From L-H Mini-Waves and a L-H Wave >Very Centers facing Outsides Pass Thru as Ends Counter Rotate ¼ >original Very Centers Partner Hinge with new Partner >Center Star rotates ½ as Outsides Trade >those who meet Cast Off ¾ as others Hourglass Circulate==to a Waves. Chain Reaction but Rotate ½ from R-H Waves From R-H Mini-Waves and a R-H Wave >Very Centers facing Outsides Pass Thru as Ends Counter Rotate ¼ >original Very Centers Partner Hinge with new Partner >Center Facing Diamond rotates ½ as Outsides Partner Trade >those who meet Push Cast Off ¾ as others Hourglass Circulate meet and make R-H Mini-Waves==to a Parallelogram. See Triple Box concept (71) p29>>. Vertical (47) From a Box with Facing Couples Out-Facing Couples Mini-Waves > 47: Belle Step up in front of Beau Single Wheel Leaders Fold == to a Single Double Pass Thru. Vertical from Couples Facing In >Belle Step up in front of Beau==to a Single Pass Thru formation. Vertical from Couples Facing Out Vertical from a R-H Mini-Wave >Single Wheel==to a Single Pass Thru formation. >Leaders Fold==to a Single Pass Thru formation. Vertical from a L-H Mini-Wave >Leaders Fold==to a Single Pass Thru formation. Vertical Tag <fraction> (48) From a Box with Facing Couples Out-Facing Couples Mini-Waves > 48: Vertical; next Tag the Line <fraction> == to any Tag. Mona Törnqvist (38) Performing a Tag the dancers always pass each other with R shoulders.

21 Vertical Tag ½ From Facing Lines >Belle Step up in front of Beau >Tag the Line ½. Vertical Tag ¼ From Out-Facing Lines >Single Wheel >Tag the Line ¼. Vertical Tag From Waves >Leaders Fold >Tag the Line. Vertical Tag Back (to a Wave) (49) From a Box > 49: Vertical Tag ½; next Scoot Back == to a Mini-Wave Box. See Vertical Tag <fraction> (48) p20>>. Plenty Scoot & (50) From a ¾ Tag > 50: Centers Step & Fold as Outsides Right ¼ and Counter Rotate ¼; next Split Circulate 2; next Outsides Counter Rotate ¼ and Roll as Centers ½ Zoom == to a ¼ Tag. {3} Outsides turn as the direction of Scoot. Scoot & Plenty from L-H Wave From ¼ Tag >Left Scoot Back >Centers Step & Fold as Outsides Left ¼ and Counter Rotate ¼ >Split Circulate 2 >Outsides Counter Rotate ¼ and Roll as Centers ½ Zoom to a Wave. <anything> Chain Thru (51) From various formations > 51: <anything> Circulate; next Very Centers Trade; next Centers Cast Off ¾ == to various formations. Hourglass Chain Thru From an Hourglass >all Hourglass Circulate >Very Centers Trade >Centers Cast Off ¾==to Parallel Diamonds. Mona Törnqvist (38)

22 Outside Triangle Chain Thru From Diamonds >all Outside Triangle Circulate >Very Centers Trade >Centers Cast Off ¾==to Two-Faced Lines. Coordinate Chain Thru From 1+3 Lines >all Circulate 1½ >Center 6 Triple Trade >Hourglass Circulate >Very Centers Trade >Centers Cast Off ¾==to Waves. Interlocked Diamond Chain Thru See Interlocked Diamonds concept (6) p4>>. Regroup (52) From Out-Facing Lines > 52: Centers Trade and Roll as Ends ¼ Out and Trade and Veer Out == to Facing Lines. from Out-Facing Lines >Centers Trade as Ends ¼ Out >Centers Roll as Ends Trade=>Ends Veer Out. Magic Column concept (53) From a Magic Column formation > 53: follow the circulation path performing <anything> == to various formations. Magic Circulate From a Magic Column formation >all follow the circulation path and Circulate 1 position. Magic Transfer the Column From Magic Column formation >dancers 1 & 2 Circulate 3 positions outside the others as dancers 3 & 4 Circulate 1 position on the path >dancers 1 & 2 ¼ In as dancers 3 & 4 L-H Cast Off ¾ >Extend to L-H Waves==to normal Parallel Waves. Magic Right & Left Thru From Magic Column formation with In-Facing Boxes >each Box make a R-H Star=>Turn the Star ½ (the same as Right Pull By) to an Out-Facing Box >Courtesy Turn==to a Magic Column. Mona Törnqvist (38)

