EXPECT NO MERCY BACK TO SCHOOL. Zavier Alvarez. PDF created with pdffactory trial version

Size: px
Start display at page:

Download "EXPECT NO MERCY BACK TO SCHOOL. Zavier Alvarez. PDF created with pdffactory trial version"

Transcription

1 EXPECT NO MERCY BACK TO SCHOOL By Zavier Alvarez

2 2. DESERT ROAD-NIGHT A lone Humvee flies down a dusty road. It heads for the distant lights of Baghdad. Johnny Cash s Burning Ring of Fire blares from inside. INT. HUMVEE-NIGHT West is behind the wheel, he has one hand on the wheel and the other hand is occupied by a Budweiser. Next to him sits BRUNO, a large man, he also nurses a cold one. They are both obviously smashed, they attempt to sing along, but the words come out slurred. West turns to Mack. BOTH I fell in to a burn- burning ring of fire. Take it Mack! I went down, down, down. And the flames went higher! BOTH And it burned, burned, burned! The ring of fire, the ring of fire. They burst into laughter. West doesn t seem to notice the smoke beginning to billow from underneath the hood. The Humvee begins to shudder and slow. Oh no! You have to be fucking me. The Humvee dies and rolls to a complete stop. West turns to Mack.

3 3. Do you know anything about fixing cars? Nope. Shit. We re screwed. West grabs his M-16 and jumps out of the Humvee, he slowly walks over to the hood. Mack climbs up into the back and climbs up into the.50 turret. He pulls back the hammer and begins to scan the area. I suggest you hurry, this is the area Patterson s unit was hit last week. We got a bigger problem. What s that? If we re not back soon, their gonna leave without us. West lifts the hood open. A huge cloud of smoke flows out. Shit! Why don t we call this in? (sarcastically) Yeah, that's a great idea! And we can share all this booze we re carrying, with them. Good point. West examines the engine. I think it needs water. Throw me your canteen.

4 4. It s empty. Oh, well hand one of the beers. You can t put beer in there. Watch me. West grabs a Budweiser and dumps it in the radiator. The smoke subsides. Alright, lets rol- The bush behind West suddenly shakes with movement. West snatches up his M-16, Mack swings the.50 Caliber towards the bush. Nothing. Come out, now, or we will shoot. Come out now! They prepare to fire, when suddenly a goat walks out of the bushes. Damn it, its just a goat. Mack can t stop laughing. Shut up, lets get outta here. EXT. ROAD/ MOSUL-DAY A small convoy barrels down a deserted road. The road ripples due to the intense heat. Each truck carries several Marines, each one fully geared and ready for combat.

5 5. INT. TRANSPORT TRUCK-DAY We push in towards the last truck. Everyone is quiet, staring straight ahead. West sits next to the back hatch staring at the horizon behind them. (V.O.) After the mortar attack, I was transferred to Fox Company. A solid group, but there is one weak link. Captain Powell. CAPTAIN sits towards the front of the truck, he pours over maps, and he looks completely confused. He glances at a compass. (to himself) Where...where the hell are we? Powell looks up from his maps and squints; he grabs a pair of thick, black, Army issue glasses from his vest pocket. (V.O.) But it s not all bad, take for instance Mack. Mack is a monster of a man, he cleans blood off a very large hunting knife. West glances over at Mack and chuckles. Hey, Mack? What? Where did you find fake blood? Shut up, this shit is real. Human? (beat) Mine. I missed the holster and stabbed myself. Jackass.

6 6. West glances back towards the front of the transport. (V.O.) And then there is Tory. SHAWN, the ideal Marine. He is young, fit, and most of all intense. In a single hand; he is cutting the a pack of playing cards skillfully and flawlessly. Suddenly the truck is jolted to a sudden stop. Powell's glasses fly off his face; they scatter across the bed of the truck. Damn it! EXT. ROAD-DAY The convoy has come to a complete stop. The lead Humvee suddenly performs a U-Turn and heads to the end of the convoy. It stops next to Fox Company's truck. Major Shepard and his assistant walk to the back of Fox Company's transport. INT. TRANSPORT TRUCK-DAY Everyone looks up and their backs stiffen at the sight of the Major. SHEPARD Captain Powell? Powell stumbles forward. Yes? Yes, Sir. SHEPARD The village up ahead was recently mortared by local Insurgents. The villagers have turned the local school into a makeshift hospital and they're requesting military assistant. Yes, sir. SHEPARD Do you think Fox can handle it?

7 7. Absolutely, sir. SHEPARD Good, move out. EXT. VILLAGE/SCHOOL-DAY We see a very dilapidated building. We push out to reveal a typical Iraqi Village, it is dominated by clay huts and the occasional brick building. Fox Company s transport slides to a stop in front of the school. A cloud of dust rises up from the ground. INT. TRANSPORT TRUCK-DAY West and another Marine, Tory release the hatch and jump out. They sweep the area with their M-16 s as the rest of Fox Company unload. Shit. West, you see what I m seeing? Yeah. Captain Powell leaps from the truck, and stumbles to the ground. Captain Powell? What is it, West? We have a problem. What? What is it. The village is deserted. So? West gives out a loud sigh. Other Marines shake their heads with disapproval.

8 8. This is obviously a trap. Bullshit, everyone is in the school. Now get ready to move out. I don t think that's a good idea, sir. I agreed with West, sir. I think we should leave. I don t care what you think! We have a mission and we re going to complete it. Yes, sir. Good, now move out. Everyone into the hospital. Shouldn t we leave a squad outside to cover our advance? A look of confusion washes over Powell. (unsure) Uh...no, we all go in. INT. SCHOOL-DAY- The school is a simple building, just one room. Its dominated my a number of small tables. The only entrance are two large doors. Several small glass windows line the walls. The doors suddenly open and Fox Company floods in, lead by West and Tory. Powell is last in, he surveys the building. Where are they? The school is completely deserted.

9 9. Turner? Get over here. A young Marine hurries over to Powell, he carries the field radio on his back. Yes, sir? TURNER Get SO-COM on the line and ask where the villagers are. Yes, sir. TURNER Turner pulls out the radio headset and starts to adjust the dials. West walks over. Sir, the villagers were never here. Shut it, West. Turner? Suddenly a bullet shatters a back window and flies through the radio s headset and through Turner s head. (screaming) Shit! Everyone down. Everyone drops to the ground as a hail of bullets obliterates the windows. THUMP-THUMP-THUMP. The distinct sound of Mortars can be heard in the distance. Several explosions rock the building. West crawls over to Turner and picks up what is left of the headset. The headset is covered in blood and brain matter. Shit. West glances back and spots Powell cowering in the corner. (screaming) Sir! No answer, Powell continues to huddle in the corner. Suddenly a stray bullet catches a young Marine in the throat.

