Pony Club Association of Victoria Inc

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Pony lub Association of Victoria Inc IN. A0013413S ABN: 64 320 020 091 PAV Dressage s Effective January 2013 (Supersedes all previous editions only tests in this edition are current)

(above) 40 m x 20 m arena (below) 60 m x 20 m arena

Introduction These tests have been produced by the Pony lub Association of Victoria Incorporated (PAV). All tests are to be conducted in accordance with the PAV Dressage Rules. This publication supersedes all previous texts. Definitions In this publication, the following definitions apply: PAV means Pony lub Association of Victoria Inc. The singular includes the plural and vice versa; and words importing one gender include the other. Some reference material noted in this publication is available from the PAV web site; such material is also available from the PAV state office in a printed format. PAV may charge a fee for printed information. opyright opyright 2006, updated 2013 Pony lub Association of Victoria Inc. (Reg. No. A0013413S). All rights reserved. Zones and pony clubs affiliated with PAV have permission to reproduce all or part of this document to use when instructing PAV members or running competitions hosted by a zone or pony club. Reproduction by any other organisation or individual, and for any other purpose, is prohibited, unless PAV has given prior written approval and received the appropriate fee, if any. Dressage s February 2013 3

ontents 1 Expected Standards 5 1.1 rade 5... 5 1.2 rade 4... 5 1.3 rade 3... 5 1.4 rade 2... 6 1.5 rade 1... 6 2 Dressage s 7 2.1 rade 5... 7 2.2 rade 4... 7 2.3 rade 3... 7 2.4 rade 2... 7 2.5 rade 1... 7 2.6 s... 7 2.7 Recommended Usage... 7 2.8 Arenas... 7 2.9 Source of s... 7 Dressage s February 2013 4

1 Expected Standards 1.1 rade 5 1.1.a rade 5 is for the youngest groups, say 8 years. It can be for beginner riders under 15 years, who are riding their first test and not yet capable of grade 4. 1.1.b rade 5 riders have very few riding skills. All they can do, or try to do, is make the pony go and keep it as nearly as possible on the required track. The better it goes forward for the rider the better it will follow the track and the straighter it will be. It is more important that the pony goes where the rider wishes rather than how. The judge should not be too concerned with details of position or correctness of the aids. The pony should be quiet and obedient. Incorrect diagonal or leading should not be penalised. should be simple and generous with their praise and every sheet should somewhere carry remarks that comment on the rider s ability or otherwise to fulfil the two basic requirements: to keep the pony going at required speed and on the correct line. 1.2 rade 4 1.2.a rade 4 is for beginners 15 years and over and more experienced juniors. 1.2.b The judge now expects the rider to be more balanced in their position, with better control of their hands and better application of the aids. The horse should go willingly forward. The rider who tries to get their horse near the corner and on the track should be marked more leniently than the rider who lets the horse take the line it chooses. The fact that the rider has to use the outside rein causing the horse to look to the outside is a minor detail at this grade. 1.2.c At this grade, it is not always possible to achieve correct bend and flexion. The horse that goes quietly but lacks impulsion should mark better than one that is pulling and over bent. Riders should be rewarded for trying to do transitions on the markers. 1.2.d Increase the trot. Riders should show a difference in energy and activity. Judges should show some leniency at grade 4 and early grade 3, as at these levels horses do not have to be on the bit, so will not be able to maintain rhythm and lengthening and will tend to run and quicken the stride. When asked to increase the trot the rider should be able to ride a reasonably straight diagonal, with the horse going forward more energetically, so that there is a difference from the working trot. If the horse does not lengthen the stride this should not be penalised at this grade. 1.2.e As the rider progresses through the grades improvement should be made so by grades 1 and 2 the horse is expected to maintain rhythm and lengthen the stride. 1.2.f Free walk. The horse should stretch out the neck and walk with long, relaxed, marching strides but would not be expected to maintain contact. 1.3 rade 3 1.3.a rade 3 is for more experienced juniors and less experienced senior riders. Experienced senior riders may ride young horses in this stage. 1.3.b The rider should be starting to show an ability to influence the horse s way of going. This is possible due to a more balanced position, steadier hands and better understanding of application of the aids. The horse is not expected to be supple enough to go far into the corners as it may take uneven steps and bend its neck excessively and the smooth bend through the whole body is lost. The horse must not be ridden on too short a rein, which would result in short restricted paces, pulling, over bending and stiffness. There must be an obvious effort to ride the horse forward to contact on the bit with some resulting effect on the horse s frame. This does not have to be consistently maintained. At this grade riders should be able to ride accurate figures and transitions on the markers. 1.3.c onsistent over bending throughout a movement should be penalised with a mark below 5, as insufficient, with corresponding loss in collective marks. However, momentary lapses behind the vertical should not outweigh correct work shown in other aspects. Any restriction of the horse s natural stride by the use of too short a rein is insufficient. 1.3.d Every sheet should report on the success, or otherwise, of the rider s efforts to round the horse up while keeping him going. This is basic to any further progress in the horse s education. Dressage s February 2013 5