23 Make Magic (54) From generalized Columns > 54: those who can: diagonally Facing Centers Right Pull By Cross Trail Thru as Facing Ends and Centers Pass Thru == to Magic Columns. Make Magic, Make Magic From Magic Column formation >diagonally Facing Centers Right Pull By as Facing Ends and Centers Pass Thru >diagonally Facing Centers Right Pull By as others are inactive. 2/3 Recycle (55) From a Wave > 55: Centers Fold and adjust to a Box; next Box Counter Rotate == to a Mini-Wave Box. alternate definition from Mini-Waves >all Hinge=>Box Circulate 1 position. Does not work for 1/3 Recycle. 3 by 2 Acey Deucey (56) From Parallel Diamonds or an I formation > 56: Very Centers Trade as Outsides Triangle Circulate == to Parallel Diamonds or an I formation. from I formation >Very Centers Trade=>Outsides Triangle Circulate. from Diamonds >Very Centers Trade=>Outsides Triangle Circulate. Twist the Line (57) From a Line > 57: Centers Step and Partner Trade as Ends Slide together and Face and Star Thru == to a Single Double Pass Thru. from Out-Facing Lines >Centers Step as Ends Slide together and Face >new Ends Partner Trade as new Centers Star Thru == to a Double Pass Thru. Mona Törnqvist (38)

24 Relay the Top (58) From Parallel Waves > 58: all Trade; next Centers Cast Off ¾ as Ends Circulate ½; next Centers Star ¼ as Outsides Trade; next Centers Cast Off ¾ as others move up == to Parallel Waves. {4} Starts as Relay the Deucey and ends as Chain Reaction, Hourglass Circulate. Switch the Line (59) From a Line > 59: Centers Run as Ends Cross Run == to a Line. from Waves (A2) the same as Switch the Waves in A2. from Lines from Inverted Lines) Flip Back (to a Wave) (60) From a Wave Line > 60: Flip the Line ½; next Scoot Back == to a Mini-Wave Box. from Parallel Waves >Centers Run >Tag the Line ½ >Scoot Back. See Flip the Line <fraction> (23) p9>>. Concentric concept (61) From various formations > 61: Centers perform <anything> as Outsides perform <anything> around the Centers and adjust as defined by specific rules == to various formations. Centers Rule: Concentric Diamond Circulate Centers always perform the call as without Concentric. Centers are drawn on grey background. From Concentric Diamonds >Centers Diamond Circulate=>Outsides Diamond Circulate==to Concentric Diamonds. Outsides Rule 1: Concentric Flip the Line If Outsides do not end in Box, Waves or Lines: Outsides perform the call around Centers as if Centers were not present. From a Tidal Wave >Centers Flip the Line=>Outsides Flip the Line==to a Tidal Wave. Mona Törnqvist (38)

25 Outsides Rule 2: If Outsides end in Lines or Waves: Adjust so that the outside Line or Wave is divided in two halves on a straight line. See Flip the Line <fraction> (23) p9>> Concentric Step & Fold From a Thar >Centers Step & Fold=>Outsides Step & Fold=>Outsides adjust==to a T- Bone formation. Outsides Rule 3: Concentric Star Thru from Lines If Outsides end but not start in Box: Adjust so that the ending and starting long axes make right angles. See Step & Fold (13) p6>> From Lines >Centers Star Thru=>Outsides Star Thru=>Outsides adjust==to Inverted Lines. Outsides Rule 4: Concentric Star Thru from Columns If Outsides end and start in Box: Adjust so that Lines end in Lines and Columns end in Columns. From Columns >Centers Star Thru=>Outsides Star Thru no need to adjust==to Columns. Outsides Rule 5: more examples of Outsides Rule 3: Concentric Wheel & Deal If Outsides end and start in Box: Adjust so that Lines end in Lines and Columns end in Columns. If Outsides end but not start in Box: Adjust so that the ending and starting long axes make right angles. From a Tidal Line >Centers Wheel & Deal=>Outsides Wheel & Deal (no adjustment)==to a Double Pass Thru. Concentric Wheel & Deal From a Thar >Centers Wheel & Deal=>Outsides Wheel & Deal (no adjustment)==to a T-Bone formation. Mona Törnqvist (38)

