TABLE OF CONTENTS. SEC Staff Contacts SEC Broadcast Contacts Football Television Timeout Clock...6

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2 TABLE OF CONTENTS SEC Staff Contacts SEC Broadcast Contacts Football Television Timeout Clock Football Television Timeout Guidelines SEC Football Protocol for Timeouts During Official Replay Football Commercial Television Timeout Formats Soccer Commercial Television Timeout Formats...14 Volleyball Television Protocols Volleyball Commercial Television Timeout Formats Institutional PSA Guidelines Field Goal Net Guidelines Institutional Signage Policies Live Game Content ESPN In-Progress Video Policy Post Game Highlights Re-Airs Magazines, All Access, Pre-Game & Post-Game Shows Practices, Spring Football Games, Midnight Madness, Intra-Squad Scrimmages & Pro- Days SEC Inside SEC Wired Guidelines Game DVD s Sirius-XM Satellite Radio Carriage Guidelines

3 Greg Sankey Commissioner Phone: (205) SEC STAFF CONTACTS Mark Womack Executive Associate Commissioner (Football) Phone: (205) Cell: (205) Charlie Hussey Associate Commissioner for Network Relations/COO Phone: (205) Cell: (205) Baseball Herb Vincent Phone: (205) Cell: (225) Basketball (M) Dan Leibovitz Phone: (205) Cell: (205) Basketball (W), Soccer Leslie Claybrook Phone: (205) Cell: (205) Cross Country, Tennis (M), Track and Field John Gibson Phone: (205) Cell: (205)

4 SEC STAFF CONTACTS Equestrian Chuck Dunlap Phone: (205) Cell: (205) Gymnastics Tiffany Daniels Phone: (205) Cell: (404) Softball Byron Hatch Phone: (205) Cell: (832) Swimming and Diving Matt Boyer Phone: (205) Cell: (217) Tennis (W), Volleyball Lauren Taylor Phone: (205) Cell: (205)

5 SEC BROADCAST CONTACTS CBS Dan Weinberg Senior Vice President, Programing Phone: (212) Craig Silver Coordinating Producer Phone: (212) ESPN, ESPN2, ESPNU, SEC Network Chris Turner Senior Director, SEC Programming Phone: (704) Cell: (704) Rosalyn Durant - Senior Vice President, College Networks Phone: (704) Cell: (860) rosalyn.s.durant@espn.com Lee Fitting Senior Coordinating Producer, College Sports Phone: (806) Cell: (860) lee.fitting@espn.com Tom McCollum Senior Coordinating Producer, Studio Phone: (704) Cell: (860) tom.mccollum@espn.com Jeramy Michiaels Director, Programming (SEC Network) Phone: (704) Cell: (317) jeramy.michiaels@espn.com Mallory Kenny Manager, Programming (SEC Network) Phone: (860) Cell: (860) mallory.kenny@espn.com Steve Ackels - Coordinating Producer: Football/Baseball/Championships Phone: Cell: steve.ackels@espn.com Meg Aronowitz - Coordinating Producer: Softball/Gymnastics Phone: Cell: meg.w.aronowitz@espn.com - 4 -

6 SEC BROADCAST CONTACTS Pete Watters - Coordinating Producer: Studio Phone: Cell: peter.watters@espn.com Baron Miller - Coordinating Producer: Studio Phone: Cell: baron.miller@espn.com Pat Lowry - Coordinating Producer: Men s & Women s Basketball/Volleyball Phone: Cell: patricia.s.lowry@espn.com Stos Hall - Coordinating Producer: Soccer Phone: Cell: stos.hall@espn.com Brad Buchanan - Producer: Studio Phone: Cell: brad.t.buchanan@espn.com Joe Disney - Producer: Studio Phone: Cell: joseph.w.disney@espn.com Mark Kubiak - Producer: The Paul Finebaum Show Phone: Cell: mark.r.kubiak@espn.com Nicholas Rud - Producer: Event Phone: Cell: nicholas.p.rud@espn.com Joe Taylor - Producer: Event Phone: Cell: joe.m.taylor@espn.com XOS DIGITAL Ben Godwin General Manager Phone: (205) Cell: (205) bgodwin@xosdigital.com - 5 -

7 TV TIMEOUT CLOCK INFORMATION Effective 2018 Football Season The SEC has partnered with Victory Game Clocks to develop a TV Timeout Countdown Clock for the upcoming football season. The Countdown Clock is a variation of the company s edown product currently utilized at a few SEC schools, the SEC Football Championship Game, and a number of bowl games. The Red Hat will handle, set, and start the clock. It is battery powered and easily charged through a port on the pole. A full charge will supply approximately 5 hours of continuous display. The unit weighs approximately 13 pounds, and can quickly and safely be discarded to the ground, similar to any current down indicator. The display is double sided, allowing fans, marketing managers, TV, game officials, and both teams to view the remaining time from anywhere in the stadium. The display is turned off during routine game action, and then can be quickly turned on, set, and started as needed by the Red Hat. The time shown on the TV Timeout Countdown Clock will be the official time. This will replace all red hat signals. When the display reaches zero, the game officials will make the ball ready for play. This will require both teams to be ready on the field and TV to be back from break

8 FOOTBALL TELEVISION TIMEOUT GUIDELINES The procedure for calling and timing the guaranteed called timeouts will be as follows: 1. Referee shall signal to the timeout coordinator that a timeout has been granted. 2. Timeout coordinator shall inform producer timeout has been granted and at that time will start the television timeout clock. Timeout coordinator shall will operate the television timeout clock. The timeout coordinator shall keep the producer informed of how much time is remaining before play is to resume. 3. The timeout clock replaces all signals. Upon the time reaching zero, the referee will make the ball ready for play. This will require both teams to be ready on the field and television to return back from break. For team timeouts where TV does not take a commercial break: 2018 NCAA Football Rules Rule 3-3; Article 7 b. For live televised games only, a charged team timeout shall be :30 seconds plus the :25- second play clock interval period. For live-televised games only, a charged team timeout shall be 30 seconds plus the 25- second play clock interval. However, the head coach may request that one of the allowed three timeouts in each half be a full timeout. This request should be communicated to the referee when the timeout request is made to the officials. The charged team timeout during an extra period (Rule h) may be a full timeout, at the request of the head coach. All guaranteed TV timeout requests will override Rule

