OGLEBAY INSTITUTE FOLK DANCE CAMP FALL 1t6~ DANCES TAUGHT BY: NELDA DRURY ' LA CAPSULA PASO DOBLE ~LA VARSOVIANA - ~~~

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2 OGLEBAY INSTITUTE FOLK DANCE CAMP FALL 1t6~ DANCES TAUGHT BY: NELDA DRURY ' LA CAPSULA PASO DOBLE 1.cf"1iL P~~ ~LA '- EL GATO VARSOVIANA - ~~~ --- r-v ~.., '- MOSAICO MEXICANO "MEXICAN MIXER JARABE PATENO AZUL CIELO LA DANZA DE LOS MACHETES "l(ft..db1 1 Instructors: Nelda Drury,

3 .ba CAPSULA / ( La Capsula - - Polka from Northern Mexico (Polka Nortena) Source: Taught by Sra. Alura Flores de Angeles of the University of Mexico Record No.: Peerless 45/8302, Formation: Couples in Ballroom position, Man with back to center. Step directions are for Man, Lady uses opposite foot, except where noted. Step 1. Step to the side with Left foot, in L.O.D., close Right foot to Left foot, Repeat side, close. The man continues to take 2 more side-close steps to his left, and at the same time turns the lady under their joined hands (lady should turn twice around, but If she chooses, just once> Cue words: Side, close, side, close, turn the girl, turn the girl. Do 4 of these Step 2. Northern Zapateado (Zapateado Norteno> This step Is al I done In place - - except for the turn, describe a very smal I circle. Step!or slight leap > onto Left foot, stamp on right heel, step on Left foot, click right heel (take no weight on It> Repeat starting on Right foot. Repeat al I (do 4 of these all-together> Turn away from partner with 8 steps!man to L, Lady to Rl As you step on the left foot, turn the right heel of the other foot way out (and in the air, but leave the toe on the ground) When you step on Right foot, turn left heel out Hands on waist, for woman, Hands behind back for man--look over shoulder and to heel as you turn - -Hips move too, Taguachlto style. Repeat a 11 Step 3. Cue words: Forward, forward, stamp forward, stamp back Step forward In LOD with left foot, than with the right foot. Keep weight on R, and stamp the left foot forward, then back. Repeat al I two more times, last one ends with a bounce on both feet. SI Ide back 4 sl Ides (against I lne of direction) Repeat a 11 Step 4. Face LOD, Brush Left foot in (to right of right foot>, brush left toe forward (out>, slap or brush left foot back, then cl Jck left toe behind rig~t heel. (during this, hop on right foot --tiny hops> slide forward 4 slides 8 stamp in place thus: left (accented, Right (heel only and I lghtlyl LEFT, right, LEFT, right, LEFT 4 slides back to place Repeat a 11 Step 5. In ballroom position and turning clockwise: 8 STAMP L, heel,!rl STAMP L, Heel R, STAMP L, Heel R ect. (5 morel 2 Instructors: Nelda Drury,

4 1.6. CAPSULA con t. 8 of same counterclockwise Repeat all!when changing direction, do a heel, cl!ck) Step 6. Repeat Step 4. $tep 7. Slide, forward 4, sl Ide back 4, sl Ide forward 4, back 4 End each with a bounce Then slide back al I the rest Alternate ending: (less dangerous) repeat step 1 Instead of the backward slides. "TOROS EN SAN JUAN" - a Paso Doble illq DOBLE 7 l Record: ECO 6347 L.P. La Cacahuata Starting position: Couples in bal I room position, man's back to center of circle. These directions are for Man - ladies use opposite foot. PART "A" - Step left, stamp R (by L.> Step Right, stamp L (by R.> Grapev ine (side L, front R, side L back R>, turn away from partner with 4 steps, L,R,L,R. Cdo not progress>, Man turns to L, lady to R>. Step, stamp, step, stamp (same as "A" 1. Pivot - in bal I room position End up facing L.O.D. Cuse 4 steps to pivot and 2 counts left over to step L & R.> PART "B" - 4 steps forward L,R,L,R Side L, close R, side L, close R. Pivot 4: L,R,L,R end back to center of circle Step side L, close Right, step side Left, close Right. Grapevine: side L, front R, side Left, back right. Man: Lady: step side Left, cross right in front of left and pivot around turning lady around him. 8 I lttle walking steps around man. PATTERN: A B A B B A B A B B 3 Instructors: Nelda Drury,

5 LA VARSOV I ANA,/ La Varsoviana Mexican Folk Dance Record FOLK DANCER NIH 1095 Presented by Nelda Drury FORMATION: Circle of couples facing counterclockwise in LOO. Couples in Varsouvlanne position two-steps forward starting with Left foot. 4 two-steps, man forward, lady turning to R,( lady holding skirt out with left hand>. Repeat two more times, end facing partner, both hands extended PUT YOUR LITTLE FOOT" step with lady turning. Man: Bring Left back in front of Right ankle, step Left, close Right (repeat two more times>. Last time add two steps ( L & R> and point L toe to L. Lady: Bring R back in front of L, step R, close L (repeat twice!. End with a turn to Right going under her right arm. Point R toe to R. Repeat 3 times. This step ls always in the same direction. End in ballroom position. 3. In ballroom position: Man turns backward to Left with 3 steps, places R heel to R. Lady; turns with a R,L,R,L heel. In this step dancers may kick up their heels as they do the turning. 4. Plain Varsovlan, no turns for the lady. This step is done to man's left, then to his right, there Is no turn for the lady. Back, step, close; back, step, closei back, step, step, step, point ( in other direction>. Repeat 3 times. End in bal 1- room position. 5. Repeat step Gent kneels on one knee, facing out, gives Right hand to lady. Lady gives Left hand to gent, takes skirt in Right hand. Lady steps around man. Man stands and lady turns to Left. Repeat. Left shoulder, lady's Right shoulder to. center of circle. does six waltz End with man's 7. Facing partner, holding both hands ( e~tended about shoulder high>. Varsovian ~ step into center, and out, with lady turning. Back, step, close; back, step, ~ close; back step, step, step, point out. Lady turns to R on the last three of those steps. ( don't drop inside hands.i Repeat out, repeat al I. End with Gents facing out, ladies in. s. Jumping step: Gents put hands behind back, Ladles hold out skirts: Point Right toe In front while jumping on L foot. Point 3 times and then change feet; Repeat with Left foot, Repeat wl th Right foot, Repeat with Left but point only 2 t Imes, then cross Left foot over Right and turn to Left. Repeat al I. 9. Repeat step 2 going always in the I lne of direction. 4 Instructors: Nelda Drury,