26 Concentric Bend the Line From a Thar >Centers Bend the Line=>Outsides Bend the Line=>Outsides adjust==to a T-Bone formation. Concentric Bend the Line From a Tidal Line >Centers Bend the Line=>Outsides Bend the Line=>Outsides adjust==to Facing Lines. Concentric Linear Cycle From a Tidal Line >Centers Linear Cycle=>Outsides Linear Cycle=>Outsides adjust==to Facing Lines. Follow Thru (62) From a Box Single Tag > 62: Leaders ½ Box Circulate as Trailers Extend and Arm Turn ¼ == to a Two-Faced Line. from Waves >Leaders ½ Box Circulate as Trailers Extend=>Trailers Arm Turn ¼==to Two-Faced Lines. from ¼ Tag >Trailers (all) Extend=>Trailers (all) Arm Turn ¼==to Waves. from T-Bones >Leaders ½ Box Circulate as Trailers Extend=>Trailers Arm Turn ¼==to Point-to- Point Diamonds. from In-Facing T-Bones >Trailers (all) Extend to Stars=>Turn the Star ¼==to double Stars. Wheel Reverse & <anything> (63) From a Trade By or similar formation with Out-Facing End Couples > 63: Ends As Couples Promenade ¼ (including Face In) as Centers <anything> == to various formations. Wheel & Star Thru From Out-Facing Ends >Ends As Couples Promenade ¼ (including Face In) as Centers Star Thru. Mona Törnqvist (38)

27 Reverse Wheel & Dixie Sashay From Out-Facing Ends >Ends As Couples Wrong-Way Promenade ¼ (including Face In) as Centers Dixie Sashay. Cross By (64) From Parallel Waves Thar > 64: ½ Circulate and Slide == to a Thar. from Waves >½ Circulate >Slide==to a Wave between Mini-Waves. from a Thar >½ Circulate >Slide==to another Thar. Checkover (65) From Columns > 65: #1, #2 Checkmate the Column as #3, #4 Circulate 1, Cast Off ¾, Slither and As Couples Circulate == to Two-Facing Lines. from Columns >first 2 dancers Circulate 4 as last 2 dancers Circulate 1 >Outsides ¼ In as Centers Cast Off ¾ =>Centers Slither=>Centers As Couples Circulate==adjust to Two-Faced Lines. Scatter Scoot Chain Thru (66) From Parallel Waves > 66: Leaders Circulate as Trailers Extend, Swing, Slip, Swing, Extend == to Parallel Waves. from Parallel Waves >Leaders Circulate >Trailers Extend=>Trailers Swing, Slip, Swing =>Extend==to Parallel Waves. Rotate <fraction> from Static Square (67) Reverse Rotate <fraction> Single Rotate <fraction> From a Static Square > 67: <designated> As Couples ¼ to Promenade relative the Square Center (L shoulder) and Counter Rotate <fraction> as others Step == to various formations. From a Static Square >Designated As Couples Turn ¼ to Wrong-Way Promenade direction (R shoulder towards the Center Point) and Counter Rotate <fraction> as others Step. From a Static Square > <designated> ¼ to Promenade (L shoulder towards the Center Point) and Counter Rotate <fraction> as others Step. Mona Törnqvist (38)