9 SEC FOOTBALL PROTOCOL FOR TIMEOUTS DURING OFFICIAL REPLAY When the referee indicates a stoppage of play for an official replay review, the following protocols will be in place: 1. Instant replay to confirm a call using the official-to-official headset communication prior to the referee reaching the sideline assistant. Should a call be confirmed prior to the referee reaching the sideline assistant, play shall begin immediately following the referee announcement of the decision. If the referee reaches the sideline assistant, he will then determine if a commercial break shall be granted if one has been requested by the originating network. Institutions may not conduct on-field presentations until a commercial break has been granted. Institutions shall be ready to go to the referee announcement prior to the referee reaching the sideline assistant. 2. If the referee reaches the sideline assistant, the originating network may request a commercial break or stay with the telecast to show the review. A. If the originating network stays with the replay, institutions may show replays on video boards, however they may not conduct on-field promotions. B. Should the originating network choose to go to a commercial break, the following protocol will be in place: The referee will signal for a commercial break and the school has the following options: a. Use the timeout to exclusively show replays of the play in question on its videoboard via a feed from the official replay booth until the referee announces the results of the official review. b. Use the timeout for a promotion or presentation. The institution must conclude the promotion or presentation at least fifteen (15) seconds before the end of the timeout in order to allow the referee to announce the results of the official review. c. Show replays of the play in question, and then conduct a promotion or presentation following the replays. The institution must conclude the promotion or presentation at least fifteen (15) seconds before the end of the timeout in order to allow the referee to announce the results of the official review. For (b.) and (c.) above, the institution should assign an individual to communicate with the referee about the timing of the promotion/presentation

10 VIDEO BOARD PROTOCOL DURING STOPPAGE FOR AN OFFICIAL REVIEW When a stoppage occurs for an official review, the in-stadium video board operator must use the unaltered television network program feed or the unaltered video feed from the replay booth as the exclusive video source for replays of the play under review. No live coverage of any coach, student athlete, or fan reaction may be shown from the program feed during the review. Replays from the program feed or replay booth are permitted only between Referee announcements to stop play and to communicate the outcome of the review. No replays from any other video source may be shown on the in-stadium video board during stoppage for an official review

11 CBS COMMERCIAL FORMAT (66 UNITS) TV COORDINATOR (RED HAT) WILL TIME ALL COMMERCIAL BREAKS & SIGNAL THE RESTART OF PLAY FIRST QUARTER (12 UNITS) 1. Two-minutes, twenty seconds (2:20) 2. Two-minutes, twenty seconds (2:20) 3. Two-minutes, twenty seconds (2:20) 4. Two-minutes, twenty seconds (2:20) END OF FIRST QUARTER (5 UNITS) 5. Three-minutes, twenty five seconds (3:25) SECOND QUARTER (12 UNITS) 6. Two-minutes, twenty seconds (2:20) 7. Two-minutes, twenty seconds (2:20) 8. Two-minutes, twenty seconds (2:20) 9. Two-minutes, twenty seconds (2:20) END OF SECOND QUARTER 10. Twenty-minute (20:00) halftime break (additional thirty second (:30) commercial during halftime) THIRD QUARTER (12 UNITS) 11. Two-minutes, twenty seconds (2:20) 12. Two-minutes, twenty seconds (2:20) 13. Two-minutes, twenty seconds (2:20) 14. Two-minutes, twenty seconds (2:20) END OF THIRD QUARTER (5 UNITS) 15. Three-minutes, twenty five seconds (3:25) FOURTH QUARTER (12 UNITS) 16. Two-minutes, twenty seconds (2:20) 17. Two-minutes, twenty seconds (2:20) 18. Two-minutes, twenty seconds (2:20) 19. Two-minutes, twenty seconds (2:20) Up to four (4) additional commercials at one-minute, twenty seconds (1:20) may be inserted, two in the first half and two in the second half, provided there is a score or one of the competing teams (or officials for an injury) requests a timeout following the fourth commercial in that quarter (8 units). TIMEOUT FORMAT FOR EXTRA PERIODS 1. Two minutes (2:00; four units) immediately following conclusion of fourth quarter. (2:25) 2. No media timeouts will be permitted during the extra period 3. One-minute (1:00; two units) between additional extra periods (after both teams have had possession and the score remains tied). (1:25)

