-- - BD, Dallas Mavericks. P & R Sets

Transcription

1 Frame 1 80, Dallas Mavericks BD, Dallas Mavericks BD, Dallas Mavericks Framo -- - / " / \ As 1 dribbles the ball up the noor, screens down on 4. As 1 dribbles off 4's ball screen, 5 goes to screen down on. 1 hils for the shot.

2 Fmme1 Clear Step, Oklahoma City Thunder Clear Step, Oklahoma City Thunder Clear Step, Oklahoma City Thunder As 1 begins to dribble at for a DHO, speed cuts out of the corner to the right slot. takes a dribble to the middle of the floor before throwing it back to 1. 5's goal is to be there as!he ball arrives for his step-up screen. 5 rolls hard to the rim. Hammer" action happening on the weakside.

3 Fram& 1 Rip, Houston Rockets Rip, Houston Rockets Frame Rip, Houston Rockets / -- ' I \ / I ' \ 4 steps to a ball screen for 1. 4 pops, 5 dears to the opposite block he was on. Couldn't be simpler, but this was Luis Scola's play last season. would be Houston's best shooter, 5 would clear the right block, Scola would catch and just rip to his right hand.

4 Frama 1 Empty Angle, Phoenix Suns Empty Angle, Phoenix Suns Empty Angle, Phoenix Suns Frome B&S!Ba] Scroan Sel:!IIW Seeo Lala'Y pg. 5 4 As 1 dribbles It through lhe middle of the floor, he angles his dribble slighuy to the left. 5 goes to set a wide pindown for, curts 5 steps to set a ball screen for 1. 5 rolls hard to the front of the rim, 4 fills behind 1's penetration as shapes up. 1's read here is where the help Is coming. Often the defensive will flatten out to guard this with everyone sinking to stop 5's roll as x5 moves to help. This is the spot where Channing Frye makes a killing I

5 Frame 1 4 DHO Angle, New York Knicks DHO Angle, New York Knicks DHO Angle, New York Knicks ----a- - ~ / - ' I \ Frame 5 4 &st 6a-J Scre-e.n S&b l'va SeBtllalety pg. 6 comes behind 1 for a DHO, 5 begins his palh up the court, empties opposite, 5 sets an angled ball screen for to come off. 1 fills behind (different way to get Into the same action as the Suns "Empty Angle')

6 Freme 1 High, New York Knicks High, New York Knicks --a- 4 ' I ' \ ' Frome High, New York Knicks G~,..lT_:_.:;;:, ' 0. /-- - I ' \ 5 As the Knicks come down screen for 1. shapes up ~ transition, 5 sprints into a drag b II e court opposite, a 1 doesn't even need to Is to get the ball ~eatty to drive off the ball. possible. 4's thin~~tgo; h:s hands and into 's han~:een. HilS goal arrives catch 8 o be there for the ball as qu ckly as. es and drives off 4' screen as the ball s screen.

7 Frame 1 Pitch, New Orleans Hornets Pitch, New Orleans Hornets Pitch, New Orleans Hornets F<am& a&sl Bd Scrooo Sti.S 1\e Sean IAWy pg. 8 ' \ 1 hils. After 1's pass, 4 comes In to set a quasi flare screen. As passes back to 1. there's a ton of movement. 4 dears to the right short comer, empues opposite and 5 sprints up to set a ball screen Frame Pitch, New Orleans Hornets 4 ' I \ 5 ball screens for 1 and, rather than rolling, screens for.

8 Frame 1 Twin Hammer, San Antonio Spurs Twin Hammer, San Antonio Spurs Frame Twin Hammer, San Antonio Spurs and 4 screen In for to coma to the left wing for a catch. rejects 4's screen to drive it baseline. 5 screens in x for "Hammer'" action.

9 Frame 1 Under, Atlanta Hawks Under, Manta Hawks Under, Atlanta Hawks Frnmo / ' ;-t---u/ 'w 4 5 / / ' \ As 1 dribbles up the floor. cuts through the foul Une underneath 4 (trailer). 1 follows his pass. rim cuts off 5. Because 1 didn't gat It when he came over the top of.1 settles on the wing where throws it to him. Fmma Under, Atlanta Hawks ball Scfeens for 1 as 5 turns to re-screen for. (It Is important to understand the liming mechanism of this in regards to how qulcidy this is run. 1 comes over the top of and doesn't get it as Is coming off S's Initial scfeen, throws tt to him, sprints into BS, has come off 5 again).

10 Frame 1 XL, Dallas Mavericks XL, Dallas Mavericks Frame XL, Dallas Mavericks 4 5,- 1 ' \ 1 screens down for 4 for4 to come to an elbow catch. On 4's catch, 1 cuts away and flex cuts off 5. Once has cleared his body, 5 turns to sprint at for a b!gibfg ball screen.

11 Dash' Boise State Frame 1 Dash, Boise State F am Dash, Boise State 4 comer. screens dovm for 5, 5 spnnls. Into a ball scree n. steps to As 5 sets his flat balls shaping u th creen, there is a flu to the righr co e mer. floor, emptying to the rig~cof omer movement and 4 moving with

12 Fmmo1 Detroit, Ohio State P & RSets Detron, Ohio State Detroit, Ohio State Frame nut8aj&xee.1 &.!fsl'v&sero la!a,'y pg.1 ' ' 5 breaks the box alignment by stepping to the right comer, 5 turns and screens for. 1 dribbles the ball to the right wing. sets a ball screen for 1. The guard/guard bau screen is just a decoy as 4 flares him out the back. 1 looks to throw back to for an open shot or a rip to a lefty drive.

13 Fmme1 Guard Around, Kentucky Guard Around, Kentucky Guard Around, Kentucky Frame. Bert Bal Scroon~!S 1\ e ~M tare.y. pg. 14 ' Starting in the ~ high alignment, 1 hits to and follows for a handoff, and 4 exchange on the weak side, and 5 double screen for 4 ( selling second screen). Frome Guard Around, Kentucky As 4 curls the double to the block, clears and cuts hard to the middle of the noor. and 5 will set a double ball screen ror 1. 's screen will be first, it's amazing how often this 1 will clear the double with no one stepping up.

14 Frame 1 Spin Down, Washington State Spin Down, Washington State.a-. ' ' eesid&1 Sa-e-oo~l've SeM U!~:Y pg. 15 r-' '"' fi"'p\ t ~"?. afl _.,." ~~k.~ 'SGtt~., I SfiAS ~ J l,j1 \lff 'f s dfi\u\

15 Drag, Brazil Fmme1 Drag, Brazil Frama Drag, Brazil 1 throws ahead to and cuts through. 5 {trailer) begins to sprint Into a drag ball screen for. 5 sets a drag ball screen for. throws ahead to 4. 4's first look Is if Sis open on his roll (assuming x5 is late getting back after h!s hedge). Frame Drag, Brazil 5 4 reverses to as 1 steps up to set a UCLA screen.

16 Frame 1 Horns Spread, France Horns Spread, France Horns Spread, France Frame P" 0 ~ 5 4 Starting In a horns alignment, 1 dribbles off 5 who rolls hard looking for the pass from 1 (Important that x5 must respect his roll). 4 screens away for. On airtime of 1 throwing back to, 5/s on a dead sprint to set a Hat ball screen {changing his angle depending on how tha Dis playing)

17 &u.!8silfueoo ~:S l'v!t Seoo Lala~-pg. 19 Wide, Spain Frame 1 Wide, Spain Frame Wide, Spain Starting In a horns alignment, 1 hits 5 and cuts off 4's back screen. 5 turns away from 1's cut to his left shoulder where he dribbles at for a DHO. 4 follows behind 5. Frame Wide, Spain 4 ball screens for as 1 sets a screen for 5 underneath the action.