1.4 rade 2 1.4.a The rider should have a reasonably balanced position, be moderately steady in sitting trot, and demonstrate that they understand correct application of the aids. They should be able to ride forward to contact on the bit and be able to maintain a steady frame most of the time. There should be no drawing up of the legs when giving aids. More emphasis should be given to correct execution of transitions as well as accuracy. The horse should now show correct bend so corners and circles can be ridden without loss of rhythm and tempo. The rider should be improving in their ability to make the horse more active in his movements. 1.4.b When doing moderately lengthened strides the rider should try to show a clear transition into and out of the movement, strides should lengthen and show a difference without loss of rhythm. The horse should be straight, but some loss of balance should not be heavily penalised. 1.4.c onsistent over bending throughout a movement should be penalised with a mark below 5, as insufficient, with corresponding loss in collective marks. However, momentary lapses behind the vertical should not outweigh correct work shown in other aspects. Any restriction of the horse s natural stride by the use of too short a rein is insufficient. 1.4.d Stretch on a Long Rein. In order to execute the criteria stretch on a long rein the rider must lengthen the reins and the horse stretches gradually forward and down, but always maintains a steady contact with the rider s hands. During the taking up of the reins, the horse must accept the shortening of the reins without any kind of resistance in his poll. If the contact is correct the horse is supple, well balanced, relaxed and obedient. 1.4.e Leg yielding. Refer to rule 9.11 in PAV Dressage Rules. 1.4.f o-efficient: The number 2 in the co-efficient column on the dressage score sheet doubles the mark given for that particular movement, to stress its importance in the training of the horse. As well as the free walk, a co-efficient is applied to movements such as medium paces and transitions. This is to encourage riders to be more aware of the importance of these to the horse s basic paces. 1.5 rade 1 1.5.a The judge should look for a well balanced and effective position that enables the rider to apply correct aids and influence the horse to achieve correct unrestricted paces. The horse should show free forward movement while going up to a steady contact on the bit. The roundness in the frame should be maintained throughout the test. Sitting trot should be established enough to obtain active engagement of the hindquarters. s should be smooth and accurate with circles and corners executed correctly. There should be a general impression of harmony and balance of horse and rider. 1.5.b onsistent over bending throughout a movement should be penalised with a mark below 5, as insufficient, with corresponding loss in collective marks. However, momentary lapses behind the vertical should not outweigh correct work shown in other aspects. Any restriction of the horse s natural stride by the use of too short a rein is insufficient. 1.5.c ive the Reins. The rider while sitting upright with seat remaining in the saddle pushes the hands forward towards the bit momentarily releasing the contact. This is done in the rhythm of the canter and the horse remains in the same outline and balance. The horse does not stretch his neck forward but shows he is in self carriage. 1.5.d o-efficient: The number 2 in the co-efficient column on the dressage score sheet doubles the mark given for that particular movement, to stress its importance in the training of the horse. As well as the free walk, a co-efficient is applied to movements such as medium paces and transitions. This is to encourage riders to be more aware of the importance of these to the horse s basic paces. Dressage s February 2013 6

2 Dressage s 2.1 rade 5 2.1.a s are 5A, 5B, 5 and 5D. 2.1.b All grade 5 tests must be executed in a 40 m x 20 m arena. 2.2 rade 4 2.2.a s are 4A, 4B, 4, 4D and 4E. 2.2.b All grade 4 tests must be executed in a 40 m x 20 m arena. 2.3 rade 3 2.3.a s are 3A, 3B, 3, 3D and 3E. 2.3.b s 3A, 3D and 3E may be executed in a 40 m x 20 m arena or a 60 m x 20 m arena. If a competition uses test 3A, 3D and 3E in a 40 m x 20 m arena, this must be stated on the competition entry schedule/form. 2.3.c s 3B, 3 and 3E must be executed in a 60 m x 20 m arena. 2.4 rade 2 2.4.a s are 2HT1, 2HT2, 2A, 2B, 2, 2D, 2E and 2F. 2.4.b All grade 2 tests must be executed in a 60 m x 20 m arena. 2.5 rade 1 2.5.a s are 1HT1, 1HT2, 1HT3, 1A, 1B, 1, 1D, 1E, 1F and 1. 2.5.b All grade 1 tests must be executed in a 60 m x 20 m arena. 2.6 s The comments in the s olumn give the rider an indication of the major component of each movement and what the judge will be looking for 2.7 Recommended Usage 2.7.a s are used in dressage competitions and the dressage phases of combined training and horse trials competitions. 2.7.b s in each grade increase in difficulty with the A tests being the least difficult. In grades 1 and 2, the HT tests are less difficult than the A test. 2.7.c Horse trials grading is determined by jumping ability. The relative influence of the competition is cross-country, dressage then showjumping. The more difficult dressage tests in each grade are for testing riders graded for dressage and should not be used for horse trials. 2.7.d The following test usage is recommended: rade 5 rade 4 rade 3 (40 m arena) rade 3 (60 m arena) rade 2 rade 1 Horse Trials and ombined Training competitions, and introductory levels of dressage s: A, B, and D s: A, B and A s: A, B and s: HT1, HT2, A, B and s: HT1, HT2, HT3, A, B and 2.8 Arenas Dressage competitions As above As above plus tests D and E As above plus test D As above plus tests D and E As above plus tests D, E & F EA 2A,2B,2 &2D 2.8.a Refer to rule 7 in PAV Dressage Rules for plans of the arenas showing the position of the markers. 2.9 Source of s 2.9.a The following dressage tests are permitted in PAV competitions. As above plus tests D, E, F & EA 3A & 3B Dressage s February 2013 7

