THE APARTMENT. Brandi Self. Los Angeles, Ca

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Transcription:

THE APARTMENT by Brandi Self writerbself@yahoo.com Los Angeles, Ca 90028 323-382 - 3114

INT. UBER CAR - DAY A DRIVER jams through traffic as and WATANABE, early 30 s, tourists, type on their phones in the back seat. Are you sure we re going the right way? DRIVER Yes, yes... it s on my phone. (whispers to Paul) But, the app says-- Not now, Shirley, I m posting. Don t forget to tag me. The car stops at a traffic light. A MAN rips open the door. Jumps in. Puts a gun in the driver s face. Drive! MAN DRIVER (puts his hands up) Please, I got nothing. Everyone pays through an app. Paul and Shirley remain engrossed in their phones, oblivious. The man turns to them. MAN What about you two? (ignoring the man) We re here! Are you sure? Yep. The little car on the app is on top of the building. They get out of the car much to the surprise of the man.

2. EXT. APARTMENT BUILDING - DAY Paul and Shirley grab their luggage, still distracted by their phones, as the man roughs up the driver. The car takes off. DRIVER (out the window) Please rate me five stars! So where did she say we would find the keys? (reading off her phone) Under the Red Rock. Under the red rock? What does that mean? That s what it says. A BUM stands with a sign that reads Seeking Human Kindness. Change? BUM Our first encounter with a real local! The bum looks hopeful as they excitedly rush over to him. Shirley extends her selfie stick, posing beside him. Selfie! She snaps a picture. They examine it. That s a good one! Ugh, look at my chin, it s all bunched under. Let s take another one. Just Photoshop it.

3. BUM I accept donations... Sorry, bud. No cash. (to Shirley) Why don t you just text her? No phone number. How are we supposed to get a hold of her? Messaging her on Facebook. (types on her phone) And... send. Paul tries the front door. It s locked. Great. BUM You want to get in that building? I can get you in that building... The bum pushes all the buttons almost in melody. It buzzes. He opens the door for them. Holds his hand out. BUM (CONT D) Anything, no matter how small, would help. Fine, give me your Paypal account. BUM Paypal account? Yeah, what s your e-mail address? BUM I don t have any accounts. You don t have a Paypal account? I just posted the pic. I ve already gotten three likes!

4. Paul types on his phone. Four! Paul and Shirley move inside as the bum watches them go. INT. BUILDING - LOBBY - CONTINUOUS They look around the lobby; ancient Hollywood preserved. I feel like we ve stepped back in time. Smells like moth balls. Let s just find this red rock, so I can plug in. Maybe it s code for something. Googling. She types on her phone. (CONT D) The page won t load. Look, there it is! Paul bends down at a potted plant. Picks up a red rock. A key drops from underneath it. Shirley grabs it. Puts it in a nearby door. Turns the lock. It fits! INT. APARTMENT - CONTINUOUS Paul and Shirley look around the strangely put together studio equipped with a small kitchenette. Dull, brown wall paper is in stark contrast against the colorful decor of the furniture and accessories. There aren t any windows. You re right, how strange.

5. And it s freezing in here. Let me turn the heat on. She turns to find a whiteboard with Tonya Spurious 323-543 - 0000. Call me if you need anything, written across it. (CONT D) There s her phone number. Why couldn t she just e-mail it to me? She finds the thermostat. Switches the dial. The whole thing falls off. (CONT D) It s not even attached! (distracted) Got any food? Yeah... (stares at the thermostat in her hands) I brought some noodles, I ll heat them up. I ll see what s on TV. She better have Netflix or Hulu. Paul plops down in a chair in front of the TV as Shirley faces the kitchenette. Condiments sit on the counter, label out. Every one is emblazed with the word Hooked across the front. Hooked. What? SHIRLY I guess it s a company or something. They all have the same logo. He grabs the remote. Clicks it. Tries another button. Nothing.

6. Why won t this thing turn on? Shirley opens a cabinet. Cleaning products line the shelf with the same Hooked label. There aren t any pots or pans. You re kidding. No, there s nothing to cook in. But, it s a kitchenette. There s plates... Shirely takes a plate off of the shelf; the whole stack comes down with it. She tries to pull them apart. (CONT D) They re glued together. Why would anyone do that? Paul clicks the remote again. Smashes it against the chair. It folds in his hand. What the hell? (stares at the remote) It s made out of cardboard! That s it, I m calling her right now. She picks up her phone. Dials. Listens. (CONT D) No reception. People s chatters permeate the air. Someone bangs on the wall. Giggles. (CONT D) What was that? Probably just some other residents. Let me try mine. (MORE)

7. (CONT'D) (looks at phone) Nope. I m going to connect to the Wi-Fi, maybe she messaged me back. She goes to her bag. Pulls out an ipad. Turns it on. Stares for a moment at the screen. Hooked. Access Denied. (CONT D) Denied. It won t let me connect. So, now I ve got to go all the way outside to call her? This is ridiculous. BRB. He opens the door. Walks out. But his steps only lead him back into the apartment. What are you doing, I thought you were going outside? He stands still, unable to compute. (CONT D) Give me that phone... I ll do it. She grabs the phone. Walks outside. The same thing happens, back in the apartment as if walking in from the outside. She tries it a more rapid pace, but only returns inside faster. INT. APARTMENT - NIGHT Paul stares blankly at the television set, gripping his phone, the Hooked logo still bouncing across the TV screen, mocking them. Shirley peers down at the useless phone in her hands. I don t understand, how could this be happening? What did you get us into? Me?

8. (mocking) Let s go to Los Angeles, Paul. It will be an adventure. It was your idea to sublet! Well, she had impeccable ratings on Airbnb... No one knows where we are. We have no way of contacting anyone. Paul mechanically tries to comfort her. Hey look, it s going to be okay... Emoji grin? No, it s not. It s not going to be okay, Emoji frown face! Everyone must be so worried, I haven t tweeted in almost an hour. Well, how do you think I feel? I was supposed to be online ten minutes ago for a rematch with BulletzforBreakfast. Shirley begins to weep. She looks up, her face covered in tears. (CONT D) Your eyes look weird. (in between sobs) What? They turn green when you cry, I never noticed that. Yeah, you look different, too. I do?

9. She touches the smile lines on the side of his mouth. It s like you re in high definition, I can see everything. I feel like we re always together, but I ve never really looked at you. (squirms) Stop. What? He looks away. Stop looking at me, it s making me uncomfortable. I guess we could talk. Talk... About what? What s your favorite color? If you could be any animal, what would it be? Red and a kangaroo. Those are all answered on my profile, you know that. Paul s eyes start to twitch. He collapses on the couch. She shakes him. (CONT D) Paul! Hey, you re shutting down. Lost, she grabs her phone. Takes a selfie of the two of them, Paul now unconscious. Selfie! (CONT D) She taps on the phone. Twitches as if having a glitch.

10. (CONT D) Post! Post! Post, damnit! Chatter and giggles, again. She goes to the wall. Listens. No one answers. (CONT D) Is anyone over there? I need you to DM someone for me. Do you hear me? (CONT D) I know you hear me! She claws at the wall. The wall paper comes off in her hands, exposing a window. She eagerly rips off the rest of the wall paper. Searches for a latch. Nothing. Her hands above her head, she bangs on the window, her phone still in her hand. (CONT D) Help! We need help! THE SCREEN GOES BLACK INT. APARTMENT - DAY The sun is shining through the window when Paul awakens. He looks around. Sees Shirley standing by the window. Shirley, you did it, you found a way out! He approaches. Looks closely at her. She does not move. (CONT D) Hey... quit joking around. He goes to touch her shoulder, but reaches for the phone in her hand, instead. He freezes in that position, posed. ON PHONE: The Hooked logo bounces across the screen. The child s giggles and rapping become overwhelming. Move backwards through the window out to...

11. EXT. ELECTRONIC STORE - CONTINUOUS Paul and Shirley, now posed mannequins, her with a look of surprise, her hands in the air and him trying to grab her phone, hopelessly stagnant. A CHILD raps on the window. Giggles. Runs into the crowd. Out to a sign on the building that says Hooked Electronics. The bum from before, now well dressed, opens the door. He ushers oblivious people inside, their faces buried in their devices. THE END