Intimations. Iowa Research Online. University of Iowa. Stephanie Gerette Pieczynski University of Iowa. Theses and Dissertations.
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1 University o Iowa Iowa Research Online Theses and Dissertations Sring 2012 Intimations Stehanie Gerette Pieczynski University o Iowa Coyright 2012 Stehanie Pieczynski This thesis is available at Iowa Research Online: htt://ir.uiowa.edu/etd/2959 Recommended Citation Pieczynski, Stehanie Gerette. "Intimations." MA (Master o Arts) thesis, University o Iowa, htt://ir.uiowa.edu/etd/2959. Follow this and additional works at: htt://ir.uiowa.edu/etd Part o the Music Commons
2 INTIMATIONS by Stehanie Gerette Pieczynski A thesis submitted in artial ulillment o the requirements or the Master o Arts degree in Music in the Graduate College o The University o Iowa May 2012 Thesis Suervisor: Proessor D Gomer
3 Graduate College The University o Iowa Iowa City, Iowa CERTIFICATE OF APPROVAL MASTER S THESIS This is to certiy that the Master s thesis o Stehanie Gerette Pieczynski has been aroved by the Examining Committee or the thesis requirement or the Master o Arts degree in Music at the May 2012 graduation. Thesis Committee: David Gomer, Thesis Suervisor Lawrence Fritts Christine Getz
4 TABLE OF CONTENTS PROGRAM NOTES......iii PEFORMANCE NOTES...iv INTIMATIONS..1 ii
5 PROGRAM NOTES Intimations was written as my thesis or my master s degree. The text, William Wordsworth s Ode: Intimations o Immortality rom Recollections o Early Childhood, deicts Wordsworth s conlicted eelings o aging and losing the child-like sense o awe o nature and his coming to terms o this loss by reliving the joy in memory. O the eleven stanzas, I chose I., V., and IX. The irst movement, There was a time, uses the ensemble as an echo and an extension o the sorano and relect the wistul mood o the stanza. The second movement, Our birth is but a dream and a orgetting, is more dissonant and illed with mourning. The inal movement, O Joy!, is exuberant in the rejoicing o childhood memory. iii.
6 PERFORMANCE NOTES Percussion sta rom bottom to to: Bass drum, Temle Blocks, Susended Cymbals, Triangle. iv
7 C Score Flute Clarinet in Bb Wistully, q=48 INTIMATIONS For Sorano and Ensemble I. There was a time... m Stehanie G. Pieczynski 1 Percussion 1 Triangle sm. and lg. sus. cymbs. Temle blocks Bass drum Triangle Percussion 2 Marimba Crotales;bowed and struck Piano Sorano soken There was a time Crotales Marimba Violin Wistully, q=48 izz. arco sul ont. Violoncello Coyright 2012
8 2 4 Bb m sung There Crot. m was a time Sus. cymbal (small) ord. legato legato m
9 Bb A 7 rit. Triangle Temle Blocks A Marimba 7 rit. m legato legato
10 4 9 m Bb 7
11 5 Bb Slightly aster, q=60 12 B Tri. Crot. declamatory m There was a time when mea - dow, grove, Slightly aster, q=60 B legato legato
12 6 Bb rit. 14 T.B. Mar. m m and stream, rit. m
13 7 16 m Bb m The
14 8 A temo (q=60) 18 rit. Bb earth, and ever-y com-mon sight, To me did Crot. Tri. Take time m seem m A- A temo (q=60) rit.
15 9 Bb 22 m Sus. cymbal (large) ar-elled in ce - les-tial light, Crot. bowed m m sul ont. m m
16 10 Temo rimo (q=48) 27 Bb Tri. strike m m The glo - ry and the resh-ness o a dream Temo rimo (q=48)
17 11 1 C Bb Mar. C ord. o a dream
18 12 rit. m Bb rit.
19 1 Bb Faster, q=60 6 D Faster, q=60 D m It Tri. Bass Drum is not now as it hath m Crot.
20 14 8 Bb m 7 been o yore;
21 15 40 rit. Bb Crot. B.D. m Turn where-so - e' - er I may, By rit.
22 16 42 Bb m Tri. bowed B.D. 7 night or day,
23 45 Temo rimo (q=48) E 17 Bb E sul ont. Temo rimo (q=48) Tri. T.B. The m things which Ihave seen Mar. m 7 7
24 18 48 rit. Bb 7 I now can see no rit.