6 El Gato - A dance from Uruguay Presented by Nelda Drury Record: Ballando Folklore con los Hnos Abalos RCA Victor AUL 3129 Formation: Couples in straight I ines (Contra) Facing Partners Introduction: Each turns sl lghtly to R, L shoulder towards partner. Quick sharp claps J ~) )' ))'etc. Dance commences at the call "Adentro". Part - BIG CIRCLE (8 measures) The basic step for this dance is a two-step turned slightly to the R start with L foot. shoulder high. Snap fingers. Describe large circle (CCW>. Do 4 two-steps to partner's place. Do 4 two-steps to own place. (step-close-step). The body Arms are up and out to side, Part I I - SMALL CIRCLE Do 4 two-steps in a smal I circle CCCW>, dip R shoulder as you pass near partner (on second two step>. Part II I - ZAPATEADO Men's Zapateado (cue words: heel, brush, heel, heel, stepl. Click L heel, brush R toe back, cl lck L heel, stamp R heel step R. Repeat starting with R heel. <This Is real version;> Easy Version: Brush left toe back, stamp L heel, step left Rhythm. slow, quick, quick. Repeat with R foot. Man's hands to side or behind back. Meas. Ladles hold skirts out to side. Describe a sma 11 diamond. 1 Step diagonally fwd R with L ft. close R, step L. 2. Step diagonally fwd to l with R, close L, step R. 3. Step diagonally back and to l with L, close R, step L. 4. Step back to place with R, close L, step R. Part IV - Half circle to partner's place. Repeat "two-step" to opposite s_lde (4 two-steps> ~)R 3~ I R. ~ y. 1- Part V - Men repeat Zapateado. ladles do diamond figure. Part VI - Ending: Small circle (as In Part Ill. Give R hand to partner and do a sl lght bow. Repeat al I, starting at partner's place and ending at own place. NOTE: Al I two-steps are done with arms up. During "Zapateado" figure men drop arms, hands behind back. Lady holds skirt out. 5 Instructors: Nelda Drury,

7 MOSAICO MEXICANO Mosaico Mexicano Folk Dancer MH 1096 Couples side by side al I facing front. PART 1: Man move to left, ladies to right, away from partners. Girls have hands on their skirts, men have hands behind their backs. The step is jump, step, touch. Man would do Jump left, step right, touch L toe Lady would do Jump right, step L, tourn R toe Do the above step twice, then turn once, men to left, lady to right and stamp once. Repeat the same figure, but moving towards partner. Then repeat once more away from partner. Then repeat again towards partner but on the last stamp face partner. The cue for this figure is: Jump away, Jump away, turn and stamp Jump in, Jump in, turn and stamp Jump away and Jump away, turn and stamp Jump in and Jump in, turn and face partner. PART 2: Facing partner, Facing partner, Facing partner, Facing partner, STAMP ONLY ONCE move move move to own right, 3 steps, R,L,R, and stamp left heel to own left, 3 steps, L,R,L, and stamp right heel to own right, 3 steps, R,L,R, and stamp left heel move to own left, 3 steps, L,R,L, BUT NOW FACE FRONT AND AT THE END. twice. twice. twl ce. PART 3: CHIAPENECAS STEP: Step chug on left foot, and place right foot forward. Step chug on left foot and place right foot back. Step chug on left foot and place right foot forward. Step chug on left foot and place right foot backward. Step chug on left foot and place right foot forward. Step chug on left foot and place right foot backward. Now take 4 small chugging steps forward LRLR and PAUSE I Now repeat the same step as above but step-chug on right foot and put left foot forward and back, and at the end Instead of moving forward, move backwards Instead. Now turn away from partner with 2 slow steps making a complete turn and finish facing front with 4 steps stamping in place. Repeat turning towards partner and stamping 4 times. Now move away from partner with this step. LADY: Step on right foot. Touch left heel by right foot, place left toe on flooral lght to side to left with momentary weight on it and continue In this manner. a step-heel toe a step-heel toe. NIAN:. Stp on left foot, place right toe by left foot, then step on left toe. At the conclusion of this step both stamp In place 4. Turn Inwards as before and stamp 4, then turn outwards and stamp 4, then do the step-heel-toe step moving towards each other sidewards and on the last part Instead of 4 stamps, face partner and move backwards away from each other. PART 4; FIGHTING ROOSTERS: Place right toe forward, then back, then move into the next position marked :fl: 2 on diagram, that ls dlagon.al ily fo.rward to right. Then p1ace left toe forward and back, and move into partner's original place with 3 running steps. Now with left shoulders leading 6 Instructors: Nelda Drury,

8 MOSAICO MEXICANO con 1 t. do 7 pushing steps to meet In middle and face partner and now with right shoulders leadlng do 7 push steps to own original place. Repeat this figure. Now turn Inwards once around, then outwards once around, then inwards twice around and join inside hands and take about 4 walking steps backwards. Move forward with the right foot "scuff Ii ng" about 8 forward and then separate into a big loop, lady to R, man to L, face partner and bow. MEXICAN MIXER Mex I can Mixer A Tex-Mex Dance Music: Use any good Mexican Polka such as "Las Perlitas" AFLP 1898 Viva Mexico; "Atotonl co" Columbia EX 5110 Maraachi: The Sound of Mexico. Other usuable records are: RCA Record on LPM 1619 or the 45 RPM of same; Vienna Two Step. FORMATION: Couples in a circle, In promenade position, facing I ine of direction. Hands are crossed Jn front, girl's R hand Jn Gent's R, Left in Left. PART I: Gent starts on Left foot, lady on Right foot. Take 4 steps In the I ine of direction. Turn to face partner, but continue in the same direction. Step to side with Left foot, step with Right behind Left foot, Step with Left to Left. Lady does the same but starts with Right foot. To make this easier to teach use this technique: Walk 4 <CCW around the ringl forward. Without dropping hands turn inwards and face other direction and walk backwards but still moving in a CCW direction around the ring with a 1,2,3,touch outside toe. Finish Part facing partner joining Right hands. PART 2: Single circle formation, with al I holding partner by Right hand and and the other person by the Left hand. Al I balance forward and back!men wil I be moving away from center, ladles to the center.>. Now hold RIGHT HANDS only with partner and with that person turn halfway around. Now rejoin hands in single circle formation again. This time men are facing center, girls have back to center. Balance forward and back again, but this time turn LEFT HAND person by Left hand half way around, and this wil I be your NEW partner. Immediately cross hands with this new partner and begin dance moving forward side by side as in Part I. Do the steps in a strutting Mexican manner. Have fun. The dance presented by Nelda Drury. 7 Instructors: Nelda Drury,

9 JARABE PATENO Jarabe Pateno t"l\ex i can dance from the State of Coahuila Record Folk Dancer MH 1105 Presented by Nelda Drury Formation: Partners facing, but separated as in Jarabe Tapatio. This dance uses the melody of the song 11 Patito, patlto, color de care 11 Pato means duck and in the first step the girl flips the back of her skirt to resemble a I lttle duck. That is why this dance is cal led the Jarabe of the Duck. I. Eight "duck" steps: 8 across, 8 back to place. Leap diagonally forward with Right foot, bring Left close to rt, chug back with both. Repeat diagonally to left starting with left foot. 2. Horse gal lops; Raising Right knee high, and leading al I the time with the Right foot, do: 8 gal lops across, 8 turning to Right <1! around>. 8 gal lops back to place, 8 turning to Right. 3. This step Is to the 11 cancion 11 or song, and there are four vamps to prepare for it. Step side to L, to R, to L, to R. Dancers get closer to each other. The basic step Is: Step L, hop L, (raising right kneel brush or slap right foot slightly In front of L. <The "brush" Is twds. self>. A. Here Is the floor pattern: 2 twds partner (turn Lon end of secondl, 2 back to place, 2 to get turned around, end with 4 stamps In place. Repeat. B. Straight across to the other side: Step L, hop L, slap R, chug R, cl lck L; step, hop, brush; (three more step hop brush>; and end with 4 stamps. Repeat back to place. c. Repeat "A". 4. Bounce and kick step: Bounce on both feet; while hopping on L bring R foot In front of L knee - while hopping on L, kick R foot fwd. Repeat bringing R foot in front and out. Do 8 of these in place facing partner, then turning to R 14l and then turning to L (4l. 5.!Atolal steps: 8 across, 8 back to place thus: Step forward R, close L, step R; step forward L, close R. step L. 6. Zapateado: <"Zapato" means shoe-zapateado means fast shoe workl. Start facing slightly to the Right. Stamp L, heel R, toe Ir>; stamp L, heel R, toe R; Stamp, L,R,L.!Turn on stamps to face partly to the left>. Repeat starting w I th R i g ht foot 7. Side-to-side steps; Do 8 of these in place alternating from R to L. Step to the Right, bring left behind, step R. Step to the Left, bring Right behind, step Left. 8 Instructors: Nelda Drury,

10 Jarabe Pateno con't. 8. Zapateado 11. Stamp, Stamp, Stamp, Jarabe!do this 3 times) and with Jarabe, Jarabe and stamp. Or you can count it I Ike this: R~L,R, 1~2-3, L,R,L, R,L,R, 1-2-3, 1-2-3, 1-2-3, 1-2-3, stamp. 9. Repeat "Atole'' steps (step 5l across, 8 back to place. 10. Zapateado L (Repeat step 6l. 11. Bounces. (repeat step 4> 8 around partner, 8 back to original side - where you first started dance), Ending: Turn away from partner, two turns In towards partner, and facing audience with the girl on right side, her left hand in his left, gent places right hand around the girl's waist, step on L, point R. 9 Instructors: Nelda Drury,

11 ~ CIELO Mexican Schottische from the Northern Part of Mexico Source: Taught by Alura Flores de Angeles at Texas Folk Dance Camp Record No.: RCA Victor Formation: Couples in bal I room position, Man's back to center, Lady facing Directions are for Man. Lady uses opposite foot Step 1. Grapevine step in slow, slow, quick, quick, slow rhythm Step to side with left foot (slow) Step behind with Rt. foot (slow) Step side Left (quick), cross right foot in front of left (quick> Step side Left (slow) Step behind with the right foot (slowl Step side with left (slowl Cross right foot In front of left (quick) Step to left with left foot (quick> Close bring both feet together Repeat in opposfte direction. REPEAT ALL Step 2. STEP~HOPS in Bal I room position Man starts with left foot and does 6 step-hops in c.c. direct Jon (In place) end with the stamps: le~ t, right, left. <Lady starts on right at same time) Reverse - - starting with Man's right, and turning c. C. W. REPEAT ALL Step 3. In semi-open Bal I room position: both face I ine of direction Point inside heel fwd., point same heel back, (man L, woman R.l Walk 3 steps fwd. (in L.O.D.l Repeat in same direction, with outside foot --f inlsh with ~ turn to face opposite direction <against L.O.D.l Repeat going back to place Step 4. Repeat step 1 Step 5. <Rocking Step l hop on R, place hop on L, place CRockl L-R-L hop L, place R behind hop R, place L behind CRockl R-L-R Holding hands-(sai I or's Hornpike step or Seimse Bl L behind R behind face L.O.D. stamp man's right three times <women's leftl Repeat sl!de-close towards "home 11 position and with stamp. slide - close - slide - close pivot or turn to face other way Do this step 4 times in al I. Step 6. Repeat Step #1. 10 Instructors: Nelda Drury,

12 .b.a ~ ~.b.q. N\ACHETES Musrc: El Potorico!Sword Dance) Formation: A girl between two men. Man has a machete In each hand. The one in the R goes up; one in L, blade down. Al I face to Right (with left shoulder towards front>. Step 1. Entrance: Do 8 "push" steps forward. (Thus: step right, close L foot to right, etc. I fke a buzz steps wfthout turning I. 8 "buzz" steps turning Right 8 "push" steps with men changing places - lady does two pas-de-basque steps back, 2 steps back to place. 8 "push" or "buzz" steps turning right. Step 2. Man: Bounce on both feet, clash knives, Ifft R knee and clash knives under It. Bounce on both feet LI ft I e ft knee Clash knives under It. Bounce, clash in front Lift left knee, clash under It. Repeat facing front. Repeat 2 times more turning Right. Girl: Does pas-de-basque around man on Right, then man on left. Step 3. 8 "push" steps forward 8 turning right 8 crossing to other place (lady goes back, then forward) 8 turning right. Step 4: Lady stays back (out of the wayl about 3 feet. She spins to right with buzz steps, right hand In air. Repeat to left. Repeat al I. Men face each other - Bounce on both feet, clash In front Bounce on left, I lft right knee, clash under It Bounce on both f~~t, clash In front Bounce on right, I ift left, clash under rt. Bounce on both feet, clash In front Bounce on left, I ift right, clash behind back Bounce on both feet, clash In front Lunge forward and strike other man's sword (right) Repeat Repeat 2 more times turning right Presented by Nelda Drury, 11 Instructors: Nelda Drury,

13 OGLEBAY INSTITUTE FOLK DANCE CAMP FALL 1969 DANCES TAUGHT BY: AL SCHWINABART ALA BAM MY OLD KENTUCKY HOME HEARTACHES BY THE NUMBER JAPANESE SANDMAN MADONNA MENTAL JOURNEY RIDE, RIDE, RIDE YOUR THE CREAM IN MY COFFEE NEEDHAM SPECIAL RED RIVER TBAIN ~INDEPENDENCE DAY JIG /UMMER SOUNDS 12 Instructors: Nelda Drury,

14 ALA BAM ~ Earl Johnston Grenn, P. O. Box 216, Bath, Ohio Intro-Break Ending Allemande Left, Allemande Thar; Go right and left make a Star; The men in the middle with the right hand in; Roll down the line; Shoot that star and away you go; Walk right and left do a Do-Pas-0; Her by the left; Corner by the right; Your partner by the left; A full turn round to the right hand girl do a Right and left Grand; When I get ready to leave this earth I want to look back on nzy- moneys worth Promenade your girl You take her back to Alabam Figure: Walk all around your corner Joe Turn partner left a Do-Pas-0 Partner left Corner by the right Your partner by the left Put the ladies center back to back Gents to the right on the outside track Once around you go To the same little girl Turn her by the left hand round now head to The corner box the gnat 13 Instructors: Nelda Drury,

15 ALABAM - cont 1 d Do a right and left grand When I get ready to leave this earth I want to look back on my moneys worth Meet your girl with a do-sa-do and promenade You take her back To Alabam. MY OLD KENTUCKY HOME 11.Y.!_ Ray Bohn, Louisville, Kentucky ~ P. 0. Box 216, Bath, Ohio Intro, break, ending: (Intermediate level dance) Four ladies chain across tonight while the moon is shinging bright Chain back to my old Kentucky home Circle left and bye and bye hard times knockin' on the door Left alemande, to the partner bow, then weave around the ring Singing weep no more my ladies Partners swing and then you promenade And we'll sing one song for my old Kentucky home For my old Kentucky home far avvay Figure: Head (side) couples promenade halfway, sides a right & left thru I say Heads (sides) lead right, circle four, and make a line Forward eight and back you reel, pass thru, then wheel and deal Center four swing thru, box the gnat and pull on by Left alemande, go home, do sa do around your own Corners swing and then you promenade And we'll sing one song for my old Kentucky home For my old Kentucky home far away Intro, break, ending: (easy level dance) Same as above Figure: Heads (sides) go right and left thru by twos, turn the girl and then star thru Pass thru, split two, around one, and make a line for me Forward eight, eight fall back, box the gnat and pull on by Left alemande, go home and do sa do, and to the corner: swing All four ladies promenade inside the big old ring Partners box the gnat, and then let's promenade And we'll sing one song for my old Kentucky home For my old Kentucky home far away 14 Instructors: Nelda Drury,

16 HEART ACHES BY THE NUMBER Composers: Lee and Rita Kenney, Hazardville, Conn. Record: Decca #25642 Position: Open-facing, M 1 s bk to COH for Intro. Opposite footwork, directions for M. Meas. INTRODUCTION 1-4 WAIT; WAIT; APART, -, POINT, -; TOGETHER, -, TCH, -; Standard Intro. Wait 2 meas; Apart L, -, point R, -; Step tog R, -, Tch L to SCP, -; Part A 1-4 FVID TWO-STEP; FWD TWO-STEP; TURN TWO-STEP; TURN TWO-STEP; (1) In SCP one two-step IN LOD (L, R, L, -); (2) In SCP one two-step in LOD (R, L, R, -); (3) Two-step turn to face RLOD (L, R, L, -); (4) Two-step turn to face LOD in SCP (R, L, R, -); 5-8 FWD TWO-STEP; FWD TWO-STEP; HITCH; HITCH; (5-6) In SCP do 2 fwd two-steps in LOD (L, R, L, -; R, L, R, -) (7) In SCP fwd L, close R, bk L, - (L, R, L, -); (8) In SCP bk R, close L, fwd R, - (R, L, R, ); 9-16 REPEAT PART A :MEAS 1 thru 8. INTERLUDE 1 SIDE, -, CLOSE, -; (1) Side L twd LOD to face Win Bfly-Pos M's bk to COH, -, close R to L, - (draw R ft slow count to left - use a snap motion on close); Part B FACT, TO, FACE,-; ROCK, -, REC, -; FACE, TO, FACE, -; Rock, -, REC, -; (17) In Bfly side L, close R, side L, -; (18) R XIF of L (W XIF) release M 1 s L hand and rock twd LOD, -, recover on L to face ptr in Bfly-Pos M's bk to COH, -; (19) In Bfly-Pos side R, close L, side R, -; (20) L XIF of R (W XIF) release M's R hand & rock twd RLOD. -, recover on R to face ptr in Bfly-Pos M 1 s bk to COH, -; BOX TWO-STEP BOX TWO-STEP CHANGE SIDES 2 - FACE 2 21 In Bfly-Pos L, close R, fwd L, -; 22 Side R, Close L, bk R, -; (23) Release M 1 s R hand & in one two-step change sides passing left shoulders; (24) Continue on around in a two-step to face Bfly-Pos, M facing COH; REPEAT INTERLUDE TWD RLOD REPEAT PART B, MEAS 17 thru 24 TWD RLOD- end in Bfly-Pos M's bk to COH. REPEAT INI'ERLUDE TWD LOD SEQUENCE: A-A- INTERLUDE-B-INTERLUDE-B-INTERLUDE-A-A-INTERLUDE B-INTERLUDE-B-INTERLUDE-A-INTERLUDE-B-INTERLUDE--STEP apart and acknowledge (M facing COH) Instructors: Nelda Drury,

17 JAPANESE SANDMAN Dance: Ralph & Jeanette Kinnane, Birmingham, Ala. Green - P. 0. Box 216 Bath, Ohio Position: Open facing for Intro. Dance: Closed Pos. Footwork: Opposite, directions for M INTRODUCTION Meas. 1-4 WAIT; WAIT; APART, -, POINT, -; TOG, -, TCH (to CPM fcg LOD), -; Standard Ack; Dance S FWD, -, FWD, -; SIDE, CLOSE, BK, -; BK, -, BK, -; SIDE, CLOSE, FWD, -; 1. In CP step fwd on L, hold 1 ct, fwd on R, hold 1 ct; 2. Step to side on L, close R to L, step bwd on L, hold 1 ct; 3. Step bwd on R, hold 1 ct, step bwd on L, hold 1 ct; 4. Step to side on R, close L to R, step fwd on R, hold 1 ct; FWD, -, F'Vffi, -; SIDE, CLOSE, CROSS, _: SIDE, CLOSE, THRU, -; PIVOT, -, 2, -; 5. REPEAT action of measure 1 above; 6. Step to side on L, close R to L, cross L over R (W XIB) to SCar Pos, hold 1 ct; 7. Step to side on R, close L to R, step thru on R. to SCP (W XIF), -; 8. Taking CP pivot RF in 2 slow steps L, R, to end in CP M facing LOD; REPEAT action of Meas 1-S to end in CP M fcg wall; SIDE, CLOSE, FWD, -; ROCK F'Vffi, ROCK BK, ROCK F\ ffi, -; SIDE, BEHIND, SIDE, -; ROCK FWD, ROCK BK, ROCK FWD, -; 17. (~box) step to side on L, close R to L, step fwd on L, hold 1 ct; 18. Rock fwd on R, bk on L, fwd on R, hold 1 ct; 19. Taking BFly Pos step to side on L, behind on R, to side on L, (W XIB also) hold 1 ct; 20. Turriing to OP & pusj:1ing joined thru rock ft.id on R, bk on L, f1.. Td on R, hold 1 ct; SIDE, CLOSE, SIDE, CLOSE; SIDE, -, THRU, -; SIDE, BEHIND, SIDE, THRU; TWIRL, -, 2, -; 21. Turning to face ptr in CP step to side on L, close R to L, step to side on L, close R to L; 22. Step to side on L, -, step thru on R to SCP, -; 23. (Vine) turning to l.oose GP step to side on L, behind on R, to side on L, thru on R to SCP; 24. M walks fwd 2 slow steps L, R, as (W twirls RF in 2 slow steps R., L, under her R & M 1 s L hands); FWD '1'\fO STEP; FWD '1''10 STEP; TURN AWAY, -, 2, -; TOG, -, 2, -; In SCP do 2 fwd two-steps;; Turn away from ptr (M LF & W RF) & back tog in 4 slow steps L, R, L, R to end in CPM fcg wall;; SIDE, CLOSE, SIDE, CLOSE; SIDE, -, THRU, -; TURN TWO STEP, TURN TWO STEP; REPEAT action of meas 21 & 22 above;; Do 2 RF turning two steps to end in CP M fcg LOD;; DANCE GOES THRU TWICE - Second time thru end in SCP fcg LOD. ENDING: FWD '1'\fO STEP, F 'l'id '1'\fO STEP; SIDE, CLOSE, SIDE, CLOSE; SIDE, CLOSE, AWAY/PT, -; 1-2 Do 2 twd two step;; 3. Repeat action of meas 21 above; 4. Step to side on L, close R to L, step bwd twd COH on L at same time point R twd ptr, hold 1 ct. 16 Instructors: Nelda Drury,