28 Reverse Single Rotate <fraction> From a Static Square > <designated> ¼ to Wrong-Way Promenade (R shoulder towards the Center Point) and Counter Rotate <fraction> as others Step. Center Point Heads Rotate ¼ The Center Point is in the center of the square when Rotate from a Static Square is performed. From a Static Square >Heads As Couples Turn ¼ to Promenade (L shoulder) =>Counter Rotate ¼ as others Step. All Reverse Rotate ½ From a Static Square >all As Couples Turn ¼ to Wrong-Way Promenade (R shoulder) =>Counter Rotate ½==to Promenade. Sides Single Rotate ¾ From a Static Square >Sides Turn ¼ to Promenade (L shoulder)=>counter Rotate ¾ as others Step. Belles Reverse Single Rotate ½ From a Static Square >Belles Turn ¼ to Wrong-Way Promenade (R shoulder)=>counter Rotate ½ as Beaus Step. <anything> the Windmill <direction> (68) From a generalized Tag > 68: all Centers <anything>; next Centers Cast Off ¾ as Outsides ¼ to <direction> and Circulate 2 == to generalized Lines. anything is performed first by all or Center 4 only, whichever is applicable. The Windmill Right from ¾ Tag >Outsides ¼ Right=>Outsides Circulate 2=>Centers Cast Off ¾. Mix the Windmill In from ¾ Tag with a Two-Faced Line >Outsides ¼ In=>Centers Mix as Outsides Circulate 2=>Centers Cast Off ¾. Mona Törnqvist (38)

29 Reverse Explode from Waves (69) From a Wave > 69: all Step Thru and ¼ Out == adjust to Couples Back-to-Back. Cross Your Neighbor (70) From a Mini-Wave Box > 70: Leaders Follow Your Neighbor as Trailers Cross Extend and Cast Off ¾ == to a Two-Faced Line. from Parallel Waves >Leaders Follow Your Neighbor as Trailers Cross Extend=>Cast Off ¾==to Two- Faced Lines. Triple Box concept (71) From a Triple Box formation > 71: perform <anything> in three boxes: left and right imaginative boxes with each 2 Phantoms and 2 real dancers and center box with 4 real dancers == to a Triple Box formation. 12-Matrix A Phantom is occupying one spot at each end of both lines when the call starts, which means that all dancers use 2x6 spots in a 12-Matrix. Triple Box Belles Walk & Beaus Dodge From In-Facing Lines >imagine Phantoms at both ends of the Lines=>in each of 3 boxes Belles Walk & Beaus Dodge==to a Parallelogram (C2). <anything> & Weave (72) From various formations > 72: <anything>; next Weave == to Waves. Split Circulate & Weave See Weave (88) p34>>. From Columns >all Split Circulate >Leaders Extend as Trailers Cross Extend >Ends ¼ Right as Centers Cast Off ¼==to a Tidal Wave. 8 Chain Thru 4 & Weave From 8 Chain Thru formation >all 8 Chain Thru 4 >all Extend >Leaders Extend as Trailers Cross Extend >Ends ¼ Right as Centers Cast Off ¼==to Waves. Scoot & Weave From a L-H ¼ Tag >all Scoot >Outsides ¼ Right as Centers Cast Off ¼==to Waves. Mona Törnqvist (38)

30 <anything> the Axle (73) From various formations > 73: <anything>; next Centers Pass Step Thru as Ends Cross Cast Back; next all Trade; next new Centers Trade == to In-Facing Lines. {4} Square Thru 3 the Axle from 8 Chain Thru formation >Square Thru 3 >Centers Pass Thru as Ends Cross Cast Back >all Trade >new Centers Trade==to In-Facing Lines. After Centers Pass Thru or Step Thru Centers are back-to-back. Wheel Fan Thru (74) From Facing Couples > 74: Belles Wheel Thru as Beaus Extend, Cast Off ¾ and Extend == to Couples Back-to- Back. Wheel Fan Thru From Facing Lines > Belles Wheel Thru as Beaus Extend, Cast Off ¾ => Extend == to a Trade By. Siamese concept (75) From a Couple and a Tandem in any formation > 75: dancers As Couples In Tandem work together performing single dancers part of <anything> == to various formations including a Couple and a Tandem. Siamese Swing, Siamese Step & Fold >As Couples In Tandem Swing >Center Couples Step as End Tandems Fold. Split Square Thru (76) From a T-Bone Box > 76: Facing dancers Right Pull By and ¼ In; next finish Square Thru == to Couples Backto-Back. Split Square Thru 3 from a T-Bone formation >Facing Ends Right Pull By and ¼ In >Square Thru 2nd >3rd==to Couples Back-to-Back. Split Square Chain Thru from a T-Bone formation >Facing Ends Right Pull By and ¼ In >Step to a L-H Wave=>Left Swing Thru >Left Turn Thru==to Couples Back-to-Back. Mona Törnqvist (38)