(Feb 2013 opyright PAV Inc, all rights reserved) rade 5 A Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. Enter in rising trot. Track right. 2 M B BA Rising trot ircle right 20 metres diameter rising trot. Rising trot. 3 A KM Walk. hange rein in walk. Walk on to. Relaxation & obedience 4 E Rising trot. ircle left 20 metres diameter rising trot. Trot on to A. 5 A Turn down centre line. Walk. Halt. Salute. Steadiness of halt 6 Turn right or left and leave arena in walk at A. Relaxation ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 80 ourse Errors (umulative) Errors Name: (Print): from 80) Final Mark Judges signature:

rade 5 B Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. Enter in rising trot. Walk. Track left. 2 H E EK Rising trot. ircle left 20 metres diameter in rising trot. Rising trot. 3 Between K & F Between B & M anter left (incorrect lead not to be penalised). Rising trot. s Maintenance of canter Accuracy on track 4 HF Walk. hange rein across diagonal in walk. Relaxation & obedience 5 A E EH Rising trot. ircle right 20 metres diameter in rising trot. Rising trot. 6 Between H & M Between B & F anter right (incorrect lead not to be penalised). Rising trot. Maintenance of canter Accuracy on track 7 A Turn down centre line Walk Halt. Salute. Steadiness of halt 8 Turn right or left & leave the arena in a walk at A Relaxation ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 0 ourse Errors (umulative) Errors Name: (Print): (deduct final mark from 0) Final Mark Judges signature:

rade 5 Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. Enter in rising trot. Just before walk Halt. Salute. Move off in walk. Steadiness of halt 2 M B BA Track right Rising trot. ircle right 20 metres diameter in rising trot. Rising trot. 3 Between A & K Between H & anter right (incorrect lead not to be penalised). Rising trot. Maintenance of canter Accuracy on track 4 M B E Walk. Turn right. Track left. Accuracy of turns 5 K B BM Rising trot. ircle left 20 metres diameter in rising trot. Rising trot. 6 Between M & Between E & K anter left (incorrect lead not to be penalised). Rising trot. s Maintenance of canter Accuracy on track 7 A Turn down centre line. Walk. Halt. Salute. Straightness of centre line Steadiness of halt 8 Turn right or left and leave the arena in walk at A. Relaxation ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 0 ourse Errors (umulative) from 0) Errors Final Mark Name: (Print): Judges signature:

rade 5 D Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. Revised 06/03/13 Enter in walk Halt. Salute Move off at walk Rising trot Relaxation Steadiness of halt 2 HEK Track left Rising trot Accuracy on track 3 Between K & F anter left (incorrect lead not to be penalised) 4 B Between M & ircle left 20m diameter Rising trot Accuracy on track. 5 HF hange rein across diagonal 6 Between F & K anter right (incorrect lead not to be penalised) 7 E Between H & ircle right 20m diameter Rising trot. Accuracy on track. 8 MBF Rising trot Accuracy on track 9 F A Walk Turn down centre line Halt. Salute. Relaxation Steadiness of halt ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 1 ourse Errors (umulative) from 1) Errors Final Mark Name: (Print): Judges signature:

rade 4 A Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. s into and out of halt may be made through walk Enter in working trot rising. Halt. Salute. Move off at a walk.. Steadiness of halt s 2 E KA Track left ircle left 20m diameter working trot rising. almness of trot 3 Between A & F B anter left. ircle left 20m diameter in canter, then straight ahead. Shape & Size of ircle almness of anter 4 M HF hange rein across diagonal, change diagonal at F. almness of canter 5 FAE E H ircle right 20m diameter working trot rising. almness of trot 6 Between & M B anter right. ircle right 20m diameter, then straight ahead. almness of anter 7 F A Turn down centre line. Walk. Halt. Salute. s Steadiness of halt ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 90 ourse Errors (umulative) Errors Name: (Print): from 90) Final Mark Judges signature:

rade 4 B Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. s into and out of halt may be made through walk Enter in working trot rising. Halt. Salute. Proceed in working trot rising. Track right. Steadiness of halt s 2 B BF ircle right 20 metres diameter working trot rising. almness of trot 3 Between A & K Working canter right. 4 E H ircle right 20 metres diameter in canter almness of canter 5 MK K On the diagonal, free walk allowing the horse to lower and stretch out the neck. 6 A Halt. Immobility 4 seconds. Proceed in walk. Relaxation Steadiness of halt almness 7 F B BM ircle left 20 metres diameter working trot rising. s almness 8 Between & H Working canter left. 9 E K ircle left 20 metres diameter in canter. almness of canter A Turn down centre line. Halt. Salute. Accuracy of turn Steadiness of halt Straightness of centre line ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 120 ourse Errors (umulative) from 120) Errors Final Mark Name: (Print): Judges signature:

rade 4 Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. s into and out of halt may be made through walk Enter in working trot rising. Halt. Salute. Proceed in working trot rising. Track right. Steadiness of halt s 2 MA Accuracy on track almness of trot 3 A Half-circle right 20m diameter to rising trot. Half-circle left 20m diameter to sitting trot. Shape & size of half-circles almness of trot 4 HF On the diagonal increase the trot rising. Difference in energy & activity 5 F A 6 KM M 7 H E On the diagonal, free walk allowing the horse to lower and stretch out the neck. sitting. Working canter left. ircle left 20m diameter. Relaxation s almness of anter 8 K FH hange rein working trot rising. s almness of trot 9 M B sitting. Working canter right. ircle right 20 metres diameter. s almness of canter F A Turn down centre line. sitting. Halt. Salute. s Accuracy of turn Steadiness of halt ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 120 ourse Errors (umulative) from 120) Errors Final Mark Name: (Print): Judges signature:

rade 4 D Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. s into and out of the halt may be done through the walk Enter in working trot sitting. Halt. Salute. Proceed in working trot rising. Track right. Steadiness of halt s 2 B Turn right. ircle right 20m diameter working trot rising. Accuracy of turn almness of trot 3 E E On returning to, circle left 20m diameter working trot rising. On returning to proceed to E. Track left. almness of trot Accuracy of turn 4 EA A Working canter left. Accuracy on track almness of transition 5 B B ircle left 20m diameter. Working canter. almness of canter Accuracy on track 6 HF On the diagonal increase the trot rising. Difference in energy & activity 7 FA A Working canter right. 8 E EH H ircle right 20m diameter. Working canter. almness of canter 9 MK K A D Walk. On the diagonal, free walk allowing the horse to lower and stretch out the neck. Walk. Turn down centre line. sitting. Halt. Salute. Relaxation Accuracy of turn, straightness on centre line Steadiness of halt ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 120 ourse Errors (umulative) from 120) Errors Final Mark Name: (Print): Judges signature:

rade 4 E Effective: 1/2/2013 Arena size: 40 m x 20 m To be ridden in an ordinary snaffle. into and out of halt can be done through the walk Enter in working trot sitting. Halt. Salute. Proceed in working trot rising. Steadiness of halt s 2 B Track right. ircle right 20 m diameter working trot rising. Accuracy of turn almness of trot 3 B F 4 A KM M 5 HF F Working canter right and circle right 20m diameter then straight ahead Walk. On the diagonal free walk, allowing the horse to lower and stretch out the neck. Walk. On the diagonal, increase the trot rising. s almness of canter Relaxation Difference in energy & activity 6 FAK KM M On the diagonal, increase the trot rising. Difference in energy & activity 7 ME E ircle left 20 metres diameter working trot rising. Accuracy on track almness of trot 8 E K Working canter left and circle right 20m diameter, then straight ahead. rising almness of trot 9 A Turn down centre line. Halt. Salute. Accuracy of turn Steadiness of halt ollective Obedience of the pony. (Accuracy and smoothness of the test.) Position and control of the rider. ood 1 ourse Errors (umulative) from 1) Errors Final Mark Name: (Print): Judges signature:

rade 3 A Effective: 1/2/2013 Arena size: 40 m x 20 m or 60 m x 20 m To be ridden in an ordinary snaffle. s into and out of the halt may be made through the walk Revised 06/03/13 2 MA Enter working trot sitting. Proceed working trot sitting Track right. Steadiness of halt s Turn at Quality of trot 3 A E B 4 HF F 5 A KM M 6 EB 7 B B 8 M HF Turn right. Track left. On the diagonal show some moderately lengthened strides rising. On the diagonal free walk allowing the horse to lower and stretch out the neck while maintaining contact Half-circle left 20m diameter sitting. Working canter left & circle left 20m diameter Straight ahead. On the diagonal working trot rising. FAE 9 EB Half-circle right 20m diameter working trot sitting. Bend through turns Quality of trot Lengthening of stride, rhythm, balance Lengthening of stride Relaxation Difference in walks Shape & size of ½ circle Quality of trot Quality of canter Rhythm & balance Shape & size of half-circle Quality of trot B B 11 F A Working canter right & circle right 20m diameter Straight ahead. Turn down centre line. sitting. Halt. Immobility. Salute Shape & size of half-circle Quality of trot Quality of turn Quality of trot ollective Paces (freedom & activity) almness and obedience of the horse Position of the rider and correct application of the aids. ood 140 ourse Errors (umulative) from 140) Errors Final Mark Name: (Print): Judges signature:

rade 3 B Effective: 1/2/2013 Arena size: 60 m x 20 m To be ridden in an ordinary snaffle. s into and out of the halt may be made through the walk 2 B E Enter in working trot sitting. Proceed in working trot rising. Track right. Turn right. Track left Quality of halt, transitions, trot & turn Bend through turns Quality of trot 3 A AF 4 FH H 5 M 6 M RV V 7 K A ircle left 20m diameter working trot rising. On the diagonal show some moderately lengthened strides rising. ircle right 20m diameter working trot rising. Medium walk On the diagonal free walk allowing the horse to lower and stretch out the neck while maintaining contact. sitting. Working canter left. Quality of trot Lengthening of stride, rhythm, balance Quality of trot Lengthening of stride, relaxation Difference in walks s 8 B Between B & M 9 HF FA A E Between E & H 11 B B ircle left 20m diameter sitting. On the diagonal show some moderately lengthened strides rising. sitting. Working canter right. ircle right 20m diameter sitting sitting. Half-circle right m diameter. Down centre line. Quality of canter s Lengthening of stride, rhythm, relaxation. s Quality of canter Shape & size of half-circle Quality of halt ollective Paces (freedom and activity) almness and obedience of the horse Position of the rider and correct application of the aids. ood 140 ourse Errors (umulative) from 140) Errors Final Mark Name: (Print): Judges signature:

rade 3 Effective: 1/2/2013 Arena size: 60 m x 20 m To be ridden in an ordinary snaffle. into and out of halt may be made through the walk Enter in working trot sitting. Proceed in working trot rising. 2 RV VKA Track right On the diagonal working trot rising rising 3 A ircle left 20m diameter working trot sitting Quality of halt, transitions & trot Quality of turn, rhythm & balance Quality of trot 4 A AF 5 Between F & P B E 6 EH 7 M 8 Between M & R B E 9 EKA AF Working canter left & circle left 20m diameter Working canter rising Turn left Track right rising ircle right 20m diameter working trot sitting Working canter right & circle right 20m diameter Working canter Turn right Track left rising Medium walk Quality of canter Quality of turns Quality of trot Quality of canter Quality of turns FH On the diagonal free walk allowing the horse to lower & stretch out neck while maintaining contact 11 H MB Medium walk rising Lengthening of stride, relaxation 12 B Half-circle right m diameter Down centre line Halt. Immobility. Salute Shape & size of half-circle s Quality of halt ollective Paces (freedom & regularity) almness and obedience of the horse Position of the rider and correct application of the aids. ood 150 ourse Errors (umulative) from 150) Errors Final Mark Name: (Print): Judges signature:

rade 3 D Effective: 1/2/2013 Arena size: 40m x 20m or 60 m x 20 m To be ridden in an ordinary snaffle. s into and out of halt can be made through the walk 2 E 3 B Enter in working trot sitting. Proceed in working trot sitting. Track Left Turn left ircle left 20m diameter working trot rising ircle right 20m diameter working trot sitting Track left Quality of halt, transitions, trot and turn Quality of turn Quality of trot Shape and size of circle Quality of trot Quality of turn 4 Halt 4 seconds Proceed in Medium walk s Quality of halt 5 HF F 6 A K 7 E EH H 8 M MK 9 K A B BM M 11 H HF 12 F A On the diagonal free walk allowing horse to lower & stretch out neck while maintaining contact Medium walk sitting Working canter right (especially transitions) ircle right 20m diameter working canter Working canter sitting rising On diagonal show some moderately lengthened strides rising sitting Working canter left (especially the transitions) ircle left 20m diameter Working canter sitting rising On diagonal show some moderately lengthened strides rising sitting Turn down centre line Halt. Immobility. Salute Lengthening of stride, relaxation Difference in walks s Quality of canter s Lengthening of stride, rhythm, balance. s Quality of canter Lengthening of stride, rhythm, balance. Quality of turn & halt ollective Paces (freedom & activity) almness and obedience of the horse Position of the rider and correct application of the aids. ood 150 ourse Errors (umulative) from 150) Errors Final Mark Name: (Print): Judges signature:

rade 3 E Effective: 1/2/2013 Arena size: 40 m x 20 m or 60 m x 20 m To be ridden in an ordinary snaffle. s into and out of the halt may be made through the walk 2 B BA 3 KM M 4 H E 5 EA A 6 FM M Enter in working trot sitting. Proceed in working trot sitting. Track right. ircle right 20m diameter working trot rising rising On the diagonal show some moderately lengthened strides rising rising sitting ircle left 20m diameter working trot sitting sitting Working canter left & circle left 20m diameter Working canter sitting Quality of halt, transitions & trot Quality of turn Quality of trot Lengthening of stride, rhythm & balance Quality of trot Quality of canter Quality of canter, straightness 7 HF F On the diagonal show some moderately lengthened strides rising sitting 8 A Working canter right & circle right 20m diameter Lengthening of stride, rhythm & balance Quality of canter 9 KH H Working canter sitting Quality of canter, straightness MK K 1 D ollective Medium walk On the diagonal free walk, allowing horse to lower & stretch out the neck while maintaining contact Medium walk Turn down centre line sitting Halt. Immobility. Salute Lengthening of stride, relaxation Difference in walks Quality of turn & halt Paces (freedom and activity) almness and obedience of the horse Position of the ride and correct application of the aids. ood 140 ourse Errors (umulative) from 140) Errors Final Mark Name: (Print): Judges signature:

rade 2 HT1 Effective: 1/2/2013 Arena size: 60 m x 20 m All trot must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 13/03/13 Enter in working trot. Track right. 2 MK On the diagonal, show some lengthened strides rising or sitting KA 3 A Serpentine 3 loops width of the arena 4 H HF FA 5 A E EM On the diagonal show some lengthened strides rising or sitting Working canter right. ircle right 15m diameter. Working canter. 6 MV On the diagonal show some lengthened strides in canter 7 V VK 8 A B BH Working canter left. ircle left 15 m diameter. Working canter. 9 HP On the diagonal show some lengthened strides in the canter P PF 1 KH H 12 B ollective Free walk allowing the horse to lower and stretch out the neck while maintaining contact. Half-circle right m diameter. Down centre line. Halt. Salute. Quality of trot Quality of turn at regularity of the trot, balance & straightness, transitions oeff Quality of trot, bend & execution of the figure 2 the regularity of the trot, balance & straightness, transitions almness & smoothness of transition. Quality of canter, roundness & size of circle bend, corners & straightness, K-E &E-H regularity of canter, straightness on diagonal Balance & smoothness of the transition. Quality of trot almness & smoothness of transition. Quality of canter, roundness & size of circle bend, corners & straightness F-B & B-M regularity of canter, straightness on diagonal Balance & smoothness of transition. Quality of trot Quality of medium walk & straightness, submission to shortening reins while maintaining rhythm, tempo & activity of walk Quality of trot, quality & bend of half-circle straightness on centre line. Quality of transition & halt 2 Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 220 ourse Errors (umulative) (deduct final mark from 220) Errors Final Mark Name: (Print): signature:

rade 2 HT2 Effective: 1/2/2013 Arena size: 60 m x 20 m All trot must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 06/03/13 Enter in working trot., Track right quality of trot & turn at 2 MBFA Quality of trot oeff 3 A H Serpentine 4 loops, width of the arena working trot. 4 HF On the diagonal show some lengthened strides rising 5 A KM M 6 7 HV Between V&K 8 K SH 9 M MP Between P&F 11 F RME 12 E ollective On the diagonal free walk allowing the horse to lower & stretch out neck, while maintaining contact Medium walk Working canter left (2-3 strides of trot permitted) ircle left 15m diameter working canter Lengthen the stride Working canter Half-circle left to 12m diameter, returning to the track at S Working canter right & circle right 15m diameter Working canter Lengthen the stride Quality of trot, bend & execution of the figure 2 regularity of trot, balance & straightness, transitions Quality of walks & straightness on the diagonal. Submission to shortening the reins while maintaining rhythm, tempo & activity of walk, transitions Quality of canter, smoothness & calmness of transition, roundness & size of circle regularity of the canter, straightness & transitions Quality of canter, quality of bend & balance of half-circle, transition, quality of trot 2 2 Quality of canter, roundness & size of circle, bend regularity of the canter, Working canter straightness & transitions Half-circle right to 12m Quality of canter, quality of diameter, returning to track at R bend & balance of half-circle, transition. Quality of trot Turn left Quality of trot & turns at E &, Turn left straightness on centre line, quality of transitions & halt 2 Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 240 ourse Errors (umulative) (deduct final mark from 240) Errors Final Mark Name: (Print): signature:

rade 2 A Effective: 1/2/2013 Arena size: 60 m x 20 m All trot must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 06/03/13 2 E EKA Enter in working trot, rising or sitting. Proceed in working trot. Track left. ircle left 15m diameter.. Quality of trot, halt & transitions, quality of turn at Quality of trot, bend & balance Roundness & size of circle oeff 3 FH HB 4 B BFA 5 KM M On the diagonal, show some lengthened strides rising. ircle right 15 metres diameter. On the diagonal, show some lengthened strides 6 Halt. Immobility 5 seconds. Proceed in medium walk. 7 HF F 8 A K On the diagonal free walk allowing the horse to lower and stretch out the neck while maintaining contact. Working canter right (especially the transitions). 9 S Half-circle right 15m diameter returning to the track at K. K F Working canter left (especially the transitions). 11 R Half-circle left 15m diameter returning to the track at F. 12 F A Turn down centre line. Lengthening of the frame & stride, regularity of trot, balance & straightness. s Quality of trot, bend & balance. Roundness & size of circle Lengthening of the frame & stride, regularity of trot, balance & straightness. s Quality & immobility of halt, transition from trot to halt & halt to walk, quality of walk Quality of free walk & straightness on the diagonal. Submission to shortening the reins while maintaining rhythm, tempo & activity of walk Quality of trot & canter, calmness & smoothness of transitions Quality of canter, quality of bend & balance of half-circle, straightness on diagonal Quality of trot & canter, calmness & smoothness of transitions Quality of canter, quality of bend & balance of half-circle, straightness on diagonal Quality of trot & turn at A, straightness on centre line. Quality of transition & halt 2 2 2 2 ollective Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 240 ourse Errors (umulative) (deduct final mark from 240) Errors Final Mark Name: (Print): signature:

rade 2 B Effective: 1/2/2013 Arena size: 60 m x 20 m All trot work must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 06/03/13 2 B BFA 3 A 4 E EKA 5 A 6 HF M 9 E EAF Enter in working trot. Proceed in working trot. Track right. ircle right 15 metres diameter. Turn down centre line. Track left. ircle left 15 metres diameter. Serpentine 3 loops width of the arena On the diagonal, show some lengthened strides. F 7 A Halt. Immobility 4 seconds. Proceed in working trot. 8 KM On the diagonal, show some lengthened strides rising FH 11 B 12 F A 13 KVR R 14 M E ollective Working canter left. ircle left 15 m diameter. Working canter. hange rein. Working canter right. ircle right 15 m diameter. hange rein in free walk allowing the horse to lower and stretch out the neck while maintaining contact. Turn left. Turn left. Halt. Salute. Quality of trot, halt & transitions Quality of trot, bend & balance, roundness & size of circle oeff, quality of turns A - Quality of trot, bend & balance, roundness & size of circle Quality of trot, bend & execution of figure 2 The lengthening of frame & stride. Regularity of trot, balance & straightness. s Quality & immobility of halt, transitions. Quality of trot Lengthening of frame & stride. Regularity of trot, balance & straightness. s almness & smoothness of transition, quality of canter, roundness & size of circle, bend corners & straightness -E & E-A Straightness, quality of canter & trot, balance & smoothness of transition almness & smoothness of transition, quality of canter, roundness & size of circle, bend corners & straightness -B & B-F Quality of trot & walk, transitions Quality of walks & straightness. Submission to shortening the reins while maintaining rhythm, tempo & activity of walks Quality of turns, E &, quality of trot, submission on centre line, quality of transition & halt. 2 Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 240 ourse Errors (umulative) from 240) Errors Final Mark Name: (Print): signature:

rade 2 Effective: 1/2/2013 Arena size: 60 m x 20 m All trot must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 06/03/13 2 HF FAK 3 E EH 4 MK Enter in working trot. Proceed in working trot. Track left. On the diagonal show some lengthened strides (sitting or rising) ircle right 15m diameter On the diagonal show some lengthened strides (sitting or rising) ircle left 15m diameter KA 5 B BM 6 Halt. Immobility 4 seconds Proceed in medium walk 7 HF FA 8 A K VP 9 P PAK KM 11 M SR 12 R RH 13 HF F 14 FA A ollective Free walk allowing horse to lower & stretch out the neck while maintaining contact Medium walk Working canter right Half-circle right 20m diameter ircle right 20m diameter Working canter hange rein Working canter left Half-circle 20m diameter ircle left 20m diameter Working canter hange rein Turn down centre line Halt. Immobility. Salute. Quality of trot, halt & transitions, quality of turn at Lengthening of the frame & stride, regularity of trot, balance & straightness. s Quality of trot, bend & balance, roundness & size of circle regularity of trot, balance & straightness. s Quality of the trot, bend & balance, roundness & size of circle Quality & immobility of halt, transition from trot to halt & from halt to walk, quality of walk Quality of walks & straightness. Submission to shortening the reins while maintaining rhythm, tempo & activity of walk, quality of medium walk Quality of trot & canter, smoothness & calmness of transition, quality of bend & balance of half-circle Quality of canter, roundness & size of circle, bend, quality of canter & trot, balance & smoothness of transition Smoothness & calmness of transition, quality of trot & canter, quality of bend & balance of halfcircle Quality of canter, roundness & size of circle, bend, quality of canter & trot, balance & smoothness of transition Quality of trot & turn at A.. Quality of transition & halt oeff 2 2 2 Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 250 ourse Errors (umulative) from 250) Errors Final Mark Name: (Print): signature:

rade 2 D Effective: 1/2/2013 Arena size: 60 m x 20 m All trot work must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 19/03/13 Enter in working trot. Proceed in working trot. Track right 2 MF rising F 3 A Serpentine 4 loops width of arena, working trot 4 HF rising On the diagonal show some lengthened strides rising F 5 A Halt. Immobility 4 seconds Proceed in medium walk 6 KH H 7 Free walk allowing horse to lower & stretch out neck while maintaining contact Medium walk Shortly before working canter right ircle right 15m diameter Quality of trot, halt & transitions Quality of turn at Quality of trot Quality of trot, bend & execution of figure Lengthening of the frame & stride, regularity of trot, balance & straightness. s Quality & immobility of halt. from trot to halt & halt to walk, quality of medium walk. Quality of walks & straightness. Submission to shortening reins while maintaining rhythm, tempo & activity of walk almness & smoothness of transition, quality of canter, roundness & size of circle, bend 8 MP Show some lengthened strides regularity of canter, balance & straightness 9 PF Between P & F develop working canter Balance &definition of transition, quality of canter KM hange rein. Quality of canter & trot, balance & hange of lead through the trot smoothness of transitions, straightness 11 ircle left 15m diameter working Quality of canter roundness & size canter of circle, bend 12 HV Show some lengthened strides quality of canter, balance & straightness 13 VK Between V & K develop working Balance & definition of transition, canter quality of canter 14 FH 15 HM MK 16 K A hange rein hange of lead through trot On the diagonal show some lengthened strides rising Turn down centre line Halt. Immobility. Salute Quality of canter & trot, balance & smoothness of transitions, straightness regularity of trot, balance & straightness, transitions Quality of trot, quality of turn at A, straightness on centre line, quality of transition & halt oeff 2 2 2 2 ollective Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). 2 Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 Rider s position and seat; correctness and effect of the aids. 2 ourse Errors (umulative) ood 280 from 280) Errors Final Mark Name: (Print): signature:

rade 2 E Effective: 1/2/2013 Arena size: 60 m x 20 m All trot work must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 06/03/13 2 H E HM 3 M B BME 4 E EK 5 A AF 6 FR Between R& M 7 H 8 SP P 9 F A AK KS Between S&H 11 MK KA 12 FH H 13 B Enter in working trot. Proceed in working trot. Track left On the diagonal working trot Half circle right m diameter On the diagonal working trot Half circle left m diameter ircle left 20m diameter, let the horse stretch forward & downwards, before E retake the reins (rising) ircle left 15m diameter working canter Working canter Show some lengthened strides Working canter Medium walk On the diagonal, free walk allowing the horse to lower & stretch neck while maintaining contact Medium walk ircle right 15m diameter working canter Working canter Show some lengthened strides Working canter On the diagonal show some lengthened strides (rising or sitting) On the diagonal show some lengthened strides (rising or sitting) Half circle right m diameter Halt. Immobility. Salute Quality of trot, halt & transitions. Quality of turn at Quality of trot Quality of bend & balance of half-circle Quality of trot Quality of bend & balance of half circle. Quality of stretch over the back Forward & downward into a light contact while maintaining balance & quality of trot Quality of canter, roundness & size of circle, bend Lengthening of frame & stride. Regularity of canter, straightness & transition Quality of trot & medium walk, transition Quality of walks, straightness Submission to shortening reins while maintaining rhythm, tempo & activity of walk Quality of trot & canter, calmness & smoothness of transitions, roundness & size of circle Lengthening of frame & stride Regularity of canter, straightness & transition, lengthening of frame & stride. Regularity of trot, balance & straightness. s Lengthening of frame & stride Regularity of trot, balance & straightness. s Quality of trot. Quality & bend of half circle., quality of transition & halt. oeff 2 2 2 2 ollective Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 250 ourse Errors (umulative) from 250) Errors Final Mark Name: (Print): signature:

rade 2 F Effective: 1/2/2013 Arena size: 60 m x 20 m All trot must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 06/03/13 2 HF Enter in working trot. Proceed in working trot. Track left. On the diagonal show some lengthened strides. Down centre line. Leg yield right. FA s 3 A LM M 4 HKA Quality of trot 5 A LH H 6 MBF FA 7 AK KM M 8 HK KA 9 A DL Down centre line. Leg yield left. On the long side show some lengthened strides, rising or sitting On the diagonal free walk, allowing horse to lower and stretch out neck while maintaining contact. Working canter left. Describe one loop 5m in from the track without a change of leg. Working canter. Down centre line. Between D and L working trot. I Between I and working canter right. 11 MF 12 A L Track right. Describe one loop 5m in from the track without a change of leg. Turn down centre line. Quality of trot, halt, transitions Quality of turn at. Lengthening of frame & stride, regularity of trot, balance & straightness. oeff Quality of turn at A, balance, position & flow 2 Quality of turn at A, balance, position & flow 2 regularity of trot, balance & transitions, quality of walks & straightness diagonal, submission to shortening reins while maintaining rhythm, tempo & activity of walk Quality of canter, calmness & smoothness of transition, balance & execution of figure Quality of turn at A, straightness on centre line. Balance & quality of trot, smoothness & calmness of transition, balance & quality of canter Quality of canter, quality of turn at, balance & execution of figure Quality of trot, quality of turn at A, straightness on centre line, quality of transition & halt 2 2 2 ollective Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 250 ourse Errors (umulative) from 250) Errors Final Mark Name: (Print): signature:

rade 1 HT1 Effective: 1/2/2013 Arena size: 60 m x 20 m All trot work must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 06/03/13 Enter in working trot. Track left., quality of trot & turn at oeff 2 HF FA 3 A M 4 MK KA 5 AP P 6 B BH hange rein. Show some lengthened strides rising. Serpentine 3 equal loops width of the arena hange rein, show some lengthened strides rising Medium walk Working canter left ircle left m diameter Working canter regularity of trot, uphill balance & straightness. s. Quality of trot, bend & execution of figure 2 regularity of trot, uphill balance & straightness, transitions Quality of medium walk, calmness & smoothness of depart, quality of canter Quality of canter, bend & balance, roundness & size of circle 7 HP PF 8 V E EM 9 MV VK A FM M 11 HK K 12 A L On the diagonal, working canter Working canter right ircle right m diameter Working canter On the diagonal working canter Medium walk Free walk allowing the horse to lower & stretch out the neck, while maintaining contact Medium walk Working canter left Medium canter Working canter Turn down centre line. Quality of canter & trot, balance & smoothness of transition at P. Straightness Quality of canter, smoothness & calmness of transition bend, roundness & size of circle Quality of canter & trot, balance & smoothness of trans. At V, straightness Quality of free & medium walks, the lengthening of frame & stride, submission to shortening reins while maintaining rhythm, tempos & activity of walk, transition regularity of canter, uphill balance & straightness, transitions Quality of canter & turn at A, balance & smoothness of transition at L, straightness on centre line, quality of transition & halt 2 ollective Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 220 ourse Errors (umulative) from 220) Errors Final Mark Name: (Print): signature:

rade 1 HT2 Effective: 1/2/2013 Arena size: 60 m x 20 m All trot must be executed sitting unless the term rising is used. To be ridden in an ordinary snaffle. Revised 06/03/13 2 HS S Enter in working trot. Track left ircle left m diameter, quality of turn at Quality of trot, bend & balance, roundness & size of circle oeff 3 SF FAK On the diagonal show some lengthened strides rising regularity of the trot, uphill balance & straightness, transitions 4 V ircle right m diameter Quality of trot, bend & balance, roundness & size of circle 5 VM M 6 HS 7 SF On the diagonal show some lengthened strides rising Halt. Rein back 4 steps Proceed in medium walk Medium walk On the diagonal free walk allowing the horse to lower & stretch out the neck, while maintaining contact Medium walk FA 8 A Working canter right and ircle right m diameter 9 KS S Lengthen the stride Working canter H Half-circle right m diameter returning to the track at V 11 VK ounter canter KA 12 A Working canter left & ircle left m diameter 13 FR R Lengthen the stride Working canter 14 M Half-circle left m diameter returning to the track at P 15 PF ounter canter F 16 A Turn down centre line Halt. Immobility. Salute ollective regularity of the trot, uphill balance & straightness, transitions Quality & immobility of halt, willingness of rein back s Quality of walks & straightness Submission to shortening reins while maintaining rhythm, tempo & activity of walk transitions Quality of canter, smoothness & calmness of transition, roundness & size of circle regularity of the canter, uphill balance, straightness & transitions Quality of canter, quality of bend & balance of half-circle Quality of the counter canter, transition Quality of canter, smoothness & calmness of the transition, roundness & size of circle regularity of canter, uphill balance, straightness & transitions Quality of canter, quality of bend & balance of half-circle Quality of counter canter. Quality of trot & turn at A, straightness on centre line, quality of transitions & halt. 2 2 2 Paces (freedom and regularity). 2 Impulsion (desire to move forward, elasticity of the steps, relaxation of the back and engagement of the hindquarters). Submission (attention and confidence; harmony, lightness and ease of movements; acceptance of the bit). 2 2 Rider s position and seat; correctness and effect of the aids. 2 ood 270 ourse Errors (umulative) from 270) Errors Final Mark Name: (Print): signature: