2016 Summer Ballet Programs. at Performing Arts School of Central Pennsylvania
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1 2016 Summer Ballet Programs at Performing Arts School of Central Pennsylvania
2 THE PASCP ADVANTAGE A Joyful Pursuit of Excellence 33Experienced faculty provides excellent training for ages 3 through adult. 33 PASCP offers the area s most comprehensive ballet programs, providing students with a strong dance foundation in a nurturing and enjoyable atmosphere. 33 A wide variety of summer programs offered to conveniently fit busy summer schedules. 33 Our program has earned a national reputation for excellence in dance instruction. 33 Nationally recognized guest teachers provide students with individual attention Recommendations for current PASCP students: The Preschool Ballet (Step 1, 2, 3) and Beginning Ballet (Red-Orange levels) programs provide the very best atmosphere and training in the area. PASCP students excel because of our high quality of training, instructors, and studio environment. Based on years of development and experience, students taking our intensive summer programs (workshops and full-day intensives) often see significant improvements in a short period of time. Quite simply, more effort = more progress! If dancers are considering a national summer intensive program away from home, we encourage parents and students to discuss their considerations with the PASCP Artistic Director. We can be a resource for you and would like to help guide you through the process. Students attending other summer programs will be the most successful if they take summer intensives at PASCP before (in preparation for) and after (for retention and strength) their away programs. Our most successful students have taken the summer intensives starting at the Orange level and continue to do so through their time as students at PASCP.
3 STORYBOOK BALLET SERIES (Step 1 - Red 1) Students will love this special program, which highlights some of the most beloved ballets, including Cinderella, Le Corsaire, Giselle, and The Firebird. The weekly series concludes with a Storybook Ballet Celebration, where students will have a class demonstration for family and friends, followed by a reception. Classes are held on Tuesday/Thursday and Fridays. Week of: June 20: Cinderella August 1: Giselle June 27: Le Corsaire August 8: The Firebird STEP 1 & 2 (ages 3 and 4) Tuesday/Thursday: 4:30-5:15 p.m. Friday: 4:30-5:30 p.m. (Storybook Celebration) Cost: $45/week STEP 3 (age 5) Tuesday/Thursday: 4:30-5:15 p.m. Friday: 4:30-5:30 p.m. (Storybook Celebration) Cost: $45/week RED 1 (ages 6+ with 0-2 years ballet training) Tuesday/Thursday: 4:30-5:30 p.m. Friday: 4:30-5:30 p.m. (Storybook Celebration) Cost: $50/week Weeks offered: June June 27 - July 1 August 1-5 August 8-12 Register and pay in full for all 4 weeks and save $5 off each week!
4 BEGINNING BALLET PROGRAMS Ballet Workshops Weeks offered: June June 27-July 1 August 1-5 August 8-12 Learn about the great ballets Cinderella, Le Corsaire, Giselle, and The Firebird! Each week students will take daily ballet classes, explore a famous ballet, enjoy snack breaks together, and create a craft for their endof-the-week showcase. Red 2 Monday - Friday: 9:00-12:30 p.m. Performance: Friday at 12:00 p.m. Cost: $145/week Orange 1 & 2 Monday - Friday: 1:00-4:30 p.m. Performance: Friday at 4:00 p.m. Cost: $145/week Register and pay in full for all 4 weeks and save $10 off each week! Dancers should bring a snack and water bottle during ballet workshops. Evening Programs Red 1&2 (continuing Red 1 students only) Monday/Wednesday/Friday: 5:30-7:00 p.m. Cost: $60/week Weeks offered: June 20 June 27 July 11 August 1 August 8 Orange 1& 2 Monday/Wednesday/Friday: 5:30-7:00 p.m. Cost: $60/week Weeks offered: June 20 June 27 July 11 July 18 August 1 August 8
5 INTERMEDIATE & ADVANCED BALLET (Yellow-IVG) Full-Day and Half-Day Intensives Weeks offered: June 20-24* June 27-July 1 July 5-8 July August 1-5 August 8-12* This weekly intensive will focus on clean, sound technique and the artistry of ballet. Ballet and pointe/pointe prep classes will offer a summer filled with proficient ballet training. Daily classes will include ballet technique and pointe/pointe prep with supplemental classes in ballet variations, modern, and jazz. FULL DAY HALF DAY Monday - Friday: 9:00-4:30 p.m. Monday - Friday: 9:00 am. - 12:15 p.m. Cost: $250 Cost: $170 *Indicates Guest Faculty week Dancers participating in half-day programs should bring a snack and water bottle daily. For those participating in full-day intensives, a snack, lunch, water bottle, and extra leotard are recommended. Choreographer s Workshop Offered 1:00-4:30 during week of July 5 and July PASCP s Choreographers Workshop offers dancers the unique and fun opportunity to participate in a creative part of their art form. Students will work with choreographers to set a dance piece during this week and will learn some of the techniques choreographers use to create movement for the stage. A performance will be Wednesday, July 13. Location TBA (submitted request to perform at ArtsFest). Dancers will receive ballet technique, pointe, or variations on July 14 & July 15. Evening Programs Weeks offered: July 18 July 25 August 29** Classes will be held Monday - Friday. Cost is $75/week Yellow Green - IVG* 5:30-7:00 p.m. 5:30-7:00 p.m. T/TH (*Arron Scott - 7/18 & 7/25) 7:00-8:30 p.m. M/W/F *Guest Teacher Arron Scott will be teaching T/TH weeks of July 18 & 25. **Recommended for placement for fall levels. Those who do not take class this week will be evalutated during the first few weeks of the full session.
6 2016 SUMMER GUEST FACULTY Erin Stiefel-Inch June (9:00-12:15 p.m.) Erin was born in New Haven, Connecticut and at age 9 began ballet classes at the Monona Academy of Dance in Madison, Wisconsin. Erin continued her ballet study, under scholarship, with Milwaukee Ballet School, Central Pennsylvania Youth Ballet, Carlisle Project and School of American Ballet (the official school of The New York City Ballet) in New York City. Erin was professionally contracted by Basel Ballet in Basel, Switzerland under the direction of Heinz Spoerli shortly after turning 17 years old. She also danced professionally with Bonn Ballet and Zurich Ballet where she danced numerous principal roles under the direction of Bernd Roger Bienert and Heinz Spoerli. Erin has an extensive repertoire in classical ballet having danced many of the great classics such as Swan Lake, Giselle, Don Quixote, La Vivandiere, Raymonda, The Merry Widow and more. She is well versed in contemporary and modern ballets having danced ballets from such eminent choreographers as Hans Van Manen, William Forsythe, Mats Ek, Balanchine, Nijinsky, Amanda Miller, Ed Wubbe and Bejart. Upon retirement, due to a knee injury, Erin returned to the U.S. Eleven years ago she opened a small studio in Lewisburg, Pennsylvania to provide coaching and specific ballet instruction to serious ballet students. She has seen many students who have passed through her doors go on to dance professional ballet. She has also given numerous master classes at Bucknell University, as well as, has rehearsed ballets for them.
7 2016 SUMMER GUEST FACULTY Timothy Fox June (1:00-4:30 p.m.) Mr. Fox began his training in Tulsa, Oklahoma with Moscelyne Larkin and Roman Jasinski, who founded Tulsa Ballet, and went on to be a Principal Dancer with that company. He studied at both School of American Ballet and American Ballet Theatre School in NYC under a Ford Foundation Scholarship. Mr. Fox danced with the New York City Ballet under the direction of George Balanchine, Jerome Robbins and Peter Martins. He was also a Principal Dancer with the San Francisco Ballet under Helgi Tomasson. He performed Principal roles in Jiri Kylian s Forgotten Land, Michael Smuin s Romeo & Juliet, Paul Taylor s Sunset, James Kudelka s Dreams of Harmony, Val Caniparoli s Connotations, Jerome Robbins Interplay and Fancy Free, George Balanchine s Symphony in C, Four Temperaments, Divertimento #15, Midsummer Night s Dream and Serenade, as well as Les Sylphides,Coppelia, Prodigal Son, The Nutcracker and Swan Lake. Mr. Fox has taught at the request of many of the finest dance institutions in the U.S. including: Boston Ballet School, Boston Ballet II, Philadelphia Ballet School, Ballet Fleming, Dance Arts (Cherry Hill, NJ), MMAC-Manhattan Movement and Arts Center/Manhattan Youth Ballet (NYC), Ballet Academy East (NYC) Talent Unlimited Performing Arts High School(NYC), Sudbrook Arts Centre, Goucher College, Towson University, Maryland Youth Ballet,, Ballet Guild of Lehigh Valley/ PA Youth Ballet, The Allegheny Ballet, The Washington Ballet, Washington School of Ballet and The Berrend Dance Centre.
8 2016 SUMMER GUEST FACULTY Arron Scott Soloist, American Ballet Theatre Tuesday & Thursday (5:30-7:00) July Tuesday & Thursday (5:30-7:00) July Raised in State College, Pennsylvania, Arron Scott started his training at the Ballet Theatre of Central Pennsylvania at nine. He has danced on full scholarships at American Ballet Theatre, Pacific Northwest Ballet School and the School of American Ballet summer programs as well as being ABT National Training Scholar. He trained for two years at the School of American Ballet where he was awarded the Rudolf Nureyev Scholarship. Scott joined ABT s Studio Company in September 2003 and the main Company as a member of the corps de ballet in April He was promoted to Soloist in His roles with the Company include Mercutio in Romeo and Juliet, the Bronze Idol and the Head Fakir in La Bayadère, Lead Fieldworker in The Bright Stream, the Jester and Napoleon in Frederick Ashton s Cinderella, Birbanto in Le Corsaire, Lead Gypsy in Don Quixote, the peasant pas de deux in Giselle, the Young Soldier in The Green Table, the Beggar Chief in Manon, Kolia in A Month in the Country, a Carnival Dancer in Othello, the Wolf in The Sleeping Beauty, the Neapolitan Dance in Swan Lake, Eros in Sylvia and leading roles in Airs, Bach Partita, The Brahms-Haydn Variations, Brief Fling, Company B, Drink to Me Only With Thine Eyes, Duets, Dumbarton, Everything Doesn t Happen at Once, Gong, In the Upper Room, The Leaves Are Fading, Mozartiana, Seven Sonatas, Sinfonietta and Symphony #9. He created a Fairy Cavalier in Alexei Ratmansky s The Sleeping Beauty and roles in After You and AfterEffect. Mr. Scott s performances with American Ballet Theatre are sponsored by Avery and Andrew F. Barth, in memory of Rudolph Barth.
9 2016 SUMMER GUEST FACULTY Gennadi Vostrikov August 8-12 Gennadi Vostrikov was born in Siberia, Russia, and received his early training in Perm. Vostrikov studied with the renowned ballet teachers Plaht and Asaular. He was awarded the first degree diploma in the Leningrad Ballet Competition. Upon graduation he was asked to join the Moiseyev Classical Ballet Company. With the the Moiseyev Company he was coached by the legendary ballet masters, Igor Moiseyev, Asaff Messerer, and Sulamif Messerer. The Moiseyev Classical Ballet Company traveled worldwide. It was during one of their many tours that Vostrikov saw the possibility for freedom and defected while in Mexico. The Mexico Ballet Company invited him to join their company as a principal and teacher when Nicholas Petrov, Pittsburgh Ballet Theatre (PBT) director, heard about Vostrikov s defection and requested that he join PBT. While with PBT, he performed numerous principal roles in such ballets as Nutcracker, Prince Igor, Rite of Spring, Swan Lake, Les Sylphide, Romeo and Juliet, Corsaire Pas de Deux, La Bayadere, and Don Quixote, and also appeared with the Pittsburgh Opera. Vostrikov was also a principal with Chicago Ballet and Milwaukee Ballet. He was an associate professor of dance with the University of Alabama in Birmingham, Shenandoah University, as well as director of Ballet Zulia in Maracaibo, Venezuela. Currently, Vostrikov is director of the Virginia Youth Ballet and Vostrikov s Academy of Ballet. He is also a guest teacher and choreographer with Cumberland Ballet, New Castle Ballet, Williamsburg Chamber Ballet, Louisiana Dance Theatre, Pittsburgh Ballet Theatre School, Pittsburgh Youth Ballet, Central Pennsylvania Youth Ballet, and a master teacher with National and Regional Ballet festivals.
10 2016 SUMMER GUEST FACULTY Rafael Grigorian August 8-12 Master Grigorian received his ballet training at the Kirov Ballet School and the Baku Choreographic Institute. For twenty years, he was the principal dancer with the Baku Theater of Opera and Ballet, dancing lead roles in such ballets as Don Quixote, Giselle, Swan Lake, Sleeping Beauty, The Nutcracker, and more. Several ballets were made expressly for Master Grigorian. As a performer, he toured the world with stars of the Bolshoi and the Kirov Ballet Companies. Master Grigorian was awarded two highly prestigious awards for his performances: The People s Artist of Azerbaidzhan and Laureate of State Prize of the USSR; both are extraordinary honors for an artist. He was the choreographer for the European, World, and Olympic Ice Dancing group Linichyk, and a teacher for the Moscow Theatre Studio of Musical Art. Master Grigorian served as the choreographer for the Russian Stars Ensemble in the Mark Twain Musical Drama from In 1991, he opened the Rafael Grigorian School of Classical Ballet in the Elmira and Corning area of NY. In 1998, the school expanded to the Binghamton area. The Arts of the Southern Finger Lakes of NY has recently honored Master Grigorian with an award for his outstanding work in the community.
11 ADULT BALLET PROGRAMS (Ages 13+) Teen/Adult Beginning Ballet Weeks offered: June June 27-July 1 July 5-8 July August 1-5 August 8-12 Tuesday and Thursday: 5:30-7:00 p.m. Cost: $40/week Teen/Adult Intermediate and Advanced Ballet Weeks offered: June June 27-July 1 July 5-8 July August 1-5 August 8-12 Tuesday and Thursday: 7:00-8:30 p.m. Cost: $40/week CONTACT US Performing Arts School of Central Pennsylvania 3006 Research Drive, Suite D-1 State College, PA PH: Fax: frontdesk@pascp.org
12 ENROLLMENT INFORMATION The PASCP Summer Program has been designed to give families the greatest flexibility and value combined with excellence in training. Students may enroll for as little as one complete week or as many as eight weeks! PASCP encourages all students to enroll in as many weeks of our program as possible. More classes=more progress! REGISTRATION DEADLINES Friday, May 27, 2016 for programs held between June 20 - July 15. Friday, July 1, 2016 for programs held between July 22 - August 15. As long as there are spaces left in the class, we will accept students up until the week of the selected program. However, we do request that students register as early as possible, as this will help determine the feasibilty of each program. Low enrollment in the 2 weeks prior to any given program may result in cancellation of that program. REGISTRATION FEES For new or former students not enrolled at the end of the Full Session, there is a $50 registration fee per student. The maximum family registration fee is $100. This registration fee will also be applied to the Full Session. Summer-only Registration Fee: New students who enroll for the summer only may pay a $25 registration fee. If students decide to enroll for the Full Session, this registration fee can be applied. TUITION PAYMENT DEADLINES Tuition for the 2016 Summer Program may be paid in full at registration or in two equal payments. Please arrange payments directly through the front desk. TUITION DISCOUNTS Payment in Full (PIF) Students who pay in full for the entire summer session (min. two weeks of registration required) at the time of registration will receive 5% off total tuition. Sibling/Male Dancer Discount 10% discount for second family member and 15% discount for each additional family member. All male dancers receive a 25% tuition discount. All tuition paid is non-refundable unless PASCP cancels a class or in case of student emergency. PASCP accepts Check, Cash and Credit Card (American Express, Visa, Mastercard, Discover).
13 DRESS CODE Ballet Classes NOTE: Fridays are colored leotard and skirt day! Females: Ballet pink tights - footed. Underwear should not be worn with tights and leotards. Pink ballet shoes with elastic straps (straps worn on top of foot, not under foot) Hair secure in a bun and off the face or secured back with clips in a low ponytail if hair is too short for a bun. Step I, II, II: Black leotard and any color/pattern demi skirt (optional) Red-Green Levels: Black leotard with hip alignment belt * Blue Levels: Black leotard with hip alignment belt * Blue leotard, complimenting demi skirt Indigo/Violet/Gold: Black leotard with hip alignment belt * Any color leotard, complimenting demi skirt Form fitting t-shirts, camisoles, and dance/bike pants or shorts are not permitted in ballet classes, except for Teen/Adult classes (see below). Males: Black tights, black knee-length bike shorts, or dance pants (no loose clothing) Black ballet shoes with elastic Dance belt or equivalent White socks Step I, II, II: Levels Red - Green: Blue-IVG: Plain white form fitting dance t-shirt or athletic shirt Plain white form fitting dance t-shirt or athletic shirt Plain form fitting t-shirt or athletic shirt in any color *Belts can be purchased at the PASCP front desk. Cost is $8 each. Teen/Adult Classes We recommend following the ballet dress code, however, the following options are permitted: Black tights or fitted leggings Fitted athletic shirt
14 Performing Arts School of Central Pennsylvania Date 2016 Summer Program Registration Form / / Family Last Name Parent/Guardian Ph Address Emergency Contact Ph Registration #1 Student Name DOB Program Week of: Tuition Discounts $ PIF $ $ Male $ $ $ Note: Pay In Full discount ONLY applies to 2 or more weeks of classes. Reg Fee $ Discounts $ Final Tuition Due $ Registration #2 Student Name DOB Program Week of: Tuition Discounts $ PIF $ $ Male $ $ $ Note: Pay In Full discount ONLY applies to 2 or more weeks of classes. Reg Fee $ Discounts $ Final Tuition Due $ Please enter payment Information and additional student registration on reverse side.
15 Registration #3 Student Name DOB Program Week of: Tuition Discounts $ PIF $ $ Male $ $ $ Note: Pay In Full discount ONLY applies to 2 or more weeks of classes. Reg Fee $ Discounts $ Final Tuition Due $ PAYMENT INFORMATION TOTAL FAMILY TUITION DUE: $ Payment Options: Full Payment or 2 Installments Payment Type: Check Cash Credit Card (AMEX, Visa, MasterCard, Discover) Check # Credit Card # Type Security Code (3 digit on back of card) Exp. Date Billing Address Billing Zip Name on Card How did you hear about PASCP?
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