31 Split Square Chain the Top (77) From a T-Bone Box > 77: Facing dancers Right Pull By and ¼ In; next Step to a L-H Wave and finish Square Chain the Top == to Couples Back-to-Back. from T-Bones >Facing dancers Right Pull By and ¼ In >Step to a L-H Wave=>all Trade >Ends Move Up as Centers Cast Off ¾ >Left Turn Thru==to Couples Back-to-Back. See Square Chain the Top (28) p11>>. Split Dixie Style to a Wave (78) From a T-Bone Box > 78: Facing dancers Right Pull By and ¼ In; next all Left Touch a ¼ == to a Mini-Wave Box. {2} to Waves to Columns Split Dixie Sashay from T-Bones >Facing dancers Right Pull By and ¼ In >all Left Touch a ¼ >Slither==to Two-Faced Lines. Split Dixie Diamond (79) From a T-Bone Box > 79: Facing dancers Right Pull By and ¼ In; next all Left Touch a ¼; next Centers Hinge as Ends U-Turn Back == to a Diamond. {3} to Diamonds to I formation Mona Törnqvist (38)

32 <anything> to a Wave (80) From various formations > 80: before <anything> is finished: stop before the last Step Thru == to Waves. Square Thru 3 to a Wave From Facing Couples >R Pull By >¼ In (1st) and L Pull By >¼ In (2nd)=>Step to a R-H Wave (3rd R Pull By stops before Step Thru). Triple Cross (81) From Columns > 81: the 6 diagonally Facing dancers Cross == to generalized Columns. Cast Back Cross (82) From a Box with two Leaders > 82: Leaders or <designated> Peel Off and Step up to the side of the Others as Others are inactive == to various formations. Cross Cast Back >Out-Facing Couples Trail Off and Step up to the side of the Centers as Centers are inactive. Jaywalk (83) From various formations > 83: <designated> closest almost -Facing dancers Pass Thru == to various formations. After Pass Thru the new dancer is Facing the opposite wall as the old dancer was on a certain spot. Boys Jaywalk from a Tag >Boys Pass Thru diagonally. Girls Jaywalk from a T-Bone formation >Girls Pass Thru diagonally. Swap Reverse (84) From a Box > 84: Belles Step as Beaus Run == to a Box. See <anything> to a Wave (80) p32>>. Facing Couples From Facing Couples Swap is the same as Swap Around in A1. Swap from Facing Couples >Belles Step as Beaus Run==to Out-Facing Couples. Mona Törnqvist (38)

33 Reverse Swap from Facing >Beaus Step as Belles Run==to Out-Facing Couples. Couples Mini-Waves Swap from R-H Waves In Mini-Waves both of the dancers are either Belles or Beaus, consequently both of them perform either Step or Run. >Beaus (all) Run==to R-H Waves. Reverse Swap from R-H Mini- Waves >Beaus (all) Step==to Triple Boxes with R-H Mini-Waves. Twist & <anything> (85) From Out-Facing Lines > 85: Centers Step and Partner Trade as Ends Slide together and Face and <anything> == to a formation with In-Facing Outside Couples. Twist & Square Thru 2 >Centers Step as Ends Slide together and Face >new Ends Partner Trade as new Centers Square Thru 1st >2nd. <any tagging call> Back (to a Wave) (86) Tag Back to a Wave Flip Back to a Wave Vertical Tag Back to a Wave Grand Tag Back From a generalized Line > 86: <any tagging call> to a ½ Tag formation; next Scoot Back == to a Mini-Wave Box. {2} see Tag Back (to a Wave) (4) p3>>. see Flip Back (to a Wave) (60) p24>>. see Vertical Tag Back (to a Wave) (49) p21>>. From a Tidal Wave >all ¼ In and Pass Thru to Columns of 4 >all Extend >Very Ends Run as Others Trade >all Extend==to Columns. Tandem Tag Back From parallel Waves >all Tandem ¼ In >Tandem Pass Thru to Columns of 4 > Tandem Scoot Back==to Columns. Switch to concept (87) From a generalized Line > 87: Centers Run as Ends perform their part of the applicable formation Circulate == to various formations. Switch to an O from Inverted Line=>imagine an O formation around the Lines so that Ends are part of the O >Centers Run as Ends perform their part of O Circulate. Mona Törnqvist (38)

34 Switch to a Butterfly from Lines=>imagine a Butterfly formation and adjust the Lines so that Ends are part of the Butterfly >Centers Run as Ends perform their part of Butterfly Circulate. Switch to Interlocked Diamonds from Lines=>imagine Interlocked Diamonds formation and adjust the Waves so that Ends are part of the Interlocked Diamonds >Centers Run as Ends perform their part of Interlocked Diamonds Circulate. Weave (88) From a Box or any Single Tag > 88: if needed Extend to a Box; next Leaders Box Circulate ½ (or ¼ R L) as Trailers Cross Extend (if needed) and Cast Off ¼ == to a Wave. Outsides turn the opposite direction to Centers. From Mini-Waves, Weave gives the same result as any hand ¼ Thru without hands. from a R-H Mini-Wave >Leaders Extend as Trailers Left Extend >Outsides ¼ Right as Centers Cast Off ¼. from a L-H Mini-Wave >Leaders Extend as Trailers Right Extend >Outsides ¼ Left as Centers Cast Off ¼. from a Single Eight Chain Thru >all Extend >Leaders Extend as Trailers Left Extend >Outsides ¼ Right as Centers Cast Off ¼. from a L Single ¾ Tag >Outsides ¼ Right as Centers Cast Off ¼. from a R Single ¼ Tag >all Extend >Leaders Extend as Trailers Left Extend >Outsides ¼ Right as Centers Cast Off ¼. Substitute (89) From applicable formation > 89: Leaders <designated> active dancers make an arch & move Backward or Forward around the others into the spots occupied by them as the others ducks under the arch and move into the vacated spots by the arching dancers == to applicable formation. To avoid collisions, the arching dancers may have to temporarily move sideways in order to move around the other dancers. Nobody changes their facing direction during a Substitute. Mona Törnqvist (38)

35 Substitute From a Tandem Box > Leaders make an arch & move Backward around the Trailers into the spots occupied by them as the Trailers ducks under the arch and move into the vacated spots by the arching dancers == to a Tandem Box. Challenging Calls Picked up on festivals: [+] From a ¾ Tag, Acey Deucey >Centers Trade as Outsides Circulate == to a ¼ Tag. [+] From T-Bones, Acey Deucey >Centers Trade as Outsides Circulate == to T-Bones. [+] From Diamonds, Crossfire >Centers Trade as Outsides Cross Fold => Extend == to T-Bones. [C1] From a Tidal Wave, Stretch Ah So (Jack s Delight) >each Wave Ah So > Very Centers Stretch == to Two-Faced Lines. [C1] From Two-Faced Lines, Stretch Zing >each Box Ah So > Very Centers Stretch == to Two-Faced Lines. Document Conventions means or; two words or phrases can replace each other refers to the first part of the call <fraction> means ¼, ½, ¾, Full <fraction1> means any <fraction> if more than one is included in the call <fraction2> means any <fraction> if more than one is included in the call <N> means number of times to perform a part of a call <direction> means left, right, in, out, go as your are <designated> means a specific dancer or dancers, such as Boys, Girls, Leaders, Trailers <anyone> means a specific dancer or dancers, such as Boys, Girls, Leaders, Trailers <anything> means any call <anything1> means any <anything> if more than one is included in the call <anything2> means any <anything> if more than one is included in the call <any tagging call> means any tagging call, such as Tag the Line <fraction>, Flip the Line <fraction>, Track <N> concept consists of a formation and specific rules which can be used to perform other calls n Number of dancing positions dancers {x} Number of fractional parts in the call > Divides the call below in parts, fractions, performed sequentially => Divides parts of the picture below == before end formation Mona Törnqvist (38) as divides parts of calls performed simultaneously by different parts of the dancers and divides parts of calls performed sequentially by some dancers ; next divides parts of calls performed sequentially by all dancers but one part of the call is replaced by another movement