10 10. Medic! West reaches for Powell and grabs him by the shoulder. Powell spins around. Terror wrapped on his face. Sir? What are we going to do? Powell just stares. West begins to shake Powell violently. Sir! What are your orders? Powell seems to snap out of it. Get on the radio and call for air support. The radio is destroyed! Livingston crawls over. Sir! We can t stay here! Sir? (to himself) I don t know. I don t know what to do. EXT. SUBURBAN STREET-DAY Jay Sanders stands in front of his home. He is no longer the young, fit, archetype fighter pilot. He has been broken. Fresh cuts still cover his face and the swollen black eyes still linger. He is accompanied by a pair of crutches and he wears a Marine dress uniform. SANDERS (whispers) Home. Finally home. He makes his way to the front door and slowly knocks. A few moments pass and then Rachel Cruz opens the door.

11 11. RACHEL Oh my god. SANDERS I m home baby. Rachel leaps at him and wraps her arms around him. He cringes with pain. RACHEL Oh god, I m sorry baby. SANDERS It s all right. INT. LIVING ROOM-DAY Sanders sits a recliner. He looks around taking the place in. He notices a picture sitting on the table in front of him. He picks it up. Then he reaches inside his pocket and takes out the picture it s now badly burnt and warped. The pictures are the same. RACHEL (O.S.) Some one wants to see you. Rachel walks in holding their son, KEVIN SANDERS. RACHEL Watch this. Rachel sets Kevin down, and he manages to stand on his own. Suddenly he begins walking towards Sanders. SANDERS (shocked) He can walk? RACHEL Yeah, two weeks now. SANDERS And I missed it. Sanders is crushed. Tears begin to form. RACHEL It s not your fault, baby. SANDERS I should have been here.

12 12. Kevin reaches his father, who picks him up. Kevin holds up a little toy Football. SANDERS I can t even play ball with my son. RACHEL Its going to take awhile, but you will, eventually. EXT. SCHOOL/ FIELD-DAY Three Insurgents burst over a small ridge behind the school. They stop in the middle of a small field, two begin to assemble a mortar launcher while the other unwraps a large piece of cloth which holds several mortars. INT. SCHOOL-DAY West, Tory and Mack huddle together as the hell outside continues. We have to get a radio. There is always the one in the truck. How the fuck do you suppose we get to it? Its the only way, we can t stay here, or we re fucked. We ll who do we send? Livingston? I heard that fucker is fast. Alright. West turns to the rest of his fellow Marines.

13 13. Livingston, come here a minute. A young Marine crawls toward West. LIVINGSTON Yeah, what s the plan? We have to get a radio, and the only one is in the transport. LIVINGSTON Oh. Let me guess, you want me to go get it. Your the fastest. Livingston nods in agreement. I ll have the boys lay down covering fire. EXT. SCHOOL/ FIELD-DAY (S.M.) We see a Mortar being dropped down into the tube. THUMP. The projectile flies out of the tub and we follow it through the air. It arks down towards the school. INT. SCHOOL-DAY (S.M.) The double doors slowly open and Livingston readies himself. All the Marines rise and take their places next to the window. GO! (screaming) The Marines open fire, the sound is deafening. Livingston hurls himself out the doors.

14 14. EXT. SCHOOL-DAY (S.M.) The mortar continues downwards, directly toward Livingston on the ground. He is only a yard from the transport when it hits. The resulting explosion blinds the camera with dust and dirt. INT. SCHOOL-DAY Everyone is shooting, simply chaos. West notices Livingston and turns toward the door. Mack snatches him back. No, we ll lose you too. (screaming) We can t just leave him! We ll get him later. Now fire your weapon! West goes back toward his window and continues firing. EXT. SCHOOL-DAY Livingston lies in a puddle of his own blood. He reaches for a leg that is no longer there. INT. SANDERS HOME-NIGHT Sanders sits in front of the television. On the television a younger Kevin sits in a high chair. A birthday cake with one candle sits in front of him. Sanders is about to lose it. Suddenly the phone begins to ring. Instinct forces him up, but the pain brings him back down. SANDERS Ah, damn it. The phone continues to ring. SANDERS Rachel? Rachel, the phone is ringing.

15 15. No answer. He glances across the room at his crutches. Damn. SANDERS The phone continues to ring. He suddenly musters all his strength and stands. He cringes with pain. One step. Two steps. Three steps. Suddenly he falters and collapses. He screams in pain. SANDERS (screaming) Rachel! INT. SCHOOL-NIGHT The guns have fallen silent. The floor of the school is now covered in spent cartridges. West, Tory and Mack once again huddle together. (whispering) So what s the plan. (whispering) Nothing has changed, we still need that fucking radio. (whispering) Well, now is the time. (whispering) Agreed, we have the advantage now. (whispering) Advantage? West pulls a pair of night-vision goggles out of his side-bag and attaches them to his helmet. (whispering) Advantage.

16 16. (whispering) Oh. (whispering) Cover me. EXT. SCHOOL-NIGHT West slowly pushes the doors open and slips out into the night. Each step gives out a slight crunch and kicks up dust. West steps over Livingston s body and continues to the transport. INT. TRANSPORT TRUCK-NIGHT The door slowly opens and West crawls inside. He snatches the radio up and flicks the on switch. The radio comes to life with the sound of static. He adjust the dials. (whispering) This is Fox Company,1st Armored Division. We need immediate air support and med-evac at the following coordinates. INT. SCHOOL-NIGHT Mack and Tory look on in amazement. Behind them Powell begins to get up. He slowly walks over towards. What the hell is going on? Mack spins around and throws his hand over Powell s mouth. (whispering) Keep it down! Powell begins to struggle. (to Tory) Help me hold him down!

17 17. EXT. SCHOOL-NIGHT West slips out of the transport and into the night. West reaches Livingston's body and checks for a pulse. Suddenly the motionless body surges towards West. LIVINGSTON (gasping) Help...me, please help me. Livingston reaches for West who is scared shitless. Holy fuck! They have made too much noise, the Insurgents open fire. West leaps under the transport. Livingston is torn to shreds. INT. ZAHRAH S HOUSE/ LIVING ROOM-NIGHT We see a dark livingroom filled with deep shadows. In the far corner a large man sits in a chair. Suddenly the front door opens, light floods in. The man is reveal to be OMAR HUSSEIN. Zahrah walks in and is startled by the man. Father? ZAHRAH OMAR Explain this. He tosses her a T-Shirt, she examines it. The shirt has MARINES written across it. ZAHRAH He is just a frien- He jumps out of the chair and rams her against the wall. He wraps his massive hands around her throat. OMAR You lying whore! ZAHRAH I swear it! OMAR If I ever catch you with him here, I will kill you.

18 18. EXT. UNDER TROOP TRANSPORT-NIGHT West continues to take cover under the troop transport. Bullets continue zing passed him. He rolls over towards the school and spots Mack and Tory struggling with Powell. Shit. INT. SCHOOL-NIGHT Mack and Tory wrestle around with Powell as the other Marines look on. Hold him! Tory grabs Powell by the shoulders, Mack pulls back his massive left arm and lets it smash into Powell s face knocking him out. Shit. We just knocked out a fucking captain. We ll take care of him later. You two tie him up. Two young Marines grab Powell and begin restraining him. Mack and Turner both turn their attention to West who is still pinned under the transport. What do we do now? Tory glances at a Stinger Missile Launcher strapped around Private ZACK COLLINS back. Collins come here. Yeah. COLLINS Let me see that Stinger. What are you doing?

19 19. I m gonna clear the way for West. COLLINS You can t use that indoors! Watch me. Tory walks over to the main window. He places the launcher on his shoulder. All the Marines rush across the room, they put on their goggles. Clear! The missile ignites, accelerating off screen, leaving them all in exhaust smoke. EXT. UNDER TROOP TRANSPORT-NIGHT West spots the missile fly out of the school and leaps to his feet. He makes a mad dash to the school. POV: STINGER NOSE CAM The missile flies right into the middle of a large group of Insurgents. KABOOM. The fire ball illuminates the night sky for a brief moment. INT. SCHOOL-DAWN West leaps through the doors and rolls into the smoky building. Mack helps his friend up. So, what s going on with backup? Five minutes, tops. We might not have that long. Mack and West spin around.

20 20. What? COLLINS Take a look. Collins detaches his night vision goggles and hands them to West. POV: NIGHT VISION GOGGLES Two pickup trucks, loaded with Insurgents pull up across the field. Their going to storm the building. INT. SANDERS HOME-NIGHT Sanders sits next to a large window in his livingroom. He stares at the sky. A jet soars through the clouds. Next to him sits a bottle of Jack Daniels, he doesn t even pour a glass, just takes a swig. INT. SCHOOL-DAWN Well, shit. Let them come. Mack pulls out his bayonet and attaches it to his M-16, Everyone else follows suit. Everyone take a window. The Marines line up against the wall and take aim. Suddenly in the distance the slightest sound can be heard. As it gets closer, it becomes the distinct sound of helicopters. EXT. SCHOOL-DAWN Three Apaches fly over the school and unload their Vulcan mini-guns on the large group of Insurgents. They are torn to shreds.

21 21. INT. SCHOOL-DAY Hell yeah. We still have one problem. What? Him. Mack points towards a unconscious Powell. Wake him up. Mack and Tory pick him up, he begins to come to. Powell opens his eyes to see West standing in front of him. You all are in deep shit. We ll let Major Shepard decide that. EXT. SCHOOL-DAY A massive Chinook Helicopter lands outside the school. The marines slowly exit the school. Lets get the fuck outta here. Fox Company heads towards the helicopter, no one seems to notice the small triggers sticking out of the ground. C.U. ON A BOOT As it slowly steps down on a small trigger. The ground under neath Fox company erupts with a massive explosion. The force sends Marines flying into the air. THE END

22 22.

23 23.

24 24.

EXT. DIRT ROAD - DAY We OPEN on a dusty dirt road in the middle of nowhere. A truck drives passed heading down the dirt road. We watch it for a few

EXT. DIRT ROAD - DAY We OPEN on a dusty dirt road in the middle of nowhere. A truck drives passed heading down the dirt road. We watch it for a few 1 EXT. DIRT ROAD - DAY We OPEN on a dusty dirt road in the middle of nowhere. A truck drives passed heading down the dirt road. We watch it for a few beats and then: EXT. WAREHOUSE BACKLOT - DAY The truck

More information

THE NEIGHBOR. Zack Akers

THE NEIGHBOR. Zack Akers THE NEIGHBOR By Zack Akers (C)2011 Splatterflixprod@yahoo.com 513-504-8662 EXT. SUBURBAN STREET- DAY The calm street sits quietly under the bright, cloudless blue sky. On either side of the street there

More information

EXPECT NO MERCY QUIET AND NASTY. Zavier Alvarez. PDF created with pdffactory trial version

EXPECT NO MERCY QUIET AND NASTY. Zavier Alvarez. PDF created with pdffactory trial version EXPECT NO MERCY QUIET AND NASTY By Zavier Alvarez 2. INT. CHINOOK HELICOPTER-DAY Screams of agony echo off the thin metal walls of the massive transport helicopter. Wounded Marines lie everywhere, pools

More information

Snuff. Zaim Oneeb. Sterling Channel 2014

Snuff. Zaim Oneeb. Sterling Channel 2014 Snuff. By Zaim Oneeb Sterling Channel 2014 zaim_oneeb@hotmail.co.uk EXT. BACK GARDEN - NIGHT Jumps into the garden from the back fence. takes a camera from his pocket and points it at himself. Hi viewers.

More information

SWEET SARAH. Written by. Night Train

SWEET SARAH. Written by. Night Train SWEET SARAH Written by Night Train FADE IN: INT. BAR - NIGHT Every table is full, every stool at the long bar occupied. CONVERSATION is lively and almost drowns out a song playing on the jukebox -- something

More information

Victim By Bryson G Escapists 2015

Victim By Bryson G Escapists 2015 Victim By Bryson G Escapists 2015 brysong417@gmail.com INT. HOME (LIVING ROOM) - NIGHT A young woman kicks back on the couch in sweats and a hoodie. She texts on her massive smart phone. OLLIE, 23, the

More information

DEAD LINE. by Jesus Diez Perez. (C) 2016 Pictures Plus Productions Registered LOC:

DEAD LINE. by Jesus Diez Perez. (C) 2016 Pictures Plus Productions  Registered LOC: DEAD LINE by Jesus Diez Perez (C) 2016 Pictures Plus Productions jesus@picturesplusproductions.com jdiezperez@gmail.com Registered LOC: 1-4442137201 EXT. STREET NEAR MALL - DAY Two friends exit from the

More information

Fallen Warrior. by Simon K. Parker. Copyright 2017

Fallen Warrior. by Simon K. Parker. Copyright 2017 Fallen Warrior by Simon K. Parker Copyright 2017 Simonkyleparker@hotmail.co.uk EXT. S HOUSE - DAY, 49, tall and powerful is dressed in his perfectly pressed, Sergeant Major uniform. Stephen stands with

More information

THE PARTY HOUSE. Written by. Ronald Fordham

THE PARTY HOUSE. Written by. Ronald Fordham THE PARTY HOUSE Written by Ronald Fordham 276 Sharber Road Bainbridge, Georgia 229-400-5262 rhonnief@yahoo.com EXT. HOUSE-EVENING A young couple, and, walk through the yard of an abandoned house. The abandoned

More information

Replacement Parts Too Small. A Horror Story Writer. (c) Copywright 2015

Replacement Parts Too Small. A Horror Story Writer. (c) Copywright 2015 Replacement Parts Too Small By A Horror Story Writer (c) Copywright 2015 FADE IN EXT. OLD HOUSE - NIGHT Large old house fenced in, a wire fence, eerie looking under a fleeting moonlight. and, ages twelve

More information

Writing Sample "Blister" by Linda Barsi. Blister. Linda Barsi

Writing Sample Blister by Linda Barsi. Blister. Linda Barsi Blister By Linda Barsi ** Here are the first 10 pages of a high school, coming-of-age feature spec script I wrote. ** EXT. HIGH SCHOOL TRACK - EARLY MORNING We hear DRIVING MUSIC. The sun has just come

More information

TAXI JOE. Written By. (c) This work may not be used for any purpose without the expressed written permission of the author.

TAXI JOE. Written By. (c) This work may not be used for any purpose without the expressed written permission of the author. TAXI JOE Written By (c) 2016. This work may not be used for any purpose without the expressed written permission of the author. BLACK SCREEN Is it on? YOUNG WOMAN YOUNG MAN Give me a sec... okay, I think

More information

Copyright 2008 Matt Smith Dead And Gone

Copyright 2008 Matt Smith Dead And Gone Copyright 2008 Matt Smith matt.smith91@comcast.net Dead And Gone EXT.WOODS.MORNING A zombied NATHAN sits against a tree. dirty, torn, and blood stained. His clothes are CUT TO INT. S LIVING ROOM.MORNING

More information

WHAT WE SEE. Written by. Julia Savage

WHAT WE SEE. Written by. Julia Savage WHAT WE SEE Written by Julia Savage May 25, 2016 EXT. - LAKE - NIGHT (19) stands in water up to the middle of her back, naked. Her palms, turned down, brush against the surface of the water. Cut to black.

More information

Final Draft 8 Demo. Final Draft 8 Demo. Final Draft 8 Demo

Final Draft 8 Demo. Final Draft 8 Demo. Final Draft 8 Demo SKIN DEEP Written by A. James Nadworniak 159 Kim Lane Rochester, NY 14626 585-734-7664 FADE IN: EXT. HOUSE - NIGHT We open to a very pretty and quiet neighborhood. The wind silently blows through the trees

More information

After a few beats, Nicko STOPS at the sight of:

After a few beats, Nicko STOPS at the sight of: EXT. THE COMPOUND - NIGHT GAYGE and NICKO (early twenties) make their way across the campus, wearing their black leather, hiding in the shadows. The campus is empty, making it easy for them to get to where

More information

A fancy normal looking house with furniture, family pictures hanging on the wall.

A fancy normal looking house with furniture, family pictures hanging on the wall. INT. HOUSE - DAY A fancy normal looking house with furniture, family pictures hanging on the wall. (17) sits on the couch, switching the television channels with the remote. He has dark hair, partially

More information

SCHRÖDINGER S BABY. written by. Chris Hicks

SCHRÖDINGER S BABY. written by. Chris Hicks SCHRÖDINGER S BABY written by Chris Hicks 937-620-2490 writechriswrite@gmail.com INT OFFICE - DAY Elevator DINGS as the door opens revealing (female, 30s, very pregnant looking) and (male early 20s). Both

More information

PLEASE, HARRY. Written by. Nathan Harper-Wendt

PLEASE, HARRY. Written by. Nathan Harper-Wendt PLEASE, Written by Nathan Harper-Wendt Copyright 2011 This screenplay may not be used or reproduced without the express written permission of the author. nathanharperwendt@gmail.com FADE IN INT. A DARK

More information

Chainsaw Apple. Adapted by. Jamie Burke & Sean Halket. Based upon the short story by Arthur Bradford

Chainsaw Apple. Adapted by. Jamie Burke & Sean Halket. Based upon the short story by Arthur Bradford Chainsaw Apple Adapted by Jamie Burke & Sean Halket Based upon the short story by Arthur Bradford (c) Crossfade Pictures 2011 All Rights Reserved jbmophead44@googlemail.com stonerkid96@hotmail.co.uk FADE

More information

bomb edited Black screen: the only thing to see is red numbers on what looks like a digital clock.

bomb edited Black screen: the only thing to see is red numbers on what looks like a digital clock. OPENING SCENE SFX. Constant ticking/beeping of a clock Black screen: the only thing to see is red numbers on what looks like a digital clock. It is counting down: 5:00, 4:59, 4:58... The room is gradually

More information

EASY WAY STREET. Written by. Rhonnie Fordham

EASY WAY STREET. Written by. Rhonnie Fordham EASY WAY STREET Written by Rhonnie Fordham 276 Sharber Road Bainbridge, Georgia 39817 229-400-5262 rhonnief@yahoo.com EXT. HIGHWAY - NIGHT A lonely, rural highway late at night. A car drives down the road,

More information

FRIENDS. Written by. D.A. Silva

FRIENDS. Written by. D.A. Silva FRIENDS Written by D.A. Silva Copyright (c) 2018 This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author. FADE

More information

Five Days for Redemption. Jeffrey Dean Langham

Five Days for Redemption. Jeffrey Dean Langham Five Days for Redemption By Jeffrey Dean Langham WGAw 1597596 j_langham@hotmail.com Fade In: INT. APARTMENT COMPLEX HALLWAY - DAY SUPER: TODAY (30s), five day old beard, tired, blue jeans and T-shirt slowly

More information

WONDROUS PRESENTATION

WONDROUS PRESENTATION WONDROUS PRESENTATION Written by Alex Cooper Ape_069@hotmail.com FADE IN: EXT. HOUSE, 16 BALBOR ST DAY A black sedan parks into the driveway., a young beautiful woman wearing business apparel gets out

More information

THE QUIET LIFE. Written by. Simon K. Parker

THE QUIET LIFE. Written by. Simon K. Parker THE QUIET LIFE Written by Simon K. Parker Copyright 2013 This screenplay may not be used or reproduced without the express written permission of the author. simonkyleparker@hotmail.co.uk FADE IN. 1 INT.

More information

THE OFFER SIMON K. PARKER

THE OFFER SIMON K. PARKER THE OFFER BY SIMON K. PARKER COPYRIGHT 2017 THIS SCREENPLAY MAY NOT BE USED OR REPRODUCED WITHOUT THE EXPRESS WRITTEN PERMISSION OF THE AUTHOR. SIMONKYLEPARKER@HOTMAIL.CO.UK 2. INT. S HOUSE - S BEDROOM

More information

HUMPHRY UNDER THE BED ZACK AKERS

HUMPHRY UNDER THE BED ZACK AKERS HUMPHRY UNDER THE BED By ZACK AKERS (C) 2017 themasterza89@gmail.com This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission

More information

The Kidnapping of Miss Lava Lizard By: Lucas B. Prologue

The Kidnapping of Miss Lava Lizard By: Lucas B. Prologue The Kidnapping of Miss Lava Lizard By: Lucas B. Prologue It was a peaceful day in Lava Land, and its inhabitants were having great fun. But it is spoiled when the humans take Miss Lava Lizard. Lava Lizard,

More information

THE BARGAIN STORE. Brandi Self. Los Angeles, CA

THE BARGAIN STORE. Brandi Self. Los Angeles, CA THE BARGAIN STORE by Brandi Self writerbself@yahoo.com Los Angeles, CA 90036 323-382 - 3114 EXT. BARGAIN STORE - DAY A beat up car sputters into the parking lot. Jerks. INT. CAR - SAME SPRINGS, late 40s,

More information

MY YOUTH OPENING CREDITS WITH ALTERNATIVE/INDIE MUSIC WITH HANGING OUT WALKING DOWN A HILL. 1 EXT. COVE ON A CLIFF. NOT SAFE.

MY YOUTH OPENING CREDITS WITH ALTERNATIVE/INDIE MUSIC WITH HANGING OUT WALKING DOWN A HILL. 1 EXT. COVE ON A CLIFF. NOT SAFE. MY YOUTH OPENING CREDITS WITH ALTERNATIVE/INDIE MUSIC WITH HANGING OUT WALKING DOWN A HILL. FRIEND 1 EXT. COVE ON A CLIFF. NOT SAFE.SUNSET 1 Sylvia is precariously crawling down the dusty slopes of the

More information

SHELLSHOCK. by Lee Cordner.

SHELLSHOCK. by Lee Cordner. SHELLSHOCK by Lee Cordner LCscripts@outlook.com OVER BLACK: The sound of gunfire and explosions drones in the distance and grows closer. FADE IN: INT. BEDROOM - NIGHT A neat bedroom with tangled curtains,

More information

House Eighteen. Stephen Brown. Blyth, Northumberland ENGLAND

House Eighteen. Stephen Brown. Blyth, Northumberland ENGLAND House Eighteen By Stephen Brown (c)2008 ste_spike@yahoo.co.uk Blyth, Northumberland ENGLAND FADE IN: EXT. SUBURBAN STREET - DAY A bright sunny day, not a cloud in the sky. Quaint houses either side of

More information

A SIMPLE QUESTION. Written by. Jack reacher

A SIMPLE QUESTION. Written by. Jack reacher A SIMPLE QUESTION Written by Jack reacher (c) Copyright 2011 FADE IN: INT. WINDOWLESS ROOM A dull bulb hangs. Darkness fills the rooms edge. Sat in a chair, wearing just his boxers is THE. Head slumped

More information

JASON Z. Robert Cantu Robert Cantu

JASON Z. Robert Cantu Robert Cantu JASON Z By Robert Cantu 210.251.1448 Robert Cantu argoportraits@gmail.com EXT. THE WOODS. DAY. FADE IN: Feet rapidly running through the woods, passing trees and scattering dead leaves on the ground, leaving

More information

Blood Diamonds. by An Elephant

Blood Diamonds. by An Elephant Blood Diamonds by An Elephant (c) 2018 FADE IN: EXT. AFRICAN SAVANNA - DAY The sun beats down mercilessly on the tall brown grass of the savanna. The few acacia trees offer little protection. Two men trudge

More information

The Compass Rose. by Joe Blow

The Compass Rose. by Joe Blow The Compass Rose by Joe Blow EXT. EVERGLADES - DAY The bright sun hangs in the sky as it gives off an orange glow. Large green weeds poke out of the water. There are a few pink flamingo s that walk about.

More information

SHANNON (24), Jeremiah s girlfriend and Madeline s Mother. She is patiently waiting for her turn to say goodbye.

SHANNON (24), Jeremiah s girlfriend and Madeline s Mother. She is patiently waiting for her turn to say goodbye. Women Of War FADE IN: EXT. BUS STATION - DAY (22) bends down in his freshly pressed army fatigues, lifts his baby girl MADELINE up in the air, and brings her in for a wet kiss on the forehead. BACKGROUND

More information

RED SNOW ZACK AKERS UPDATED DRAFT 2008

RED SNOW ZACK AKERS UPDATED DRAFT 2008 RED SNOW BY ZACK AKERS UPDATED DRAFT 2008 EXT. FIELD- DAY The large, stretching field is covered in snow, which continues to pour down from above. Beyond the field sits an old stone farmhouse, and beyond

More information

(c) Copyright 2007 EVERYWHERE YOU LOOK!

(c) Copyright 2007 EVERYWHERE YOU LOOK! (c) Copyright 2007 EVERYWHERE YOU LOOK! EXT. GOLDEN GATE BRIDGE - DAY A red, classic convertible, its back seat filled with pumpkins, careens through traffic. Its driver, 24 year old, checks the rear-view-mirror.

More information

Copyright 2018 This screenplay may not be used or reproduced without the express written permission of the author.

Copyright 2018 This screenplay may not be used or reproduced without the express written permission of the author. Tutor By Simon K. Parker Copyright 2018 This screenplay may not be used or reproduced without the express written permission of the author. simonkyleparker@hotmail.co.uk 2. INT. S HOUSE - KITCHEN - DAY,

More information

Once Bitten, Twice Shy. Natasha Harmer

Once Bitten, Twice Shy. Natasha Harmer Once Bitten, Twice Shy By Natasha Harmer tasharmer@yahoo.com 07749326457 INT. LIVING ROOM. EVENING We are looking into a vast living area of a large cottage. The decoration is eclectic and tatty, and although

More information

"Til Death Us Do... " Gary Stocker

Til Death Us Do...  Gary Stocker "Til Death Us Do... " By Gary Stocker 2017 Gary Stocker galvedere@gmail.com 28 Brick Drive Great Blakenham Suffolk IP6 0GJ FADE IN: 1 INT. HOTEL CORRIDOR - NIGHT 1 Two newly weds in wedding outfits:, 30,

More information

Turned. Kenneth P Matovu. facebook.com/vuyous

Turned. Kenneth P Matovu. facebook.com/vuyous Turned By Kenneth P Matovu kbonky@gmail.com facebook.com/vuyous INT. HOUSE -NIGHT The room is all dark. We hear two different breaths of terrified people. We hear noises off the windows of rain dropping

More information

EVERYTHING HAS A BEGINNING. Written by. Julien Blaecke. Based on the novel by Julien Blaecke

EVERYTHING HAS A BEGINNING. Written by. Julien Blaecke. Based on the novel by Julien Blaecke EVERYTHING HAS A BEGINNING Written by Julien Blaecke Based on the novel by Julien Blaecke julienblaecke@hotmail.com FADE IN: INT. BEDROOM - DAY A bed. A massive man, very muscled, is sleeping. He wakes

More information

Revisionist. A. James Nadworniak. 08/17/2017 Adam Nadworniak 159 Kim Lane Rochester NY 14626

Revisionist. A. James Nadworniak. 08/17/2017 Adam Nadworniak 159 Kim Lane Rochester NY 14626 Revisionist By A. James Nadworniak 08/17/2017 Adam Nadworniak 159 Kim Lane Rochester NY 14626 REVISIONIST EXT.NEIGHBORHOOD- DAY- 18 DAYS AGO we open to reveal a very picturesque north-eastern neighborhood

More information

WHAT IS HELL? Written by. Richard F. Russell

WHAT IS HELL? Written by. Richard F. Russell WHAT IS HELL? Written by Richard F. Russell Wordmstr007@grail.com 910-285-3321 Copyright 2015 FADE IN. EXT. PARK DAY, 25, lolls on a blanket. Oily, dirty jeans, faded tee, he smiles at, Hispanic, 20, long

More information

A CHRISTMAS EXORCISM ZACK AKERS

A CHRISTMAS EXORCISM ZACK AKERS A CHRISTMAS EXORCISM By ZACK AKERS (C) 2014 zakers89@yahoo.com BLACK SMASH TO: INT. POLICE CAR- NIGHT The SIRENS BLARE as the car speeds down a snow covered back road. The red and blue lights on the roof

More information

VANITY FAIR. Christoffer de Lange. Christoffer de Lange FAV 2102 Murray Oliver Monday 1pm-5pm

VANITY FAIR. Christoffer de Lange. Christoffer de Lange FAV 2102 Murray Oliver Monday 1pm-5pm VANITY FAIR BY September 2, 2004 2037542 FAV 2102 Murray Oliver Monday 1pm-5pm SYNOPSIS A modern take on the Greek myth of Narcissus, the youth who fell in love with his own reflection. Natalie is obsessed

More information

TOM AND JAKE. D. Hunter. Name Address Address Phone

TOM AND JAKE. D. Hunter. Name Address Address Phone AND by D. Hunter Name Address Address Phone e-mail 2 EXT. NORTH WOODS - DAY The sun rises barely bursting through the clouds. A light covering of snow carpets the field and leafless trees. A hunter s deer

More information

The Protean Field TRAILER. Rob Skiba II Kingdom Power Studios Dallas Morris

The Protean Field TRAILER. Rob Skiba II Kingdom Power Studios Dallas Morris The Protean Field TRAILER By Rob Skiba II 2008 Kingdom Power Studios Dallas Morris 214-924-0094 INT. KYLE S CAR - NIGHT Kyle and Beth sit waiting at a red light. BETH You re on top of the world right now

More information

Peck. David Krajewski. screenplay must not be reproduced without the express written permission of the author.

Peck. David Krajewski. screenplay must not be reproduced without the express written permission of the author. Peck By David Krajewski Copyright (c) 2013 This dkrajewski30@gmail.com screenplay must not be reproduced without the express written permission of the author. FADE IN: EXT. DOWNTOWN - CAR - DAY A car drives

More information

Copyright 2015 CAPTAIN HOOK

Copyright 2015 CAPTAIN HOOK Copyright 2015 CAPTAIN HOOK FADE IN: EXT. LOVER S LANE NIGHT A lone car under a full moon. Two silhouettes in the car kissing. INT. CAR NIGHT, 18, mugs, 18, two young, hot people, and this is a good make-out

More information

(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions (Names of Subsequent Writers, in Order of Work Performed)

(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions (Names of Subsequent Writers, in Order of Work Performed) (Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name (of company, if applicable)

More information

WIN-LOSE. Matías Caruso.

WIN-LOSE. Matías Caruso. WIN-LOSE by Matías Caruso matiascaruso32@gmail.com OVER BLACK A young woman's voice. Cold, yet sexy. No reply. An impatient sigh. Pick up the phone, you coward. I know you're there. You know why I m calling.

More information

LAST CIGARETTE. by A SimplyScripter (to be named later) For the February 2008 One Week Challenge

LAST CIGARETTE. by A SimplyScripter (to be named later) For the February 2008 One Week Challenge LAST CIGARETTE by A SimplyScripter (to be named later) For the February 2008 One Week Challenge FADE IN: INT. LAUNDRY ROOM - VICEROY CORRECTIONAL FACILITY - DAY A large room HUMMING with the sounds of

More information

TREE. Written by. Simon K. Parker

TREE. Written by. Simon K. Parker TREE Written by Simon K. Parker Copyright 2014 This screenplay may not be used or reproduced without the express written permission of the author. simonkyleparker@hotmail.co.uk FADE IN: 1 EXT. FIELD -

More information

THE SLEEPING. Written by. Brennan Scott. Story by: Charley Coleman & Brennan Scott

THE SLEEPING. Written by. Brennan Scott. Story by: Charley Coleman & Brennan Scott THE SLEEPING Written by Brennan Scott Story by: Charley Coleman & Brennan Scott BrennanLScott@gmail.com INT. TWO STORY HOUSE - UPSTAIRS BEDROOM -- DAY A man, (27), sits in a desk chair. Leaning back, he

More information

VALKYRIE "PILOT" Written by. Jamel Northern. Based on characters from the short film. "Blind Date", by Jamel Northern

VALKYRIE PILOT Written by. Jamel Northern. Based on characters from the short film. Blind Date, by Jamel Northern VALKYRIE "PILOT" Written by Jamel Northern Based on characters from the short film "Blind Date", by Jamel Northern 2445 Ashbourne Road Wyncote, PA 19095 215-570-4431 Jamelnorthern@gmail.com WGA# 1828320

More information

YELLOW FEVER. Written by JAHON BAHROM.

YELLOW FEVER. Written by JAHON BAHROM. YELLOW FEVER Written by JAHON BAHROM. THIS SCRIPT IS REGISTERED IN COPYRIGHT OFFICE AND CAN NOT BE PRODUCED OR REWRITTEN WITHOUT WRITTEN PERMISSION OF THE AUTHOR. Bahromjahon684@gmail.com 202-400-6465

More information

BLUETUBE. Written by. Jakim Wong RB FILM INDUSTRIES

BLUETUBE. Written by. Jakim Wong RB FILM INDUSTRIES BLUETUBE Written by Jakim Wong RB FILM INDUSTRIES 7 Tamsin Court REGENTS PARK 0425 944 699 FADE IN: OPEN ON... A WATER PARK EXT. WATERPARK - TWILIGHT A perfect afternoon. The end of a heated summer. The

More information

loopy aussie 11/11/2008

loopy aussie 11/11/2008 loopy aussie 11/11/2008 INT. DERRY LIVING ROOM EVENING DERRY waits by the window with nervous anticipation. Jack is about 11 years old, white, scraggly, with light brown hair that hangs down around his

More information

CONTINUED: 2. BUTTONS It s Buttons, actually. MARK...It s not looking good for Mom.

CONTINUED: 2. BUTTONS It s Buttons, actually. MARK...It s not looking good for Mom. CONTINUED: 2. Mark sighs deeply. It s Buttons, actually. What s going on? MARK...It s not looking good for Mom. Buttons s heart stops. Mark continues to speak, but the words are all drowned out. He stares

More information

A PERFECT DAY By Curtis Rainey

A PERFECT DAY By Curtis Rainey A PERFECT DAY By Curtis Rainey Copyright 2013 FADE IN: EXT. HIGH SCHOOL - DAY Blue skies. Not a cloud in sight. A perfect day. (17) -- athletic, hot, probably has a plethora of girls falling at his feet

More information

Suddenly, an old woman, about 70, wearing black, flies into the store in panic. Her hair is in disarray. OLD WOMAN Oh, God! I hate this city!

Suddenly, an old woman, about 70, wearing black, flies into the store in panic. Her hair is in disarray. OLD WOMAN Oh, God! I hate this city! FADE IN: EXT. STORMVILLE DAY As the name says, this is a place where the storm lives, but now it is particularly quiet. A few people are walking in the street... Dozens of dried shrub balls roll along

More information

"JOHNNY SMILES" Zapryan Tolev

JOHNNY SMILES Zapryan Tolev "JOHNNY SMILES" by Zapryan Tolev zapryantolev@gmail.com This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

More information

Morevna Project Demo storyboard. Page 1/16

Morevna Project Demo storyboard. Page 1/16 Page 1/16 Shot 1: Ivan's lying on the road in an unnatural pose. His face covered with a bruises and his clothes are torn. There're two soldier bodies nearby lying face-down. The ground is covered with

More information

KOWABUNGA. Written by. Helio J Cordeiro

KOWABUNGA. Written by. Helio J Cordeiro KOWABUNGA Written by Helio J Cordeiro Copyright 2007 Helio J Cordeiro Revision April 28, 2007 hjcordeiro@hotmail.com FADE IN: EXT. BEACH - DAY It's a bright sunny day. BATHERS play volley-ball and CHILDREN

More information

There s a Monster in My Closet. written by Alena Cadova. tel: WGA Registration # :

There s a Monster in My Closet. written by Alena Cadova.   tel: WGA Registration # : There s a Monster in My Closet written by Alena Cadova email: allenacadova@seznam.cz tel: +420 739983722 WGA Registration # : 1832357 1. INT. CHILD BEDROOM - NIGHT It s a chilly autumn evening. Raindrops

More information

Final Draft 7 Demo. Final Draft 7 Demo. Final Draft 7 Demo

Final Draft 7 Demo. Final Draft 7 Demo. Final Draft 7 Demo The Flight Plan by Alec Martin EXT. UNKNOWN GRADUATION CEREMONY - DAY Hundreds of people sitting in front of Main Hall during ceremony. Teachers and Administration are giving out degrees to graduates as

More information

Daphne s Inferno. electricsatori.

Daphne s Inferno. electricsatori. Daphne s Inferno By electricsatori electricsatori@gmail.com FADE IN: EXT. OPEN OCEAN - DAY Thunder rolls from black storm clouds. Bolts of lightning strike the crests of waves. EXT. SAILING SHIP - SAME

More information

I SPY. Written by. Simon K. Parker

I SPY. Written by. Simon K. Parker I SPY Written by Simon K. Parker Copyright 2015 This screenplay may not be used or reproduced without the express written permission of the author. simonkyleparker@hotmail.co.uk INT. S HOUSE - KITCHEN

More information

My Propeller (First Draft) Zaim Oneeb zaimoneeb.com

My Propeller (First Draft) Zaim Oneeb zaimoneeb.com My Propeller (First Draft) By Zaim Oneeb 07872457036 zaimoneeb.com zaim_oneeb@hotmail.co.uk EXT. GARDEN - DAY is sitting on the floor with a cigarette in his mouth, leaning against the wall, the door beside

More information

Balance. Christopher West

Balance. Christopher West Balance By Christopher West Copyright (c) Christopher West, 2011. All rights reserved. chriswest1973@gmail.com FADE IN: INT. BOY S ROOM - MORNING A break in the curtains brings in a touch of sun as our

More information

LIVING WITHOUT TREBLE. Written by Paula Trapuzzano

LIVING WITHOUT TREBLE. Written by Paula Trapuzzano LIVING WITHOUT TREBLE Written by Paula Trapuzzano Paula Trapuzzano P.O. Box 420 Westville, New Jersey 08093 (609) 706-1595 Paula@Trapuzzano.com Paula Trapuzzano 2017 INT. LABANCA S HOUSE, GARAGE STUDIO

More information

WOLVES. Written by. Victor Alonso Berbel. Draft 5

WOLVES. Written by. Victor Alonso Berbel. Draft 5 WOLVES Written by Victor Alonso Berbel Draft 5 University of Southern California 546 - Production III - Fiction April 2017 546 SCRIPT - "WOLVES" - DRAFT 5 - PAGE 1 EXT. CENTRAL CITY HIGH SCHOOL - ENTRANCE

More information

ALMOST GONE. Reserved. This screenplaymay not be used or reproduced without the express written permission of the author.

ALMOST GONE. Reserved. This screenplaymay not be used or reproduced without the express written permission of the author. ALMOST GONE regmcghee@hotmail.com Copyright (c) 2013. All Rights Reserved. This screenplaymay not be used or reproduced without the express written permission of the author. INT. LIVING ROOM - DAY (16),

More information

The City of Dead. P.D. Hewitt

The City of Dead. P.D. Hewitt The City of Dead By P.D. Hewitt INT. ROOM Conner, Mike, and Jack are playing video games in Jacks living room Bull! I definitely killed you first! (laughing) Nope I don t think so! Whatever! I m going

More information

THE RUNNING CLOWN. Written by. Daniel Walker. April 21st, 2018

THE RUNNING CLOWN. Written by. Daniel Walker. April 21st, 2018 THE RUNNING CLOWN Written by Daniel Walker April 21st, 2018 Copyright (c) 2018 This screenplay may not be used or reproduced for any purpose including educational purposes, without the expressed written

More information

Ways and Means. Lyndon McGill. Lyndon L. McGill P.O. Box Salem, OR (503)

Ways and Means. Lyndon McGill. Lyndon L. McGill P.O. Box Salem, OR (503) Ways and Means by Lyndon McGill Lyndon L. McGill P.O. Box 12037 Salem, OR 97309 (503) 931-1315 twogems@unidial.com WAYS AND MEANS FADE IN: EXT. U.S. CAPITOL BLDG. - DAY Typical weekday on the Capitol grounds.

More information

BAD WATER. Written by. Demian Kendall

BAD WATER. Written by. Demian Kendall BAD WATER Written by Demian Kendall 410-924-2814 FADE IN: EXT. DRIVING RANGE - NIGHT A wet and haggard (40s) trudges across a golf course driving range in the rain, his boots squeaking in the artificial

More information

The First Date. Christopher Lawrence

The First Date. Christopher Lawrence The First Date By Christopher Lawrence Copyright (c) 2014 D4Gfilm@gmail.com EXT. HOUSE - NIGHT (20) is a good looking guy, dressed sharply in a suit and carrying a small bouquet of flowers. He walks towards

More information

Blind Principal. Michael Taylor.

Blind Principal. Michael Taylor. Blind Principal By Michael Taylor qualeman4080@gmail.com FADE IN: INT. AMERICAN HIGH SCHOOL CLASSROOM - DAY The camera zooms out from an American flag to show an average American suburban classroom. The

More information

(C) Blood in the Water

(C) Blood in the Water (C) 2014 Blood in the Water FADE IN: EXT. LAKE - DAY Shoulder to shoulder, three friends eye down the obstacle before them. Two hundred yards of lake, set between two beaches. (25) tall, ripped and athletic.

More information

VISIT. Written by James S. Ryan & Simon Calligan. All Right reserved.

VISIT. Written by James S. Ryan & Simon Calligan. All Right reserved. VISIT Written by James S. Ryan & Simon Calligan Copyright 2012 All Right reserved. ryans.james@live.com FADE IN: EXT. MODERN HOUSE - GARDEN - DAY The house is adorned with birthday decoration, regalia,

More information

THE HERO OF WEEKI WACHEE. Written by. David Zax

THE HERO OF WEEKI WACHEE. Written by. David Zax THE HERO OF WEEKI WACHEE Written by David Zax david.zax@gmail.com EXT. WEEKI WACHEE SPRINGS PARK - DAY, 14, skinny and pimply, stands in an usher s uniform. He grips a spray hose in one hand, and looks

More information

INT. CHRISTINE S HOUSE - BASEMENT - DAY

INT. CHRISTINE S HOUSE - BASEMENT - DAY But I Love You... FADE IN: INT. S HOUSE - BASEMENT - DAY An invitation to a high school reunion sits on the coffee table in a messy room., 35, with a pale complexion and dark hair, kneels before a closet.

More information

A paint job, bright colours over a dull white, unfinished. Many pictures of a man, some with his family, arranged like a shrine.

A paint job, bright colours over a dull white, unfinished. Many pictures of a man, some with his family, arranged like a shrine. FADE IN: INT. BEDROOM - NIGHT A paint job, bright colours over a dull white, unfinished. Many pictures of a man, some with his family, arranged like a shrine. The closet door, with a large mirror, reflects

More information

SEARCH PARTY. Written by. Kurt Conety Montezuma Rd Apt 34W Registered WGAw San Diego, CA #

SEARCH PARTY. Written by. Kurt Conety Montezuma Rd Apt 34W Registered WGAw San Diego, CA # SEARCH PARTY Written by Kurt Conety 6545 Montezuma Rd Apt 34W Registered WGAw San Diego, CA 92115 # 1623627 kconety21@yahoo.com FADE IN: EXT. FOREST - AFTERNOON Dried leaves and twigs CRUNCH under the

More information

DRIVER S EDUMACATION. Will Ball. 2010, All Rights Reserved

DRIVER S EDUMACATION. Will Ball. 2010, All Rights Reserved DRIVER S EDUMACATION By Will Ball Will.ball@temple.edu 2010, All Rights Reserved 2 INT. DRIVER S ED CAR - DAY (16) opens the car door and gets into the driver s seat. He is scrawny, nerdy, and incredibly

More information

Killing Albert Einstein. by Tim Ratcliffe

Killing Albert Einstein. by Tim Ratcliffe Killing Albert Einstein by Tim Ratcliffe (c) Copyright 2010 FADE IN: EXT. ABANDONED HOUSE - NIGHT Flashes of lightning illuminate the sky, as rain falls heavily. Thunder echoes overhead. A run down, boarded-up

More information

A Taste of Honey. Gary Murphy.

A Taste of Honey. Gary Murphy. A Taste of Honey By Gary Murphy garyianmurphy@gmail.com FADE IN: INT. HOTEL ROOM - DAY The shades are drawn, the real world knows its place is outside this dingy hotel room., 40 s, splayed across the bed.

More information

We establish the shot of the eighty story motel.

We establish the shot of the eighty story motel. EXT. MOTEL - DAY The rain pours down. Miserable. Cold. We establish the shot of the eighty story motel. INT. MOTEL - LOBBY - CONTINUOUS Several bodyguards stand in the lobby, wearing black suits and sunglasses

More information

PARTY MOM. written by David M Troop. copyright (c)

PARTY MOM. written by David M Troop. copyright (c) PARTY written by David M Troop copyright (c) 2016 dtroop506@gmail.com FADE IN: EXT. CHUCK E. CHEESE - DAY, a hot 40, dressed in a mini-skirt and high heels, stands outside the restaurant with her daughter,

More information

Unfathomable. All rights reserved

Unfathomable. All rights reserved Unfathomable By Sybil @2017 All rights reserved FADE IN: DR. EICHEL PSYDR OFFICE - DAY EDWARDS (21), thin, shy, extremely guarded, dressed in baggy clothes, sits in her chair, staring at the floor. Slowly,

More information

A sign enters the screen SMILE SANCTUARY. A blue saloon car drives past the sign into the compound.

A sign enters the screen SMILE SANCTUARY. A blue saloon car drives past the sign into the compound. EXT. SMILE SANCTUARY. DAY Open on a grey cloudy sky. The camera floats, slowly, all the way down. From the sky we see this massive compound spread across some many acres of land. A sign enters the screen

More information

Desert Trek. Alex Tamayo. High Noon Books Novato, California

Desert Trek. Alex Tamayo. High Noon Books Novato, California Desert Trek Alex Tamayo High Noon Books Novato, California Contents 1 Friends.... 1 2 The Trip.... 6 3 The First Problem....10 4 Red Camper...14 5 Snake Canyon...19 6 Rattlesnake...22 7 Ride for Help....28

More information

Little Pebble & Speedy Legs Dangerous Journey

Little Pebble & Speedy Legs Dangerous Journey Little Pebble & Speedy Legs Dangerous Journey By Sara Preface: This story is about the Nez Perce Indians. The main characters Speedy Legs and Little Pebble are siblings that go on an unexpected journey.

More information

Gin & Tonic, No Lime. working? I turn, slipping a hand in one of my coat s many. mouths. Yeah, I was on my way out I answer to my

Gin & Tonic, No Lime. working? I turn, slipping a hand in one of my coat s many. mouths. Yeah, I was on my way out I answer to my Amber Mazzie Gin & Tonic, No Lime Hey, my jacket yells at me, masculine & gruff, are you done working? I turn, slipping a hand in one of my coat s many mouths. Yeah, I was on my way out I answer to my

More information