2017 Pointe Shoe Collection

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Julius Butler
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1 2017 Pointe Shoe Collection FEATURING STELLA ABRERA, PRINCIPAL DANCER, AMERICAN BALLET THEATRE

Our dedication to listening and learning from dancers personal experiences,

2 Our Craftsmanship and the Art of Listening Throughout our 130 years, we have continued to perfect the pointe shoe. Our dedication to listening and learning from dancers personal experiences, inspires innovations to design and construction that support the grace and athleticism of all those who practice the art of dance

years as a professional ballerina with ABT, the shoes that have made possible my pursuit of technical

3 BODYWEAR: 10804W - Mineral Sutton Camisole Leotard BOTTOM: 10586W - Coal The Call Back Skirt POINTE SHOES: Stella s own Capezio Made-To-Order From my earliest days of pointe training, and through my years as a professional ballerina with ABT, the shoes that have made possible my pursuit of technical and artistic excellence have always been Capezio. STELLA ABRERA, PRINCIPAL DANCER, AMERICAN BALLET THEATRE 04 05

They lengthen her line, give her precision, allow her to spin or to lift herself up toward the heavens.

4 LEFT PAGE: TC0048W - Black Polo Neck Leotard THIS PAGE: 10892W - Black Dancing Like She s Never Danced Before Wrap Dress POINTE SHOES: Stella s own Capezio Made-To-Order The ballerina has an intimate relationship with her pointe shoes. They lengthen her line, give her precision, allow her to spin or to lift herself up toward the heavens. They deepen her ethereal qualities; they are at once extensions of her body and mystical objects. STELLA ABRERA, PRINCIPAL DANCER, AMERICAN BALLET THEATRE 06 07

FPO What should a dancer look for in a pointe shoe maker? Trust, dependability, pride in his or her work. At Capezio, Serafim Mendes, Maker No.

STELLA ABRERA, PRINCIPAL DANCER, AMERICAN BALLET THEATRE Our Made-To-Order Pointe Shoes The Capezio made-to-order pointe shoe has a long and proud history.

Today our custom department remains a go-to for world-class dancers such as Stella Abrera.

made-to-measure pointe shoe that responds to the anatomy of their foot and required leg line. What s possible?

5 FPO What should a dancer look for in a pointe shoe maker? Trust, dependability, pride in his or her work. At Capezio, Serafim Mendes, Maker No. 17, is my personal shoemaker. He has been crafting my pointe shoes for over 20 years. STELLA ABRERA, PRINCIPAL DANCER, AMERICAN BALLET THEATRE Our Made-To-Order Pointe Shoes The Capezio made-to-order pointe shoe has a long and proud history. Thanks to the patronage of Anna Pavlova, Salvatore Capezio s name became synonymous with perfectly handcrafted, made-to-order pointe shoes. Today our custom department remains a go-to for world-class dancers such as Stella Abrera. Working with the same dedication to artistry as our founder, our makers handcraft pointe shoes for those dancers, teachers and students wanting a made-to-measure pointe shoe that responds to the anatomy of their foot and required leg line. What s possible? Vamps can be increased or decreased, upper measurements, shank strength and strengths of the box or the wings modified and these are just a few of the customizations offered. Such modifications transform the standard Capezio style into an individually crafted, fully personalized pointe shoe the dancer can depend on, take pride in and truly call their own

Ballet is an art that requires grace plus a high level of athleticism, physical demands that the pointe shoe has

PAU L PLE S H, POINTE SHOE DESIGNER, CAPEZIO, BALLET MAKERS Production Handcrafted Manufacturing Inspired By Our

Our dedication to continuing the Capezio legend of made by hand inspires a maker-base culture that starts here in

6 Ballet is an art that requires grace plus a high level of athleticism, physical demands that the pointe shoe has to withstand while remaining, in all ways, the epitome of perfection. PAU L PLE S H, POINTE SHOE DESIGNER, CAPEZIO, BALLET MAKERS Production Handcrafted Manufacturing Inspired By Our Brand Legend When it comes to the manufacturing of our pointe shoes, we believe in the spirit of no compromise. Our dedication to continuing the Capezio legend of made by hand inspires a maker-base culture that starts here in the USA. From the in-house designers to the highly skilled Capezio artisans of our production teams, the term maker-made remains in the tradition of our brand

7 The 2017 Pointe Shoe Collection In 2017, we introduce styles that round out our Pointe Shoe Collection. From popular, timeless and heritage styles like Contempora to new styles such as Donatella and Développé that increase the width and box strength offerings within our line; discover the key features of each shoe in our Pointe Shoe System. Capezio Pointe Shoe System B M T BROAD FOOT (ROMAN) MODERATE FOOT (GREEK) TAPERED FOOT (EGYPTIAN) Three toes of equal length Second toe predominates First toe predominates H 1132 Airess # Airess # Tiffany PRO #5 1137W Développé # Airess # Airess #6.5 HARD 1130 Airess # ES Aria # Airess #5.5 M 1128W Cambré #4 1126W Cambré #3 126 Tiffany #3 1139W Donatella #3 1129W Cambré #4 1127W Cambré #3 MEDIUM 121W Aria #3 1136W Développé #3 S 1142W Ava # W Donatella #2 176 Contempora #2 SOFT 12 13

B T B T CAMBRÉ STYLE: 1126W & 1128W 1127W & 1129W AIRESS STYLE: 1130, 1131 & 1132 1133, 1134 & 1135 Available in broad or tapered box shapes. Low crown, sculpted arch with narrow, enhanced heel curve.

Low crown sculpted arch with narrow, enhanced heel curve. Bias side seam, elasticized binding with elastic drawstring. Plush, rose-colored, anti-slip interior lining. Stitched platform.

1128W Three-quarterskived #4 leather board shank adds support. TAPERED STYLES 1127W Half-skived #3 leather board shank enhances flexibility.

8 B T B T CAMBRÉ STYLE: 1126W & 1128W 1127W & 1129W AIRESS STYLE: 1130, 1131 & , 1134 & 1135 Available in broad or tapered box shapes. Low crown, sculpted arch with narrow, enhanced heel curve. Bias side seam, elasticized binding with elastic drawstring. Plush, rose-colored, anti-slip interior lining. Stitched platform. Available in broad or tapered box shapes. Low crown sculpted arch with narrow, enhanced heel curve. Bias side seam, elasticized binding with elastic drawstring. Plush, rose-colored, anti-slip interior lining. Stitched platform. Skived leather board shanks provide flexibility and conform to the arch. BROAD STYLES 1126W Half-skived #3 leather board shank enhances flexibility. 1128W Three-quarterskived #4 leather board shank adds support. TAPERED STYLES 1127W Half-skived #3 leather board shank enhances flexibility. 1129W Three-quarterskived #4 leather board shank adds support. Deep vamp, slight U shape throat with low side and heel measurements. lateral support with broad or tapered platform. Slightly rounded edge to roll up to and down from pointe. Shank wrapped with anti-slip material. Reduced sole length eliminates excess at the heel. Thin leather sole allows for greater contact with the floor surface. sole aids with traction. Refer to page 13 for further fit details N, M, W, WW Red board shanks constructed with internal reinforcement (tongues) provide additional support in the arch. BROAD STYLES 1130 Half #5.5 red board shank enhances flexibility Three-quarter #6.5 red board shank adds support Full #7.5 red board shank for maximum support. TAPERED STYLES 1133 Half #5.5 red board shank enhances flexibility Three-quarter #6.5 red board shank adds support Full #7.5 red board shank for maximum support. Deep vamp, slight U shape throat with low side and heel measurements. lateral support with broad or tapered platform. Slightly rounded edge to roll up to and down from pointe. Shank wrapped with anti-slip material. Reduced sole length eliminates excess at the heel. Thin leather sole allows for greater contact with the floor surface. sole aids with traction. Refer to page 13 for further fit details M, W, WW; 4-11 N BODYWEAR: 10760W - Vintage Blush Plunging V Neck Leotard TB133 - White Short Sleeve Leotard POINTE SHOES: Stella s own Capezio Made-To-Order PTP (Petal Pink) PTP (Petal Pink) 14 15

BODYWEAR: TC0039W - Black Sunburst Camisole Leotard POINTE SHOES: Stella s own Capezio Made-To-Order B M ARIA ARIA ES STYLE: 121 & 121ES TIFFANY TIFFANY PRO STYLE: 126 & 128 Broad toe shape with

lateral support with broad platform for extra security. Shank wrapped with anti-slip material. Reduced sole length eliminates excess at the heel. outsole aids with traction.