18 MADONNA Dance by: Bob and Betty Dean, Central Valley, Calif. Grenn, P. 0. Box 216, Bath, Ohio Position: INTRO: Open-fcg M facing wall; DANCE: Bfly M fcg wall; Footwork: Opposite directions for M except as noted. INTRODUCTION Meas 1-4 WAIT; WAIT; APART, POINT, -; TOG (to Bfly), TCH, - ; Wait 2 meas in Open-fcg Pos M fcg wall; step apart on L, point R twd ptr, -; step tog on R assuming Bfly pos M fcg wall, tch L to R, -; PART A 1-4 WALTZ AWAY; WALTZ TOG (LCP); (VINE) SIDE, BEHIND, SIDE; THRU, SIDE, CLOSE; From Bfly f cg wall release lead hands and waltz fwd LOD turning slightly away from ptr L, R, L; waltz fwd turning twd ptr R, L, R, to end in loose CP; Vine LOD swd L, behind R (W XIB), swd L; step thru LOD on R both XIF face ptr in CP step swd on L, close R to L; 5-8 DIP BK, -, -; MANUF, 2, 3; (RF) WALTZ TURN; (RF) WALTZ TURN (to Bfly); CP M fcg wall dip bwd twd GOH on L, -, -; M maneuvers R, L, R to end CP M fcg RLOD; starting bwd on M's L do 2 RF turning waltzes blending to end in Bfly M fcg wall; 9-16 REPEAT action of Meas 1-8 end in CP M fcg wall; PART B SIDE, TCH, -; SIDE, TCH, -; DIP BK, -, -; TURN TO SCAR; CP M fcg wall step swd LOD on L, tch R to L, -; step swd RLOD on R, tch L to R; dip bwd twd GOH on L, ~, -; M manuv steps diag fwd on R, steps swd L turning~ RF to face RLOD in CP, closes R to L blending to end in SCar pos M fcg diag RLOD & GOH; TWINKLE IN; TWINKLE OUT; TWINKLE IN; CROSS, TCH (to CP), -; From Scar M fcg RLOD do 3 twinkle steps prog RLOF by stepping L XIF twd GOH (W XIB), swd R, close blending Bjo; step R XIF twd wall (W XIB), swd L, close R blending to SCar; step L XIF twd COH (W XIB), swd R, close L blending to Bjo; step XIF twd wall (W XIB), tch L to R blending to CP M fcg RLOD, -; (RF) WALTZ TURN; (RF) WALTZ TURN (to Bfly); WALTZ AWAY; WALTZ TOG (Bfly); CP M fcg RLOD starting bwd on M 1 s L do 2 RF turning waltzes blending to end in Bfly M fcg wall;; release lead hands and waltz fwd LOD turning slightly away from ptr L,R,L; waltz fwd turning twd ptr to end in Bfly M fcg wall; (OP) STEP, SWING, -; SPIN/MANUF, 2, 3; (RF) WALTZ TURN; (RF) WALTZ TURN (to Bfly); From Bfly step on L turning to Open pos fcg LOD, swing R fwd, -; as M maneuvers RF in 3 steps R, L, R he leads W into a LF solo spin to end in CP M fcg RLOD, starting bwd on M's L do 2 RF turning waltzes blending to end in Bfly M fcg wall;; SEQUENCE: INTRO - A - B- A - B ENDING: After completing Part B the last time step APART on L, POINT R twd ptr. 17 Instructors: Nelda Drury,

19 Called and Written by: Windsor Records #4906 OPENER - BREAK - CLOSER: MENTAL JOURNEY John Shallow 312 Navajo Spring Road Diamond Bar, Calif D FOUR LITTLE LADIES PROMENADE, INSIDE THE BIG OLD RING GET ON HOME, SWING THE LADY ROUND, AND THEN JOIN UP HANDS AND CIRCLE LEFT, GO WALKING ROUND THE RING LEFT ALLEMANDE, THEN WEAVE THE RING I'M JUST TAKING A MENTAL JOURNEY MEET YOUR OWN A DO SA DO THEN PROMENADE DON'T BE ALARMED, CAUSE I MEAN YOU NO HARM I'M JUST WALKING WITH THE MEMORIES OF MY MIND FIGURE: FOUR LITTLE LADIES CHAIN, ABOUT THREE QUARTERS ROUND YOU GO TURN THE GIRL - -, THEN 1 & 3 (2 & 4) SQUARE THRU FOUR HANDS AROUND, GO ALL THE WA'! AROUND DO SA DO WITH THE CORNER GIRL AROUND YOU GO, SWING THRU GIRLS CIRCULATE, BOYS TRADE, AND TURN THRU LEFT ALLEMANDE, COME BACK AND PROMENADE DON'T BE ALARMED, CAUSE I MEAN YOU NO HARM I 1 M JUST WALKING WITH THE MEMORIES OF MY MIND S~UENCE: OPENER-FIGURE TWICE FOR HEADS-BREAK-FIGURE TWICE FOR SIDES-CLOSER 18 Instructors: Nelda Drury,

20 ~ Johnny Davis RillE, RmE, RmE 0 Grenn, P. 0. Box 216, Bath, Ohio Intro Walk all around the corner gal, see-saw round your pet Men star by the right and turn it once around the set Allemande left the corner, walk on by your own Right hand round the right hand gal, and a left around your own Four Little ladies chain now, go straight across the land You chain 1 em right on back and promenade again (refrain) If you don't want me honey, if you 1 re not satisfied If you don't care get on your horse and ride, ride, ride. Figure #2 First and third you lead to the right and circle round the track Head men break and make a line go up to the middle back Pass thru, wheel and deal, double pass thru First couple go left, next couple go right, and do a right and left thru Star thru, pass thru, corner lady swing Swing that gal go up and down and promenade and sing Ref rain Middle Break Four little ladies chain now, go straight across the ring You chain 1 em right on back and turn your own again Walk all around the corner, see-saw round your own Men star by the right and turn it once around you roam Allemande left the corner, come home and do-sa-do Le~ allemande the corner, then promenade your own Ref rain ENDING Walk all around the corner gal, see-saw round your own Men star by the right and turn it once around you roam Left allemande the corner go home, and box the gnat Four little ladies promenade go once around the track Get back home do a do-sa-do go all the way round and then Left allemande and come back home, you promenade again Ref rain 19 Instructors: Nelda Drury,

21 12x1. Ray and Elizabeth Smith R..~ 1. Marietta, Pa YOU 1 RE THE CREAM IN MY COFFEE Position: Open Facing Ptr for Into, Open Facing LOD for Dance. Footwork: Opposite throughout. Directions for M. INTEODUCTION Meas WAIT; WAIT; APART, -, POINT, -; TOGETHER, -, TOH, -,; (To OP) 1-2 In OP M facing wall wait 2 meas;; 3-4 Step bk on L, -, point R, -; Tog on R to OP facing LOD, -, tch L, -; DANCE FlrID TWO-STEP; F1rID TWO-STEP; (Scis away) SIDE, CLOSE, CRDSS, -; ARotJND, 2, 3, -; 1-2 In OP start M 1 s Land do 2 fwd two steps LOD;; 3. Retaining handhold step away from ptr (swd) L, close R, XLIF of R (W XIF) to bfly-bjo M facing wall,, -; 4. Start on M 1 s R and both moving fwd rotate clockwise around each other in 3 steps R, L, R - end in bfly pos M facing COH; (Hitch) APART, CLOSE, TOG, -; AROUND, 2, 3, -; VINE, 2, 3, 4; WALK, -, 2, -; 5. With both hands held hitch apart on L, close R, tog L,, to Scar pos -; 6. Rotate counterclockwise around each other in 3 steps R, L, R, - to end in bfly pos M facing wall; 7. Vince LOD L, R, L, R to OP; 8. In OP walk LOD L, -, R, -; fili:t>.,..,at ACTION OF MEAS 1-8, ending in bfly pos M facing wall; VINE, 2, 3, TCH; Vine, 2, 3 TCH (W Wrap); Unwrap 2, 3, TCH, Change Sides, 2, FACE, TCH; 17. With both hands joined in bfly pos step side L, XRIB of L, side L, tch R; 18. As M v-ines bk BI.OD R, L, R tch 1 bring joined hands M's Land W 1 s R around over W 1 s head turning W LF into wrap pos with M's Land W's R bands joined in front, M's Rand W's 1 hands joined at W 1 s hip to end both facing LOD; 19 Releasing M 1 s Land W's R hands M step in place L, R, L tch Las W unwraps twd wall R, L, R tch R to end M facing ptr and wall M 1 s R and Wts L hands joined; 20. Under joined M1 s R and W 1 s 1 hands change sides M turning RF (W LF R, L, R, tch R to end in bfly pos M facing GOH; VINE2, 3, TCH; VINE, 2, 3, TCH (W Wrap); UNWRA.P,2, 3, TCH; CHANGE SIDES, 2, FACE, TCH; Repeat action of meas in RLOD to end in CP M facing wall;;;;; SIDE, CLOSE, FWD, -; SIDE, CLOSE, BK, -; (Hitch) Bk, CLOSE, FWD, -; SIDE, CLOSE, CROSS, -; (Box) step side L, close R, fwd L, -; side R, close 1, bk R, -; 27. (Hitch bk) step bk twd COH on L, close R, fwd L, -; 2S. Step side RLOD on R, close L,, XBIF of L (W XIF), -; 20 Instructors: Nelda Drury,