12 BASE COMMERCIAL FORMAT (74 UNITS) ESPN, ESPN2, ESPNU, SEC NETWORK TV COORDINATOR (RED HAT) WILL TIME ALL COMMERCIAL BREAKS & SIGNAL THE RESTART OF PLAY FIRST QUARTER (12 UNITS) 1. Two-minutes, forty seconds (2:40) 2. Two-minutes, thirty seconds (2:30) 3. Two-minutes, thirty seconds (2:30) END OF FIRST QUARTER (6 UNITS) 4. Three-minutes, thirty seconds (3:30) SECOND QUARTER (17 UNITS) 5. Two-minutes, forty seconds (2:40) 6. Two-minutes, thirty seconds (2:30) 7. Three-minutes (3:00) 8. Two-minutes, twenty-five seconds (2:25) FIRST HALF FLOATING BREAK (2 UNITS) 9. One-minute, twenty-five seconds (1:25) END OF SECOND QUARTER 10. Twenty-minute halftime break (20:00) THIRD QUARTER (12 UNITS) 11. Two-minutes, forty seconds (2:40) 12. Two-minutes, thirty seconds (2:30) 13. Two-minutes, thirty seconds (2:30) END OF THIRD QUARTER (6 UNITS) 14. Three-minutes, thirty seconds (3:30) FOURTH QUARTER (17 UNITS) 16. Two-minutes, forty seconds (2:40) 17. Two-minutes, thirty seconds (2:30) 18. Three-minutes (3:00) 19. Two-minutes, twenty-five seconds (2:25) SECOND HALF FLOATING BREAK (2 UNITS) 9. One-minute, twenty-five seconds (1:25) TIMEOUT FORMAT FOR EXTRA PERIODS 1. Two minutes (2:00; four units) immediately following conclusion of fourth quarter. (2:25) 2. No media timeouts will be permitted during the extra period. 3. One-minute (1:00; two units) between additional extra periods (after both teams have had possession and the score remains tied). (1:25)

13 EXPANDED COMMERCIAL FORMAT (78 UNITS) ESPN, ESPN2, ESPNU TV COORDINATOR (RED HAT) WILL TIME ALL COMMERCIAL BREAKS & SIGNAL THE RESTART OF PLAY FIRST QUARTER (14 UNITS) 1. Three-minutes, ten seconds (3:10) 2. Two-minutes, thirty seconds (2:30) 3. Three-minutes (3:00) END OF FIRST QUARTER (6 UNITS) 4. Three-minutes, thirty seconds (3:30) SECOND QUARTER (17 UNITS) 5. Two-minutes, forty seconds (2:40) 6. Two-minutes, thirty seconds (2:30) 7. Three-minutes (3:00) 8. Two-minutes, twenty-five seconds (2:25) FIRST HALF FLOATING BREAK (2 UNITS) 9. One-minute, twenty-five seconds (1:25) END OF SECOND QUARTER 10. Twenty-minute halftime break (20:00) THIRD QUARTER (14 UNITS) 11. Three-minutes, ten seconds (3:10) 12. Two-minutes, thirty seconds (2:30) 13. Three-minutes (3:00) END OF THIRD QUARTER (6 UNITS) 14. Three-minutes, thirty seconds (3:30) FOURTH QUARTER (17 UNITS) 16. Two-minutes, forty seconds (2:40) 17. Two-minutes, thirty seconds (2:30) 18. Three-minutes (3:00) 19. Two-minutes, twenty-five seconds (2:25) SECOND HALF FLOATING BREAK (2 UNITS) 9. One-minute, twenty-five seconds (1:25) TIMEOUT FORMAT FOR EXTRA PERIODS 1. Two minutes (2:00; four units) immediately following conclusion of fourth quarter. (2:25) 2. No media timeouts will be permitted during the extra period. 3. One-minute (1:00; two units) between additional extra periods (after both teams have had possession and the score remains tied). (1:25)

14 REDUCED COMMERCIAL FORMAT (70 UNITS) ESPN, ESPN2, ESPNU TV COORDINATOR (RED HAT) WILL TIME ALL COMMERCIAL BREAKS & SIGNAL THE RESTART OF PLAY FIRST QUARTER (12 UNITS) 1. Two-minutes, forty seconds (2:40) 2. Two-minutes, thirty seconds (2:30) 3. Two-minutes, thirty seconds (2:30) END OF FIRST QUARTER (5 UNITS) 4. Three-minutes (3:00) SECOND QUARTER (16 UNITS) 5. Two-minutes, forty seconds (2:40) 6. Two-minutes, thirty seconds (2:30) 7. Two-minutes, thirty seconds (2:30) 8. Two-minutes, twenty-five seconds (2:25) FIRST HALF FLOATING BREAK (2 UNITS) 9. One-minute, twenty-five seconds (1:25) END OF SECOND QUARTER 10. Twenty-minute halftime break (20:00) THIRD QUARTER (12 UNITS) 11. Two-minutes, forty seconds (2:40) 12. Two-minutes, thirty seconds (2:30) 13. Two-minutes, thirty seconds (2:30) END OF THIRD QUARTER (5 UNITS) 14. Three-minutes (3:00) FOURTH QUARTER (16 UNITS) 15. Two-minutes, forty seconds (2:40) 16. Two-minutes, thirty seconds (2:30) 17. Two-minutes, thirty seconds (2:30) 18. Two-minutes, twenty-five seconds (2:25) SECOND HALF FLOATING BREAK (2 UNITS) 9. One-minute, twenty-five seconds (1:25) TIMEOUT FORMAT FOR EXTRA PERIODS 1. Two minutes (2:00; four units) immediately following conclusion of fourth quarter. (2:25) 2. No media timeouts will be permitted during the extra period. 3. One-minute (1:00; two units) between additional extra periods (after both teams have had possession and the score remains tied). (1:25)

15 SOCCER TELEVISION TIMEOUT FORMAT SEC NETWORK, SEC NETWORK+, ESPNU TV TIMEOUT COORDINATOR WILL COMMUNICATE WITH THE PRODUCTION TRUCK & UPDATE OFFICIAL ON ALL BREAK TIMES. PREGAME 1. Two-minutes, thirty seconds (2:30) START OF FIRST HALF HALFTIME (15:00) 2. Twenty-minute, forty-five seconds (2:45) (3) BB S OUT OF BREAK 2 3. Twenty-minute, forty-five seconds (2:45) 4. Twenty-minute, forty-five seconds (2:45) 5. Twenty-minute, forty-five seconds (2:45) (3) BB S OUT OF BREAK 5 6. Twenty-minute, forty-five seconds (2:45) 7. Twenty-minute, forty-five seconds (2:45) 8. Twenty-minute, forty-five seconds (2:45) START OF SECOND HALF Notes 1. The broadcast entity will not take any in-action breaks unless there is an injury on the field that requires us to take the viewer away as the student athlete is attended too. 2. The broadcast entity may elect to take a commercial break during the 5:00 rest period between the end of regulation and the first overtime period should it be required