126 Three-quarter-skived #3 leather board shank for light support in the arch. lateral support with high and wide platform for stability. Shank wrapped with anti-slip material.

9 BODYWEAR: TC0039W - Black Sunburst Camisole Leotard POINTE SHOES: Stella s own Capezio Made-To-Order B M ARIA ARIA ES STYLE: 121 & 121ES TIFFANY TIFFANY PRO STYLE: 126 & 128 Broad toe shape with narrow heel. Low (hand flattened) crown. Skived leather board shanks provide maximum flexibility and conform to the arch. 121 Half-skived #3 leather board shank for light support in the arch. lateral support with broad platform for extra security. Shank wrapped with anti-slip material. Reduced sole length eliminates excess at the heel. outsole aids with traction. Moderate toe shape (slightly tapered) with narrow heel. Low (hand flattened) crown. Skived leather board shanks provide maximum flexibility and conform to the arch. 126 Three-quarter-skived #3 leather board shank for light support in the arch. lateral support with high and wide platform for stability. Shank wrapped with anti-slip material. Reduced sole length eliminates excess at the heel. outsole aids with traction. 121ES Half-skived #5 leather board shank for maximum support and greatest flexibility. Refer to page 13 for further fit details. 128 Three-quarter-skived #5 leather board shank for maximum support in the arch. Refer to page 13 for further fit details. Medium vamp, round shape throat with moderate side and heel measurements. Bias side seam, satin binding with elastic drawstring. Plush, rose-colored, anti-slip interior lining. Traditional turned shoe M, W, WW; 4-11 N 121ES M, W; 6-11 WW PTP (Petal Pink) Medium vamp, round shape throat with moderate side and heel measurements. Traditional side seam, satin binding with elastic drawstring. Plush, rose-colored, anti-slip interior lining. Traditional turned shoe M; 4-11 N, W M, W; 6-11 N EUR (European Pink) 16 17

M M BODYWEAR: 10804W - Mineral Sutton Camisole Leotard BOTTOM: 10586W - Coal The Call Back Skirt POINTE SHOES: Stella s own Capezio Made-To-Order DÉVELOPPÉ STYLE: 1136W & 1137W DONATELL A STYLE:

1136W Half-skived #3 leather board shank for greater flexibility. 1137W Half-skived #5 leather board shank for greater support in the arch. lateral support with high and wide platform for stability.

10 M M BODYWEAR: 10804W - Mineral Sutton Camisole Leotard BOTTOM: 10586W - Coal The Call Back Skirt POINTE SHOES: Stella s own Capezio Made-To-Order DÉVELOPPÉ STYLE: 1136W & 1137W DONATELL A STYLE: 1138W & 1139W Moderate toe shape (slightly tapered) with narrow heel. Low (hand flattened) crown. Skived leather board shanks provide maximum flexibility and conform to the arch. 1136W Half-skived #3 leather board shank for greater flexibility. 1137W Half-skived #5 leather board shank for greater support in the arch. lateral support with high and wide platform for stability. Shank wrapped with anti-slip material. Reduced sole length eliminates excess at the heel. outsole aids with traction. Refer to page 13 for further fit details. New last offers a moderate (slightly tapered) internal toe shape. Low crown and sculpted arch with narrow and enhanced heel curve. Skived leather board shanks provide maximum flexibility at the ball of the foot and conform to the arch. 1138W Half-skived #2 leather board shank with #1 on ball. 1139W Half-skived #3 leather board shank with #1 on ball. lateral support with high and wide platform. Slightly rounded edge at base of platform to roll up to and down from pointe. Shank wrapped with anti-slip material. Reduced sole length eliminates excess at the heel. Thin leather sole allows for greater contact with the floor surface. outsole aids with traction. Reinforced paste formula provides for additional wear. Medium vamp, round shape throat with moderate side and heel measurements. Traditional side seam, satin binding with elastic drawstring. Plush, rose-colored, anti-slip interior lining Traditional turned shoe N, M, W PTP (Petal Pink) Low vamp, slight U shape throat with low side and heel measurements. Bias side seam, elasticized binding with elastic drawstring. Plush, rose-colored, anti-slip interior lining. Stitched platform. Refer to page 13 for further fit details N, M, W, WW PTP (Petal Pink) 18 19

B T T Tapered box shape. Low crown and sculpted arch with narrow and enhanced heel curve. Does not contain a shank.