22 YOU 1 RE THE CREAM IN MY COFFEE cont 1 d (Slo) SIDE, -, BEHIND, -; SIDE, CLOSE, SIDEJ -; DIP Il~, ~ RECO\TER, -; SIDE, CLOSE, THR.U, -; 29. Step side LOD L, -, XRIB of L (W XIB), -; 30. Step side LOD L, close R, side L, -; 31. Dip in twd GOH on R, -, recover on L, -; 32. Step side RLOD on R, close L, XRIF of 1 (W XIF), -; BRIDGE 1-2 Twirl, -, 2, -; Walk, -, 2, -; 1. As M walks LOD L, -, R, - W does RF twirl under joined lead hands; 2. In OP walk LOD L, -, R, -; SEQUENCE: INTRO - DANCE - BRIDGE - DANCE - ENDING ENDil~G 1 TWIRL, 2, APART, POINT; 1. As M walks LOD L, R W does RF twirl under joined lead hands in 2 counts R, L, step apart on L, point R: (W apart on R, point 1) 21 Instructors: Nelda Drury,

23 By Herb Gaudreau NEEDHAM SPECIAL 11 Even number of couples. 1,3,5, etc. cross over at start of dance. Automatic cross over. 11 In your 1 i nes go forward & Beek". This is given during the introduction. Forward, back away then Pass thru and-turn around With L hand lady swing and away Down the floor four in 1 ine Ca 1 i forni a twirl When U get below Bend the line The ladies chain Chain em back across the set Then everyone pass thru With L on right Promenade home In your lines get ready, go. OPENER-BREAK-CLOSE "RED RIVER 'frain 11 -r=ri pf Hoedown "OLE SALLY" NOW YOU BOW TO YOUR PARTNER SWING 'ER ROUND NOW *ALLEMANDE LEFT WEAVE THAT RING YOUR' RE GONNA GO WEAVE IN AND OUT GO DOWN THE VALLEY PROMENADE WITH THIS RED RIVER GIRL BACK RIGHT OUT FOUR LADIES CHAIN THE VALLEY ROLL AWAY WEAVE BY ONE SWING THE NEXT PROMENADE GO DOWN THRU THE VALLEY YOU SWING ON THAT RED RIVER TRAIN FIGURE: ONE & THREE PROMENADE GO ROUND THE VALLEY HALF WAY ROUND LEAD TO THE RIGHT CIRCLE FOUR MAKE A LINE GO UP AND BACK THEN YOU STAR THRU PASS THRU SWING THAT RED RIVER GAL *JOIN UP HANDS CIRCLE LEFT GO DOWN THE VALLEY 22 Instructors: Nelda Drury,

24 RED RIVER TRAIN - Con't. DOSEY AROUND THAT CORNER COME ON HOME & SWING YOU PROMENADE YOUR DARLING THRU THE VALLEY THEN YOU SWING WITH YOUR RED RIVER GIRL TAG: YES YOU'VE BEEN ON THAT RED RIVER TRAIN *Note to callers: To get best results & Have a ba11 with this dance, vary pitch or do ha~mony-part-on-these-1ines-to end-of-verse, then go to normal voice. INDEPENDENCf\.QAY JIG I By Herb Gaudreau (Original-idea of Dick Forschr) NOTE: Here's a novel and easy line dance that always creates fun. Better walk the dancers because of that ''jig thru square" that takes a full 16 counts and wi 11 surprise them. Instead of "lst,3rd,5th~etc. cross over" just lead heads to the right circle to a line, chain across and whirl.. to a half sashay-(from squared;.;.up positions), then close up the sets into long-lines~ Watch that last 11 pu ll-by 11 in the-square-thru part, because they will then star right working with the one they just pulled by, and the couple directly across the line from them. Girls must do a quick-left-face turn to get there. Single Progression - 1st, 3rd, 5th, etc., cross over (or see above) With the left hand lady swing" This call during intro. Round and round you go Once around on heel and toe One, two and a one two three One, two and a one two three *Cross at the head cross at the foot *Call every other time through. Then the same four circle now Same four, jig square thru go (16 cts.) One two and a one two three Jhen pull them by and star by the right Then a left hand star the other way back Then the same two ladies chain Then chain em back same track With the left hand 1 ady swing. 23 Instructors: Nelda Drury,

25 MacGregor #2051 Music by: Frank Messina & the Mavericks Called by: Bob Dawson, 1863 Alta.Vista,-sarasota,na INTRO. BREAK & CLOSER: (Circle left) 1.* Listen to the music of the carousel 2. The ting-a-lingie of the ice cream bell 3. Allemande left your corner., -Partners-do :sa do 4. Men - star - left ;., once around ya go 5. - Come back and promenade around the land 6. Do sa do your partner Your corner allemande 7. Here - come - sum - mer sounds 8. The summer - sounds I love FIGURE: (Heads) 9. Star thru, pass thru, circle. 1 round.the track 10. Head men break.and make a.1 ine,-~go forward up-and back 11. -Pass thru, wheel and.dea1;.the centers star:..thru 12. Pass thru, cloverleaf, the.new center two 13.. (square) thru, three quarte~s, turn tha corner by the left 14. -All the way around~and.promenade ;the set 15. Hap -py summer -sounds 16. The.summer sounds I love SEQUENCE: Intro. Fig twice (Heads) break, Fig twice-(sides).,.closer, 4 bar tag. *lb The paddle of a steamboat on a-sund~y-cruise 2b The-sizzle of the hot dogs at a-barbeque *le The shrieking of the rollercoaster way up high 2c The whistles on the beach as a peach goes by *ld Join all your hands & circle left go dancin 1 round the ring 2d Go all the way around until youj re home again Note: The ~cloverleaf mentioned in 1 ine. 12 is a variation which uses only two 11 couples rather than the usual 4- in a dbl pass thru position. After the 11wheel & deal 11 in line 11, the centers star thru, then pass thru & separate.to start around l.per.son.but stop behind the pair at the side. The new center two (original heads wi.th opp. for partner) continue dance action is ca 11 ed. 24 Instructors: Nelda Drury,