25 19 Bb 51 more. B.D. T.B. Mar izz.
26 20 54 Bb Tri. soken no more. Crot.
27 II. Our birth is but a slee and a orgetting 21 Bb Mournully q=66 59 m m m Crotales m Our Triangle m m m m m slide to arox. itch birth is but a slee and a or - get - ting Temle Blocks Mournully q=66 arco sul ont. m sul ont. Sul. A m Sul. D
28 22 Bb 6 Tri. m m m m m izz. m arco m sul ont. izz. arco sul ont. The
29 2 Bb 66 m m m Crot. m m slide u to arox. itch Soul that ri - ses with us, our lie's Star
30 24 69 rit. Bb m T.B Bass Drum m Hath had else-where its set - ting slide to arox. itch izz. izz. rit. izz.
31 25 71 m Bb m m And com - eth rom a ar: T.B. m m Sus. cymb. (large) arco moving to sul. ont. sul ont. arco moving to sul. ont. sul ont.
32 Bb Thoughtully, slower, q=52 F 74 m Marimba 26 Thoughtully, slower, q=52 F legato ord.
33 27 Bb 76 m Not in en - ti - re or-get - ul - ness slide to arox. itches legato ord.
34 28 Bb 78 m And not in ut-ter na-ked-ness,
35 29 81 rit. Bb m m But trai ling clouds o glo - ry do we come rit. m
36 0 Bb 84 T.B. m m m From God, who is our home:
37 Bb Temo rimo (q=66) G 88 m m 1 Crot. G m m Temo rimo (q=66) Hea m sul ont. - ven lies ab-out us in our in-an - cy! m sul ont. Tri. m izz.
38 2 Bb 92 T.B. m rit. m m m m m m rit. sul ont. Sul D arco sul ont.
39 Bb 95 Slightly slower, q=58 Tri. Crot. m Shades o the ri-son house be-gin to close m Slightly slower, q=58 ord. moving to sul ont.
40 4 Bb 99 m m m m m m m m U-on the grow-ing Boy, T.B. m m sul ont. m ord. moving to sul ont. m
41 Bb 102 Temo rimo (q=66) m m m m sus. cymb. large T.B. Tri. m m m m But He Be- holds the light Crot. m whence m m it lows, 5 Temo rimo (q=66) izz. m izz. m
42 6 106 rit. m Bb B.D m m he sees it in rit. ord. moving to sul. ont. ord. moving to sul. ont.
43 7 Bb 108 m Sus. cymb. (large) m m m his joy; sul ont. legato sul ont.
44 Thoughtully, slower, q=52 H Bb Mar. m The Youth who dai - ly ar - Thoughtully, slower, q=52 H
45 9 11 Bb -ther rom the east m Must tra-vel still is Na-ture's
46 40 Bb 116 m Priest And by the vi - sion slen -
47 41 rit. Bb 119 did m m Is on his way at-ten - ded, rit.
48 Bb
49 4 122 m Bb
50 44 Bb Slower still, q=48/e= I m At length the Man er - ceives Slower still, q=48/e=96 I izz.
51 Bb T.B Tri. Crot. it die a-way, And ade m in-to the light o arco
52 46 Bb 11 T.B m m m sus. cymb. (small) com - mon day. izz. m izz. m
53 47 1 m Bb m m T.B
54 48 14 rit. Bb sus. cymb. (small) rit.
55 49 Bb 16 B.D T.B. m sul ont. arco izz. sul ont. arco izz. arco
56 III. O joy! 50 Excitedly q= sus cymb. (small) sim. Excitedly q=80 izz.
57 m m
58 O Joy! m
59 5 144 Marimba
60 54 146
61 rit. m m m m O Joy! rit. arco m
62 56 Slightly slower, q= m m sim. that in our em - bers. Slightly slower, q=74 m izz. m
63 m m m m Is some -thing that doth live, m
64 m m sim. m m m That m na-ture yet re - mem - bers
65 59 15 accel. sus cymb. (small) sim. accel.
66 60 Temo rimo (q=80) 155 rit. m m what was so u - gi - tive! Temo rimo (q=80) rit. arco m
67 Mar. m m The arco m
68 Slower, more introsective, q=64 J thought o our ast years in me doth breed Per-e-tu-al ben-e J sul ont. Slower, more introsective, q=64 sul ont.
69 6 165 m dic - tion: not in - deed For that which is most wor-thy to be
70 oco accel. m m blest; De - oco accel.
71 65 Quicker, with more excitement, q= m m -light and li-ber-ty, the sim - le creed o Chi-ld - hood, Quicker, with more excitement, q=70
72 Temle Blocks whe-ther bu-sy or m at rest, Mar. izz. m arco
73 179 m m 67 With new- ledged hoe m still lut - ter - ing
74 m accel. 182 sus cymb. (small) 68 m in his breast accel. m m
75 Lively, q=74 K sim. Lively, q=74 K m Not or
76 these I raise The song o thanks and raise; izz.
77 rit. m m m rit. m
78 72 Slower, more introsective, q= m s But or those ob-sti-nate ques-tion - ings m O sense and out-ward things, Slower, more introsective, q=64 arco
79 7 198 m Fall - ings rom us, m
80 74 rit. 201 van - ish - ings rit. m
81 75 Meno mosso, q=60 accel. 204 sus cymb. (small) soken van-ish - ings; Meno mosso, q=60 accel.
82 Lively, q=74 L Lively, q=74 L izz.
83 m m Blank mis-giv- ings o a Crea- ture m
84 78 21 rit. m Mov-ing a- bout in worlds not real- ized m rit. arco
85 79 Slower, more introsective, q=64 accel. 217 sus cymb. (small) m High in - stincts be -ore which our mor -tal Na - ture Slower, more introsective, q=64 accel.
86 80 220
87 81 Lively, q= m rit. m Did trem - ble like a gui-lty thing sur rised Lively, q=74 rit. izz. arco
88 m m
89 Wistully, q=60 (A Movement I) M Triangle Crotales m But or those irst a- ec -tions, Those sha -dow -y re-col-lec tions, Wistully, q=60 (A Movement I) M
90 Which be they what they may,
91 85 25 m m Crot. 7 Tri. m 7 m Are yet the oun-tain light o all our day,
92 86 28 m Are yet amas-ter light o all our see- ing
93 87 24 Mar
94 izz.
95 accel. Crot. 7 accel.
96 Mournully, q=66 (A Movement II) N 249 m 90 Crot. m m U Tri. - hold us, cher- ish and have the ow-er to make Mournully, q=66 (A Movement II) N arco sul ont. sul ont.
97 m m T.B m m m m m slide to arox. itch m m m
98 m m Crot. m Tri. m m m Our m nois -y years seem mo - ments in the
99 9 257 m m T.B Crot. m m be - ing m m O the e- ter - nal Si - lence; m izz. m izz.
100 T.B Tri. B.D. m m truths m m m that wake, To er ish ne - ver; arco moving to sul. ont sul ont. arco moving to sul. ont sul ont.
101 accel. 266 m m 95 Mar. m m accel. m m
102 Sus. cymb. (small) izz.
103 271 Excitedly, q=80 O 97 sim. Excitedly, q=80 O
104 m Which nei - ther list - less - ness, m m izz.
105 m m m nor mad en - m m
106 100 rit. 275 dea - vor, Mar. m m m m m rit. arco
107 Slightly slower, q=74 m m m Nor Man nor Boy, Slightly slower, q=74 m
108 sim. Nor m m all that is with
109 m m m sim. en - mi - ty with joy, m m
110 m m sus. cymb (small) m m Can
111 105 accel. 282 m m ut -ter - ly a - bol - ish or de - stroy! accel. m m arco
112 Temo rimo (q=80) m rit. m sus. cymb (large) m Temo rimo (q=80) rit.
113 m Mar. sul ont.
114 290 Wistul, q=60 (A Movement I; coda) P Tri. Crot. 108 P m Hence in a sea- son o calm wea - ther Though in- land ar we Wistul, q=60 (A Movement I; coda)
115 rit. m Mar be m rit.
116 Tri. Crot. m Our Souls have sight o that im-mor-tal sea
117 111 Slower, q= m Which brought us hi - ther, Can in a mo - ment tra vel thi ther, Slower, q=48
118 112 0 sus. cymb (large) m Crot. 7 m And see the Chil- dren sort u on the shore
119 11 rit. 07 Tri. And hear the migh-ty wa - ters rol - ling rit. sul ont.
120 Crot. ev - er - more
121 m Sus. cymb (large) m sul ont.
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