Lightly pasted wing-box will condition the dancer s foot for future pointe work. Insole is cotton wrapped foam for maximum comfort. Reduced sole length eliminates excess at the heel.

DEMI POINTE STYLE: 1116 Bias side seam, satin binding with elastic drawstring. Soft internal cotton lining with foam cushion on internal edge of platform. Stitched platform.

11 B T T Tapered box shape. Low crown and sculpted arch with narrow and enhanced heel curve. Does not contain a shank. The purpose of the Demi Pointe shoe is to prepare the dancer s foot for future pointe work. It is not designed for the dancer to stand en pointe. Lightly pasted wing-box will condition the dancer s foot for future pointe work. Insole is cotton wrapped foam for maximum comfort. Reduced sole length eliminates excess at the heel. Thin suede sole allows for greater grip to the floor surface. outsole aids with traction. Extra low vamp, slight U shape throat with low side and heel measurements. DEMI POINTE STYLE: 1116 Bias side seam, satin binding with elastic drawstring. Soft internal cotton lining with foam cushion on internal edge of platform. Stitched platform. 4-9 M, W S EUR (European Pink) AVA STYLE: 1142W CONTEMPORA STYLE: 176 New last offers a square internal toe shape (broad toe) created on an arched last. Low crown with narrowed heel. Full #2.5 leather board/red board combination shank offers flexibility to the arch. Medium vamp, slight U shape throat with regular side and heel measurements. Bias side seam, satin binding with elastic drawstring. Plush, rose-colored, anti-slip interior lining. Traditional turned shoe. lateral support with high and wide platform. Internal heel counter provides additional structure at heel. Removable cushion placed on internal edge of platform. Shank lined with pink suede. Scored ribbon motif on elongated outsole aids with traction. Refer to page 13 for further fit details N, M, W, WW Tapered toe shape with full heel. Low (hand flattened) crown. Full #2 leather board shank provides light support to the arch. Medium vamp, slight V throat with moderate side and heel measurements. Traditional side seam, satin binding with cotton drawstring. Soft cotton interior lining. Traditional turned shoe. lateral support with high platform for stability. Shank lined with natural suede. Reduced sole length eliminates excess at the heel. outsole aids with traction. Begin three sizes down from street shoe size. Refer to page 13 for further fit details. 3-8 B, C, D; E, 3-6 EE EUR (European Pink) As a Master Fitter, I know from experience that our range is all-encompassing our styles, and shank strengths takes into account dancers of all levels and ages as they achieve their ambition to dance through life. PTP (Petal Pink) ANITRA KEEGAN, MASTER POINTE SHOE SPECIALIST CAPEZIO, BALLET MAKERS 20 21

BODYWEAR: TB142 - White Tank Leotard TOP: CK1039W - Sandstorm Cropped Crossover Sweater BOTTOM: CK1028W - Dove Gray High waisted Shorts POINTE SHOES: Stella s own Capezio Made-To-Order A pointe shoe