16 VOLLEYBALL TELEVISION PROTOCOLS Pregame Timing Protocols A pregame timing sheet shall be provided to the Producer of the broadcast at least two days prior to the scheduled match for review and, if necessary, discussion. Please make the Producer of the broadcast aware of any special events that will be happening before or during your scheduled match so they can consider including them in the broadcast. Please alert the producer of the broadcast to a lights out scenario in your venue pregame. Depending on the timing of the lights out, the broadcast entity may request to push the timing up to ensure the quality of the broadcast. The National Anthem should be complete at least one (1) minute before the scheduled programming window for your volleyball match. Expect the broadcast entity to be live at the top or bottom of the hour, and they need to be clear of the anthem before they come on the air. ESPNU, SEC Network, and SEC Network+ will all utilize a :02/:32 first serve for all volleyball matches this fall. Please provide your starting lineups to ESPN, SEC Network, SEC+ no later than the 30:00 mark remaining on the pregame clock. In-game Timing Protocols ESPNU, SEC Network, and SEC+ will take one in-action breaks in each set. The break will be taken on the first team called timeout of each set, or when the first team reaches 15 on the scoreboard. Should a 5th set be needed to determine the match, an in-action break will be taken on the first team called timeout or the first team to reach 8 on the scoreboard. Each in-action break will total 1:45 in length. Each break between sets will be 3:00. There will be no intermission this year. See the following time out guidelines for specific details

17 VOLLEYBALL TELEVISION TIMEOUT FORMAT SEC NETWORK, SEC NETWORK+, ESPNU TV TIMEOUT COORDINATOR WILL COMMUNICATE WITH THE PRODUCTION TRUCK & UPDATE OFFICIAL ON ALL BREAK TIMES. FIRST SET 1. One-minute, thirty second, (1:30) commercial (One-minute, 45-seconds (1:45) until play is resumed) - Occurs On 1st Team Called Timeout, or 1st to 15 points 2. Two-minute (2:00) commercial (Three-minutes (3:00) until play is resumed) - Occurs at the end of Set 1 SECOND SET 3. One-minute, thirty second, (1:30) commercial (One-minute, 45-seconds (1:45) until play is resumed) - Occurs On 1st Team Called Timeout, or 1st to 15 points 4. Two-minute (2:00) commercial (Ten-minutes (10:00) until play is resumed) - Occurs at the end of Set 2 THIRD SET 5. One-minute, thirty second, (1:30) commercial (One-minute, 45-seconds (1:45) until play is resumed) - Occurs On 1st Team Called Timeout, or 1st to 15 points 6. Two-minute (2:00) commercial (Three-minutes (3:00) until play is resumed) - Occurs at the end of Set 3 FOURTH SET 7. One-minute, thirty second, (1:30) commercial (One-minute, 45-seconds (1:45) until play is resumed) - Occurs On 1st Team Called Timeout, or 1st to 15 points 8. Two-minute (2:00) commercial (Three-minutes (3:00) until play is resumed) - Occurs at the end of Set 4 FIFTH SET 9. One-minute, thirty second, (1:30) commercial (One-minute, 45-seconds (1:45) until play is resumed) - Occurs On 1st Team Called Timeout, or 1st to 15 points Notes The Broadcast Entity may decide not to take a formal commercial break in sets 4 & 5 in-action, but will still use that time for content purposes. It will be transparent to the teams

18 INSTITUTIONAL PSA GUIDELINES CBS The following are delivery instructions and deadline information regarding in game promotional materials and institutional messages for 2018 COLLEGE FOOTBALL & NCAA BASKETBALL season. PLEASE NOTE: Unless otherwise noted, the same message will run during the BASKETBALL season, as well. DELIVERY: Please send all institutional spots (HD ONLY): Delivery methods are: ELECTRONIC DELIVERY (preferred) to CBS TELEVISION NETWORK not CBS SPORTS NETWORK (our cable side): 1. via electronic delivery to the following: Extreme Reach, Yangaroo (DMDS), Javelin, Comcast AND On The Spot Media TAPE DELIVERY: 2. 1 copy for each spot on HDCAM SR 1080i (preferred) Or HD CAM ****tapes submitted on 720p or non-drop frame WILL NOT be acceptable for air**** Charlie Carapezza (212) CBS TV NETWORK (561 W 56 TH Street) Attn: BOC LIBRARY (1E2-5) New York, New York Please note, for tapes, we only accept Institutionals in HD. You must supply 1 copy that is on HD Cam SR or HD Cam format. Our machines only play back 1080i with a field rate ratio. Spots must be 4x3 safe. Each school promotional message/conference message must be: 30 and isolated on separate reels. We will not accept multi-reel spots. PLEASE NOTE: NO TWO (2) MESSAGES SHOULD BE SENT ON THE SAME REEL. Each message should contain a unique character code (ISCI) ON THE BOX LABEL AND SLATE 8 12 characters long that can be a combination of the school name & year. Please remember that this code cannot exceed the maximum of 12 characters as the system will not be able to process it. Some school s name will have to be abbreviated. For your convenience, any questions on coding can be directed to: Ad-ID Customer Service; (704) ; cs@ad-id.org. Sample codes for School / Conference Message UNIVCBS17 :30 sec length CBSSTATE2017 :30 sec length CBSSTUNIV17 :30 sec length **It is important that the isci code is on the front of each box label as well as on the slate** APPROVALS: All spots must be approved by our Program Practices department before airing. Please me all screeners/links or slated versions at the same time as delivery (link must include the isci code on a slate leading into video. Please include your name, contact information, ISCI code and date that each spot is assigned to air (I know this may be approximate). I need this sent to me to pass on for approval. All messages must include the following graphic: "FURNISHED BY (NAME OF SCHOOL) as to distinguish it from a commercial. We can not air your school message unless this graphic appears on the message. Our CFB season starts 9/1/18, All messages are to be delivered no later than Tuesday, 8/21/18. This is to ensure schools do not miss the opportunity to get their PSA on air. Once again, unless otherwise noted the same message will run during the BASKETBALL season, as well. -Please keep in mind that we do not keep school messages/conference messages that aired in previous year s season, so you must submit a message for it to make air. If you have any questions please feel free to call me directly at (212) Shoshana Salmon Shoshana.salmon@cbs.com (212)