12 BODYWEAR: TB142 - White Tank Leotard TOP: CK1039W - Sandstorm Cropped Crossover Sweater BOTTOM: CK1028W - Dove Gray High waisted Shorts POINTE SHOES: Stella s own Capezio Made-To-Order A pointe shoe should encase the foot so exactly that in performance it should feel like a natural extension of the foot. Here are key guidelines to achieve the best fit. 1 When it comes to model or style, the dancer may have a personal preference, or, if this is their first pointe shoe, their mentor or teacher may have suggested a particular style. If neither is the case, you will need to assess the foot and then review best models and styles with the dancer. 2 Assess the feet. First observe dancer s bare feet in the standing position. This will help determine the general shape, width and length of the foot. Next, view each foot in the pointed position. A pronounced arch will require a stronger shank and a less developed arch, a lighter shank. Fitting Pointe Shoes 3 Select a pointe shoe that most resembles the general shape of the foot. For example, broad pointe shoe styles are best suited to three toes of equal length (Roman foot) while toes that taper from the big toe to the little toe (Egyptian foot) lend themselves to tapered pointe shoe styles. 4 Apply the appropriate amount of toe padding and place the pointe shoe on the dancer s foot. Now, look at the overall fit of the pointe shoe in the standing position. It should be the same length and width of the foot being fitted. If the dancer cannot feel the internal edge of the platform, select a pointe shoe that s shorter in length. Next, check the width of the pointe shoe at the ball of the foot. The dancer should feel support at the ball of the foot with all five toes laying flat in the shoe. If needed, adjust the width until this is accomplished. 5 Fit each foot accordingly, variations in foot size and width are quite natural and should be anticipated. Sometimes two different pairs of pointe shoes (width or length) may be required to achieve an exact fit on each foot. 6 Recheck the width by asking the dancer to apply their weight to the platform, while keeping the other foot flat on the floor. If the pointed foot slides downward into the box, the shoe is too wide. Adjust accordingly. 7 Now check the length by asking the dancer to point the foot by applying their weight onto the box, then look at the back of the shoe. There should be a slight pinch of fabric at the back-strap just below the binding. This should disappear when the dancer is standing flat or in demi-plié. Adjust sizing until width and length requirements are met. 8 A properly fitted pointe shoe doesn t apply excess pressure on the foot or provide growing room. A pointe shoe that does not have a slight pinch at the middle of the heel cup when the dancer stands en pointe, is too small. 9 The dancer s mentor should approve the style and size before ribbons and elastics are sewn onto the new pointe shoes. Caring For Pointe Shoes 1 Air dry pointe shoes between classes, rehearsals and/or performances. Remove all padding material. A dry, warm or sunny spot is best for air drying. Once the shoe is dry, the box toe and the shank will return to a firmer state. Don t rush the process let pointe shoes air dry a minimum of 24 hours before wearing. 2 If possible, wait two days between wearings. This allows the pointe shoes to dry properly and prolongs their life. If you are dancing six days a week you should be rotating a minimum of three pairs of pointe shoes. For example, Monday s pointe shoe is used again on Thursday. 3 Pointe shoes like to breathe. Use a mesh bag for storage. TIP TO HELP DRY THE MANY LAYERS THAT CREATE THE BOX TOE, MAKE A SACHET OF RICE (OUR TIGHTS MAY BE USED FOR THIS), AND INSERT IT INTO THE BOX TOE. THE RICE WILL ABSORB ANY LINGERING MOISTURE

13 THE ANATOMY OF OUR POINTE SHOES Two elements that inform the technical performance and best fit of a pointe shoe are the shape and strength. The shape of a pointe shoe is determined by the last. This is the form that a shoe is made on. It determines the internal fit and shape of the pointe shoe. A different last is used for each size and width within a given style. The strength of the pointe shoe comes from the shank the spine of the shoe. Crafted from either leather board or red fiber board, the shank provides support to the arch and is located beneath the sock-lining. Capezio stock shanks range from #2 (light/flexible) to #7.5 (strong/supportive). Shanks may be skived (the thickness is reduced to provide flexibility) at the heel and or the ball of the foot. A dancer s strength, technical ability and the flexibility of their arch will determine the appropriate shank required. D STYLE SIZE SHANK SUPPORT 1142W 7M 3.50 J K A SOCK-LINING Either suede or a plush, rose-colored, anti-slip microfiber, the sock-lining covers the shank and bears the Capezio logo. B THROAT Located at the center-front of the satin upper, the throat is the open area of the shoe that encases the foot. Common throat shapes are round, V or U. E SIDE SEAM The satin upper is comprised of the vamp and two back-quarter sections and joined with a side seam. Side seams are double stitched with durable nylon thread. F WINGS Wings are an extension of the toe box and provide lateral support to the metatarsals. J BACK-STRAP The back-strap covers the heel s external center-back seam and adds stability to the upper. It is located vertically at the heel between the binding and the leather sole. K BACK QUARTERS The two symmetrical back-quarters are joined at the side and back seams to provide shape to the heel-cup and finish the upper. A E F C VAMP The vamp is the center-front of the box toe that covers the toes. It is measured from the top edge of the platform to, and including, the binding. A deep or long vamp provides greater support to the metatarsals and may help control a pronounced arch. A short or low vamp provides greater flexibility to the arch. The length of toes may dictate which vamp height is appropriate. D BINDING & DRAWSTRING Can be satin or elastic, the binding finishes the raw edge of the satin upper. The drawstring, made of elastic or cotton cording, is encased in the binding. Either drawstring may be pulled and knotted to help the upper conform to the foot. G CROWN The crown is the depth between the drawstring knot and the internal base of the shoe (shank surface). H BOX The box toe is comprised of multiple layers of natural fabrics, bonded together using Capezio s specially formulated paste. When hardened, the toe box provides support to the forefoot (phalanges and metatarsals) which enables a dancer to stand en pointe. I PLATFORM The platform is the flat end of the box toe. The platform creates a secure surface to stand en pointe. Platform shapes range from narrow to broad, high to low. L SOLE Made with genuine leather, the sole is a portion of the external bottom surface of the shoe. A shortened sole length ensures that the sole does not extend past the heel when the foot is pointed. Leather soles may be scraped for greater floor traction. M PLEATS / NO PLEATS The pleats are located between the sole and the platform edge, on the bottom side of the shoe. Certain styles forego traditional pleating; instead a stitched, fitted, pattern piece is used to shape the box toe on the last. B C I G H L M 24 25

BODYWEAR: TC0039W - Black Sunburst Camisole Leotard POINTE SHOES: Stella s own Capezio Made-To-Order The Finishing Touches There are many ways to sew on ribbons and elastics.

14 BODYWEAR: TC0039W - Black Sunburst Camisole Leotard POINTE SHOES: Stella s own Capezio Made-To-Order The Finishing Touches There are many ways to sew on ribbons and elastics. Here s a suggested approach. SEWING RIBBONS Cut pre-measured ribbon into four equal pieces. 2 Fold down the satin upper at the heel until it rests flat against the sock-lining. 1 SEWING ELASTICS Traditional placement is a single elastic strap across the instep placed inside the shoe just behind the ribbon. Two pieces can also be used and these should be sewn inside the upper, on the back-quarters of the pointe shoe, in a criss-cross placement. A teacher or mentor can suggest which is best. 1 3 Place the ribbon at the fold s edge on a slight angle toward the front of the shoe. On both sides of the ribbon, lightly mark the placement onto the shoe with a pencil. Do the same on the other side of the shoe. 2 To begin, measure the elastic. Put the shoe on and stretch the elastic across the instep to determine the necessary length. Leave ¾ on each side to sew into the shoe. Make sure it is taut and not tight. Cut to the desired length. 4 Sew the ribbon, shiny side out, to the inside lining and a cross the inside of the binding. Be careful not to catch the drawstring when sewing through the binding. - Leave roughly ¾ of ribbon inside of the shoe to secure sew all edges. - Sew the ribbons on a slight angle towards the front of the shoe within the pencil marks. - Stitching should not be visible on the satin surface. 3 To start sewing, position the elastic at a slightly forward angle so it rests flat against the ankle. If one larger piece of elastic is used, secure both sides of the elastic on the outside of the upper along each side of the back-strap. 4 Sew as you would the ribbons, making sure not to sew through or catch the drawstring. 5 Repeat steps 2 4 with the other pointe shoe. TIP WHEN ATTACHING RIBBONS AND ELASTICS TO STYLES THAT USE THE ROSE ED LINING A MEDIUM NEEDLE WITH A SMALL EYE WORKS BEST

Dover (pictured left)

HERO SIZES AVAILABLE Dover (pictured left) Durable man-made upper Dual-density EVA midsole Padded collar and tongue Extra cushioned insole with impact zone padding SRM610 (Women s) Medium 2-10,11,12 Ex