19 INSTITUTIONAL PSA GUIDELINES ESPN, ESPN2, ESPNU, SEC Network AD-ID SYSTEM Agencies are required to utilize the Ad-ID (formerly ISCI code) numbering system for all commercials. To obtain a prefix (assigned exclusively to each advertiser), please contact the Ad-ID as follows: Ad-ID Phone: (704) cs@ad-id.org David Taylor Drive, Suite 305 Charlotte, NC COMMERCIAL CLEARANCE All commercial material(s) (e.g. advertisments, billboards, feature materials, etc.) must be submitted in advance for approval and are subject to ESPN s Advertising Standards and Guidelines. All clearance materials should be sent in advance to CommercialClearance@espn.com for network approval. A minimum of two weeks lead time is required. Script, storyboard, and/or Beta SP or DVD viewing material is required for review. On occasion, one or more elements may be required for approval (e.g. script and rough-cut). Submission of a commercial shall constitute the agency/client warranty to ESPN that all elements have been cleared for air (and Internet Distribution, if via espn.com and/or WatchESPN, Mobile ESPN or other internet or broadband properties) with respect to intellectual property rights: this includes, but not limited to, rights or privacy and master, mechanical, performance and synchronization rights for music. COMMERCIAL DELIVERY SPECIFICATIONS FOR TELECAST Any content which does not meet these specifications may be refused for air or have the levels altered to meet these specifications at ESPN s discretion ESPN reserves the right to refuse to broadcast or otherwise utilize television recordings that, in its opinion, are technically unsatisfactory. On-Air materials must be in house (Bristol, CT) no later than five (5) business days prior to the airdate. On-Air matericals for ABC telecasts must be sent to ABC (New York, NY) directly. ESPN accepts Closed Captioned commercial content. All Infomercials MUST be Closed Captioned. ESPN does NOT accept commercial content with embedded or encoded triggers. ESPN will utilize one commercial tape for a buy across all Standard Definition networks. There is no need to submit the same commercial tape for each of these networks. ESPN will NOT guarantee replacement of a commercial if it is assigned the same Ad-ID as the original version. Unique codes must be created for all separate material submitted for telecast. COMMERCIAL PURGE POLICY Commercial material will be held for sixty days from the last airdate, after which time it will be removed from the system. The same commercial purge policy applies to material that does not air within sixty days of receipt. ESPN cannot hold indefinitely, duplicate or return commercial materials submitted for telecast. If commercial material may not air after a specific date, it is agency or advertiser s responsibility to notify ESPN and request that such material be purged from the system effective as of that date. If commercial material should not air and the agency or advertiser has not provided purge notification to ESPN, any changes that ESPN-may Incur as a result will be passed on to the agency or advertiser

20 WATCHESPN COMMERCIAL DELIVERY If EDI has not been sent to agency, the following process applies: o If creative is already in house in Bristol, the ISCI code information needs to be sent to Kendra Simon and Account Manager Commercials will be digitized and sent from Bristol to Seattle. Two day lead time required. o If creative is NOT already in house in Bristol, TV Ad Operations will request that a digitized version (QuickTime or Windows Media file) be sent directly to Seattle. If material cannot be sent directly to Seattle, it should be sent to Bristol via standard media delivery channels. The ISCI code information needs to be sent to Kendra Simon and Account Manager. Commercials will be digitized and sent from Bristol to Seattle. Two day lead time required. STANDARD DEFINITION Accepted Digital Ad Delivery vendor required.* frame rate. ESPN will utilize one commercial tape for a buy across all Standard Definition networks. There is no need to submit the same commercial tape for each of these networks. Full Stereo mix on audio channels 1 & 2. HIGH DEFINITION Accepted Digital Ad Delivery vendor required.* 720p; frame rate. Full Stereo mix on audio channels 1 & 2. ESPN does not broadcast commercial inventory on 5.1 Dolby Surround. The HD Ad-ID must have an H at the end to signify HD material. Only one piece of creative (either SD or HD) will be accepted for air on all HD available networks and will air simultaneously on the HD and SD services. Commercials airing on any SD only network (Classic, etc.) may submit a center-cut protected HD tape or an SD version. - HD material (i.e. in full 16 x 9 format) and will be simulcast in center cut format (i.e. in 4 x 3 format) on the SD networks. - ESPN Classic is currently SC only. HD material is accepted on this network and will be down-converted as center-cut for the SD broadcast. DIGITAL AD VENDOR CONTACT INFO: Extreme Reach: support@extremereach.com or (877) Javelin/Hula: support@javelindelivers.com or AdStream: Traffic.latam@adstream.com or (786) DMDS/Yangaroo: support@dmds.com or (866) Comcast AdDelivery: addelivery_support@cable.comcast.com or , option 1 On The Spot Media/EZSpot: stationservices@onthespotmedia.com SpotGenie: support@spotgenie.com, or (888) Syncro: spots@syncroservices.com

21 All Conference/School institutionals must have a Furnished by disclaimer. THE "MESSAGE FURNISHED BY" MUST BE ON THE SCREEN FOR AT LEAST 3 SECONDS AND CLEARLY READABLE It needs to be stand alone. Here is our policy on superimposed content: STANDARD When superimposed copy is required, it must be displayed clearly and conspicuously. As a general rule, supers must be presented against a contrasting background, and must be displayed for sufficient duration and in large and bold enough, well-spaced letters, words, and lines of copy to be read easily. GUIDELINES All supers must be clearly legible, any clear typeface is acceptable. Each line of every required super must occupy at least 22 scan lines (or the equivalent of 5% of the active picture) of the television screen for SD formatted commercials; a minimum of 29 scan lines for HD formatted commercials. Minimum on-display time should be three seconds for all one-line supers. Supers of two or more lines should remain in view as follows: three seconds for the first line of text plus one second for each additional line (thus a four-line super requires a minimum sixsecond display). Supers which vertically roll over the screen may be permissible; those which horizontally crawl across the bottom one-third of the screen may be permitted on a case-by-case basis. ESPN reserves the right to modify these requirements as circumstances may warrant

22 FIELD GOAL NET GUIDELINES Under the agreements reached with SEC media providers, the following guidelines are in place for the 2018 season. o Institutions that have field goal net agreements in place with Allstate may use the physical nets at any home game (including games televised by CBS). o For institutions that don t have an agreement with Allstate for field goal nets, ESPN will provide virtual signage on SEC Network telecasts. Virtual nets will be shown once per quarter or four times per SEC Network telecast. CBS and ESPN controlled telecasts (other than the SEC Network) will NOT show a virtual image. Alabama Arkansas Auburn Florida Georgia LSU Ole Miss Mississippi State Missouri South Carolina Texas A&M Vanderbilt SEC INSTITUTIONS WITH FIELD GOAL NET DEALS

23 INSTITUTIONAL SIGNAGE POLICIES SEC institutions retain the right to offer and control signage at their home sites subject to the NCAA rules and the following policies which shall be in effect for all games distributed by SEC media providers (including both televised games and games distributed digitally on SECNetwork.com or the WatchESPN App): FOOTBALL No sign, billboard or other display (including electronic wrap signage) for any product or service will be located at field level at the site during an SEC media provider s coverage of a game, except static advertising which is permanently affixed at the site on a season-long basis. Digital boards are permitted only if the sponsor remains consistent during a season (sponsor rotation is permitted once per half therefore an institution may have different first and second half sponsors). No soccer-style perimeter advertising shall be visible within normal camera view. No sign, logo, mark or advertising shall be visible on any field goal nets or comparable location other than as set forth in the Field Goal Net Guidelines section of these Broadcast Guidelines and otherwise with prior consent from the conference office. No sponsor, other than a naming rights sponsor as permissible by NCAA rules, shall be located on the field. BASKETBALL Digital tables/ LED signage (camera view side): o Sites will be permitted to have rotating/led signage, with one or two sponsors visible on such signage at any time, provided that the SEC media providers receive 25% of the inventory on those signs, solely to promote media platforms or programing. SEC institutions may rotate/display up to twenty different sponsors each game. No sponsor, other than a naming rights sponsor, shall be located on the court (including out of bounds apron). Goal Stanchions: o Sponsor signage on the sides of goal frames and on goal pads is permissible only if it is permanently affixed at the site on a season-long basis. o Digital signage is permitted but should remain static during play. Rotations are allowed during dead ball situations

24 INSTITUTIONAL SIGNAGE POLICIES - CONTINUED OTHER SPORTS No sign, billboard or other display (including electronic wrap signage) for any product or service will be located at field level at the site during an SEC media provider s coverage of a game, except static advertising which is permanently affixed at the site on a season-long basis and digital boards as described below. o Digital boards are permitted. SEC institutions may rotate/display different sponsors each game; provided, that SEC media providers receive 25% of the rotating/display time solely to promote media platforms or programing. For digital boards which remain static during games, the SEC media provider would not receive inventory. No sponsor, other than a naming rights sponsor, shall be located on the field or court

25 LIVE GAME CONTENT An SEC institution may not distribute live game content for any game on CBS. For games on ESPN platforms, please see the ESPN In-Progress Video Policy. Credentialed members of the media may use Facebook Live, Periscope, or other similar digital applications acceptable to the SEC to distribute live video during Southeastern Conference home events provided such video does not include any game action and is otherwise in compliance with NCAA rules and regulations, including any such rules or regulations related to publicity of prospective student-athletes. Video of game action includes any video images of any players, coaches, competition area or bench area, from the earlier of the beginning of the contest or the scheduled telecast of the contest until the end of the contest. Any violation of the above restrictions may result in the revocation of the applicable media credential. SEC Institutions may use Facebook Live, Periscope, or other similar digital applications acceptable to the SEC in the same manner as credentialed members of the media. In addition, SEC Institutions may use such digital applications to distribute video of halftime activities. SEC ticket holders may use Facebook Live, Periscope, and similar digital applications acceptable to the SEC in the same manner as credentialed members of the media

26 To: ESPN Partner Collegiate Conference From: Nick Dawson, VP Programming & Acquistions Date: 8/17/2018 Re: Digital In-Progess Video Policy ESPN IN-PROGRESS VIDEO POLICY The following memo details ESPN s policy on conference and school permissions around digital in-progress video. ESPN extends these permissions on a trial basis for the athletics season only. ESPN reserves the right to re-evaluate at any time. These rights are subject to the following general and sport specific guidelines and restrictions. ESPN may revoke at any time in its sole discretion upon breach of said guidelines and restrictions. For any conference controlled (i.e., conference must control the media rights to the game) ESPN, Inc. telecast/stream of a regular season game or event, ESPN permits only the Conference and Conference s participating member institution(s) to distribute digital in-progress video during the live telecast window as described below: FOOTBALL AND MEN S BASKETBALL Max four (4) clips from any game/event telecast on ABC (max 30 seconds per clip). Max ten (10) clips from any game/event telecast on ESPN networks/platforms (max 30 seconds per clip). For use solely on official conference or school websites and apps only. No native video on social media platforms. To unlock the rights detailed above, each school/conference must Tweet and Facebook post from official social media handles encouraging tune-in to said game/event with a direct deep link to the live stream in the ESPN app. Schools/conferences are responsible for obtaining the deep links. ALL OTHER SPORTS Max four (4) clips from any game/event telecast on ABC (max 30 seconds per clip). Max ten (10) clips from any game/event telecast on ESPN networks/platforms (max 30 seconds per clip). For use solely on official conference or school websites and apps, and primary social media accounts via native video

27 PROMOTIONAL OBLIGATIONS APPLY TO ALL SPORTS For each game to which Conference/School activates these rights, the Conference/School is obligated to deliver the following promotion for ESPN s live distribution of said game: Subject to the social media restrictions noted above, every social media post that includes native in-progress video must: (1) Include a direct deep link to the game s live stream in the ESPN app (2) Attach to the in-progress video the ESPN promotional post-wipe - accessible via dropbox link: 0 At least one in advance of, and once during, each game, Conference/School must display/post on its digital and social platforms: (1) A direct deep link to the game s live stream in the ESPN app (2) Textual tune-in for the game including originating ESPN platform (e.g. Linear Network ABC, ESPN, ESPN2, etc. or Digital Network ESPN3, ESPN+, etc). GENERAL GUIDELINES/RESTRICTIONS CONFERENCE/SCHOOL USE OF DIGITAL IN-PROGRESS VIDEO Rights apply to regular season and conference championship games/events only. CFP/Bowl games and NCAA Championship events excluded. Limited to republished in-progress video only nothing streamed live. No rights for third party platforms unless noted above. Cross-promoting or similar social media tools prohibited. All video must be network footage, inclusive of the visible network ID bug. Sponsorship/monetization of any kind is strictly prohibited (e.g. no pre/post-roll video or superimposed ads, etc) Upon reasonable request by ESPN, conferences and schools agree to share basic data on performance of in-progress video

28 POST-GAME HIGHLIGHT POLICY An SEC institution may distribute post-game highlights from games in which it participates on the institution s or its athletics department s official website, official mobile application or YouTube Channel, on coach s websites maintained by the institution and in coach s or highlights shows distributed on behalf of the institution as follows: o Official Website, Mobile App, YouTube Channel and Coach s Website: a maximum of three minutes of highlights from each game in which it participates o Coach s or Highlights Shows: a maximum of eight minutes of highlights per 30 minutes of coach s or highlights show from each game in which it participates For SEC-controlled games (e.g., conference games and home non-conference games), the SEC institution may create post-game highlights from the game broadcast distributed by the applicable SEC media provider (e.g. CBS, ESPN, SEC Network or WatchESPN App) up to the maximum amounts described above. For games that are not SEC-controlled games (e.g., away games, bowl games and NCAA tournament games), the SEC institution may create and distribute post-game highlights as permitted by the home team or event organizer, up to the maximum amounts described above, and may use post-game highlights from the game broadcast as allowed by the copyright holder of the broadcast (typically the home team or its conference, the game organizer or the broadcaster)

29 RE-AIRS NO RE-AIRS: SEC institutions are NOT permitted to authorize the re-air of any game in which it participates on its official website, official mobile application, YouTube Channel or otherwise. This restriction applies to both current games and archive games. MAGAZINE, ALL ACCESS, PRE-GAME AND POST-GAME SHOWS An SEC institution is permitted to authorize, and allow access for production of, a magazine, all-access, pre-game or post-game show only in accordance with the following: o No such show shall be for distribution on a national television network (e.g. - Fox Sports 1, NBC Sports Network, HBO, Showtime, etc.) other than the SEC Network without permission from the Conference Office. o Such show may be distributed only via (i) an institution s official website, official mobile application or YouTube Channel, (ii) regional syndication of over-the-air television stations or (iii) a regional cable television network (including the digital distribution of the linear feed of such regional cable television network (i.e.,. TV Everywhere)). o Any highlights of games or special practices used in any such show shall only be up to the maximum amounts allowed under these Broadcast Guidelines for use in Coach s or Highlights Shows

30 PRACTICES, SPRING FOOTBALL GAMES, MIDNIGHT MADNESS, INTRA-SQUAD SCRIMMAGES AND PRO DAYS Generally, there are no SEC-imposed restrictions on the distribution of highlights from practices of SEC institutions on the institution s or its athletics department s official website, official mobile application or YouTube Channel. However, for special practices or scrimmages such as spring football games, midnight madness events, other intra-squad scrimmages and other similar special practices or scrimmages, the following restrictions shall apply: o The SEC institution may not (and may not authorize its rights holder or any other entity to) televise, stream or distribute such event on its official website, official mobile application, YouTube Channel or otherwise. This restriction shall apply to both live and delayed distribution. o The SEC institution may distribute highlights from such event on its or its athletics department s official website, official mobile application or YouTube Channel, on coach s websites maintained by the institution and in coach s or highlights shows distributed on behalf of the institution, but only up to the maximum amounts that would be allowed under these Broadcast Guidelines if such event were an SEC-controlled game. For pro days held by an SEC institution on its campus or other site, ESPN and the SEC Network shall have non-exclusive distribution rights. Accordingly, an SEC institution may grant non-exclusive rights to televise or distribute a pro day to its rights holder or other entity (other than a national linear telecast or television distribution)

31 SEC INSIDE The show will be delivered to the school for screening prior to air. Due to the timeline of turning the show around, it is asked that someone from the team review the show and suggest any alterations needed as quickly as possible to assure the changes being made and the show making air. Regular Season: Football Men s Basketball Championships: SEC Football Championship SEC Women s Basketball Tournament SEC Men s Basketball Tournament SEC Gymnastics Championship SEC Softball Tournament SEC Baseball Tournament Show access requests may include: Camera with audio in locker room pre-game, half-time and post-game. This access is critical to the show; however, the Network will work with the schools to identify access times that work for all parties. The amount of time allowed in the locker rooms for SEC Inside shall be determined at each institution s discretion; Camera with audio in close proximity to the team/bench area (must be outside of the team/ bench area) during game. ( mole camera); Two camera positions shooting during the game, in addition to the mole which focuses on, activities around the bench, the tree, which shoots is across the field with a long lens, and the weasel which focuses on the emotions of the crowd

32 SEC WIRED - BASKETBALL Men s and Women s head basketball coaches will be Wired (mic d) for up to five (5) home games (home team head coach only) on an ESPN family of networks (ESPN, ESPN2, SEC Network, ESPNU). If an institution wishes to participate with Wired additional times during the season and the televising network has the ability to do so, it is permissible (home coach only) to do more than five. Guidelines for Wired : The footage and sound shall be positive in nature and represent the coach, school, SEC and ESPN in a positive way; Material will air tape turnaround only, no live to air sound; Schools have the option of approving clips prior to airing; All material that isn t utilized during the telecast or that has NOT been approved by the school will be destroyed immediately following the game; The footage and sound shall not contain conversations between the coaches and officials nor contain coaches personal conversations during in-game action; The head coach shall be "wired up" at mutually agreed upon time between the television game producer and sports information representative or school administrator. This time frame will typically be approximately minutes before the start of the game; Ideally, a television representative such as an audio technician shall remove the microphone and audio transmitter prior to the head coach entering the post-game locker room; Schools wishing to use wired sound may only use material that aired in the telecast and must only use such audio for institutional platforms; and No one on the production crew or technical crew shall record the wired sound from any tape source to their phone, tablet, or other recording device and share the content with anyone outside the production crew

33 Additional Information: During the SEC Tournaments, boom microphones will be used around benches. The material will be subject to review by a representative of the participating institutions prior to air. Institutions at their sole discretion (home or visiting teams) may allow access for televising partners in locker rooms for pre-game or half-time speeches

34 GAME DVD S An SEC institution may distribute DVD s containing a Full Game Broadcast of an SECcontrolled game in which it participates o Full Game Broadcast means video that comprises all (or a substantial portion intended to include all material elements) of a game o Subject to the notes below about copyrights, the SEC institution may use game broadcast that was televised or distributed by the applicable SEC media provider (e.g. CBS, ESPN or SEC Network) IMPORTANT NOTES ABOUT COPYRIGHTS o Although the SEC owns or has the right to use the copyrights to the broadcasts of the games televised or distributed under the SEC Media Agreements, the SEC s rights do not extend to music, footage or commercials inserted by the broadcaster into the game broadcast that is not owned or controlled by the broadcaster. The SEC institution is solely responsible for removing such thirdparty materials from the game broadcast or obtaining all necessary consents and clearances in connection with its distribution of DVD s. o A possible solution to the third-party material issue described above is for the SEC institution to distribute DVD s that contains the clean feed of television broadcast accompanied by the audio from the radio broadcast produced by the SEC institution s radio network

35 SIRIUS/XM Brian Hamilton Vice President, Sports Programming Phone: (212) SUMMARY: BRANDED CHANNELS - SiriusXM will dedicate three (3) sequential branded channels for SEC programming. XM 190, 191, and 192 and SEC Conference Channel 374. FOOTBALL - SiriusXM will carry every SEC football game each season. Each participating institution s originating network will have at least eight of 12 football games carried each year. Further, SiriusXM will make best efforts to carry both the home and away broadcasts of each SEC football game each season. MEN S BASKETBALL - SiriusXM will carry 80% of all regular season men s basketball games while making best efforts to carry every men s basketball game (home broadcast). WOMEN S BASKETBALL - SiriusXM will carry a conference game of the week (home broadcast). BASEBALL - SiriusXM will carry a minimum of one conference series each weekend. Further, SiriusXM will make best efforts to carry every conference baseball game (home broadcast). SEC CHAMPIONSHIP EVENTS - SiriusXM will carry the following championships/ tournaments in their entirety (broadcasts are produced by the SEC/ IMG Radio Network) Football Championship Game Women s Basketball Tournament Men s Basketball Tournament Softball Tournament Baseball Tournament Soccer Tournament Final

36 INSTITUTIONAL COMMITMENT - Each SEC institution must provide SiriusXM one 30- second spot in every institutional network radio broadcast and one 10-second on-air announcement ( reader ) promoting SiriusXM. SEC CONFERENCE CHANNEL SEC Radio, Channel 374 on SiriusXM will be a 24/7 dedicated branded channel focusing on all things SEC. Content includes daily live talk shows produced by SiriusXM, simulcast of the Paul Finebaum Show and potentially other SEC Network simulcast programming. Every school in the conference will be highlighted as the channel will speak to the entire conference membership. Game broadcasts are covered in the SEC s current Rights Agreement with SiriusXM (summarized on the following page), however additional alternative broadcasts will air on the new SEC Channel. This agreement is separate and apart from the Conferences Rights Agreement with SiriusXM (summarized on the following page). The SEC will have the right to terminate this Channel Agreement if the Rights Agreement expires or is terminated. *SiriusXM may distribute original programming on the SEC Channel via satellite radio and internet streaming platforms, however institutionally-produced game broadcasts may not be streamed on the internet as schools retain internet rights